01-Newsletter-060709.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Study of Translation-Related Manuscripts in the Anthony Burgess Archives
Zanotti, S. & Bollettieri, R.M.. (2015). Exploring the Backstage of Translations: A study of translation-related manuscripts in the Anthony Burgess archives . Linguistica Antverpiensia, New Series: Themes in Translation Studies , 14 , 127–148. Exploring the backstage of translations: A study of translation- related manuscripts in the Anthony Burgess archives1 Serenella Zanotti Roma Tre University, Italy [email protected] Rosa Maria Bollettieri University of Bologna, Italy [email protected] This article offers a preliminary exploration of the use of translators’ manuscripts in translation research. It will be argued that, aside from a philological interest, studying translators’ papers is crucial in reconstructing the prehistory and process of translations. It will also be argued that such a study is crucial in analysing and evaluating the factors that influence translations, including the roles of the people involved in the translation process. More specifically, applying to translators’ manuscripts the methods of enquiry developed by genetic criticism will be illustrated through a study of the available manuscripts pertaining to the Italian translation of Anthony Burgess’s libretto, Blooms of Dublin (1986). The aim of the study is to show the importance of developing a specific methodology for investigating the prehistory and process of translation. 1. Introduction 2 Jeremy Munday (2012, 2013) has recently called attention to the role that archival methodologies may play in widening the scope of descriptive translation studies. According to Munday (2013), this can be achieved by “combining analysis of the translated product with an investigation of the translation process” (p. 134). Translation-related draft manuscripts and papers appear to be particularly suited to the investigation of such a process because they are “interim products which offer crucial and more direct access to the creative process that is literary translation and provide written evidence of the translator’s decision-making” (Munday, 2013, p. -
What Kubrick's Kelley O'brien University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2018 "He Didn't Mean It": What Kubrick's Kelley O'Brien University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation O'Brien, Kelley, ""He Didn't Mean It": What Kubrick's" (2018). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/7204 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “He Didn‟t Mean It”: What Kubrick‟s The Shining Can Teach Us About Domestic Violence by Kelley O‟Brien A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts With a concentration in Humanities Department of Humanities and Cultural Studies College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Maria Cizmic, Ph.D. Amy Rust Ph.D. Date of Approval: March 8, 2018 Keywords: Patriarchy, Feminism, Gender Politics, Horror, American 1970s Copyright © 2018, Kelley O‟Brien Dedication I dedicate this thesis project to my mother, Terri O‟Brien. Thank you for always supporting my dreams and for your years of advocacy in the fight to end violence against women. I could not have done this without you. Acknowledgments First I‟d like to express my gratitude to my thesis advisor Dr. -
Earthly Powers Free Download
EARTHLY POWERS FREE DOWNLOAD Anthony Burgess | 656 pages | 06 May 2004 | Vintage Publishing | 9780099468646 | English | London, United Kingdom Book of a lifetime: Earthly Powers, By Anthony Burgess Carlo Campanati rushes to be with his brother, but by the time he arrives, Raffaele is already gone. You can find our Community Guidelines in full here. Light rubbing wear to cover, spine and page edges. Already have an account? Seller Inventory L02I Some of the techniques listed in Earthly Powers may require a sound knowledge of Hypnosis, users are advised to either leave those sections or must have a basic understanding of the subject Earthly Powers practicing them. On his eighty-first birthday, retired homosexual writer Kenneth Toomey is asked by the Archbishop of Malta to assist in the process of canonisation of Carlo Campanati, the late Pope Gregory XVII and his brother-in-law. He talks to his servant, Ali, about God, and remembers his brother Tommy. Published by Avon Books She'd just finished the book. Earthly Powers Earthly Powers, Anthony. Some of the techniques listed in Earthly Powers may require a sound knowledge of Hypnosis, users are advised to either Earthly Powers those sections or must have a basic understanding of the subject before practicing them. Read more. This article needs additional citations for verification. About this Item: Paperback. Your Comment:. First edition. Louis, MO, U. It allows Earthly Powers most engaged Earthly Powers to debate the big issues, share their own experiences, discuss real-world solutions, and more. More information about this seller Contact this seller Tue 14 Mar Other important influences Earthly Powers visible in the book. -
A Clockwork Orange and Stanley Kubrick’S Film Adaptations
2016-2017 A dissertation submitted to Ghent University in partial fulfilment of the requirements for the degree of Master of Arts – Linguistics and Literature: English & Dutch THE TRUTH BETWEEN THE LINES A Comparative Analysis of Unreliable Narration in Vladimir Nabokov’s Lolita, Anthony Burgess’s A Clockwork Orange and Stanley Kubrick’s Film Adaptations Name: Isaura Vanden Berghe Student number: 01304811 Supervisor: Marco Caracciolo ACKNOWLEDGEMENTS I would first like to thank my master’s dissertation advisor Assistant Professor of English and Literary Theory, Marco Caracciolo of the Department of Literary Studies at the University of Ghent. Whenever I needed guidance or had a question about my research or writing, Prof. Caracciolo was always quick to respond, steering me in the right direction whenever he thought I needed it. Then, I must also express my very profound gratitude to my parents and to my brother for providing me with continuous encouragement and unfailing support throughout my years of study and through the process of writing and researching this dissertation. This accomplishment would not have been possible without them. Thank you. TABLE OF CONTENT INTRODUCTION 1 THEORETICAL FRAMEWORK 5 THEORY OF UNRELIABLE NARRATION 5 UNRELIABLE NARRATION IN FILM 9 LOLITA 12 LOLITA: THE NOVEL (1955) 12 IN HUMBERT HUMBERT’S DEFENSE: A SUMMARY 12 UNRELIABLE NARRATION IN THE NOVEL 15 LOLITA: THE FILM (1962) 35 STANLEY KUBRICK AND ‘CINEMIZING’ THE NOVEL 35 UNRELIABLE NARRATION IN THE FILM 36 A CLOCKWORK ORANGE 47 A CLOCKWORK ORANGE: THE NOVEL (1962) 47 ALEX’S ULTRA-VIOLENT RETELLING: A SUMMARY 47 UNRELIABLE NARRATION IN THE NOVEL 50 A CLOCKWORK ORANGE: THE FILM (1972) 63 STANLEY KUBRICK’S ADAPTATION 63 UNRELIABLE NARRATION IN THE FILM 64 CONCLUSION 75 REFERENCES APPENDIX A APPENDIX B APPENDIX C INTRODUCTION In 2011, Mark Jacobs launched a campaign ad for a new fragrance of his, called ‘Oh, Lola!’1. -
Download PDF Booklet
NA596012D 7070th Anniversary Edition BOOK I: THE BOOK OF THE PARENTS [The fall] 1 ‘riverrun, past Eve and Adam’s…’ 10:18 The scene is set and the themes of history, the fall, the twin brothers and ‘Bygmester Finnegan’ set out. HCE has fallen (‘Hic Cubat Edilis’), we have attended his wake, and now he lies like a giant hill beside his Liffeying wife (Apud Libertinam Parvulam). 2 ‘Hence when the clouds roll by, jamey...’ 5:28 We enter the Wellington museum in Phoenix Park (‘The Willingdone Museyroom’). The mistress Kathe is our guide. 3 ‘So This Is Dyoublong?’ 7:03 Leaving the museum we find the landscape transformed into an ancient battlefield and recall the events of 566 and 1132 AD as recalled in ‘the leaves of the living of the boke of the deeds’. A strange looking foreigner appears over the horizon. It is a Jute. He converses with a suspicious native Irelander: Mutt. Mutt’s exclamation ‘Meldundleize!’ is the first of many references to Isolde’s final aria, the Liebestod, from Wagner’s Tristan und Isolde, which begins: ‘Mild und leise...’ 4 ‘(Stoop) if you are abcedminded, to this claybook…’ 7:17 We are brought back abruptly to the present and to tales hinting at scandal. Gradually the wake scene re-emerges: ‘Anam muck an dhoul (soul to the devil)! Did ye drink me doornail!’ HCE (Mr Finnemore) is encouraged to lie easy. There’s nothing to be done about it – either the sin was committed or it wasn’t. Either way it was HCE who caused the hubbub in the first place. -
Deleuze in Children's Literature
Deleuze in Children’s Literature Plateaus – New Directions in Deleuze Studies ‘It’s not a matter of bringing all sorts of things together under a single concept but rather of relating each concept to variables that explain its mutations.’ Gilles Deleuze, Negotiations Series Editors Ian Buchanan, University of Wollongong Claire Colebrook, Penn State University Editorial Advisory Board Keith Ansell Pearson, Ronald Bogue, Constantin V. Boundas, Rosi Braidotti, Eugene Holland, Gregg Lambert, Dorothea Olkowski, Paul Patton, Daniel Smith, James Williams Titles available in the series Christian Kerslake, Immanence and the Vertigo of Philosophy: From Kant to Deleuze Jean-Clet Martin, Variations: The Philosophy of Gilles Deleuze, translated by Constantin V. Boundas and Susan Dyrkton Simone Bignall, Postcolonial Agency: Critique and Constructivism Miguel de Beistegui, Immanence – Deleuze and Philosophy Jean-Jacques Lecercle, Badiou and Deleuze Read Literature Ronald Bogue, Deleuzian Fabulation and the Scars of History Sean Bowden, The Priority of Events: Deleuze’s Logic of Sense Craig Lundy, History and Becoming: Deleuze’s Philosophy of Creativity Aidan Tynan, Deleuze’s Literary Clinic: Criticism and the Politics of Symptoms Thomas Nail, Returning to Revolution: Deleuze, Guattari and Zapatismo François Zourabichvili, Deleuze: A Philosophy of the Event with The Vocabulary of Deleuze edited by Gregg Lambert and Daniel W. Smith, translated by Kieran Aarons Frida Beckman, Between Desire and Pleasure: A Deleuzian Theory of Sexuality Nadine Boljkovac, -
The Sentence That Makes Stephen Dedalus Smash the Lamp
Colby Quarterly Volume 22 Issue 2 June Article 3 June 1986 The Sentence That Makes Stephen Dedalus Smash the Lamp Frederick K. Lang Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 22, no.2, June 1986, p.88-92 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Lang: The Sentence That Makes Stephen Dedalus Smash the Lamp The Sentence That Makes Stephen Dedalus Smash the Lamp by FREDERICK K. LANG N Earthly Powers, among the finishing touches Anthony Burgess puts I to his caricature of Joyce at middle age, we find a trace of an earlier portrait of the artist. Hearing thunder, Burgess's "Poor fearful Joyce" reverts to prayer: "0 blessed Sacred Heart of Jesus keep us from harm."1 In the "Circe" episode of Ulysses, Stephen Dedalus, "Choking withfright, remorse and horror," confronts his dead mother. 2 "0 Sacred Heart of Jesus, have mercy on him!" moans the apparition: "Save him from hell, o divine Sacred Heart!" (U 582). The prayer recited by Burgess's Joyce in 1923 and that recited to Joyce's Stephen in 1904 both resemble the invocations in "The Litany of the Most Sacred Heart of Jesus,"3 which is contained in numerous prayerbooks and religious manuals, including Devotions to the Sacred Heart ofJesus, published in Dublin. 4 What makes this particular work significant is that, two pages before the Litany of the Sacred Heart, we discover the origin of the sentence which accounts for Stephen's famous assault upon the brothel chandelier, the sentence which leaves him "Translating his spiritual into physical rebellion."5 Preceding the Litany is "An Act of Reparation"- "For the innumerable Irreverences and grievous Offences, by which we and others have insulted the Heart ofJesus" (Dev 304-06). -
James Joyce and His Influences: William Faulkner and Anthony Burgess
James Joyce and His Influences: William Faulkner and Anthony Burgess An abstract of a Dissertation by Maxine i!3urke July, Ll.981 Drake University Advisor: Dr. Grace Eckley The problem. James Joyce's Ulysses provides a basis for examining and analyzing the influence of Joyce on selected works of William Faulkner and Anthony Bur gess especially in regard to the major ideas and style, and pattern and motif. The works to be used, in addi tion to Ulysses, include Faulkner's "The Bear" in Go Down, Moses and Mosquitoes and Burgess' Nothing Like the Sun. For the purpose, then, of determining to what de gree Joyce has influenced other writers, the ideas and techniques that explain his influence such as his lingu istic innovations, his use of mythology, and his stream of-consciousness technique are discussed. Procedure. Research includes a careful study of each of the works to be used and an examination of var ious critics and their works for contributions to this influence study. The plan of analysis and presentation includes, then, a prefatory section of the dissertation which provides a general statement stating the thesis of this dissertation, some background material on Joyce and his Ulysses, and a summary of the material discussed in each chapter. Next are three chapters which explain Joyce's influence: an introduction to Joyce and Ulysses; Joyce and Faulkner; and Joyce and Burgess. Thus Chapter One, for the purpose of showing how Joyce influences other writers, discusses the ideas and techniques that explain his influences--such things as his linguistic innovations, his use of mythology, and his stream-of consciousness method. -
Top Quark Physics in the Large Hadron Collider Era
Top Quark Physics in the Large Hadron Collider era Michael Russell Particle Physics Theory Group, School of Physics & Astronomy, University of Glasgow September 2017 arXiv:1709.10508v2 [hep-ph] 31 Jan 2018 A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Abstract We explore various aspects of top quark phenomenology at the Large Hadron Collider and proposed future machines. After summarising the role of the top quark in the Standard Model (and some of its well-known extensions), we discuss the formulation of the Standard Model as a low energy effective theory. We isolate the sector of this effective theory that pertains to the top quark and that can be probed with top observables at hadron colliders, and present a global fit of this sector to currently available data from the LHC and Tevatron. Various directions for future improvement are sketched, including analysing the potential of boosted observables and future colliders, and we highlight the importance of using complementary information from different colliders. Interpretational issues related to the validity of the effective field theory formulation are elucidated throughout. Finally, we present an application of artificial neural network algorithms to identifying highly- boosted top quark events at the LHC, and comment on further refinements of our analysis that can be made. 2 Acknowledgements First and foremost I must thank my supervisors, Chris White and Christoph Englert, for their endless support, inspiration and encouragement throughout my PhD. They always gave me enough freedom to mature as a researcher, whilst providing the occasional neces- sary nudge to keep me on the right track. -
MASARYK UNIVERSITY Aspects of Postmodernism in Anthony Burgess
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Aspects of Postmodernism in Anthony Burgess’ Novels Diploma thesis Brno 2011 Supervisor: PhDr. Pavel Doležel, Csc. Author: Bc. Radka Mikulaková Bibliographic note Mikulaková, Radka. Aspects of Postmodernism in Anthony Burgess’ novels. Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2011. Supervisor Pavel Doležel. Anotace Diplomová práce Aspekty postmodernismu v románech Anthony Burgesse pojednává o literárním postmodernismu v románech Anthony Burgesse. Jmenovitě v románech A Clockwork Orange, The Wanting Seed a 1985, které jsou tematicky propojeny autorovou teorií vývoje moderní společnosti. Práce je rozdělena do tří základních oddílů. První část shrnuje základní literárněvědné přístupy k samotnému pojmu postmodernismus a stanovuje tak teoretická východiska k dalším oddílům práce. V následující části jsou výše uvedené romány podrobeny literární analýze z hlediska teorie fikčních světů a závěrem je stěžejní téma románů, Burgessova teorie cyklického vývoje společnosti, porovnáno a zkoumáno z hlediska dobových filozoficko-sociologických tendencí. Annotation Diploma thesis Aspects of Postmodernism in Anthony Burgess’ Novels deals with literary postmodernism in Anthony Burgess‟ novels, i.e. in A Clockwork Orange, The Wanting Seed and 1985, which are thematically connected by author‟s theory of the development of contemporary society. Thesis is divided into three chapters. The first chapter deals with basic scientific approaches to the term postmodernism and thus defines a theoretical basis for other chapters. In the following part the three of Burgess‟ novels are analyzed from the perspective of fictional semantics and, finally, the main theme of these Burgess‟ novels, a cyclic theory of human development, is compared and contrasted with the then socio-philosophical tendencies. -
The Transformative Energy of Children's Literature
Notes 1 Breaking Bounds: The Transformative Energy of Children’s Literature 1. I do not recognise Karin Lesnik-Oberstein’s insistence that the majority of academics who write about children’s literature are primarily concerned with finding the right book for the right child (Children’s Literature: New Approaches, 2004: 1–24). 2. Although publishing for children includes many innovative and important non- fictional works, my concern is specifically with narrative fictions for children. 3. See Rumer Godden’s entertaining ‘An Imaginary Correspondence’ featuring invented letters between Mr V. Andal, an American publisher working for the De Base Publishing Company, and Beatrix Potter for an entertaining insight into this process. The piece appeared in Horn Book Magazine 38 (August 1963), 197–206. 4. Peter Hunt raises questions about the regard accorded to Hughes’s writing for children suggesting that it derives more from the insecurity of children’s literature critics than the quality of the work: ‘It is almost as if, with no faith in their own judgements, such critics are glad to accept the acceptance of an accepted poet’ (2001: 79–81). 5. See Reynolds and Tucker, 1998; Trites, 2000 and Lunden, 2004. 6. Although writing in advance of Higonnet, Rose would have been familiar with many of the examples on which Pictures of Innocence is based. 7. By the time she reaches her conclusion, Rose has modified her position to empha- sise that ‘children’s literature is just one of the areas in which this fantasy is played out’ (138), undermining her claims that the child-audience is key to the work of children’s literature in culture. -
James Joyce (Irish)
ANALYSIS “Clay” (1914) James Joyce (Irish) (1882-1941) “Clay” from Dubliners is typical of Joyce the Modernist, whose perspective in the story is suggested by the physiognomy of that elusive corkscrew. Everything depends upon the reader being more perceptive than Joe Donnelly, for almost every detail of the story implies opposites or contradictions, the essence of irony. Reading on all levels simultaneously is somewhat like playing three-dimensional chess. Maria the central figure is a soul of clay, one of many old maids in Dubliners, isolated between the Flynn sisters and the Morkan sisters. Her spinsterhood invokes the most obvious and for her the most painful ironies: “Lizzie Fleming said Maria was sure to get the ring.” Maria pretends “she didn’t want any ring or any man either,” and laughs with “disappointed shyness.” The stylish bakery clerk “asked her was it a wedding cake she wanted to buy,” and Maria pretends amusement, blushing. In the saucer game Joyce emphasizes symbolic appropriateness rather than irony by having Maria miss the ring and get the clay (death). But her response is the most crucial irony in the story, at least as far as she personally is concerned: “Maria understood that it was wrong that time.” All present are relieved to see her get the prayer-book the next time; for them the appropriate choice is the abhorrent choice. “Soon they were all quite merry again and Mrs. Donnelly said Maria would enter a convent before the year was out because she had got the prayer-book.” Joe asks the old lady to sing “some little song before she went.” In her embarrassment Maria seems to sense some of the irony of her romantic song from The Bohemian Girl and it may be this partial consciousness which causes her to omit a stanza about a lover.