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Abstract Memorializing Individuals, Seeking Justice
ABSTRACT MEMORIALIZING INDIVIDUALS, SEEKING JUSTICE FOR COMMUNITIES: THE EPIDEMIC OF SYSTEMIC VIOLENCE AGAINST INDIGENOUS PEOPLES AND THE ROLE OF ART AND PUBLIC RESPONSE IN BRINGING ABOUT SOCIAL CHANGE By Amanda Ferris Frederico May, 2016 Director of Thesis: Dr. Jessica Bardill, Ph.D. DEPARTMENT OF ENGLISH Indigenous peoples throughout the Americas are often targets of violence stemming from settler colonial societies that would position Indigenous peoples on the outskirts of mainstream, often Eurocentric societies. For Indigenous people, the systemic violence against them works to erase all Indigenous identities from dominant non-Indigenous societies. Even as Indigenous identities in general are targets of systemic violence, there are two subgroups within a larger Indigenous community that are targeted for violence more often than the overall Indigenous community –Indigenous women and those individuals who identify in ways that deviate from the dominant society’s preferred heteronormative and gender-binary identities. Queer Indigenous people and Indigenous women represent the minority of a minority who are hunted in an effort to erase their divergent identities entirely. Through the examination of prose, film, poetry and social movements, I will address the question of how these Indigenous peoples can begin to recover from this systematic violence against two of their subpopulations through the creation of memorials to the victims. Through memorialization, Indigenous populations return power and agency to these victims and continue a quest for justice that will offer psychological healing for victims, their families, and a larger Indigenous population. Through the process of memorializing the divergent and individual identities of these victims of sexuality, gender, and gender expression driven violence, art and social media begin the process of obtaining justice through rediscovering and revalidating these identities. -
REPRESENTATIONS of SECURITY and INSECURITY in the HIGHWAY of TEARS: a CRITICAL DISCOURSE ANALYSIS by Rebecca A. Tallman B.A., Br
REPRESENTATIONS OF SECURITY AND INSECURITY IN THE HIGHWAY OF TEARS: A CRITICAL DISCOURSE ANALYSIS by Rebecca A. Tallman B.A., Brock University, 2007 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN INTERNATIONAL STUDIES UNIVERSITY OF NORTHERN BRITISH COLUMBIA July 2014 © Rebecca A. Tallman, 2014 UMI Number: 1526516 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Di!ss0?t&iori Piiblist’Mlg UMI 1526516 Published by ProQuest LLC 2015. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT The Highway of Tears is a local term that refers to a stretch of highway in northern British Columbia where an estimated 18 to 35 women and girls have disappeared or have been found murdered since the 1960s (Culbert and Hall 2009). Drawing on feminist approaches to security and International Relations, this thesis explores the concepts of security and insecurity in the case of the Highway of Tears. I use critical discourse analysis to answer the following question: How are the concepts of security and insecurity represented in the discourse of select media related to the Highway of Tears? It was seen that each narrator framed and located security and insecurity differently. -
Gail Gallagher
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking With Our Sisters, REDress Project by Gail Gallagher A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Faculty of Native Studies University of Alberta © Gail Gallagher, 2020 ABSTRACT Artistic expression can be used as a tool to promote activism, to educate and to provide healing opportunities for the families of missing and murdered Indigenous women and girls (MMIWG). Indigenous activism has played a significant role in raising awareness of the MMIWG issue in Canada, through the uniting of various Indigenous and non-Indigenous communities. The role that the Walking With Our Sisters (WWOS) initiative and the REDress project plays in bringing these communities together, to reduce the sexual exploitation and marginalization of Indigenous women, will be examined. These two commemorative projects bring an awareness of how Indigenous peoples interact with space in political and cultural ways, and which mainstream society erases. This thesis will demonstrate that through the process to bring people together, there has been education of the MMIWG issue, with more awareness developed with regards to other Indigenous issues within non-Indigenous communities. Furthermore, this paper will show that in communities which have united in their experience with grief and injustice, healing has begun for the Indigenous individuals, families and communities affected. Gallagher ii DEDICATION ka-kiskisiyahk iskwêwak êkwa iskwêsisak kâ-kî-wanihâyahkik. ᑲᑭᐢ ᑭᓯ ᔭ ᐠ ᐃᐢ ᑫᐧ ᐊᐧ ᕽ ᐁᑲᐧ ᐃᐢ ᑫᐧ ᓯ ᓴ ᐠ ᑳᑮᐊᐧ ᓂᐦ ᐋᔭᐦ ᑭᐠ We remember the women and girls we have lost.1 1 Cree Literacy Network. -
The National Inquiry Into the Missing and Murdered Indigenous Women of Canada: a Probe in Peril
THE NATIONAL INQUIRY INTO THE MISSING AND MURDERED INDIGENOUS WOMEN OF CANADA: A PROBE IN PERIL by Jenna Walsh INTRODUCTION discrepancy is indicative of the many operational difficulties that Throughout public spaces across Canada, red dresses have been have skewed national data sets relevant to Aboriginal victims. hung devoid of embodiment: the haunting vacancy serving Although Indigenous women are more likely to be victims of to ‘evoke a presence through the marking of an absence’.1 The violence than their non-Indigenous counterparts, the scope of this REDress project’s creator, Jaime Black, has deemed her work an violence is not easily quantified. This is, in part, due to inconsistent aesthetic response to current socio-political frameworks that police practice in collecting information on Aboriginal identity, normalise gendered and racialised violence against Aboriginal as well as under-reporting due to strained relationships between women across Canada. Her objective is to facilitate discussion police and Indigenous communities. As a result, no definitive surrounding the thousands of Indigenous women that have been statistics can be given. missing or murdered in the last four decades, while providing a visual reminder of the lives that have been lost. Black’s efforts are Despite under-reporting, the recorded figures are still alarming. one of the many grassroots initiatives that have prompted collective Although accounting for only four per cent of the national calls for a federal response to the crisis. These calls have, at last, population, Aboriginal women represent 16 per cent of Canadian been answered. In September 2016, the Government of Canada female homicide victims.4 Consequently, Indigenous women are launched a two-year Independent National Inquiry into the missing at least 4.5 times more likely to be murdered than non-Indigenous and murdered Aboriginal women and girls across the country, women across the country. -
Guide to Canadian Aboriginal Education Resources
GUIDE TO CANADIAN ABORIGINAL EDUCATION RESOURCES Researched and Prepared by Heather B. O’Reilly, B.F.A., B.Ed., M.Ed. Canadian National Aboriginal Day is on June 21st This guide is a selected list of resources prepared for the Queen’s Education Library. Please search the Library catalogue and other indexes for books and articles on your topic. For example, search the K‐12 reading collection for books for elementary and secondary‐school students using Boolean searches like this: (indian? or native? or aboriginal or “first nations”) and juvenile Also refer to the broader guide on Aboriginal Studies: http://library.queensu.ca/research/guide/aboriginal‐studies Content: Aboriginal Art Aboriginal Circle Aboriginal Culture Aboriginal Food Aboriginal Games Aboriginal Governance Aboriginal Identity Aboriginal Music Aboriginal Names Aboriginal Perspectives on Environment Aboriginal Study Resources Aboriginal Rights Aboriginal Traditions Activism Celebrations Education Resources Games History Integrated Studies Native Medicine & Spirituality Ontario Ministry of Education –Aboriginal Education Pow Wows Prejudice and Discrimination Racism Research Projects and Reports Residential Schools & History Social Problems Social Life Suicide Violence against Aboriginal Women Youth 1 Aboriginal Art Aboriginal Arts Research Initiative‐Report on Consultations/Canada Council for the Arts [29 pgs] This document is a report on a series of consultations that were held in 2007 with Aboriginal Artists, arts administrators, elders, youth and other community members. -
Indianspring 2019
NATIONAL MUSEUM Of ThE AMERICAN INDIANSPRING 2019 REvOLUTIONARy ARTIST T.C. CANNON • A PLACE fOR ThE TAKEN PRAyING TOwN PATRIOTS Of 1776 • REvIvING AN ANCIENT CRAfT NMAI-DCOF-Ad-918_1 10/18/18 8:50 PM Page 1 THE NATIONAL MUSEUM OF THE AMERICAN INDIAN acknowledges and sincerely thanks the members of the Director’s Council of Friends and the Desert Sands Circle for their exceptional generosity in making the museum accessible to people across the country and around the world. Elie M. Abemayor, M.D. Ms. Ory Cuellar Mr. Larry Hothem Mr. David Montiel Mr. William Shelton Mrs. Renee M. Alberts Mr. and Mrs. Ken Curry Mr. Ron Houston Ms. Lisa Morin Mr. Thomas Shipps Mr. Syed S. Albukhary Mr. John Davis Mr. Chris Howell Ms. Patricia H. Morris Mr. John F. Sicks, Jr. Ms. Clara Allison Ms. Lenora Davis Ms. Cheri Moon Howlett Mr. R. Carlos Nakai and Elizabeth Sidamon-Eristoff and Ms. Barbara Altman Mr. Bruce Deemer Mr. William Hudson and Mrs. Pam Hyde-Nakai Hunter Lewis Ms. Grace Anderson Miss Patricia Dixon Mrs. Nora Gibson Dr. and Mrs. Larry D. Nelson Mrs. Thalia Sinnamon DESERT SANDS CIRCLE Dr. Bryan J. Arling Ms. Mary N. Dryden Mr. and Mrs. Theodore L. Hullar Dr. Sharon Nelson-Barber and Mr. Bill Skelly Mrs. Beryl L. Adcock Ms. Karen Eckhart Ms. Rosemary A. Joyce and Ms. Llelanie Orcutt Mr. and Mrs. Michael D. Snow Mr. James K. Asselstine and Dr. Jorge Duchicela Ms. Beverly J. Hunter Dr. Wayne Barber Ms. Joan Slebos Ms. Shirley G. Ali Mr. and Mrs. Robert Elder Mr. -
An Analysis of Missing and Murdered Indigenous Women and Girls in Canada
Social Denial: An Analysis of Missing and Murdered Indigenous Women and Girls in Canada Rebecca Bychutsky A thesis submitted in partial fulfillment of the requirements of the University of Ottawa for the Master’s Degree in Sociology © Rebecca Bychutsky, Ottawa, Canada, 2017 Dedication To those Indigenous women and girls who are missing and forever lost. And to those who work tirelessly to find them. Acknowledgements With sincere gratitude, I acknowledge the support and assistance of Willow Scobie and Karine Vanthuyne. Their willingness to participate in the construction of this thesis is deeply appreciated. Also, I am forever grateful for the contributions made by José López. His time, thoughts, and guidance throughout this process have been invaluable. It is a privilege to have received the unyielding support of my parents and siblings. My parents, Rachael and Vadim, taught me to critically reflect and pursue justice. They inspire me in all the work I do – to them I owe every gratitude. Most notably, I would not have completed this work if it was not for the constant encouragement I received from Shawn Betel. His earnest passion for education and critical discussion challenges me to create work I am proud of. I thank him for keeping me happy, for keeping me sane, and for accompanying me on walks with the dog. ii Abstract Key words: Missing and Murdered Indigenous Women and Girls (MMIWG), Social Denial, Indigenous women, News Media Understood sociologically, denial is best conceptualized as a social practice. As a phenomenon, social denial refers to patterned behaviour where actors both know and do not-know about uncomfortable truths (Cohen, 2001). -
“To Bring a Little Bit of the Land”: Tanya Tagaq Performing at the Intersection of Decolonization and Ecocriticism
“To Bring a Little Bit of the Land”: Tanya Tagaq Performing at the Intersection of Decolonization and Ecocriticism by Meredith Boerchers A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2019 Meredith Boerchers i Abstract Two needs that have grown increasingly critical in Canada throughout the twenty-first century are the reduction of global warming and the decolonization of lands, social institutions, and collectivities. Rather than operating independently, decolonization and environmentalism intersect as Indigenous actors contest Western assumptions about “nature” by asserting their own ecological frameworks. In this thesis, I explore Inuk vocalist Tanya Tagaq’s artistic contributions to these efforts by analysing her musical commentaries on “nature” in light of Indigenous scholarship on “decolonization.” I argue that Tanya Tagaq performs decolonized environmental values by sonically evoking Inuit ecology and embodying Inuit ecologically-rooted ontology on stage. I further contend that Tagaq’s musical practices demonstrate a decolonized approach to eco-activism by foregrounding Inuit experiences, strategies, and discourses, and advocating for environmental issues by mobilizing Inuit worldviews. Throughout this thesis, I demonstrate that Tagaq’s environmentally-themed output challenges Western constructions of Inuit and the Arctic while asserting Inuit perspectives in public spaces. ii Acknowledgements First, I would like to thank my supervisor Dr. Anna Hoefnagels for her assistance throughout this project. Her expertise and guidance have been invaluable to my growth as a researcher and writer, and I am very grateful for her endless patience and encouragement. -
Representations of Missing and Murdered Indigenous Women in Canadian Art
REPRESENTATIONS OF MISSING AND MURDERED INDIGENOUS WOMEN IN CANADIAN ART A Thesis Submitted to the Committee on Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Faculty of Arts and Science TRENT UNIVERSITY Peterborough, Ontario, Canada (c) Copyright by Yasmin Juliet Strautins 2018 Canadian Studies and Indigenous Studies M.A Graduate Program May 2018 ABSTRACT Representations of Missing and Murdered Indigenous Women in Canadian Art Yasmin Juliet Strautins This thesis focuses specifically on artistic projects that address violence against indigenous women and uses an interdisciplinary approach to examine their meaning and reception. I argue that the mainstream media has negatively stereotyped missing and murdered indigenous women and that art projects have the ability to reframe their lives to the viewing public. I focus on five case studies of works, including Vigil (2002) by Rebecca Belmore, REDress (2011) by Jamie Black, The Forgotten (2011) by Pamela Masik, Walking With Our Sisters (2013) by Christi Belcourt and Shades of Our Sisters (2017), created by Ryerson University students and produced by Maggie Cywink, Alex Cywink and Joyce Carpenter. Art has the capacity to encourage activism, raise awareness and promote reconciliation between indigenous and non-indigenous people. Comparisons can be drawn between how the case studies of these art works have framed the lives of missing and murdered women and the dominant media images that have prevailed in Canadian society. Keywords: missing -
Rebecca Belmore and the Aesthetico-Politics of “Unnameable Affects”
The Affect of Absence: Rebecca Belmore and the Aesthetico-politics of “Unnameable Affects” For almost three decades, Anishinaabe artist Elisabeth Otto is currently a Ph.D. candidate at the Rebecca Belmore has addressed in various media the Université de Montréal where she is completing a thesis politics of Indigenous1 representation, voice, and iden- on Art Histories of Unlearning: Emily Carr (1871-1945) tity, and advanced the discussion of political identity and Gabriele Münter (1877-1962). In 2013 she had been in Canadian Art. Since 1987 Belmore has shown her Research Fellow in Canadian Art at the National Gal- installations and performances in numerous group and lery of Canada working on Emily Carr’s early artistic solo exhibitions all over Canada as well as internation- production. After having worked as a research assistant ally. She represented Canada at the Havana Biennial, and scientific coordinator of diverse research projects, Cuba (1991), at the Sydney Biennale, Australia (1998), she is currently course lecturer at the Department of Art and most prominently at the 2005 Venice Biennale History at the Université de Montréal.Her main interest (Townsend-Gault 2014; Hill et al. 2013; O’Brian and lies at the intersection of the fields of aesthetics, femi- White 2007; Mars and Householder 2004; Nemiroff et nist theory and gender studies as well as anthropology, al. 1992). In art historical writing Belmore is foremost here especially with regards to modernist Primitivism. known as a performance artist. By discussing her work in the context of a special journal issue on affect and Abstract feminism, I do not seek to write her into a feminist art This essay discusses Rebecca Belmore’s work as a form history. -
Women's Equality in Canada: an Environmental Scan
Women’s Equality in Canada An Environmental Scan Gender Equality Network Canada January 2018 “Until all of us have made it, none of us have made it.” Rosemary Brown, Founding Mother, Canadian Women’s Foundation The Gender Equality Network Canada (GENC), an initiative to advance gender equality nationally, is convened and facilitated by the Canadian Women’s Foundation. This national network brings together women leaders nominated by community organizations across Canada to advocate for policy change, build inclusive intersectional leadership, and take collective action to advance gender equality over a three-year period, 2017-2020. The Gender Equality Project and GENC are funded by Status of Women Canada. For more information visit genderequalitynetwork.ca. The Canadian Women’s Foundation is Canada’s public foundation for women and girls. We empower women and girls in Canada to move out of violence, out of poverty, and into confidence and leadership. Since 1991, we’ve raised money and funded programs in more than 1,500 communities across Canada, and are one of the largest women’s foundations in the world. For more information, please visit www.canadianwomen.org. Acknowledgements The Canadian Women’s Foundation would like to thank Catalyst Research and Communications for their work completing the information-gathering and developing the draft Environmental Scan. The final report is the responsibility of the Canadian Women’s Foundation. We acknowledge and recognize all of the women and their allies that have preceded us in advocating for women’s rights and gender equality, often at great sacrifice and cost. We use their victories as the foundation of our own work. -
Indigenous Education North Vancouver School District June 10-14
Indigenous Education North Vancouver School District June 10-14 June: Indigenous History Table of Contents Month Did you know… that June 2019 is the Page 1: 10th anniversary of National Indigenous June: Indigenous History History Month in Canada? Month Do you know… how National Indigenous Page 2: History Month in Canada was established? National Inquiry on Missing and Murdered In 1982, the National Indian Brotherhood Indigenous Women Final (currently the Assembly of First Nations) Report called for the creation of a National Aboriginal Solidarity on June 21st. Page 3: However it was not until 2009 that the NVSD Indigenous Student Federal Government of Canada passed a Graduation motion in the House of Commons Page 4: declaring June National Aboriginal History Month. To find out more about the full timeline and events click here. International Year of Indigenous Languages: Ktunaxa National Indigenous People Day 2019 June 21st has been recognized annually since 1996 as National Aboriginal Peoples Day and changed to National Indigenous Peoples Day in 2017. Page 5: Upcoming Workshops and June 21st marks the Summer Solstice, the longest day of the year which holds Conferences significance for many Indigenous cultures Find out what is happening in your community to celebrate and honour National Indigenous Peoples Day. Check out this interactive map . How did your school honour and recognize National Indigenous Peoples Day? Send pictures or a write up to [email protected] We would like to thank the Coast Salish people, specifically the Skwxwú7mesh Nation and Tsleil-Waututh Nation, whose unceded traditional territory the North Vancouver School District resides on.