Representations of Missing and Murdered Indigenous Women in Canadian Art
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As of Aug 20, 2013
As of Aug 20, 2013 EXHIBIT SCHEDULE University of Alberta Telus Atrium Edmonton, AB October 2 – October 14, 2013 Organizers: Andrea Menard, Tanya Kappo, Tara Kappo First Nations University Gallery Regina, SK November 4 – December 20, 2013 Organizers: Judy Anderson & Katherine Boyer G’zaagin Art Gallery Parry Sound, ON Jan. 1 – 31, 2014 Organizing artist: Tracey Pawis Partners Hall/Town Hall Huntsville, ON Feb 10 – 14, 2014 Organizers: Teri Souter and Beth Ward Urban Shaman Gallery Winnipeg, MB March 7 – April 12, 2014 Organizing artists: Daina Warren & Marcel Balfour Aurora Cultural Centre Aurora, ON May 5 – June 26, 2014 Organizing artist: Nathalie Bertin c/o Christi Belcourt, P.O. Box 5191, Espanola, ON, P5E 1A0 / [email protected] / Facebook: Walking With Our Sisters 1 As of Aug 20, 2013 The NorVa Centre Flin Flon, MB July 14 to August 4, 2014 Contacts: Mike Spencer & Doreen Leigh Roman Metis Hall The Pas, MB August 11 – 18, 2014 Organizer: Suzanne Barbeau Bracegirdle Thunder Bay Art Gallery Thunder Bay, ON September 6 – October 18, 2014 Organizing Artist: Jean Marshall Saskatoon/Wanuskewin Saskatoon/Wanuskewin, SK November 1 - 30, 2014 Organizing Artist: Felicia Diedre Open Sky Creative Society Gallery Jan/Feb 2015 Fort Simpson, NT Organizer: Lynn Canney, Program Coordinator Yukon Arts Centre March 12 – May 15, 2015 Whitehorse, Yukon Organizing artist: Lena White The Jasper Habitat for the Arts Jasper National Park, Alberta June 26 - July 12, 2015 Organizer: Marianne Garrah Museum of Contemporary Native Arts Santa Fe, NM August 2015 Organizing Curator: Ryan Rice Gallery 101 Ottawa, ON September/October 2015 Organizing artists: Heather Wiggs & Laura Margita c/o Christi Belcourt, P.O. -
Performing Power
Rebecca Belmore: Performing Power Jolene Rickard The aurora borealis or northern lights, ignited by the intersection of elements at precisely the right second, burst into a fire of light on black Anishinabe nights. For some, the northern lights are simply reflections caused by hemispheric dust, but for others they are power. Rebecca Belmore knows about this power; her mother, Rose, told her so.1 Though the imbrication of Anishinabe thinking was crucial in her formative years in northern Ontario, Belmore now has a much wider base of observation from Vancouver, British Columbia. Her role as 2 transgressor and initiator—moving fluidly in the hegemony of the west reformulated as "empire " —reveals how conditions of dispossession are normalized in the age of globalization. Every country has a national narrative, and Canada is better than most at attempting to integrate multiple stories into the larger framework, but the process is still a colonial project. The Americas need to be read as a colonial space with aboriginal or First Nations people as seeking decolonization. The art world has embraced the notion of transnational citizens, moving from one country to the next by continuously locating their own subjectivities in homelands like China, Africa and elsewhere. As a First Nations or aboriginal person, Belmore's homeland is now the modern nation of Canada; yet, there is reluctance by the art world to recognize this condition as a continuous form of cultural and political exile. The inclusion of the First Nations political base is not meant to marginalize Belmore's work, but add depth to it. -
Brian Jungen Friendship Centre
BRIAN JUNGEN FRIENDSHIP CENTRE Job Desc.: AGO Access Docket: AGO0229 Client: AGO A MESSAGE FROM Supplier: Type Page: STEPHAN JOST, Trim: 8.375" x 10.5" Bleed: MICHAEL AND SONJA Live: Pub.: Membership Mag ad KOERNER DIRECTOR, Colour: CMYK Date: April 2019 AND CEO Insert Date: Ad #: AGO0229_FP_4C_STAIRCASE DKT./PROJ: AGO0229 ARTWORK APPROVAL Artist: Studio Mgr: Production: LESS EQUALS MOREProofreader: Creative Dir.: Art Director: Copywriter: The AGO is having a moment. There’s a real energy when I walkTranslator: through the galleries, thanks to the thousands of visitors who have experienced the AGOAcct. for Service: the first time – or their hundredth. It is an energy that reflects our vibrant and diverseClient: city, and one that embraces the undeniable power of art to change the world. And weProof: want 1 more2 3 4people 5 6 to7 Final experience it and make the AGO a habit. PDFx1a Laser Proof Our membership is generous and strong. Because of your support, on May 25 we’re launching a new admission model to remove barriers and encourage deeper relationships with the AGO. The two main components are: • Everyone 25 and under can visit for free • Anyone can purchase a pass for $35 and visit as many times as they’d like for a full year Without your vital support as an AGO Member, this new initiative wouldn’t be possible. Thanks to you, a teenager might choose us to impress their date or a tired dad might take his children for a quick 30-minute visit, knowing he can come back again and again. You will continue to enjoy the special benefits of membership, including Members’ Previews that give you first access to our amazing exhibitions. -
Métis Women: Strong and Beautiful Métis Women: Strong and Beautiful © 2011 National Aboriginal Health Organization ISBN: 978-1-926543-58-1
Métis Women: Strong and Beautiful Métis Women: Strong and Beautiful © 2011 National Aboriginal Health Organization ISBN: 978-1-926543-58-1 OAAPH [known as the National Aboriginal Health Organization (NAHO)] receives funding from health Canada to assist it to undertake knowledge-based activities, including education, research and dissemination of information to promote health issues affecting Aboriginal Peoples. However, the contents and conclusions of this publication are solely those of the authors and are not attributable, in whole or in part, to Health Canada. All Rights Reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, photocopying, recording or otherwise, without prior written permission of the publisher. Please cite using the following format: Russell, Chantelle (2011). Métis Women: Strong and Beautiful. Ottawa: National Aboriginal Health Organization. Cover art by Victoria Pruden. Special Acknowledgements: Catherine Graham Sonia Wesche Métis Nation British Columbia Native Women’s Association of Canada Women across the Métis Nation Copies of this publication may be obtained by contacting: Métis Centre National Aboriginal Health Organization 220 Laurier Avenue West, Suite 1200 Ottawa, Ontario K1P 5Z9 Phone: 613-237-9462 Toll-free: 1-877-602-4445 Fax: 613-237-8707 Email: [email protected] Website: www.naho.ca/metiscentre Under the Canadian Constitution Act, 1982, the term Aboriginal Peoples refers to First Nations, Inuit and Métis people living in Canada. However, common use of the term is not always inclusive of all three distinct peoples, and much of the available research only focuses on particular segments of the Aboriginal population. -
About Humanity, Not Ethnicity? Transculturalism, Materiality, and the Politics of Performing Aboriginally on the Northwest Coast
ABOUT HUMANITY, NOT ETHNICITY? TRANSCULTURALISM, MATERIALITY, AND THE POLITICS OF PERFORMING ABORIGINALLY ON THE NORTHWEST COAST by ALICE MARIE CAMPBELL B.A. (hons), The University of British Columbia, 2001 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Anthropology and Sociology) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 2004 ©Alice Marie Campbell, 2004 THE UNIVERSITY OF BRITISH COLUMBIA FACULTY OF GRADUATE STUDIES Library Authorization In presenting this thesis in partial fulfillment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Alice Marie Campbell 23/08/04 Name of Author (please print) Date (dd/mm/yyyy) Title of Thesis: About Humanity, Not Ethnicity?: Transculturalism, Materiality, and the Politics of Performing Aboriginality on the Northwest Coast Degree: Master of Arts Year: 2004 Department of Anthropology and Sociology The University of British Columbia Vancouver, BC Canada grad.ubc.ca/forms/?formlD=THS page 1 of 1 last updated: 23-Aug-04 Abstract In this multi-sited thesis based on ethnographic fieldwork conducted from 2002-2004, I examine how the transcultural production of Northwest Coast material culture subverts the hegemonic, discursive, and traditionalist constructions of 'Aboriginality' that have isolated Northwest Coast artists from the contemporary art world (Duffek 2004). -
L-G-0014502457-0046728341.Pdf
Keetsahnak / Our Missing and Murdered Indigenous Sisters KIM ANDERSON, MARIA CAMPBELL & CHRISTI BELCOURT, Editors Keetsahnak Our Missing and Murdered Indigenous Sisters 1 The University of Alberta Press Published by First edition, first printing, 2018. First electronic edition, 2018. The University of Alberta Press Copyediting and proofreading by Ring House 2 Joanne Muzak. Edmonton, Alberta, Canada t6g 2e1 Indexing by Judy Dunlop. www.uap.ualberta.ca Book design by Alan Brownoff. Copyright © 2018 The University of Cover image: Sherry Farrell Racette, She Alberta Press Grew Her Garden on Rough Ground, 2016, beadwork on moosehide. Used by permission library and archives canada cataloguing in publication All rights reserved. No part of this publication may be reproduced, stored Keetsahnak / Our missing and in a retrieval system, or transmitted in murdered Indigenous sisters / any form or by any means (electronic, Kim Anderson, Maria Campbell & mechanical, photocopying, recording, Christi Belcourt, editors. or otherwise) without prior written consent. Contact the University of Alberta Includes bibliographical references Press for further details. and index. Issued in print and electronic formats. The University of Alberta Press supports isbn 978–1–77212–367–8 (softcover).— copyright. Copyright fuels creativity, isbn 978–1–77212–391–3 (epub).— encourages diverse voices, promotes free isbn 978–1–77212–392–0 (Kindle).— speech, and creates a vibrant culture. Thank isbn 978–1–77212–390–6 (pdf) you for buying an authorized edition of this book and for complying with the copyright 1. Native women—Crimes against— laws by not reproducing, scanning, or Canada. 2. Native women—Crimes distributing any part of it in any form against—Canada—Prevention. -
Gail Gallagher
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking With Our Sisters, REDress Project by Gail Gallagher A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Faculty of Native Studies University of Alberta © Gail Gallagher, 2020 ABSTRACT Artistic expression can be used as a tool to promote activism, to educate and to provide healing opportunities for the families of missing and murdered Indigenous women and girls (MMIWG). Indigenous activism has played a significant role in raising awareness of the MMIWG issue in Canada, through the uniting of various Indigenous and non-Indigenous communities. The role that the Walking With Our Sisters (WWOS) initiative and the REDress project plays in bringing these communities together, to reduce the sexual exploitation and marginalization of Indigenous women, will be examined. These two commemorative projects bring an awareness of how Indigenous peoples interact with space in political and cultural ways, and which mainstream society erases. This thesis will demonstrate that through the process to bring people together, there has been education of the MMIWG issue, with more awareness developed with regards to other Indigenous issues within non-Indigenous communities. Furthermore, this paper will show that in communities which have united in their experience with grief and injustice, healing has begun for the Indigenous individuals, families and communities affected. Gallagher ii DEDICATION ka-kiskisiyahk iskwêwak êkwa iskwêsisak kâ-kî-wanihâyahkik. ᑲᑭᐢ ᑭᓯ ᔭ ᐠ ᐃᐢ ᑫᐧ ᐊᐧ ᕽ ᐁᑲᐧ ᐃᐢ ᑫᐧ ᓯ ᓴ ᐠ ᑳᑮᐊᐧ ᓂᐦ ᐋᔭᐦ ᑭᐠ We remember the women and girls we have lost.1 1 Cree Literacy Network. -
Ayapaahipiihk Naahkouhk
ILAJ YEARS/ANS parkscanada.gc.ca / parcscanada.gc.ca AYAPAAHIPIIHK NAAHKOUHK RESILIENCE RESISTANCE LU PORTRAY DU MICHIF MÉTIS ART l880 - 2011 Parks Parcs Canada Canada Canada RESILIENCE / RESISTANCE MÉTIS ART, 1880 - 2011 kc adams • jason baerg • maria beacham and eleanor beacham folster • christi belcourt bob boyer • marie grant breland • scott duffee - rosalie favell -Julie flett - Stephen foster david garneau • danis goulet • david hannan • rosalie laplante laroque - jim logan Caroline monnet • tannis nielsen • adeline pelletier dit racette • edward poitras • rick rivet BATOCHE NATIONAL HISTORIC SITE PARKS CANADA June 21 - September 15, 2011 Curated by: Sherry Farrell Racette BOB BOYER Dance of Life, Dance of Death, 1992 oil and acrylic on blanket, rawhide permanent collection of the Saskatchewan Arts Board RESILIENCE / RESISTANCE: METIS ART, 1880-2011 TABLE OF CONTENTS Foreword 4 Aypaashpiihk, Naashkouhk: Lii Portray dii Michif 1880 - 2011 5 Curator's Statement 7 kcadams 8 jason baerg 9 maria beacham and eleanor beacham folster 10 christi belcourt 11 bob boyer 12 marie grant breland 13 scott duffee 14 rosaliefavell 15 Julie flett 16 Stephen foster 17 david garneau 18 danis goulet 19 david hannan 20 rosalie laplante laroque 21 jim logan 22 Caroline monnet 23 tannis nielsen 24 adeline pelletier dit racette 25 edward poitras 26 rick rivet 27 Notes 28 Works in the Exhibition 30 Credits 32 3 Resilience/Resistance gallery installation shot FOREWORD Batoche National Historic Site of Canada is proud to host RESILIENCE / RESISTANCE: MÉTIS ART, 1880-2011, the first Metis- specific exhibition since 1985. Funded by the Government of Canada, this is one of eighteen projects designed to help Métis com munities preserve and celebrate their history and culture as well as present their rich heritage to all Canadians. -
Jim Drobnick (Updated February 2018)
Curriculum Vitae Jim Drobnick (updated February 2018) Associate Professor Contemporary Art and Theory Faculty of Liberal Arts and Sciences OCAD University [email protected] EDUCATION 2006 Doctor of Philosophy. Humanities Doctoral Program, Concordia University, Montreal. Thesis title: Olfactory Dimensions in Modern and Contemporary Art. Nominated for the Governor General’s Gold Medal. 1986 Master of Fine Arts. Nova Scotia College of Art and Design, Halifax. 1981 Bachelor of Arts. Oberlin College, Oberlin, Ohio. Combined Major in Art History and Studio Art. Summa cum laude. Phi Beta Kappa. POSITIONS HELD 2006-Date Associate Professor, Contemporary Art and Theory, Faculty of Liberal Arts and Sciences, OCAD University, Toronto. 2012-Date Founder and Editor (with Jennifer Fisher), Journal of Curatorial Studies, Intellect Publishers, Bristol, UK. 2006-Date Exhibition Reviews Editor, The Senses & Society, triannual, Bloomsbury Publishing, London, UK. 2010-Date Exhibition Reviews Editor, PUBLIC: Art/Culture/Ideas, biannual, Toronto. 1994-Date Founder (with Jennifer Fisher), DisplayCult, curatorial collective. 2017-Date Research Associate, Scent Art Net: Olfactory Art in the New Millennium, https://scentart.net/. 2014-Date Research Associate, EDGE Lab (Experiential Design and Gaming Environments), Responsive Ecologies, Ryerson University, Toronto. 1998-Date Research Associate, CONSERT (Concordia Sensoria Research Team), Concordia University, Montreal. 1 2016-2017 Graduate Program Director, MA Program in Contemporary Art, Design and New Media Art Histories, Ontario College of Art & Design University, Toronto. 2009-2012 Graduate Program Director, MA Program in Contemporary Art, Design and New Media Art Histories, Ontario College of Art & Design University, Toronto. 2005-2006 Research Fellow/Visiting Scholar, Art History and Visual Studies, The School of Arts, Histories and Cultures, University of Manchester, Manchester, UK. -
The National Inquiry Into the Missing and Murdered Indigenous Women of Canada: a Probe in Peril
THE NATIONAL INQUIRY INTO THE MISSING AND MURDERED INDIGENOUS WOMEN OF CANADA: A PROBE IN PERIL by Jenna Walsh INTRODUCTION discrepancy is indicative of the many operational difficulties that Throughout public spaces across Canada, red dresses have been have skewed national data sets relevant to Aboriginal victims. hung devoid of embodiment: the haunting vacancy serving Although Indigenous women are more likely to be victims of to ‘evoke a presence through the marking of an absence’.1 The violence than their non-Indigenous counterparts, the scope of this REDress project’s creator, Jaime Black, has deemed her work an violence is not easily quantified. This is, in part, due to inconsistent aesthetic response to current socio-political frameworks that police practice in collecting information on Aboriginal identity, normalise gendered and racialised violence against Aboriginal as well as under-reporting due to strained relationships between women across Canada. Her objective is to facilitate discussion police and Indigenous communities. As a result, no definitive surrounding the thousands of Indigenous women that have been statistics can be given. missing or murdered in the last four decades, while providing a visual reminder of the lives that have been lost. Black’s efforts are Despite under-reporting, the recorded figures are still alarming. one of the many grassroots initiatives that have prompted collective Although accounting for only four per cent of the national calls for a federal response to the crisis. These calls have, at last, population, Aboriginal women represent 16 per cent of Canadian been answered. In September 2016, the Government of Canada female homicide victims.4 Consequently, Indigenous women are launched a two-year Independent National Inquiry into the missing at least 4.5 times more likely to be murdered than non-Indigenous and murdered Aboriginal women and girls across the country, women across the country. -
Une Bibliographie Commentée En Temps Réel : L'art De La Performance
Une bibliographie commentée en temps réel : l’art de la performance au Québec et au Canada An Annotated Bibliography in Real Time : Performance Art in Quebec and Canada 2019 3e édition | 3rd Edition Barbara Clausen, Jade Boivin, Emmanuelle Choquette Éditions Artexte Dépôt légal, novembre 2019 Bibliothèque et Archives nationales du Québec Bibliothèque et Archives du Canada. ISBN : 978-2-923045-36-8 i Résumé | Abstract 2017 I. UNE BIBLIOGraPHIE COMMENTÉE 351 Volet III 1.11– 15.12. 2017 I. AN ANNOTATED BIBLIOGraPHY Lire la performance. Une exposition (1914-2019) de recherche et une série de discussions et de projections A B C D E F G H I Part III 1.11– 15.12. 2017 Reading Performance. A Research J K L M N O P Q R Exhibition and a Series of Discussions and Screenings S T U V W X Y Z Artexte, Montréal 321 Sites Web | Websites Geneviève Marcil 368 Des écrits sur la performance à la II. DOCUMENTATION 2015 | 2017 | 2019 performativité de l’écrit 369 From Writings on Performance to 2015 Writing as Performance Barbara Clausen. Emmanuelle Choquette 325 Discours en mouvement 370 Lieux et espaces de la recherche 328 Discourse in Motion 371 Research: Sites and Spaces 331 Volet I 30.4. – 20.6.2015 | Volet II 3.9 – Jade Boivin 24.10.201 372 La vidéo comme lieu Une bibliographie commentée en d’une mise en récit de soi temps réel : l’art de la performance au 374 Narrative of the Self in Video Art Québec et au Canada. Une exposition et une série de 2019 conférences Part I 30.4. -
Maria Campbell
MARIA CAMPBELL EDUCATION Pending M.A. in Native Studies, University of Saskatchewan, Saskatoon, Saskatchewan LANGUAGES Cree, Michif, Saulteaux, English HONOURARY DEGREES 2018 Honorary Doctorate in Lettes, University of Winnipeg 2018 Honorary Doctorate in Laws, Ryerson University 2012 Honorary Doctorate in Letters, University of Ottawa 2000 Honorary Doctorate in Letters, Athabasca University 1992 Honorary Doctorate in Letters, York University 1985 Honorary Doctorate in Laws, University of Regina APPOINTMENTS 2017-Present Cultural Advisor, College of Law, University of Saskatchewan 2017-Present Cultural Advisor, Gwenna Moss Centre for Teaching, University of Saskatchewan 1996-Present Elder in Virtual Residence,Centre for World Indigenous Knowledge, Athabasca University, Edmonton 2000-2001 Stanley Knowles Distinguished Visiting Professorship, Brandon University, Brandon, Manitoba 1998-1999 Writer in Residence, University of Saskatchewan, Saskatoon, Saskatchewan 1995-1996 Aboriginal Scholar, Department of Native Studies, University of Saskatchewan, Saskatoon, Saskatchewan 1994-1995 Writer in Residence, Whitehorse Public Library, Whitehorse, Northwest Territories 1985-1986 Writer in Residence, Prince Albert Public Library, Prince Albert, Saskatchewan 1983-1984 Playwright in Residence, Persephone Theatre, Saskatoon, Saskatchewan 1980-1981 Writer in Residence, Regina Public Library, Regina, Saskatchewan 1979-1980 Writer in Residence, University of Alberta, Edmonton, Alberta Maria Campbell 1 resumé 1 TEACHING RECORD 2016-present Indigenous Legal