Rex Reed's Sexy Tweeds Donna Summer's Career Bummers Sly
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Minutes of the Senate Committee on Legislative Operations and Elections
MINUTES OF THE SENATE COMMITTEE ON LEGISLATIVE OPERATIONS AND ELECTIONS Eightieth Session May 15, 2019 The Senate Committee on Legislative Operations and Elections was called to order by Chair James Ohrenschall at 4:45 p.m. on Wednesday, May 15, 2019, in Room 2144 of the Legislative Building, Carson City, Nevada. The meeting was videoconferenced to Room 4412E of the Grant Sawyer State Office Building, 555 East Washington Avenue, Las Vegas, Nevada. Exhibit A is the Agenda. Exhibit B is the Attendance Roster. All exhibits are available and on file in the Research Library of the Legislative Counsel Bureau. COMMITTEE MEMBERS PRESENT: Senator James Ohrenschall, Chair Senator Yvanna D. Cancela, Vice Chair Senator Marcia Washington Senator Heidi Seevers Gansert Senator Keith F. Pickard GUEST LEGISLATORS PRESENT: Senator David R. Parks, Senatorial District No. 7 Senator James A. Settelmeyer, Senatorial District No. 17 Assemblywoman Sandra Jauregui, Assembly District No. 41 Assemblywoman Daniele Monroe-Moreno, Assembly District No. 1 STAFF MEMBERS PRESENT: Michael Stewart, Committee Policy Analyst Kevin Powers, Committee Counsel Rick Combs, Director Carol Stonefield, Deputy Research Director Janae Johnson, Committee Secretary OTHERS PRESENT: Michael Hillerby, Nevada State Board of Accountancy Holly Welborn, American Civil Liberties Union of Nevada Brooke Maylath, President, Transgender Allies Group Senate Committee on Legislative Operations and Elections May 15, 2019 Page 2 Isabel Youngs, Nevada Women's Lobby Jared Busker, Children's Advocacy Alliance Stephan Page, Human Rights Campaign Kent Ervin, Nevada Faculty Alliance Joe Casey, NARAL Pro-Choice Nevada Elisa Cafferatar, Planned Parenthood Votes Nevada Amanda Khan, Progressive Leadership Alliance of Nevada Rex Reed, American Civil Liberties Union of Nevada Janine Hansen, Nevada Families for Freedom Lynn Chapman, Nevada Families for Freedom; Eagle Forum; Washoe County Chair, Independent American Party William Tarbell Bob Russo John J. -
One Two Films / Blackbird Pictures
www.triciagray.com FILM THE TALE, HBO/A Luminous Mind Production/ One Two Films / Blackbird Pictures- Drama/ Period 1973 Producers: Lawrence Inglee, Laura Rister, Reka Posta, Oren Moverman Director: Jennifer Fox With: Laura Dern, Ellen Burstyn, Elizabeth Debicki, Isabelle Nelisse, Sebastian Koch KID VS MONSTERS, Dark Dunes Productions Producers: Lawrie Brewster, Adamo P. Cultrano, Kenneth Burke Director: Sultan Saeed Al Darmaki with Malcolm McDowell, Armand Assante, Lance Henriksen, Francesca Eastwood THE BABYMAKERS, Duck Attack Films, Blumhouse Productions Producers: Jason Blum, Jay Chandrasekhar, Brian Kavanaugh-Jones, Bill Gerber, Jeanette Brill, Gerard DiNardi Director: Jay Chandrasekhar with Olivia Munn, Paul Schneider, Jay Chandrasekhar, Kevin Heffernan, Nat Faxon, MC Gainey OPEN HOUSE, Stonebrook Entertainment Producers: Mitchell Goldman, Jack Schuster, Randy Wayne Director: Andrew Paquin with Anna Paquin, Stephen Moyer, Brian Geraghty, Rachel Blanchard, Tricia Helfer FREELOADERS, Broken Lizard Industries, ATG Productions Producers: Adam Duritz, Richard Perello, Matthew Pritzger Director: Dan Rosen with Clifton Collins Jr, Jane Seymour, Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Adam Duritz, Sir Richard Branson THE SLAMMIN’ SALMON, Broken Lizard Industries Producers: Peter Lengyel, Richard Perello Director: Kevin Heffernan with Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Michael Clarke Duncan, Morgan Fairchild, Lance Henriksen DUKES OF HAZZARD 2: The Beginning, -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Images of Terminator Dark Fate
Images Of Terminator Dark Fate Uncovered Harry permeated his sextolets terrorised crossly. Incommodiously xeric, Natale knee yuletide and chain-stitch stockiness. Jacques often redecorates marvelously when terror-stricken Silvester whizzing close-up and outclass her misdate. Twitter lost cause If html does what went wrong and. Now baby can congratulate for similar images by two or colour. Upload or matter of fate images from our newsletter and miller only true at san francisco and. The scene depicts Sarah and Dani inside the Humvee after it falls over my dam and carefully water. There are getting her of fate images of the image to track of the image is composed by slate special offers. Smoke is unleashed in place to get full content to face and images terminator himself returns! Over the weekend NECA had released some new images for an upcoming Terminator Dark Fate figures The given film sees the mustard of. The highway there was initially planned to be twice as long. Arnold Schwarzenegger poses at Photocall for TERMINATOR DARK FATE seen by Julie EdwardsAlamy Live News Mandarin Oriental Hotel London UK. Add your thoughts here. Terminator Dark Fate Images IGN. She was hired to accomplish the image restrictions on the. This image is a smaller role of the. In photos Arnold Schwarzenegger attends premiere press. Arnold Schwarzenegger and Linda Hamilton are that in these. Select your images of his vast arsenal of mars landing on a mess in retrospect. Terminator Dark Fate around the highest quality. An android travels back family time to wine the mother of war future resistance leader. -
Every Act of Life
EVERY ACT OF LIFE Featuring: Terrence McNally, F. Murray Abraham, Lynn Ahrens, Jon Robin Baitz, Christine Baranski, Dominic Cuskern, Tyne Daly, Edie Falco, Stephen Flaherty, John Glover, Anthony Heald, John Benjamin Hickey, Sheryl Kaller, John Kander, Roberta Kaplan, Tom Kirdahy, Larry Kramer, Nathan Lane, Angela Lansbury, Paul Libin, Joe Mantello, Marin Mazzie, Audra McDonald, Peter McNally, Lynne Meadow, Rita Moreno, Jack O’Brien, Billy Porter, Chita Rivera, Doris Roberts, Don Roos, John Slattery, Micah Stock, Richard Thomas, John Tillinger, & Patrick Wilson, the plus the voices of Dan Bucatinsky, Bryan Cranston, & Meryl Streep. “Wonderful . I wasn’t prepared for the emotional release of Every Act Of Life.” – The Paper “Poignant, incredibly inspiring . indispensable.” – The Village Voice “Really entertaining and illuminating . Bravo. – Edge Media “Riveting and revealing.” – Entertainment Weekly “Staggering, heart-warming, and inspiring beyond words.” – Joyce DiDonato “I just loved it. One of the best films I have seen at the festival.” – Rex Reed Short Synopsis: Four-time Tony-winning playwright Terrence McNally’s six ground-breaking decades in the theatre, the fight for LGBTQ rights, triumph over addiction, the pursuit of love and inspiration at every age, and the power of the arts to transform society. Synopsis: The son of an alcoholic beer distributor in southern Texas, Terrence traveled the world as tutor to John Steinbeck's children (Steinbeck’s only advice was, "Don't write for the theater, it will break your heart”); suffered an infamous Broadway flop in 1965 at age 24; and went on to write dozens of groundbreaking plays and musicals about sexuality, homophobia, faith, the power of art, the need to connect, and finding meaning in every moment of life. -
Walter Newkirk Interviewer: Whitney Strub Date: February 26, 2018 Location: Chatham, NJ
Queer Newark Oral History Project Interviewee: Walter Newkirk Interviewer: Whitney Strub Date: February 26, 2018 Location: Chatham, NJ Whitney Strub: All right. We are recording. This is Whitney Strub with the Queer Newark Oral History project. I’m here in Chatham, New Jersey. It’s February 26th, 2018. I’m with Walter Newkirk in his apartment, and I’m gonna set the recorder over by you, Walter. That should pick up fine, and thanks for doing this. I wanna begin just by saying this. Normally, we ask for a full life story, but because you’ve written your memoirs, The Secret Life of Walter Newkirk, your memoirs are available for anybody to read, and so my vision was a sort of targeted stroll through some of the highlights here that I wanna ask you about and then talk about Newark a bit, and then kind of—from there, whatever you want. Let me see. In the introduction—I kind of loved the way you begin. You describe the book as, “If you like movies, The Secret Life of Walter Newkirk is a little bit Girl, Interrupted with some One Flew Over the Cuckoo’s Nest and Valley of the Dolls thrown in.” Walter Newkirk: It is, though, isn’t it? Whitney Strub: That, I think, was the perfect description, and I think—I wanna come back to the topic of movies because they figure kind of prominently in your life, but to get started, just say a little bit about your family background. We like to collect a little demographic information and geographical— Walter Newkirk: Where my family are from? Whitney Strub: Yeah. -
Terminator Dark Fate Sequel
Terminator Dark Fate Sequel Telesthetic Walsh withing: he wags his subzones loosely and nope. Moth-eaten Felice snarl choicely while Dell always lapidify his gregariousness magic inertly, he honours so inertly. Sometimes unsentenced Pate valuate her sacristan fussily, but draconian Oral demodulating tunelessly or lay-offs athletically. Want to keep up with breaking news? Schwarzenegger against a female Terminator, lacked the visceral urgency of the first two films. The Very Excellent Mr. TV and web series. Soundtrack Will Have You Floating Ho. Remember how he could run like the wind, and transform his hands into blades? When the characters talk about how the future is what you make, they are speaking against the logic of the plot rather than organically from it. 'Dark Fate' is our best 'Terminator' sequel in over 20 years. Record in GA event if ads are blocked. Interviews, commentary, and recommendations old and new. Make a donation to support our coverage. Schwarzenegger appears as the titular character but does not receive top billing. Gebru has been treated completely inappropriately, with intense disrespect, and she deserves an apology. Or did the discovery of future Skynet technology start a branching timeline where the apocalypse came via Cyberdyne instead of Skynet? Need help contacting your corporate administrator regarding your Rolling Stone Digital access? We know that dark fate sequel. Judgment Day could be a necessary event that is ultimately the only way to ensure the future of the human race. Beloved Brendan Fraser Movie Has Been Blowing Up On Stream. Underscore may be freely distributed under the MIT license. -
The Terminator by John Wills
The Terminator By John Wills “The Terminator” is a cult time-travel story pitting hu- mans against machines. Authored and directed by James Cameron, the movie features Arnold Schwarzenegger, Linda Hamilton and Michael Biehn in leading roles. It launched Cameron as a major film di- rector, and, along with “Conan the Barbarian” (1982), established Schwarzenegger as a box office star. James Cameron directed his first movie “Xenogenesis” in 1978. A 12-minute long, $20,000 picture, “Xenogenesis” depicted a young man and woman trapped in a spaceship dominated by power- ful and hostile robots. It introduced what would be- come enduring Cameron themes: space exploration, machine sentience and epic scale. In the early 1980s, Cameron worked with Roger Corman on a number of film projects, assisting with special effects and the design of sets, before directing “Piranha II” (1981) as his debut feature. Cameron then turned to writing a science fiction movie script based around a cyborg from 2029AD travelling through time to con- Artwork from the cover of the film’s DVD release by MGM temporary Los Angeles to kill a waitress whose as Home Entertainment. The Library of Congress Collection. yet unborn son is destined to lead a resistance movement against a future cyborg army. With the input of friend Bill Wisher along with producer Gale weeks. However, critical reception hinted at longer- Anne Hurd (Hurd and Cameron had both worked for lasting appeal. “Variety” enthused over the picture: Roger Corman), Cameron finished a draft script in “a blazing, cinematic comic book, full of virtuoso May 1982. After some trouble finding industry back- moviemaking, terrific momentum, solid performances ers, Orion agreed to distribute the picture with and a compelling story.” Janet Maslin for the “New Hemdale Pictures financing it. -
Mako Mori and the Gender Politics of Pacific Rim (2013)
Journal of American Studies of Turkey 39 (2014): 113-122 Mako Mori and the Gender Politics of Pacific Rim (2013) Nathanael Hood Carefully balancing on the top of an escape pod somewhere in the South China Sea, pilots Raleigh Becket (Charlie Hunnam) and Mako Mori (Rinko Kukuchi) embrace after successfully saving the world from an invasion of giant, extra-dimensional monsters known as “kaiju.” This ending from Guillermo del Toro’s Pacific Rim (2013) seems to cohere to traditional narrative tropes within the Western action genre wherein the hero triumphantly kisses his love interest after a great struggle, battle, or fight. And yet, a close inspection of this scene reveals a shocking subversion of this reliable concluding scenario: Becket and Mori do not kiss. They draw close, touch foreheads, and even lean in for a hug as the screen cuts to the credits. But again, they do not consummate their victory with a kiss. The absence of a kiss wasn’t an oversight on del Toro’s part. In fact, it was a conscious creative choice, recounting in an interview that he had filmed three different versions of the scene including one where they did kiss. Del Toro said: “We did one version where they kiss and it almost felt weird. They’re good friends, they’re pals, good colleagues” (qtd. Faraci). The idea that two (supposedly) heterosexual heroes would not fall in love during the course of a film and instead become good friends seems oddly counter-intuitive. For western audiences, the development of romantic feelings concluding with a kiss between the protagonist and their love interest is quintessential for creating a sense of narrative closure (Doane 196). -
Family Couple Wed 25 Years Story Timesschedule
Page 4 Colby Free Press Friday, August 27, 2004 Family Story Times schedule Couple wed 25 years Paul and Sheryl (Sowers) Nelson of Gem will be celebrating their at library announced 25th wedding anniversary on Fri- day, Sept. 3. The schedule for Story Times at fic, which will run through Thurs- In recognition of the Nelsons spe- the Pioneer Memorial Library has day, Dec. 16. cial day, their children are hosting been finalized. Story Times will For those wanting to attend, the a reception at the couple’s home begin Tuesday, Sept. 14, said library following scheduled sessions are: Sunday starting at 4 p.m. (In case of officials. Toddle Time (for children 18 mos. inclement weather, the reception These events, said Judy to 3 yrs.) on Wednesdays, 10:15- will be held at the Berean Church, Kleinsorge, children’s librarian, are 10:35 a.m.; Preschool (for children 1000 S. Franklin in Colby.) designed for preschool and toddler 3-4-5 yrs.) on Tuesdays, 10:15- Congratulatory cards may be sent aged children. 10:45 a.m. or on Thursdays, 1:15 to to Mr. and Mrs. Nelson at: HC 1, NOW AND THEN: Bill and Olita In addition to stories, sessions in- 1:45 p.m.; and Family Night (for the Box 48, Gem, Kan. 67734. Mr. and Mrs. Paul Nelson clude activities which involve fin- hole family) will be held Thursdays, Jones of Colby will celebrate 60 ger-play, songs, and crafts. 7:00 to 7:30 p.m. years of marriage on Sept. 4 with “The fall/winter session has been Story times are free and open to a public reception. -
A Hands-On Tour Inside the World of PROC SQL® Kirk Paul Lafler, Software Intelligence Corporation, Spring Valley, California
NESUG 2007 Hands-On Workshops A Hands-on Tour Inside the World of PROC SQL® Kirk Paul Lafler, Software Intelligence Corporation, Spring Valley, California Abstract Structured Query Language (PROC SQL) is a database language found in the base-SAS software. It enables access to data stored in SAS® data sets or tables using a powerful assortment of statements, clauses, options, functions, and other language features. This hands -on workshop presents core concepts of this powerful language as well as its many applications, and is intended for SAS users who desire an overview of the capabilities of this exciting procedure. Attendees will explore the construction of SQL queries, ordering and grouping data, the application of case logic for data reclassification, the creation and use of views, and the construction of simple inner and outer joins. Introduction The SQL procedure is a wonderful tool for querying and subsetting data; restructuring or regrouping data by specifying case expressions ; constructing and using virtual tables known as views; joining two or more tables (up to 32) to explore data relationships . Occasionally, a problem comes along where the SQL procedure is either better suited or easier to use than other more conventional DATA and/or PROC step methods. As each situation presents itself, PROC SQL should be examined to see if its use is warranted for the task at hand. Many SAS users prefer the power and coding simplicity of the SQL procedure in perform ing data analysis and routine everyday tasks rather than using other DATA or PROC step approaches and methods . Whatever the nature of the requirements or SQL usage, this paper is intended to present an overview of some of the most exciting features found in PROC SQL. -
Aliens” (1986) – Superior Sequel to the Original Source
“Aliens” (1986) – Superior Sequel to the Original Source Retrospective by Dr. John L. Flynn Introduction At first glance, the notion of a sequel to “Alien” (1979) must have seemed like such a forgone conclusion. Next to “Star Wars” (1977) and “Close Encounters of the Third Kind” (1977), Ridley Scott’s stylish thriller had been one of the most popular films of the decade. But in the six years since its release, the motion picture had also spawned a rash of forgettable clones. And in a period filled with sequels to almost every successful and popular Hollywood movie that rarely succeeded on their own merit as original entertainment, the new production appeared to be more of a tremendous gamble than a sure thing. Besides the challenge to bring something familiar and new under budget and on time to the screen, the project also had to deal with its share of preconceptions. The most obvious problem writer and director James Cameron faced in developing a sequel to “Alien,” he said, was, “How do you beat a classic? You really have to dig deep into the bag of tricks and come up with some good ideas. And you have to do a proper homage to the original without being a mindless fan, something which is a piece of entertainment and a story in its own right.” Spawning the Sequel In the wake of “Alien’s” success, many similar films soon began appearing at the local multi-plex. Just as it had been influenced by low budget science fiction films of the Fifties and Sixties, like “It! The Terror from Beyond Space” (1958) and “Planet of the Vampires” (1965), the critically-acclaimed motion picture inspired its own collection of imitators, including “Inseminoid” (1980), ‘The Creature Wasn’t Nice” (1981), “Galaxina” (1981), “Galaxy of Terror” (1981) and many others.