Transcript Sidney Lumet
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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
An Actor's Life and Backstage Strife During WWII
Media Release For immediate release June 18, 2021 An actor’s life and backstage strife during WWII INSPIRED by memories of his years working as a dresser for actor-manager Sir Donald Wolfit, Ronald Harwood’s evocative, perceptive and hilarious portrait of backstage life comes to Melville Theatre this July. Directed by Jacob Turner, The Dresser is set in England against the backdrop of World War II as a group of Shakespearean actors tour a seaside town and perform in a shabby provincial theatre. The actor-manager, known as “Sir”, struggles to cast his popular Shakespearean productions while the able-bodied men are away fighting. With his troupe beset with problems, he has become exhausted – and it’s up to his devoted dresser Norman, struggling with his own mortality, and stage manager Madge to hold things together. The Dresser scored playwright Ronald Harwood, also responsible for the screenplays Australia, Being Julia and Quartet, best play nominations at the 1982 Tony and Laurence Olivier Awards. He adapted it into a 1983 film, featuring Albert Finney and Tom Courtenay, and received five Academy Award nominations. Another adaptation, featuring Ian McKellen and Anthony Hopkins, made its debut in 2015. “The Dresser follows a performance and the backstage conversations of Sir, the last of the dying breed of English actor-managers, as he struggles through King Lear with the aid of his dresser,” Jacob said. “The action takes place in the main dressing room, wings, stage and backstage corridors of a provincial English theatre during an air raid. “At its heart, the show is a love letter to theatre and the people who sacrifice so much to make it possible.” Jacob believes The Dresser has a multitude of challenges for it to be successful. -
From Alma Taylor to Sean Connery Edited by Bruce Babington
from Alma Taylor to Sean Connery edited by Bruce Babington Manchester University Press MANCHESTER AND NEW YORK distributed exclusively in the USA by Palgrave Contents List of illustrations page ix Notes on contributors x Acknowledgements xii 1 Introduction: British stars and stardom BRUCE BABINGTON I 2 'Our English Mary Pickford': Alma Taylor and ambivalent British stardom in the 1910s JONATHAN BURROWS ' 29 3 The curious appeal of Ivor Novello LAWRENCE NAPPER AND MICHAEL WILLIAMS 42 4 The extraordinary ordinariness of Gracie Fields: the anatomy of a British film star MARCIA LANDY 56 5 'Britain's finest contribution to the screen': Flora Robson and character acting ANDREW HIGSON 68 6 Dangerous limelight: Anton Walbrook and the seduction of the English ANDREW MOOR 80 7 'Queen of British hearts': Margaret Lockwood revisited BRUCE BABINGTON 94 8 James Mason: the man between PETER WILLIAM EVANS 108 9 The nun's story: femininity and Englishness in the films of Deborah Kerr CELESTINO DELEYTO 120 10 Trevor, not Leslie, Howard GEOFFREY MACNAB 132 11 Sir Alec Guinness: the self-effacing star NEILSINYARD 143 12 'Madness, madness!': the brief stardom of James Donald CHARLES BARR 155 13 The trouble with sex: Diana Dors and the blonde bombshell phenomenon PAM COOK ' 167 Viii CONTENTS 14 'The Angry Young Man is tired': Albert Finney and 1960s British cinema JUSTINEASHBY 179 15 Song, narrative and the mother's voice: a deepish reading of Julie Andrews BRUCE BABINGTON 192 16 'There's something about Mary...' JULIAN PETLEY 205 17 Sean Connery: loosening his Bonds ANDREW SPICER 218 18 'Bright, particular stars': Kenneth Branagh, Emma Thompson and William Shakespeare RICHARD W. -
A Theory of Cinematic Selfhood & Practices of Neoliberal Portraiture
Cinema of the Self: A Theory of Cinematic Selfhood & Practices of Neoliberal Portraiture Milosz Paul Rosinski Trinity Hall, University of Cambridge June 2017 This dissertation is submitted for the degree of Doctor of Philosophy Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. The dissertation is formatted in accordance to the Modern Humanities Research Association (MHRA) style. This dissertation does not exceed the word limit of 80,000 words (as specified by the Modern and Medieval Languages Degree Committee). Summary This thesis examines the philosophical notion of selfhood in visual representation. I introduce the self as a modern and postmodern concept and argue that there is a loss of selfhood in contemporary culture. Via Jacques Derrida, Jean-Luc Nancy, Gerhard Richter and the method of deconstruction of language, I theorise selfhood through the figurative and literal analysis of duration, the frame, and the mirror. -
Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
Festivals of Film
Film festivals of the Silver Bear Grand Jury Prize, Never Rarely Sometimes Always. Directed by Eliza Hittman, this sensitive abortion drama was already the recipient of a Special Back in focus Jury Prize at Sundance. Film festival giants can often narrow views of world cinema and the riches on offer, writes berlinale.de Cineworld correspondent Sean Wilson, as he digs deeper into the international scene ROTTERDAM The show was stolen at the 49th edition of IFFR with he wider perception of film SUNDANCE Isaac Chung’s upbringing in the appearance of the celebrated festivals is often dictated by Taylor Swift, Anne Hathaway, Kansas; the second, Boys State, Bong Joon-ho, who debuted T Cannes. And its surface- Willem Dafoe and Elisabeth Moss is a documentary exploring a a black and white version of his level skew toward Hollywood all rolled into the 42nd Sundance mock-government election carried masterful Parasite. “I think it may glamour, above a progressive Film Festival this January. As ever, out by a group of Texas teenagers. be vanity on my art, but when awards selection, has taken the the Robert Redford-founded event sundance.org I think of the classics, they’re all in shine of its gleaming reputation mixed and matched glamorous black and white,” Bong explained. in recent years. More and more red carpet premieres (Emerald BERLINALE “I had this idea that if I turned column inches today are afforded Fennell’s black comedy Promising The noted Jeremy Irons acted my films into black and white then to ‘smaller’ festivals, such as Young Woman won critical raves), as jury president at the 2020 they’d become classics.” Venice. -
Tops Globes Noms As Female Directors Break Through
20 Friday Lifestyle | Features Friday, February 5, 2021 Netflix’s ‘Mank’ tops Globes noms as female directors break through This video screen grab shows Taraji P Henson during the Golden This video screen grab shows Sarah Jessica Parker during the In this file photo shows Golden Globe statues are set by the Globes nominations. Golden Globes nominations. stage ahead of the 77th Annual Golden Globe Awards nomina- tions announcement in Beverly Hills.—AFP photos etflix’s “Mank,” a black-and-white drama that dives into Hollywood’s List of key Golden Globe nominees NGolden Age with the making of “Citizen Kane,” on Wednesday topped the ere are the nominees in key Young Woman” BEST FOREIGN LANGUAGE Eugene Levy, “Schitt’s Creek” nominations for the pandemic-delayed categories for the 78th Golden FILM Jason Sudeikis, “Ted Lasso” Golden Globes, as female directors finally HGlobe Awards, which will be BEST ACTOR, MUSICAL OR “Another Round” Ramy Youssef, “Ramy” broke through with multiple nods. “Mank” handed out in Beverly Hills on Febru- COMEDY “La Llorona” earned six nominations, including best ary 28. Netflix’s “Mank”-set in Hol- Sacha Baron Cohen, “Borat Sub- “The Life Ahead” BEST MUSICAL OR COMEDY drama, followed by fellow Netflix movie lywood’s Golden Age about the sequent Moviefilm” “Minari” ACTRESS “The Trial of the Chicago 7” on five, in an making of “Citizen Kane”-led all James Corden, “The Prom” “Two of Us” Lily Collins, “Emily in Paris” announcement that offered an important, films with six nominations. The Lin-Manuel Miranda, “Hamilton” Kaley Cuoco, “The Flight Atten- early glimpse into the movies leading this streaming service crushed the com- Dev Patel, “The Personal History BEST ANIMATED FEATURE dant” year’s unique awards season. -
2016 Police Commissioner's Report
THE POLICE COMMISSIONER’S REPORT JANUARY 2016 THE NEW YORK CITY POLICE DEPARTMENT 22 40 58 INFORMATION HOUSING BUREAU RISK MANAGEMENT TECHNOLOGY BUREAU BUREAU TABLE OF CONTENTS 26 42 60 DETECTIVE BUREAU VIOLENCE- PERSONNEL REDUCTION TASK BUREAU / STAFFING FORCES 44 ORGANIZED CRIME 62 28 CONTROL BUREAU PERSONNEL COLLABORATIVE BUREAU / REFORM 4 POLICING 46 AND RECRUITMENT TRANSPORTATION LETTER FROM 30 BUREAU 64 THE MAYOR CRITICAL RESPONSE CIVILIAN MEMBERS 6 COMMAND 48 FIELD INTELLIGENCE 66 LETTER FROM 32 OFFICERS THE POLICE FACILITIES COMMISSIONER STRATEGIC RESPONSE GROUP 50 68 10 GRAND LARCENY 34 DIVISION CARS & EQUIPMENT NEIGHBORHOOD POLICING PLAN COMMUNITY AFFAIRS BUREAU / YOUTH PROGRAMS 52 70 14 ADMINISTRATION STRATEGIC COMMUNICATIONS COMPSTAT 36 COMMUNITY 54 AFFAIRS BUREAU / 72 16 SCHOOL SAFETY USE-OF-FORCE DIVISION POLICY 2014 / 2015 STATISTICAL TRAINING BUREAU ROUNDUP 20 38 56 76 TRANSIT BUREAU DISCIPLINE COMMUNITY NYPD HISTORICAL PARTNER PROGRAM TIMELINE SPRING 3100 ISSN #0038 8572 is published bimonthly by the New York City Police Department, One Police Plaza, New York, 10038. Periodicals postage paid at New York City, NY. “Ride-Along Enclosed” Postmaster: Send address changes to SPRING 3100 c/o New York City Police Department, One Police Plaza, New York, 10038. SPRING 3100 ©2014 BY NYPD. All rights reserved; No part of this publication may be reproduced without written consent of the Editor. L E T T ER FROM MAYOR BILL DE BLASIO appointed Bill Bratton to be New York City Police Department’s technological infrastructure; new use-of-force ICommissioner in January 2014, and, two years later, this policies and procedures; a more efficient and fairer internal report—about the sweeping changes in the NYPD— discipline system; 1,300 new officers; new technological underscores my reasons for doing so. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Text Pages Layout MCBEAN.Indd
Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
Larry Lasker
LARRY LASKER Although I grew up with parents in the movie business, I always intended to make a career in medicine. After college I returned to work with the doctor I had worked for during summer vacations, but started spending more and more time hanging out at the American Film Institute, where my brother Albert (now Alex) was enrolled, attending seminars and screenings and crewing for student films, until the doctor finally suggested I seemed more interested in movies than medicine and maybe I should get that out of my system... I worked as a prop man for a while and then landed a job as a script reader with United Artists, a job my brother had vacated to write his first screenplay, and I read so many lousy scripts with fancy names attached to them I finally decided I could do at least as badly myself and quit after a year and a half to write one with my college friend Walter Parkes. I had seen a TV show about Stephen Hawking and was fascinated by the idea that one day he might figure out the unified field theory but, due to his condition, wouldn't be able to communicate it to anyone. This suggested he needed someone to mentor, who could understand him, and this in turn suggested the character of a troubled kid who was was too smart for his environment. When I was a reader, I learned that executives almost never read anything themselves, they read "coverage', the 2 or 3 pages we readers write to summarize scripts ‐‐ and even the 15‐ or 20‐page "treatments" writers submit for script proposals.