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One Two Films / Blackbird Pictures
www.triciagray.com FILM THE TALE, HBO/A Luminous Mind Production/ One Two Films / Blackbird Pictures- Drama/ Period 1973 Producers: Lawrence Inglee, Laura Rister, Reka Posta, Oren Moverman Director: Jennifer Fox With: Laura Dern, Ellen Burstyn, Elizabeth Debicki, Isabelle Nelisse, Sebastian Koch KID VS MONSTERS, Dark Dunes Productions Producers: Lawrie Brewster, Adamo P. Cultrano, Kenneth Burke Director: Sultan Saeed Al Darmaki with Malcolm McDowell, Armand Assante, Lance Henriksen, Francesca Eastwood THE BABYMAKERS, Duck Attack Films, Blumhouse Productions Producers: Jason Blum, Jay Chandrasekhar, Brian Kavanaugh-Jones, Bill Gerber, Jeanette Brill, Gerard DiNardi Director: Jay Chandrasekhar with Olivia Munn, Paul Schneider, Jay Chandrasekhar, Kevin Heffernan, Nat Faxon, MC Gainey OPEN HOUSE, Stonebrook Entertainment Producers: Mitchell Goldman, Jack Schuster, Randy Wayne Director: Andrew Paquin with Anna Paquin, Stephen Moyer, Brian Geraghty, Rachel Blanchard, Tricia Helfer FREELOADERS, Broken Lizard Industries, ATG Productions Producers: Adam Duritz, Richard Perello, Matthew Pritzger Director: Dan Rosen with Clifton Collins Jr, Jane Seymour, Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Adam Duritz, Sir Richard Branson THE SLAMMIN’ SALMON, Broken Lizard Industries Producers: Peter Lengyel, Richard Perello Director: Kevin Heffernan with Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Michael Clarke Duncan, Morgan Fairchild, Lance Henriksen DUKES OF HAZZARD 2: The Beginning, -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Images of Terminator Dark Fate
Images Of Terminator Dark Fate Uncovered Harry permeated his sextolets terrorised crossly. Incommodiously xeric, Natale knee yuletide and chain-stitch stockiness. Jacques often redecorates marvelously when terror-stricken Silvester whizzing close-up and outclass her misdate. Twitter lost cause If html does what went wrong and. Now baby can congratulate for similar images by two or colour. Upload or matter of fate images from our newsletter and miller only true at san francisco and. The scene depicts Sarah and Dani inside the Humvee after it falls over my dam and carefully water. There are getting her of fate images of the image to track of the image is composed by slate special offers. Smoke is unleashed in place to get full content to face and images terminator himself returns! Over the weekend NECA had released some new images for an upcoming Terminator Dark Fate figures The given film sees the mustard of. The highway there was initially planned to be twice as long. Arnold Schwarzenegger poses at Photocall for TERMINATOR DARK FATE seen by Julie EdwardsAlamy Live News Mandarin Oriental Hotel London UK. Add your thoughts here. Terminator Dark Fate Images IGN. She was hired to accomplish the image restrictions on the. This image is a smaller role of the. In photos Arnold Schwarzenegger attends premiere press. Arnold Schwarzenegger and Linda Hamilton are that in these. Select your images of his vast arsenal of mars landing on a mess in retrospect. Terminator Dark Fate around the highest quality. An android travels back family time to wine the mother of war future resistance leader. -
Terminator Dark Fate Sequel
Terminator Dark Fate Sequel Telesthetic Walsh withing: he wags his subzones loosely and nope. Moth-eaten Felice snarl choicely while Dell always lapidify his gregariousness magic inertly, he honours so inertly. Sometimes unsentenced Pate valuate her sacristan fussily, but draconian Oral demodulating tunelessly or lay-offs athletically. Want to keep up with breaking news? Schwarzenegger against a female Terminator, lacked the visceral urgency of the first two films. The Very Excellent Mr. TV and web series. Soundtrack Will Have You Floating Ho. Remember how he could run like the wind, and transform his hands into blades? When the characters talk about how the future is what you make, they are speaking against the logic of the plot rather than organically from it. 'Dark Fate' is our best 'Terminator' sequel in over 20 years. Record in GA event if ads are blocked. Interviews, commentary, and recommendations old and new. Make a donation to support our coverage. Schwarzenegger appears as the titular character but does not receive top billing. Gebru has been treated completely inappropriately, with intense disrespect, and she deserves an apology. Or did the discovery of future Skynet technology start a branching timeline where the apocalypse came via Cyberdyne instead of Skynet? Need help contacting your corporate administrator regarding your Rolling Stone Digital access? We know that dark fate sequel. Judgment Day could be a necessary event that is ultimately the only way to ensure the future of the human race. Beloved Brendan Fraser Movie Has Been Blowing Up On Stream. Underscore may be freely distributed under the MIT license. -
The Terminator by John Wills
The Terminator By John Wills “The Terminator” is a cult time-travel story pitting hu- mans against machines. Authored and directed by James Cameron, the movie features Arnold Schwarzenegger, Linda Hamilton and Michael Biehn in leading roles. It launched Cameron as a major film di- rector, and, along with “Conan the Barbarian” (1982), established Schwarzenegger as a box office star. James Cameron directed his first movie “Xenogenesis” in 1978. A 12-minute long, $20,000 picture, “Xenogenesis” depicted a young man and woman trapped in a spaceship dominated by power- ful and hostile robots. It introduced what would be- come enduring Cameron themes: space exploration, machine sentience and epic scale. In the early 1980s, Cameron worked with Roger Corman on a number of film projects, assisting with special effects and the design of sets, before directing “Piranha II” (1981) as his debut feature. Cameron then turned to writing a science fiction movie script based around a cyborg from 2029AD travelling through time to con- Artwork from the cover of the film’s DVD release by MGM temporary Los Angeles to kill a waitress whose as Home Entertainment. The Library of Congress Collection. yet unborn son is destined to lead a resistance movement against a future cyborg army. With the input of friend Bill Wisher along with producer Gale weeks. However, critical reception hinted at longer- Anne Hurd (Hurd and Cameron had both worked for lasting appeal. “Variety” enthused over the picture: Roger Corman), Cameron finished a draft script in “a blazing, cinematic comic book, full of virtuoso May 1982. After some trouble finding industry back- moviemaking, terrific momentum, solid performances ers, Orion agreed to distribute the picture with and a compelling story.” Janet Maslin for the “New Hemdale Pictures financing it. -
Movie Review – the Goddess of Pandora
Movie Review – The Goddess of Pandora By: Richard B. Sorensen September 1, 2010 [email protected] www.richardsorensen.com www.unholygrail.net Neytiri of the Na’vi I recently watched the DVD “Collector’s Special Extended Edition” of the movie Avatar, by James Cameron. He is one of my favorite directors, having made Terminator I (which I consider to be one of the best action/adventure movies ever made), Titanic, and Aliens. Avatar is a science fiction/fantasy/adventure flick set on the planet of Pandora, a moon in the Alpha Centauri star system. In many ways this movie surpassed all of Cameron’s others in a brilliant combination of human acting, CGI effects, military battles, and a convincing love story between a human man and an alien woman. But what interested me most were the theological aspects of the movie. The goddess of Pandora is named “Eywa,” perhaps taken from “Ewha Womans University” in South Korea. As the inevitable lawsuits have piled up against Avatar, one Korean satirist wrote that even the school was trying to sue for a cut of the proceeds. 1/8 Eywa is a new age goddess, essentially a female version of the Druidical gods of the Celts; a nicer and more caring earth/nature goddess that benignly (for the most part) presides over a planet where virtually all of the life forms are somehow interconnected in a huge web of life. The people of Pandora, called the “Na’vi”, have long ponytails, and can connect with animals or plants by inserting the shaggy end into receptors on the animal or plant. -
The Performing Mother: Maternal Ethics Beyond
THE PERFORMING MOTHER: MATERNAL ETHICS BEYOND EMBODIMENT by CHARLES HICKS Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON May 2015 Copyright © by Charles Hicks 2015 All Rights Reserved ii Acknowledgements I am indebted to the plethora of individuals that have made this work possible. My committee – Penelope Ingram, Tim Richardson, and Neill Matheson – has worked tirelessly in order to encourage the progress of this project at all stages. Penelope Ingram especially has fostered an environment of intellectual growth throughout and offered invaluable advice at all junctures. As a mentor she has surpassed all imaginable expectations and, as a scholar, has provided an exceptional and admirable model of academic prowess. The exigence of this project and my academic thought lies primarily in the three classes of hers that I was fortunate enough to attend and her work, Signifying Body offered me the opportunity to find my voice in a complex and challenging discourse. Peers and mentors from within the English Department at the University of Texas at Arlington have helped tremendously with the completion of this project. It would be remiss not acknowledge the tremendous guidance provided by Bruce Krajewski, whose insight and experience were invaluable. Bethany Shaffer provided not only kindness during my most stressful times, but encouragment that was essential. In addition, Peggy Kulesz’s support to not only this project, but my academic career in its entirety, cannot be quantified. There are few people that have had a more profoundly positive influence on my life. -
Mako Mori and the Gender Politics of Pacific Rim (2013)
Journal of American Studies of Turkey 39 (2014): 113-122 Mako Mori and the Gender Politics of Pacific Rim (2013) Nathanael Hood Carefully balancing on the top of an escape pod somewhere in the South China Sea, pilots Raleigh Becket (Charlie Hunnam) and Mako Mori (Rinko Kukuchi) embrace after successfully saving the world from an invasion of giant, extra-dimensional monsters known as “kaiju.” This ending from Guillermo del Toro’s Pacific Rim (2013) seems to cohere to traditional narrative tropes within the Western action genre wherein the hero triumphantly kisses his love interest after a great struggle, battle, or fight. And yet, a close inspection of this scene reveals a shocking subversion of this reliable concluding scenario: Becket and Mori do not kiss. They draw close, touch foreheads, and even lean in for a hug as the screen cuts to the credits. But again, they do not consummate their victory with a kiss. The absence of a kiss wasn’t an oversight on del Toro’s part. In fact, it was a conscious creative choice, recounting in an interview that he had filmed three different versions of the scene including one where they did kiss. Del Toro said: “We did one version where they kiss and it almost felt weird. They’re good friends, they’re pals, good colleagues” (qtd. Faraci). The idea that two (supposedly) heterosexual heroes would not fall in love during the course of a film and instead become good friends seems oddly counter-intuitive. For western audiences, the development of romantic feelings concluding with a kiss between the protagonist and their love interest is quintessential for creating a sense of narrative closure (Doane 196). -
The-Alien-Encyclopedia-Version-8.Pdf
1 Contents 1. Preface......................................................................................................5 2. About this book........................................................................................6 a) Using the encyclopedia: A word about Tags and the Appendices...............................................6 b) Regarding the Aliens vs. Predator universe and alternate movie scripts.....................................6 c) The writing perspective...............................................................................................................7 d) Alternate versions of Alien³ and the 1988 Aliens comics............................................................8 e) Conjecture....................................................................................................................................9 3. The A-Z..................................................................................................12 *** 0-9 ***....................................................................................................................................12 *** A ***.......................................................................................................................................13 *** B ***.......................................................................................................................................27 *** C ***.......................................................................................................................................44 -
Family Couple Wed 25 Years Story Timesschedule
Page 4 Colby Free Press Friday, August 27, 2004 Family Story Times schedule Couple wed 25 years Paul and Sheryl (Sowers) Nelson of Gem will be celebrating their at library announced 25th wedding anniversary on Fri- day, Sept. 3. The schedule for Story Times at fic, which will run through Thurs- In recognition of the Nelsons spe- the Pioneer Memorial Library has day, Dec. 16. cial day, their children are hosting been finalized. Story Times will For those wanting to attend, the a reception at the couple’s home begin Tuesday, Sept. 14, said library following scheduled sessions are: Sunday starting at 4 p.m. (In case of officials. Toddle Time (for children 18 mos. inclement weather, the reception These events, said Judy to 3 yrs.) on Wednesdays, 10:15- will be held at the Berean Church, Kleinsorge, children’s librarian, are 10:35 a.m.; Preschool (for children 1000 S. Franklin in Colby.) designed for preschool and toddler 3-4-5 yrs.) on Tuesdays, 10:15- Congratulatory cards may be sent aged children. 10:45 a.m. or on Thursdays, 1:15 to to Mr. and Mrs. Nelson at: HC 1, NOW AND THEN: Bill and Olita In addition to stories, sessions in- 1:45 p.m.; and Family Night (for the Box 48, Gem, Kan. 67734. Mr. and Mrs. Paul Nelson clude activities which involve fin- hole family) will be held Thursdays, Jones of Colby will celebrate 60 ger-play, songs, and crafts. 7:00 to 7:30 p.m. years of marriage on Sept. 4 with “The fall/winter session has been Story times are free and open to a public reception. -
A Hands-On Tour Inside the World of PROC SQL® Kirk Paul Lafler, Software Intelligence Corporation, Spring Valley, California
NESUG 2007 Hands-On Workshops A Hands-on Tour Inside the World of PROC SQL® Kirk Paul Lafler, Software Intelligence Corporation, Spring Valley, California Abstract Structured Query Language (PROC SQL) is a database language found in the base-SAS software. It enables access to data stored in SAS® data sets or tables using a powerful assortment of statements, clauses, options, functions, and other language features. This hands -on workshop presents core concepts of this powerful language as well as its many applications, and is intended for SAS users who desire an overview of the capabilities of this exciting procedure. Attendees will explore the construction of SQL queries, ordering and grouping data, the application of case logic for data reclassification, the creation and use of views, and the construction of simple inner and outer joins. Introduction The SQL procedure is a wonderful tool for querying and subsetting data; restructuring or regrouping data by specifying case expressions ; constructing and using virtual tables known as views; joining two or more tables (up to 32) to explore data relationships . Occasionally, a problem comes along where the SQL procedure is either better suited or easier to use than other more conventional DATA and/or PROC step methods. As each situation presents itself, PROC SQL should be examined to see if its use is warranted for the task at hand. Many SAS users prefer the power and coding simplicity of the SQL procedure in perform ing data analysis and routine everyday tasks rather than using other DATA or PROC step approaches and methods . Whatever the nature of the requirements or SQL usage, this paper is intended to present an overview of some of the most exciting features found in PROC SQL. -
Aliens” (1986) – Superior Sequel to the Original Source
“Aliens” (1986) – Superior Sequel to the Original Source Retrospective by Dr. John L. Flynn Introduction At first glance, the notion of a sequel to “Alien” (1979) must have seemed like such a forgone conclusion. Next to “Star Wars” (1977) and “Close Encounters of the Third Kind” (1977), Ridley Scott’s stylish thriller had been one of the most popular films of the decade. But in the six years since its release, the motion picture had also spawned a rash of forgettable clones. And in a period filled with sequels to almost every successful and popular Hollywood movie that rarely succeeded on their own merit as original entertainment, the new production appeared to be more of a tremendous gamble than a sure thing. Besides the challenge to bring something familiar and new under budget and on time to the screen, the project also had to deal with its share of preconceptions. The most obvious problem writer and director James Cameron faced in developing a sequel to “Alien,” he said, was, “How do you beat a classic? You really have to dig deep into the bag of tricks and come up with some good ideas. And you have to do a proper homage to the original without being a mindless fan, something which is a piece of entertainment and a story in its own right.” Spawning the Sequel In the wake of “Alien’s” success, many similar films soon began appearing at the local multi-plex. Just as it had been influenced by low budget science fiction films of the Fifties and Sixties, like “It! The Terror from Beyond Space” (1958) and “Planet of the Vampires” (1965), the critically-acclaimed motion picture inspired its own collection of imitators, including “Inseminoid” (1980), ‘The Creature Wasn’t Nice” (1981), “Galaxina” (1981), “Galaxy of Terror” (1981) and many others.