A Hands-On Tour Inside the World of PROC SQL® Kirk Paul Lafler, Software Intelligence Corporation, Spring Valley, California

Total Page:16

File Type:pdf, Size:1020Kb

A Hands-On Tour Inside the World of PROC SQL® Kirk Paul Lafler, Software Intelligence Corporation, Spring Valley, California NESUG 2007 Hands-On Workshops A Hands-on Tour Inside the World of PROC SQL® Kirk Paul Lafler, Software Intelligence Corporation, Spring Valley, California Abstract Structured Query Language (PROC SQL) is a database language found in the base-SAS software. It enables access to data stored in SAS® data sets or tables using a powerful assortment of statements, clauses, options, functions, and other language features. This hands -on workshop presents core concepts of this powerful language as well as its many applications, and is intended for SAS users who desire an overview of the capabilities of this exciting procedure. Attendees will explore the construction of SQL queries, ordering and grouping data, the application of case logic for data reclassification, the creation and use of views, and the construction of simple inner and outer joins. Introduction The SQL procedure is a wonderful tool for querying and subsetting data; restructuring or regrouping data by specifying case expressions ; constructing and using virtual tables known as views; joining two or more tables (up to 32) to explore data relationships . Occasionally, a problem comes along where the SQL procedure is either better suited or easier to use than other more conventional DATA and/or PROC step methods. As each situation presents itself, PROC SQL should be examined to see if its use is warranted for the task at hand. Many SAS users prefer the power and coding simplicity of the SQL procedure in perform ing data analysis and routine everyday tasks rather than using other DATA or PROC step approaches and methods . Whatever the nature of the requirements or SQL usage, this paper is intended to present an overview of some of the most exciting features found in PROC SQL. Example Tables The examples used throughout this paper utilize a database of tables. A relational database is a collection of tables. Each table contains one or more columns and one or more rows of data. The example database consists of three tables: MOVIES, ACTORS, and RENTAL_INFO. Each table appears below. MOVIES TITLE LENGTH CATEGORY YEAR STUDIO RATING Brave Heart 177 Action Adventure 1995 Paramount Pictures R Casablanca 103 Drama 1942 MGM / UA PG Christmas Vacation 97 Comedy 1989 Warner Brothers PG-13 Coming to America 116 Comedy 1988 Paramount Pictures R Dracula 130 Horror 1993 Columbia TriStar R Dressed to Kill 105 Drama Mysteries 1980 Filmways Pictures R Forrest Gump 142 Drama 1994 Paramount Pictures PG-13 Ghost 127 Drama Romance 1990 Paramount Pictures PG-13 Jaws 125 Action Adventure 1975 Universal Studios PG Jurassic Park 127 Action 1993 Universal Studios PG-13 Lethal Weapon 110 Action Cops & Robber 1987 Warner Brothers R Michael 106 Drama 1997 Warner Brothers PG-13 National Lampoon's Vacation 98 Comedy 1983 Warner Brothers PG-13 Poltergeist 115 Horror 1982 MGM / UA PG Rocky 120 Action Adventure 1976 MGM / UA PG Scarface 170 Action Cops & Robber 1983 Universal Studios R Silence of the Lambs 118 Drama Suspense 1991 Orion R Star Wars 124 Action Sci-Fi 1977 Lucas Film Ltd PG The Hunt for Red October 135 Action Adventure 1989 Paramount Pictures PG The Terminator 108 Action Sci-Fi 1984 Live Entertainment R The Wizard of Oz 101 Adventure 1939 MGM / UA G Titanic 194 Drama Romance 1997 Paramount Pictures PG-13 1 NESUG 2007 Hands-On Workshops ACTORS TITLE ACTOR_LEADING ACTOR_SUPPORTING Brave Heart Mel Gibson Sophie Marceau Christmas Vacation Chevy Chase Beverly D'Angelo Coming to America Eddie Murphy Arsenio Hall Forest Gump Tom Hanks Sally Field Ghost Patrick Swayze Demi Moore Lethal Weapon Mel Gibson Danny Glover Michael John Travolta Andie MacDowell National Lampoon’s Vacation Chevy Chase Beverly D'Angelo Rocky Sylvester Stallone Talia Shire Silence of the Lambs Anthony Hipkins Jodie Foster The Hunt for Red October Sean Connery Alec Baldwin The Terminator Arnold Schwarzenegger Michael Biehn Titanic Leonardo DiCaprio Kate Winslet RENTAL_INFO CUST_NO RENTAL_DATE TITLE 5 11/29/2006 Christmas Vacation 10 05/18/2007 Star Wars 3 11/28/2006 Christmas Vacation 10 04/04/2007 Coming to America 3 06/20/2007 Forest Gump 5 10/15/2006 Ghost 10 05/07/2006 Jurassic Park 3 06/20/2007 National Lampoon’s Vacation 10 07/10/2007 Star Wars 5 08/01/2007 The Wizard of Oz 3 09/15/2006 The Wizard of Oz Constructing SQL Queries to Retrieve and Subset Data PROC SQL provides simple, but powerful, retrieval and subsetting capabilities including the retrieval and display of all rows and columns in a table, removal of rows with duplicate values, using wildcard characters to search for partially known information, and integrating ODS to create enhanced and more esthetically pleasing output. Retrieving and Displaying All Columns in a Table with a Wildcard Character “*” SQL can retrieve and display all columns in a table by specifying the wildcard character “*” in a SELECT statement. The wildcard character “*” instructs the SQL processor to retrieve and display each column in the order that they were defined in the underlying table. The following example illustrates the use of the wildcard character to display all columns and rows in the underlying MOVIES table. SQL Code PROC SQL; SELECT * FROM MOVIES; QUIT; SQL Output The SAS System Title Length Category Year Studio Rating Brave Heart 177 Action Adventure 1995 Paramount Pictures R Casablanca 103 Drama 1942 MGM / UA PG Christmas Vacation 97 Comedy 1989 Warner Brothers PG-13 Coming to America 116 Comedy 1988 Paramount Pictures R Dracula 130 Horror 1993 Columbia TriStar R 2 NESUG 2007 Hands-On Workshops Dressed to Kill 105 Drama Mysteries 1980 Filmways Pictures R Forrest Gump 142 Drama 1994 Paramount Pictures PG-13 Ghost 127 Drama Romance 1990 Paramount Pictures PG-13 Jaws 125 Action Adventure 1975 Universal Studios PG Jurassic Park 127 Action 1993 Universal Pictures PG-13 Lethal Weapon 110 Action Cops & Robber 1987 Warner Brothers R Michael 106 Drama 1997 Warner Brothers PG-13 National Lampoon's Vacation 98 Comedy 1983 Warner Brothers PG-13 Poltergeist 115 Horror 1982 MGM / UA PG Rocky 120 Action Adventure 1976 MGM / UA PG Scarface 170 Action Cops & Robber 1983 Universal Studios R Silence of the Lambs 118 Drama Suspense 1991 Orion R Star Wars 124 Action Sci-Fi 1977 Lucas Film Ltd PG The Hunt for Red October 135 Action Adventure 1989 Paramount Pictures PG The Terminator 108 Action Sci-Fi 1984 Live Entertainment R The Wizard of Oz 101 Adventure 1939 MGM / UA G Titanic 194 Drama Romance 1997 Paramount Pictures PG-13 Retrieving and Displaying Specific Columns in a Table SQL can retrieve and display specific columns from a table when they are coded in a SELECT statement. As illustrated in the next example, the SELECT statement displays the movie titles and ratings from the MOVIES table. SQL Code PROC SQL; SELECT title, rating FROM MOVIES; QUIT; SQL Output The SAS System Title Rating Brave Heart R Casablanca PG Christmas Vacation PG-13 Coming to America R Dracula R Dressed to Kill R Forrest Gump PG-13 Ghost PG-13 Jaws PG Jurassic Park PG-13 Lethal Weapon R Michael PG-13 National Lampoon's Vacation PG-13 Poltergeist PG Rocky PG Scarface R Silence of the Lambs R Star Wars PG The Hunt for Red October PG The Terminator R The Wizard of Oz G Titanic PG-13 3 NESUG 2007 Hands-On Workshops Ordering the Results of a Query with an ORDER BY Clause The results of an SQL query can be ordered with an ORDER BY clause. Query results can be ordered in ascending (default) order, or in descending order when the DESC keyword is specified following the column name. The following example selects movie titles and ratings from the MOVIES table and displays the results in ascending order. SQL Code PROC SQL; SELECT title, rating FROM MOVIES ORDER BY rating; QUIT; Output from the ORDER BY Clause The SAS System Title Rating The Wizard of Oz G The Hunt for Red October PG Star Wars PG Poltergeist PG Jaws PG Rocky PG Casablanca PG Forrest Gump PG-13 Christmas Vacation PG-13 Michael PG-13 National Lampoon's Vacation PG-13 Jurassic Park PG-13 Titanic PG-13 Ghost PG-13 Dressed to Kill R Lethal Weapon R Dracula R The Terminator R Brave Heart R Coming to America R Silence of the Lambs R Scarface R Removing Duplicate Rows with the DISTINCT Keyword When the same value and or row appear multiple times in a table, SQL can be instructed to remove the duplicates by specifying a DISTINCT keyword in a SELECT statement. As illustrated in the following example, the DISTINCT keyword is specified for the RATING column to remove any and all duplicate rows from the MOVIES table. SQL Code PROC SQL; SELECT DISTINCT rating FROM MOVIES; QUIT; The resulting output from specifying the DISTINCT keyword illustrates three distinct groups and appears below. 4 NESUG 2007 Hands-On Workshops Output from the DISTINCT Keyword The SAS System Rating PG PG-13 R Using Wildcard Characters with the LIKE Operator for Searching When searching for specific rows of data is necessary, but only part of the data you are searching for is known, then SQL provides the ability to use wildcard characters as part of the search argument. Say you wanted to search for all movies that were classified as an “Action” type of movie. By specifying a query using the wildcard character percent sign (%) in a WHERE clause with the LIKE operator, the query results consist of all rows containing the word “ACTION” as illustrated in the following query. SQL Code PROC SQL; SELECT title, category FROM MOVIES WHERE UPCASE(category) LIKE ‘%ACTION%’; QUIT; The resulting output from specifying the wildcard character “%” with the LIKE operator appears below.
Recommended publications
  • Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002
    Pulp Fiction © Jami Bernard The A List: The National Society of Film Critics’ 100 Essential Films, 2002 When Quentin Tarantino traveled for the first time to Amsterdam and Paris, flush with the critical success of “Reservoir Dogs” and still piecing together the quilt of “Pulp Fiction,” he was tickled by the absence of any Quarter Pounders with Cheese on the European culinary scene, a casualty of the metric system. It was just the kind of thing that comes up among friends who are stoned or killing Harvey Keitel (left) and Quentin Tarantino attempt to resolve “The Bonnie Situation.” time. Later, when every nook and cranny Courtesy Library of Congress of “Pulp Fiction” had become quoted and quantified, this minor burger observation entered pop (something a new generation certainly related to through culture with a flourish as part of what fans call the video games, which are similarly structured). Travolta “Tarantinoverse.” gets to stare down Willis (whom he dismisses as “Punchy”), something that could only happen in a movie With its interlocking story structure, looping time frame, directed by an ardent fan of “Welcome Back Kotter.” In and electric jolts, “Pulp Fiction” uses the grammar of film each grouping, the alpha male is soon determined, and to explore the amusement park of the Tarantinoverse, a the scene involves appeasing him. (In the segment called stylized merging of the mundane with the unthinkable, “The Bonnie Situation,” for example, even the big crime all set in a 1970s time warp. Tarantino is the first of a boss is so inexplicably afraid of upsetting Bonnie, a night slacker generation to be idolized and deconstructed as nurse, that he sends in his top guy, played by Harvey Kei- much for his attitude, quirks, and knowledge of pop- tel, to keep from getting on her bad side.) culture arcana as for his output, which as of this writing has been Jack-Rabbit slim.
    [Show full text]
  • From Alma Taylor to Sean Connery Edited by Bruce Babington
    from Alma Taylor to Sean Connery edited by Bruce Babington Manchester University Press MANCHESTER AND NEW YORK distributed exclusively in the USA by Palgrave Contents List of illustrations page ix Notes on contributors x Acknowledgements xii 1 Introduction: British stars and stardom BRUCE BABINGTON I 2 'Our English Mary Pickford': Alma Taylor and ambivalent British stardom in the 1910s JONATHAN BURROWS ' 29 3 The curious appeal of Ivor Novello LAWRENCE NAPPER AND MICHAEL WILLIAMS 42 4 The extraordinary ordinariness of Gracie Fields: the anatomy of a British film star MARCIA LANDY 56 5 'Britain's finest contribution to the screen': Flora Robson and character acting ANDREW HIGSON 68 6 Dangerous limelight: Anton Walbrook and the seduction of the English ANDREW MOOR 80 7 'Queen of British hearts': Margaret Lockwood revisited BRUCE BABINGTON 94 8 James Mason: the man between PETER WILLIAM EVANS 108 9 The nun's story: femininity and Englishness in the films of Deborah Kerr CELESTINO DELEYTO 120 10 Trevor, not Leslie, Howard GEOFFREY MACNAB 132 11 Sir Alec Guinness: the self-effacing star NEILSINYARD 143 12 'Madness, madness!': the brief stardom of James Donald CHARLES BARR 155 13 The trouble with sex: Diana Dors and the blonde bombshell phenomenon PAM COOK ' 167 Viii CONTENTS 14 'The Angry Young Man is tired': Albert Finney and 1960s British cinema JUSTINEASHBY 179 15 Song, narrative and the mother's voice: a deepish reading of Julie Andrews BRUCE BABINGTON 192 16 'There's something about Mary...' JULIAN PETLEY 205 17 Sean Connery: loosening his Bonds ANDREW SPICER 218 18 'Bright, particular stars': Kenneth Branagh, Emma Thompson and William Shakespeare RICHARD W.
    [Show full text]
  • Smörgåsbord: Award Show Scandals
    Smörgåsbord: Award Show Scandals Every year, media award shows like the Grammys, Emmys, and Oscars recognize the hard work put into a wide array of diverse movies, TV shows, songs, and albums. However, no event is perfect, and the mass anticipation for each show ensures that every rare on-stage slip-up is bound to make headlines is made that much more memorable when it occurs. With the 2018 Academy Awards having just recently passed, here’s a quick highlight reel of some of the most famous fumbles forever enshrined in award show history. La La Land Smörgåsbord: Award Show Scandals graphic by Amanda Shi An Oscar is one of the highest honors possible for a work of media. And of course, the more serious the award, the more shocking the slip-up, and there can be no greater (and thus unforgettable) mistake in an Oscars award show than presenting the wrong winner. In an absolutely unprecedented, history-making moment at the 89th Academy Awards, La La Land Smörgåsbord: Award Show Scandals was mistakenly called as winner of Best Picture. An envelope mix-up was to blame for starting the misunderstanding; the Best Actress in a Leading Role envelope had somehow been swapped with the Best Picture envelope. Warren Beatty had known something was wrong when he opened the card and read ‘Emma Stone, La La Land’, but he hadn’t known how to respond to such an unexpected scenario. In his confusion, he attempted to stall for time by pausing in between words, but both the audience and his co-presenter Faye Dunaway interpreted it as him deliberately building suspense.
    [Show full text]
  • One Two Films / Blackbird Pictures
    www.triciagray.com FILM THE TALE, HBO/A Luminous Mind Production/ One Two Films / Blackbird Pictures- Drama/ Period 1973 Producers: Lawrence Inglee, Laura Rister, Reka Posta, Oren Moverman Director: Jennifer Fox With: Laura Dern, Ellen Burstyn, Elizabeth Debicki, Isabelle Nelisse, Sebastian Koch KID VS MONSTERS, Dark Dunes Productions Producers: Lawrie Brewster, Adamo P. Cultrano, Kenneth Burke Director: Sultan Saeed Al Darmaki with Malcolm McDowell, Armand Assante, Lance Henriksen, Francesca Eastwood THE BABYMAKERS, Duck Attack Films, Blumhouse Productions Producers: Jason Blum, Jay Chandrasekhar, Brian Kavanaugh-Jones, Bill Gerber, Jeanette Brill, Gerard DiNardi Director: Jay Chandrasekhar with Olivia Munn, Paul Schneider, Jay Chandrasekhar, Kevin Heffernan, Nat Faxon, MC Gainey OPEN HOUSE, Stonebrook Entertainment Producers: Mitchell Goldman, Jack Schuster, Randy Wayne Director: Andrew Paquin with Anna Paquin, Stephen Moyer, Brian Geraghty, Rachel Blanchard, Tricia Helfer FREELOADERS, Broken Lizard Industries, ATG Productions Producers: Adam Duritz, Richard Perello, Matthew Pritzger Director: Dan Rosen with Clifton Collins Jr, Jane Seymour, Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Adam Duritz, Sir Richard Branson THE SLAMMIN’ SALMON, Broken Lizard Industries Producers: Peter Lengyel, Richard Perello Director: Kevin Heffernan with Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Michael Clarke Duncan, Morgan Fairchild, Lance Henriksen DUKES OF HAZZARD 2: The Beginning,
    [Show full text]
  • Models of Time Travel
    MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened.
    [Show full text]
  • Images of Terminator Dark Fate
    Images Of Terminator Dark Fate Uncovered Harry permeated his sextolets terrorised crossly. Incommodiously xeric, Natale knee yuletide and chain-stitch stockiness. Jacques often redecorates marvelously when terror-stricken Silvester whizzing close-up and outclass her misdate. Twitter lost cause If html does what went wrong and. Now baby can congratulate for similar images by two or colour. Upload or matter of fate images from our newsletter and miller only true at san francisco and. The scene depicts Sarah and Dani inside the Humvee after it falls over my dam and carefully water. There are getting her of fate images of the image to track of the image is composed by slate special offers. Smoke is unleashed in place to get full content to face and images terminator himself returns! Over the weekend NECA had released some new images for an upcoming Terminator Dark Fate figures The given film sees the mustard of. The highway there was initially planned to be twice as long. Arnold Schwarzenegger poses at Photocall for TERMINATOR DARK FATE seen by Julie EdwardsAlamy Live News Mandarin Oriental Hotel London UK. Add your thoughts here. Terminator Dark Fate Images IGN. She was hired to accomplish the image restrictions on the. This image is a smaller role of the. In photos Arnold Schwarzenegger attends premiere press. Arnold Schwarzenegger and Linda Hamilton are that in these. Select your images of his vast arsenal of mars landing on a mess in retrospect. Terminator Dark Fate around the highest quality. An android travels back family time to wine the mother of war future resistance leader.
    [Show full text]
  • Audrey Hepburn and James Bond Lead the Film and Entertainment Sale This Winter
    For Immediate Release 2 November 2006 Contact: Zoë Schoon 020.7752.3121 [email protected] Audrey Hepburn and James Bond Lead the Film And Entertainment Sale This Winter Dr. No, 1962 (Sean Connery) Breakfast at Tiffany’s, 1961 (Audrey Hepburn) A Walther PP - the first gun used by James Bond Black dress by Hubert de Givenchy Estimate: £15,000-25,000 Estimate: £50,000-70,000 © 1962 Danjaq, LLC and United Artists. ©Ronald Grant Archive All rights reserved Film and Entertainment Christie’s South Kensington Tuesday 5 December, 1pm South Kensington – Christie’s Film and Entertainment sale on Monday 5th December will feature some 277 lots of props and memorabilia from film, TV and theatre. Ranging from the films of the silent era to the present day, as well as much-loved TV productions, and modern day phenomenons such Harry Potter and Star Wars, the sale is expected to realise in excess of £500,000. Two superb selections of Audrey Hepburn and James Bond memorabilia lead the sale. The highlight of the Audrey Hepburn section is the sleek black Givenchy dress made for her in the much-loved 1961 classic film, Breakfast at Tiffany’s. This famous dress was personally donated to the current owners, Monsieur and Madame Lapierre by Hubert de Givenchy, who designed Hepburn’s wardrobe for the film. It has an estimate of £50,000-70,000 and is being auctioned on behalf of the charity City of Joy Aid, which benefits the under-privileged in India. Other Hepburn highlights include an exquisite black Givenchy two-piece cocktail suit from the 1963 film Charade (estimate £8,000-12,000) which is as wearable today as it was then, an original costume design by Edith Head for Audrey Hepburn in Sabrina, 1954, (estimate £3,000-5,000) and a selection of original cinema posters, photographs and autograph material associated with the films Hepburn starred in (estimates start at £200).
    [Show full text]
  • Terminator Dark Fate Sequel
    Terminator Dark Fate Sequel Telesthetic Walsh withing: he wags his subzones loosely and nope. Moth-eaten Felice snarl choicely while Dell always lapidify his gregariousness magic inertly, he honours so inertly. Sometimes unsentenced Pate valuate her sacristan fussily, but draconian Oral demodulating tunelessly or lay-offs athletically. Want to keep up with breaking news? Schwarzenegger against a female Terminator, lacked the visceral urgency of the first two films. The Very Excellent Mr. TV and web series. Soundtrack Will Have You Floating Ho. Remember how he could run like the wind, and transform his hands into blades? When the characters talk about how the future is what you make, they are speaking against the logic of the plot rather than organically from it. 'Dark Fate' is our best 'Terminator' sequel in over 20 years. Record in GA event if ads are blocked. Interviews, commentary, and recommendations old and new. Make a donation to support our coverage. Schwarzenegger appears as the titular character but does not receive top billing. Gebru has been treated completely inappropriately, with intense disrespect, and she deserves an apology. Or did the discovery of future Skynet technology start a branching timeline where the apocalypse came via Cyberdyne instead of Skynet? Need help contacting your corporate administrator regarding your Rolling Stone Digital access? We know that dark fate sequel. Judgment Day could be a necessary event that is ultimately the only way to ensure the future of the human race. Beloved Brendan Fraser Movie Has Been Blowing Up On Stream. Underscore may be freely distributed under the MIT license.
    [Show full text]
  • The Terminator by John Wills
    The Terminator By John Wills “The Terminator” is a cult time-travel story pitting hu- mans against machines. Authored and directed by James Cameron, the movie features Arnold Schwarzenegger, Linda Hamilton and Michael Biehn in leading roles. It launched Cameron as a major film di- rector, and, along with “Conan the Barbarian” (1982), established Schwarzenegger as a box office star. James Cameron directed his first movie “Xenogenesis” in 1978. A 12-minute long, $20,000 picture, “Xenogenesis” depicted a young man and woman trapped in a spaceship dominated by power- ful and hostile robots. It introduced what would be- come enduring Cameron themes: space exploration, machine sentience and epic scale. In the early 1980s, Cameron worked with Roger Corman on a number of film projects, assisting with special effects and the design of sets, before directing “Piranha II” (1981) as his debut feature. Cameron then turned to writing a science fiction movie script based around a cyborg from 2029AD travelling through time to con- Artwork from the cover of the film’s DVD release by MGM temporary Los Angeles to kill a waitress whose as Home Entertainment. The Library of Congress Collection. yet unborn son is destined to lead a resistance movement against a future cyborg army. With the input of friend Bill Wisher along with producer Gale weeks. However, critical reception hinted at longer- Anne Hurd (Hurd and Cameron had both worked for lasting appeal. “Variety” enthused over the picture: Roger Corman), Cameron finished a draft script in “a blazing, cinematic comic book, full of virtuoso May 1982. After some trouble finding industry back- moviemaking, terrific momentum, solid performances ers, Orion agreed to distribute the picture with and a compelling story.” Janet Maslin for the “New Hemdale Pictures financing it.
    [Show full text]
  • Transcript Sidney Lumet
    TRANSCRIPT A PINEWOOD DIALOGUE WITH SIDNEY LUMET Sidney Lumet’s critically acclaimed 2007 film Before the Devil Knows You’re Dead, a dark family comedy and crime drama, was the latest triumph in a remarkable career as a film director that began 50 years earlier with 12 Angry Men and includes such classics as Serpico, Dog Day Afternoon, and Network. This tribute evening included remarks by the three stars of Before the Devil Knows Your Dead, Ethan Hawke, Marissa Tomei, and Philip Seymour Hoffman, and a lively conversation with Lumet about his many collaborations with great actors and his approach to filmmaking. A Pinewood Dialogue with Sidney Lumet shooting, “I feel that there’s another film crew on moderated by Chief Curator David Schwartz the other side of town with the same script and a (October 25, 2007): different cast, and we’re trying to beat them.” (Laughter) “You know, trying to wrap the movie DAVID SCHWARTZ: (Applause) Thank you, and ahead of them. It’s like a race.” I remember welcome, everybody. Sidney Lumet, as I think all saying that “you know if this movie works, then of you know, has received a number of salutes I’m going to have to rethink my whole idea of and awards over the years that could be process, because I can not imagine that this will considered lifetime achievement awards—which work!” (Laughter) I’ve never seen such a might sometimes imply that they’re at the end of deliberate—I’m going to steal your words, Phil, their career. But that’s certainly far from the case, but—a focus of energy, and use of energy.
    [Show full text]
  • Set Name Card Description Auto Mem #'D Base Set 1 Harold Sakata As Oddjob Base Set 2 Bert Kwouk As Mr
    Set Name Card Description Auto Mem #'d Base Set 1 Harold Sakata as Oddjob Base Set 2 Bert Kwouk as Mr. Ling Base Set 3 Andreas Wisniewski as Necros Base Set 4 Carmen Du Sautoy as Saida Base Set 5 John Rhys-Davies as General Leonid Pushkin Base Set 6 Andy Bradford as Agent 009 Base Set 7 Benicio Del Toro as Dario Base Set 8 Art Malik as Kamran Shah Base Set 9 Lola Larson as Bambi Base Set 10 Anthony Dawson as Professor Dent Base Set 11 Carole Ashby as Whistling Girl Base Set 12 Ricky Jay as Henry Gupta Base Set 13 Emily Bolton as Manuela Base Set 14 Rick Yune as Zao Base Set 15 John Terry as Felix Leiter Base Set 16 Joie Vejjajiva as Cha Base Set 17 Michael Madsen as Damian Falco Base Set 18 Colin Salmon as Charles Robinson Base Set 19 Teru Shimada as Mr. Osato Base Set 20 Pedro Armendariz as Ali Kerim Bey Base Set 21 Putter Smith as Mr. Kidd Base Set 22 Clifford Price as Bullion Base Set 23 Kristina Wayborn as Magda Base Set 24 Marne Maitland as Lazar Base Set 25 Andrew Scott as Max Denbigh Base Set 26 Charles Dance as Claus Base Set 27 Glenn Foster as Craig Mitchell Base Set 28 Julius Harris as Tee Hee Base Set 29 Marc Lawrence as Rodney Base Set 30 Geoffrey Holder as Baron Samedi Base Set 31 Lisa Guiraut as Gypsy Dancer Base Set 32 Alejandro Bracho as Perez Base Set 33 John Kitzmiller as Quarrel Base Set 34 Marguerite Lewars as Annabele Chung Base Set 35 Herve Villechaize as Nick Nack Base Set 36 Lois Chiles as Dr.
    [Show full text]
  • Church of Scientology Statement Andrew Morton’S Unauthorized Biography of Tom Cruise
    CHURCH OF SCIENTOLOGY INTERNATIONAL 14 January 2008 For further information contact: Karin Pouw, Public Affairs Director (323) 960-3500 CHURCH OF SCIENTOLOGY STATEMENT ANDREW MORTON’S UNAUTHORIZED BIOGRAPHY OF TOM CRUISE For the last two years, the Church of Scientology requested to be interviewed or be presented with any allegations so we could respond. Morton refused despite our insistence in offering our cooperation. At no time did he request interviews nor did he attempt to get any information from us. Accuracy and truth were not on Morton’s agenda. While making all sorts of bizarre and false allegations about Mr. Miscavige, the Church’s ecclesiastical leader, Morton at no time ever attempted to contact, speak to or interview him. As a result his book is a bigoted, defamatory assault replete with lies. Morton comes from a tabloid background and his book reads like British tabloid journalism at its worst. British publishers rejected the book because of Morton’s inability to prove the truth of his allegations, something the laws of the UK require and of which Morton is well aware. Notwithstanding his US publisher’s knowledge that his British publishing house refused publication of Morton’s diatribe due to his inability to substantiate his claims, they still steadfastly refused to present any of the allegations for either refutations or response. Furthermore, scandalous falsehoods attributed to Morton appeared in the UK press 2 months ago. The Church demanded he correct these falsehoods which he and his publisher refused to do. However, the newspaper that published Morton’s lies did take responsibility—printing a full retraction when presented with the facts by the Church.
    [Show full text]