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The Top 101 Inspirational Movies –
The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan Published by Self Improvement Online, Inc. http://www.SelfGrowth.com 20 Arie Drive, Marlboro, NJ 07746 ©Copyright by David Riklan Manufactured in the United States No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Limit of Liability / Disclaimer of Warranty: While the authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents and specifically disclaim any implied warranties. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. The author shall not be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages. The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan TABLE OF CONTENTS Introduction 6 Spiritual Cinema 8 About SelfGrowth.com 10 Newer Inspirational Movies 11 Ranking Movie Title # 1 It’s a Wonderful Life 13 # 2 Forrest Gump 16 # 3 Field of Dreams 19 # 4 Rudy 22 # 5 Rocky 24 # 6 Chariots of -
H K a N D C U L T F I L M N E W S
More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma.. -
Tv Pg 4B 01-04.Indd
4b The Goodland Star-News / Friday, January 4, 2008 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle FUN BY THE NUM B ERS will have you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, column and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO TUESD A Y ’S SATURDAY EVENING DECEMBER 29, 2007 SUNDAY EVENING DECEMBER 30, 2007 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 ES E = Eagle Cable S = S&T Telephone ES E = Eagle Cable S = S&T Telephone aaac The First 48: Houdini; Inno- The First 48: Blood Trail; “Jesus Camp” (‘07, Documentary) Religious sum- The First 48: Houdini; Inno- “GoodFellas” (‘90, Drama) Robert De Niro, Ray Liotta. A young man Flip This House: Little “GoodFellas” (‘90) 36 47 A&E 36 47 A&E confronts suspicion and violence within the New York Mafia. (R) House of Horrors (R) aaac Man in the Mafia. cence Lost (R) 50G Murder (R) mer camp for children. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
"They're Us": Representations of Women in George Romero's 'Living
"They’re Us": Representations of Women in George Romero’s ‘Living Dead’ Series Stephen Harper In the opening scene of George Romero’s 1978 film Martin, a teenage sexual psychopath kills and drinks the blood of a young woman in her sleeper train compartment during a struggle that is protracted, messy and far from one-sided. Although women are often victims in Romero’s films, they are by no means passive ones. Indeed, Romero is seldom in danger of objectivising or pornographising his female characters; on the contrary, Romero’s women are typically resourceful and autonomous. This paper analyses some of Romero’s representations of women, with particular reference to the four ‘living dead’ films which Romero made over a period of more than thirty years. These are Night of the Living Dead (1968), Dawn of the Dead (1979), Day of the Dead (1985) and the 1990 remake of Night. [1] All of these films feature a group of human survivors in an America overrun by zombies. The survivors of Night hole up in a house; in Dawn the sanctuary is a shopping mall; while in Day, the darkest of the films, it is an underground military installation. Unsurprisingly, these savage and apocalyptic zombie films contain some of Romero’s most striking representations of active and even aggressive women. This in itself hints at a feminist approach. While Hollywood films typically eroticize and naturalise male violence and emphasise female passivity, Romero uses his zombies to undermine such assumptions. Romero’s female zombies are not only undead but virtually ungendered; for instance, they are responsible for as many acts of violence as their male counterparts. -
Grand Haunting
The Independent Voice of Salt Lake Community College FREE Wednesday october 31, 2012 THE Issue 12/ fall '12 GLOBEVisit us online at globeslcc.com Inside: your Globe Halloween hookup - Masks for the Lazy pg. 5 GRAND Visit HAUNTING www. Photo by Trisha Gold globeslcc.com South City theatre a Unexplained events have been known to happen at the Grand Theatre. major controversy when the high anything,” said Rufendr. “There for daily news hotspot for ghostly school closed in 1988, and many are some seats that people won’t sit alumni were heartbroken by the in. When we asked them why, they updates shenanigans decision. have no answer for it. They just In 1992, SLCC finishedwon’t sit there.” Kachina Choate began about five or six years converting the building into the Theater productions create a Staff Reporter ago. Most of the occurrences are college’s new South City Campus lot of energy, and according to reported to have happened in the after years of renovation. paranormal professionals there The “break a leg” phrase is widely theatre’s house. There have been “There are always stories of the are many reasons why places have known as a safe way to wish luck to no backstage sightings, but actors old students who have come back ghosts. an actor, and theatre professionals have reported odd things happing, from the former South High,” “Maybe [the ghost] had some and patrons are commonly known such as a switch suddenly turning Rufendr. “There is a boy and a special connection to [the Grand] as a superstitious lot. -
Blood and Images in Dracula 2000
Journal of Dracula Studies Volume 8 2006 Article 3 2006 "The coin of our realm": Blood and Images in Dracula 2000 Alan S. Ambrisco University of Akron, Ohio Lance Svehla University of Akron, Ohio Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Ambrisco, Alan S. and Svehla, Lance (2006) ""The coin of our realm": Blood and Images in Dracula 2000," Journal of Dracula Studies: Vol. 8 , Article 3. Available at: https://research.library.kutztown.edu/dracula-studies/vol8/iss1/3 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. "The coin of our realm": Blood and Images in Dracula 2000 Cover Page Footnote Alan S. Ambrisco is an Associate Professor of English at The University of Akron. His research interests include medieval literature and the history of monsters. Lance Svehla is an Associate Professor of English at the University of Akron. He has published work in such journals as Teaching English in the Two-Year College and College Literature. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol8/ iss1/3 “The coin of our realm”: Blood and Images in Dracula 2000 Alan S. Ambrisco and Lance Svehla [Alan S. -
The Diurnal Order of the Image in Dracula, by Bram Stoker
THE DIURNAL ORDER OF THE IMAGE IN DRACULA, BY BRAM STOKER O REGIME DIURNO DA IMAGEM EM DRÁCULA, DE BRAM STOKER Claudio Vescia Zanini1 In reality, the acceptance of the shadow-side of human nature verges on the impossible. Consider for a moment what it means to grant the right of existence to what is unreasonable, senseless, and evil! Yet it is just this that the modern man insists upon. He wants to live with every side of himself – to know what he is. That is why he casts history aside. He wants to break with tradition so that he can experiment with his life and determine what value and meaning things have in themselves, apart from traditional presuppositions. Carl Gustav Jung. Psychology and Religion: West and East ABSTRACT: The article proposes a reading of Bram Stoker’s Dracula analyzing the imagery in the novel in accordance with the Diurnal Order of the Image (DURAND, 1999), a perspective that encompasses images within three antithetical dichotomies: the theriomorphic and diæretic images (respectively related to an animal archetypology and to the devices and weapons of the hero), the nyctomorphic and spectacular images (related to darkness and light) and catamorphic and ascensional images, which are connected to falling and rising. The conclusion highlights the universality in the imagery Stoker employs in his work, which might explain Dracula’s timelessness and power. KEYWORDS: Dracula; Victorian literature; diurnal order of the image; vampire fiction. RESUMO: O artigo propõe uma leitura de Drácula, de Bram Stoker analisando as imagens no romance de acordo com o Regime Diurno da Imagem (DURAND, 1999), uma perspectiva que engloba o imaginário com base em três dicotomias antitéticas: as imagens teriomórficas e diairéticas (respectivamente relacionadas a uma arquetipologia animal e às armas e recursos do herói), as imagens nictomórficas e espetaculares (relacionadas à escuridão e à luz) e as imagens catamórficas e ascensionais, ligadas à queda e à ascensão. -
Tom Hanks Halle Berry Martin Sheen Brad Pitt Robert Deniro Jodie Foster Will Smith Jay Leno Jared Leto Eli Roth Tom Cruise Steven Spielberg
TOM HANKS HALLE BERRY MARTIN SHEEN BRAD PITT ROBERT DENIRO JODIE FOSTER WILL SMITH JAY LENO JARED LETO ELI ROTH TOM CRUISE STEVEN SPIELBERG MICHAEL CAINE JENNIFER ANISTON MORGAN FREEMAN SAMUEL L. JACKSON KATE BECKINSALE JAMES FRANCO LARRY KING LEONARDO DICAPRIO JOHN HURT FLEA DEMI MOORE OLIVER STONE CARY GRANT JUDE LAW SANDRA BULLOCK KEANU REEVES OPRAH WINFREY MATTHEW MCCONAUGHEY CARRIE FISHER ADAM WEST MELISSA LEO JOHN WAYNE ROSE BYRNE BETTY WHITE WOODY ALLEN HARRISON FORD KIEFER SUTHERLAND MARION COTILLARD KIRSTEN DUNST STEVE BUSCEMI ELIJAH WOOD RESSE WITHERSPOON MICKEY ROURKE AUDREY HEPBURN STEVE CARELL AL PACINO JIM CARREY SHARON STONE MEL GIBSON 2017-18 CATALOG SAM NEILL CHRIS HEMSWORTH MICHAEL SHANNON KIRK DOUGLAS ICE-T RENEE ZELLWEGER ARNOLD SCHWARZENEGGER TOM HANKS HALLE BERRY MARTIN SHEEN BRAD PITT ROBERT DENIRO JODIE FOSTER WILL SMITH JAY LENO JARED LETO ELI ROTH TOM CRUISE STEVEN SPIELBERG CONTENTS 2 INDEPENDENT | FOREIGN | ARTHOUSE 23 HORROR | SLASHER | THRILLER 38 FACTUAL | HISTORICAL 44 NATURE | SUPERNATURAL MICHAEL CAINE JENNIFER ANISTON MORGAN FREEMAN 45 WESTERNS SAMUEL L. JACKSON KATE BECKINSALE JAMES FRANCO 48 20TH CENTURY TELEVISION LARRY KING LEONARDO DICAPRIO JOHN HURT FLEA 54 SCI-FI | FANTASY | SPACE DEMI MOORE OLIVER STONE CARY GRANT JUDE LAW 57 POLITICS | ESPIONAGE | WAR SANDRA BULLOCK KEANU REEVES OPRAH WINFREY MATTHEW MCCONAUGHEY CARRIE FISHER ADAM WEST 60 ART | CULTURE | CELEBRITY MELISSA LEO JOHN WAYNE ROSE BYRNE BETTY WHITE 64 ANIMATION | FAMILY WOODY ALLEN HARRISON FORD KIEFER SUTHERLAND 78 CRIME | DETECTIVE -
Xavier Aldana Reyes, 'The Cultural Capital of the Gothic Horror
1 Originally published in/as: Xavier Aldana Reyes, ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’, Journal of Italian Cinema and Media Studies, 5.2 (2017), 229–44. DOI link: 10.1386/jicms.5.2.229_1 Title: ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’ Author: Xavier Aldana Reyes Affiliation: Manchester Metropolitan University Abstract: Dario Argento is the best-known living Italian horror director, but despite this his career is perceived to be at an all-time low. I propose that the nadir of Argento’s filmography coincides, in part, with his embrace of the gothic adaptation and that at least two of his late films, The Phantom of the Opera (1998) and Dracula 3D (2012), are born out of the tensions between his desire to achieve auteur status by choosing respectable and literary sources as his primary material and the bloody and excessive nature of the product that he has come to be known for. My contention is that to understand the role that these films play within the director’s oeuvre, as well as their negative reception among critics, it is crucial to consider how they negotiate the dichotomy between the positive critical discourse currently surrounding gothic cinema and the negative one applied to visceral horror. Keywords: Dario Argento, Gothic, adaptation, horror, cultural capital, auteurism, Dracula, Phantom of the Opera Dario Argento is, arguably, the best-known living Italian horror director. -
THIS IS MICHIGAN “[Here at Michigan] Olympians Coach Me
THIS IS MICHIGAN “[Here at Michigan] Olympians coach me. Nobel Prize winners lecture me. I eat lunch with All-Americans. In the athletic training room, I sit next to Big Ten champions. I meet with prize-winning authors during their office hours. I take class notes next to American record holders. I walk to class with members of national championship teams. I open doors once opened by Oscar-winning actors, former Presidents and astronauts ... it’s all in the day of a Michigan student-athlete.” Shelley Johnson Former Michigan Field Hockey Player In January 2008, Forbes.com rated the University of Michigan No. 1 on it's list of "Champion Factories." Examining the current rosters at that time in the NFL, NBA, NHL, Major League Baseball and Major League Soccer, 68 professional athletes competed collegiately at Michigan. Among the U-M alumni were 21 hockey players, including Dallas Stars goaltender Marty Turco; three baseball players, three basketball players, including Dallas Mavericks forward Juwan Howard; and 41 football players, includ- ing New England QB Tom Brady. A 2005 157-pound 2005 Women's College World Series Champions NCAA Champion Ryan Bertin NCAA Michigan's 2007-08 NCAA Champions: Emily Brunneman (1,650-yard freestyle); Alex Vanderkaay (400-yard individual med- EXCELLENCE ley), Tiffany Ofili (indoor 60-meter hurdles and outdoor 100-meter hurdles); and Michigan athletic teams have claimed Geena Gall (800-meter run). 52 national championships in 12 sports over the years, beginning with foot- ball's 1901 national title. Since then, Wolverine dynasties have developed in football, men's swimming and diving and ice hockey. -
SAINT DRACULA – Glorified Soul Or Embodied Satan?
Press Release SAINT DRACULA – Glorified Soul or Embodied Satan? “The world’s first 3D Dracula movie that depicts the rebirth of the iconic character, ‘Dracula’ for love.” Synopsis: Longing for vengeance, he waited in hunger and thirst for his long lost admirer. The night hid him in the dark, the earth and the woods were his haven. He is a fallen angel, a catastrophic lover, the trodden Prince of Wallachia, but a vampire in revenge. His partisans await his reprise with a celebration. He turns lucky in love, if not for ever. Beautiful nights of love and lust entangle him with his lost love-Clara, a passionate young nun but still a mortal. The peaches and perfection takes a turn the day Clara gets spellbound by the Catholic Church. The Vatican plots the trap but will the plan thrive? Or will it be love? Biz TV Network presents yet another milestone after the most controversial movie of 2011 – ‘DAM999’ in the history of world cinema – ‘Saint Dracula 3D’. After his debut project Sohan Roy is coming up with another controversial 3D concept to change the blood sucking ‘Vampire’ image of Dracula to match with the history. ‘Saint Dracula 3D’ is written and directed by Rupesh Paul and the whole project is planned and designed by Sohan Roy, its project designer. The Hollywood film 'Saint Dracula 3D' is all set for its market launch at the European Film Market, Berlin, from February 9 to 17, 2012. This movie holds the record for being ‘The first Indian production exclusively shot abroad’; ‘The first ever 3D movie on Dracula’ and ‘The second 3D movie from the United Kingdom’.