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A Psychological Study in James Joyce's Dubliners and VS
International Conference on Shifting Paradigms in Subaltern Literature A Psychological Study in James Joyce’s Dubliners and V. S. Naipaul’s Milguel Street: A Comparative Study Dr.M.Subbiah OPEN ACCESS Director / Professor of English, BSET, Bangalore Volume : 6 James Joyce and [V]idiadhar [S] Urajprasad Naipaul are two great expatriate writers of modern times. Expatriate experience provides Special Issue : 1 creative urges to produce works of art of great power to these writers. A comparison of James Joyce and V.S. Naipaul identifies Month : September striking similarities as well as difference in perspective through the organization of narrative, the perception of individual and collective Year: 2018 Endeavour. James Joyce and V.S. Naipaul are concerned with the lives of ISSN: 2320-2645 mankind. In all their works, they write about the same thing, Joyce write great works such as Dubliners, an early part of great work, Impact Factor: 4.110 and Finnegans Wake, in which he returns to the matter of Dubliners. Similarly, Naipaul has written so many works but in his Miguel Citation: Street, he anticipated the latest autobiographical sketch Magic Seeds Subbiah, M. “A returns to the matter of Miguel Street an autobiographical fiction Psychological Study in about the life of the writer and his society. James Joyce’s Dubliners James Joyce and V.S. Naipaul are, by their own confession, and V.S.Naipaul’s committed to the people they write about. They are committed to the Milguel Street: A emergence of a new society free from external intrusion. Joyce wrote Comparative Study.” many stories defending the artistic integrity of Dubliners. -
Upheavals of Emotions, Madness of Form: Mary M. Talbot's and Bryan
Prague Journal of English Studies LADISLAV NAGY Volume 4, No. 1, 2015 ISSN: 1804-8722 (print) '2,10.1515/pjes-2015-0007 Works Cited ISSN: 2336-2685 (online) Boccardi, Mariadele. The Contemporary British Historical Novel, Representation, Nation. London: Palgrave Macmillan 2009. Print. Upheavals of Emotions, Madness of Form: Bradbury, Malcom. The Modern British Novel. London: Penguin 1993. Print. Mary M. Talbot’s and Bryan Talbot’s Dotter Elias, Amy J, Sublime Desire, History and post-1960s Fiction. Baltimore: The John Hopkins University Press 2001. Print. of Her Father’s Eyes and a Transdiegetised Jones, Thomas. “Dark Sayings.” London Review of Books. Vol. 22, No. 21, (Auto)Biographical Commix November 2, 2000. Print. Keen, Suzanne. Romances of the Archive in Contemporary British Fiction. Toronto: Toronto University Press 2001. Print. Robert Kusek Norfolk, Lawrence. John Saturnall’s Feast. London: Bloomsbury 2013. Print. ---. Lemprière’s Dictionary. New York: Harmony Books 1991. Print. ---. The Pope’s Rhinoceros. London: Vintage 1998. Print. In 2012, Mary M. Talbot and Bryan Talbot joined the likes of Richard Ellmann, ---. In the Shape of a Boar. London: Weidenfeld & Nicolson 2000. Print. Gordon Bowker and Michael Hastings and in their graphic memoir Dotter of Her Ziolkowski, Theodore.Lure of the Arcane, The Literature of Cult and Conspiracy. Father’s Eyes (2012) offered a new re-telling of James Joyce’s life, focusing, in Baltimore: The John Hopkins University Press 2013. Print. particular, on the difficult relationship between the great Irish writer, and his daughter Lucia. However, the story of a complicated emotional bond between Joyce and Lucia was only a framework for an autobiographical coming-of age narrative about Mary LADISLAV NAGY is the head of the Department of English at the Faculty of M. -
James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners Sean Clifford
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Virtual Commons - Bridgewater State University Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-13-2014 A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners Sean Clifford Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the English Language and Literature Commons Recommended Citation Clifford, Sean. (2014). A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners. In BSU Honors Program Theses and Projects. Item 40. Available at: http://vc.bridgew.edu/honors_proj/40 Copyright © 2014 Sean Clifford This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Clifford 1 A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners Sean Clifford Submitted in Partial Completion of the Requirements for Departmental Honors in English Bridgewater State University May 13, 2014 Dr. Ellen Scheible, Thesis Director Dr. Heidi Bean, Committee Member Prof. Bruce Machart, Committee Member Clifford 2 Sean Clifford Honors Thesis Bridgewater State University A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners The Ireland of James Joyce’s first published work, Dubliners, is a nation only a few years away from revolution. It is a land still under the control of England and the specter of the Potato Famine. Charles Stuart Parnell’s push for Home Rule and his subsequent fall from grace and the failed revolutions of the past still lingered in its collective conscience. -
Ulysses: Stephen's Parable of the Plums
Colby Quarterly Volume 28 Issue 1 March Article 3 March 1992 Ulysses: Stephen's Parable of the Plums Robert Frumkin Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 28, no.1, March 1992, p. 5-18 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Frumkin: Ulysses: Stephen's Parable of the Plums Ulysses: Stephen's Parable of the Plums by ROB E RTF RUM KIN Though they didn't see eye to eye in everything, a certain analogy there somehow was, as if both their minds were travelling. so to speak. in the one train ofthought. He gets the plums and I the plumstones. The ParabLe and the Lapsarian Meeting of Stephen and Bloom ye 0 M PAR 1 N G Bloom's response to Stephen's Parable of the Plums in B "Ithaca" to the responses ofthe newsmen in "lEolus," I hope to show that a momentary meeting of minds, if a "falJen," in1perfect one, occurs between '·father" and "son" in the ·'Ithaca" chapter and that Stephen perceives this closeness in Bloom's response to his parable. Stephen is uncomfortable with the closeness and does not seem to want to be understood, which explains why he sings the "Jew's Daughter" ballad. His acceptance or rejection of Bloom's hospitality is moot in my reading, since Bloom and Stephen have already been reunited as much as one can be in the fallen world (as reunited as a lapsarian Odysseus can be with Telemachos in a lapsarian Odyssey). -
The Sentence That Makes Stephen Dedalus Smash the Lamp
Colby Quarterly Volume 22 Issue 2 June Article 3 June 1986 The Sentence That Makes Stephen Dedalus Smash the Lamp Frederick K. Lang Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 22, no.2, June 1986, p.88-92 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Lang: The Sentence That Makes Stephen Dedalus Smash the Lamp The Sentence That Makes Stephen Dedalus Smash the Lamp by FREDERICK K. LANG N Earthly Powers, among the finishing touches Anthony Burgess puts I to his caricature of Joyce at middle age, we find a trace of an earlier portrait of the artist. Hearing thunder, Burgess's "Poor fearful Joyce" reverts to prayer: "0 blessed Sacred Heart of Jesus keep us from harm."1 In the "Circe" episode of Ulysses, Stephen Dedalus, "Choking withfright, remorse and horror," confronts his dead mother. 2 "0 Sacred Heart of Jesus, have mercy on him!" moans the apparition: "Save him from hell, o divine Sacred Heart!" (U 582). The prayer recited by Burgess's Joyce in 1923 and that recited to Joyce's Stephen in 1904 both resemble the invocations in "The Litany of the Most Sacred Heart of Jesus,"3 which is contained in numerous prayerbooks and religious manuals, including Devotions to the Sacred Heart ofJesus, published in Dublin. 4 What makes this particular work significant is that, two pages before the Litany of the Sacred Heart, we discover the origin of the sentence which accounts for Stephen's famous assault upon the brothel chandelier, the sentence which leaves him "Translating his spiritual into physical rebellion."5 Preceding the Litany is "An Act of Reparation"- "For the innumerable Irreverences and grievous Offences, by which we and others have insulted the Heart ofJesus" (Dev 304-06). -
Dubliners an Encounter
An Encounter influence, differences of culture and constitution were waived. .!H We banded ourselves together, some boldly, some in jest and some almost in fear: and of the number of these latter, the reluctant Indians who were afraid to seem studious or lacking in robustness, I was one. The adventures related in the litera• ture of the wild west were remote from my nature but, at least, they opened doors of escape. I liked better some American An Encounter detective stories which were traversed from time to time by unkempt fierce and beautiful girls. Though there was nothing wrong in these stories and though their intention was some" times literary they were circulated secretly at school. One day when Father Buder was hearing the four pages of Roman history clumsy Leo Dillon was discovered with a copy of The Halfpenny Marvel. -This page or this page? This page? Now, Dillon, up! Hurdly had the day .... Go on! What day? Hardly hwd the day dawned ..... Have you studied it? What have you there in your pocket? Everyone's heart palpitated as Leo Dillon handed up the It was Joe Dillon who introduced the wild west to us. He had a little library made up of old numbers of The Union Jack, paper and everyone assumed an innocent face. Father Buder Pluck and The Halfpenny Marvel. Every evening after school turned over the pages, frowning. we met in his back garden and arranged Indian battles. He and -What is this rubbish? he said. The Apache Chief! Is this his fat young brother Leo, the idler, held the loft of the stable what you read instead of studying your Roman history? Let me while we tried to carry it by storm; or we fought a pitched not find any more of this wretched stuff in this college. -
Ulysses in Paradise: Joyce's Dialogues with Milton by RENATA D. MEINTS ADAIL a Thesis Submitted to the University of Birmingh
Ulysses in Paradise: Joyce’s Dialogues with Milton by RENATA D. MEINTS ADAIL A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY English Studies School of English, Drama, American & Canadian Studies College of Arts and Law University of Birmingham October 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers the imbrications created by James Joyce in his writing with the work of John Milton, through allusions, references and verbal echoes. These imbrications are analysed in light of the concept of ‘presence’, based on theories of intertextuality variously proposed by John Shawcross, Hans Ulrich Gumbrecht, and Eelco Runia. My analysis also deploys Gumbrecht’s concept of stimmung in order to explain how Joyce incorporates a Miltonic ‘atmosphere’ that pervades and enriches his characters and plot. By using a chronological approach, I show the subtlety of Milton’s presence in Joyce’s writing and Joyce’s strategy of weaving it into the ‘fabric’ of his works, from slight verbal echoes in Joyce’s early collection of poems, Chamber Music, to a culminating mass of Miltonic references and allusions in the multilingual Finnegans Wake. -
James Joyce and His Influences: William Faulkner and Anthony Burgess
James Joyce and His Influences: William Faulkner and Anthony Burgess An abstract of a Dissertation by Maxine i!3urke July, Ll.981 Drake University Advisor: Dr. Grace Eckley The problem. James Joyce's Ulysses provides a basis for examining and analyzing the influence of Joyce on selected works of William Faulkner and Anthony Bur gess especially in regard to the major ideas and style, and pattern and motif. The works to be used, in addi tion to Ulysses, include Faulkner's "The Bear" in Go Down, Moses and Mosquitoes and Burgess' Nothing Like the Sun. For the purpose, then, of determining to what de gree Joyce has influenced other writers, the ideas and techniques that explain his influence such as his lingu istic innovations, his use of mythology, and his stream of-consciousness technique are discussed. Procedure. Research includes a careful study of each of the works to be used and an examination of var ious critics and their works for contributions to this influence study. The plan of analysis and presentation includes, then, a prefatory section of the dissertation which provides a general statement stating the thesis of this dissertation, some background material on Joyce and his Ulysses, and a summary of the material discussed in each chapter. Next are three chapters which explain Joyce's influence: an introduction to Joyce and Ulysses; Joyce and Faulkner; and Joyce and Burgess. Thus Chapter One, for the purpose of showing how Joyce influences other writers, discusses the ideas and techniques that explain his influences--such things as his linguistic innovations, his use of mythology, and his stream-of consciousness method. -
The Earliest Translations of Joyce's Ulysses
Papers on Joyce 16 (2010): 81-91 The Earliest Translations of Joyce’s Ulysses CARMELO MEDINA CASADO Abstract The article explores Joyce’s interest and active participation in the earliest translations of Ulysses into German, French, Spanish, Russian, Czech, Polish, Japanese, Danish, Italian, Hungarian and Portuguese, as documented in Sylvia Beach’s business letters, now part of the “James Joyce Collection” in the Poetry Collection at the University of the State of NY at Buffalo, and in the James Joyce-Paul Leon Papers at the National Library of Ireland, Dublin. Keywords: Ulysses, early translations, Sylvia Beach’s letters, James Joyce-Paul Leon Papers. ylvia Beach’s decision to publish Ulysses in her bookshop S“Shakespeare and Company” in 1922 came as a direct 1 consequence of the censorship pressure met by the novel. This pressure and its eventual ban, both in the United States and in 81 THE EARLIEST TRANSLATION OF JOYCE’S ULYSSES United Kingdom, did not quell the interest in the literary world to read Joyce’s Ulysses; furthermore it attracted the attention of people who wanted to read it in languages other than English and consequently of publishers and translators from different countries. The first legal ban of Ulysses took place in the United States in 1921, when it was still being periodically published in The Little Review; the ban was finally lifted by Judge John Woolsey’s resolution in 1933. In the United Kingdom, the ban and prosecution was personally carried out by the Director of Public Prosecution (DPP); here too its distribution and publication was finally allowed in 1936, which was followed by the lifting of the ban in the rest of the English speaking world, where it had also been prohibited, except in 2 Ireland where Ulysses was not banned. -
Epiphanies in Dubliners
Epiphanies in Dubliners Epiphanies in Dubliners* Takashi Suzuki Epiphanies appear in Dubliners in various ways. Some stories present them directly. These epipha- nies are apparent to every reader. One of these is in “After the Race”. Jimmy Doyle is a son of the successful father who is called a merchant prince by the Dublin newspapers. Jimmy is a spoiled youth who has money and is popular but of no particular talent. He is very excited, sitting in a car that a wealthy Frenchman drives with his companions through the cheers of spectators. He has joined the Frenchman’s company without no reason. Jimmy takes this car race as the opportunity to deepen his relationship with the Frenchman from mere acquaintance to friendship. The Frenchman is reputed to own some of the biggest hotels in France, and is about to start motor business in Paris. Jimmy is going to “stake”(47)1 the greater part of his money on the Frenchman’s venture, and the Frenchman gives him the impression that the investment is made possible by a favour of friendship. The idea of this investment is initiated by his father’s suggestion. Therefore Jimmy and his father treat them in a very friendly and hospitable manner. But this design leads Jimmy to a fatal card game, and he loses more than he can afford: He knew that he would regret it in the morning, but at present he was glad of the rest, glad of the dark stupor that would cover up his folly. He leaned his elbows on the table and rested his head between his hands, counting the beats of his temples. -
Advertising and Plenty in Joyce's Ulysses
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Fall 2009 All the Beef to the Heels Were in: Advertising and Plenty in Joyce's Ulysses Mindy Jo Ratcliff Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Ratcliff, Mindy Jo, "All the Beef to the Heels Were in: Advertising and Plenty in Joyce's Ulysses" (2009). Electronic Theses and Dissertations. 175. https://digitalcommons.georgiasouthern.edu/etd/175 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ―All the beef to the heels were in‖: Advertising and Plenty in Joyce‘s Ulysses by MINDY JO RATCLIFF (Under the Direction of Howard Keeley) ABSTRACT Privileging a historicist approach, this document explores the presence of consumer culture, particularly advertising, in James Joyce‘s seminal modernist novel, Ulysses (1922). It interrogates Joyce‘s awareness of how a broad upswing in Ireland‘s post-Famine economy precipitated advertising-intensive consumerism in both rural and urban Ireland. Foci include the late-nineteenth-century transition in agriculture from arable farming to cattle-growing (grazier pastoralism), which, spurring economic growth, facilitated the emergence of a ―strong farmer‖ rural bourgeoisie. The thesis considers how Ulysses inscribes and critiques that relatively affluent coterie‘s expenditures on domestic cultural tourism, as well as hygiene-related products, whose presence on the Irish scene was complicated by a British discourse on imperial cleanliness. -
Dubliners and the Joycean Epiphany
DUBLINERS AND THE JOYCEAN EPIPHANY A Thesis by Roger T. Briggs B.A., Wichita State University, 2003 Submitted to the Department of English and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2006 DUBLINERS AND THE JOYCEAN EPIPHANY I have examined the final copy of this Thesis for form and content and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Literature. ____________________________________ Peter T. Zoller, Committee Chair We have read this Thesis and recommend its acceptance: ____________________________________ Christopher K. Brooks, Committee Member ____________________________________ Wilson Baldridge, Committee Member ii The Roman Catholic Church was an important and prominent aspect of Irish life in the early twentieth century. Where most of Western Europe had become secularized during the nineteenth century, Ireland remained steadfast in its faith, be it Roman Catholic or Protestant. However, at the time, more than ninety percent of the Irish population was Roman Catholic with the numbers of Protestants belonging to the Church of Ireland or Presbyterian and Methodist Churches falling from eight percent in the second half of the nineteenth century to less than three percent in 1981 (Inglis 63). As a result of the growth of the Roman Catholic Church, much of Irish politics and society was infused with starkly Catholic tones—so much that individual citizens and the nation as a whole began to understand their inherent identity through their association with the Roman Catholic faith (59).