China Forbes, Vocals Timothy Nishimoto, Vocals Gavin Bondy
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
FOR IMMEDIATE RELEASE Monday, July 12, 2021 Contact: Ellen
7/12/2021 Kauffman Center View in browser FOR IMMEDIATE RELEASE Monday, July 12, 2021 Contact: Ellen McDonald, Publicist Kauffman Center for the Performing Arts (816) 213-4335 | [email protected] Bess Wallerstein Huff, Director of Marketing and Community Outreach Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] TWO PERFORMANCES ADDED TO KAUFFMAN CENTER PRESENTS FALL 2021 CALENDAR Pink Martini featuring China Forbes coming Tuesday, Oct. 26; Asleep at the Wheel coming Saturday, Oct. 30. Kansas City, MO – This October on Muriel Kauffman Theatre stage, audiences can revel in two exciting Kauffman Center Presents performances: Pink Martini featuring China Forbes on Oct. 26 and Asleep at the Wheel on Oct. 30. Kauffman Center Presents is made possible by the John N. and Marilyn P. McConnell Foundation. Tickets for Pink Martini featuring China Forbes range from $39 to $79 plus applicable fees. Tickets for Asleep at the Wheel range from $39 to $59 plus applicable fees. Both shows go on sale to the public at 10 a.m. Friday, July 16. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222 or online at kauffmancenter.org. ABOUT PINK MARTINI “Pink Martini is a rollicking around-the-world musical adventure… if the United Nations had a house band in 1962, hopefully we’d be that band.” – Thomas Lauderdale, bandleader/pianist. Featuring a dozen musicians, with songs in 25 languages, Pink Martini performs its multilingual repertoire on concert stages on six continents. After making its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998, the band has gone on to play with more than 50 orchestras around the world. -
Fall Concert Featuring KSU Chorale, Men's Ensemble and Chamber
KSU School of Music presents Fall Concert featuring Kennesaw State University Chorale, Men’s Ensemble, and Chamber Singers LESLIE J. BLACKWELL CONDUCTOR SHERRI N. BARRETT ACCOMPANIST Tuesday, September 27, 2016 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Thirteenth Concert of the 2016-17 Concert Season program KENNESAW STATE UNIVERSITY CHORALE Hark, I Hear The Harps Eternal | arr. Alice Parker (b. 1925) Alice Parker studied at Smith College and then received her master’s degree from the Julliard School where she studied choral conducting with Robert Shaw. Ms. Parker arranged many works with Robert Shaw of folksongs, hymns and spirituals, which formed an enduring repertoire for choruses all around the world. One of her many folksong arrangements, Hark, I Hear The Harps Eternal, evokes a strong rhythmic drive with two intriguing juxtaposed motives. This folksong arrangement has been a staple in the choral repertoire for 40 years. Hark, I hear the harps eternal Ringing on the farther shore, As I near those swollen waters With their deep and solemn roar. Hallelujah, hallelujah, Hallelujah, Praise the Lamb! Hallelujah, hallelujah, Glory to the great I AM! And my soul, tho’ stain’d with sorrow, Fading as the light of day, Passes swiftly o’er those waters, To the city far away. Souls have cross’d before me, saintly, To that land of perfect rest; And I hear them singing faintly In the mansions of the blest. Hallelujah, hallelujah, Hallelujah, Praise the Lamb! Hallelujah, hallelujah, Glory to the great I AM! O magnum mysterium | Ivo Antognini (b. 1963) Ivo Antognini is a modern Swiss composer whose works have received numerous accolades and are published all around the world. -
Pink Martini Thomas Lauderdale Piano Storm Large Vocals Nicholas Crosa Violin Timothy Nishimoto Vocals, Percussion Phil Baker Ba
Pops Jeudi / Donnerstag / Thursday 10.10.2013 20:00 Grand Auditorium Pink Martini Thomas Lauderdale piano Storm Large vocals Nicholas Crosa violin Timothy Nishimoto vocals, percussion Phil Baker bass Daniel Faehnle guitar Anthony Jones drums Brian Davis drums, percussion Derek Rieth percussion Antonis Andreou trombone Gavin Bondy trumpet ~90’ sans entracte / ohne Pause / without intermission Interprètes Biographies IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Pink Martini Le plus français des groupes américains, après 2 disques d’or et 1 disque de platine, revient en octobre sur le devant de la scène avec «A Retrospective», son premier best of. Il s’agit d’une œuvre complète, qui illustre l’appétit créatif de Thomas Lauderdale, fondateur du groupe, depuis 15 ans: en plus d’of- frir une perspective originale sur le passé d’un groupe devenu aujourd’hui incontournable, elle comprend 7 morceaux inédits (dont «Moon River», en duo avec Gus Van Sant). Savant mé- lange de sonorités et de cultures de tous horizons, la musique de Pink Martini est un cocktail à déguster sans modération. L’aventure Pink Martini débute en 1994, dans l’Oregon. Origi- nellement centré autour de Thomas M. Lauderdale et China Forbes, le groupe aux inspirations et collaborations multiples chante en anglais, français, mais aussi espagnol, italien, japo- nais, croate… Leur style musical, éclectique, passe «d’une samba digne d’une parade à Rio de Janeiro à la musique d’un cabaret français des années 30 ou d’un palais napolitain, un peu comme une sorte de voyage musical urbain», d’après les mots de Thomas Lauderdale. «On essaye de créer une sorte de char- mant environnement musical, dont on peut augmenter ou bais- ser le volume, et jouer en toute occasion, ou presque: musique d’ambiance, aventure amoureuse ou quand on passe l’aspira- teur chez soi!». -
Oregon Ballet Theatre, Pink Martini Team up for 'Love and Happiness' Double Bill
Menu Set Weather Subscribe Sign In Search PORTLAND & OREGON ART Oregon Ballet Theatre, Pink Martini team up for 'love and happiness' double bill Posted September 30, 2017 at 05:00 PM | Updated October 11, 2017 at 10:46 AM Comments Oregon Ballet Theatre dancers (from left) Katherine Monogue, Eva Burton, Chauncey Parsons (in air) and Michael Linsmeier perform with Portland band Pink Martini in Nicolo Fonte's "Never Stop Falling (in Love) in 2014. The company and band reprise their performance this fall. (Blaine Truitt Covert) By Amy Wang | The Oregonian/OregonLive Oregon Ballet Theatre’s 2017‑18 season opener has the feel of an all‑star lineup. Oregon Ballet Theatre's resident choreographer, Nicolo Fonte. (Heidi Williams/Staff) Leading off is George Gershwin’s “Rhapsody in Blue,” arguably one of the best‑known and best‑loved American compositions ever. Performing the piece in a world‑premiere performance will be two of Oregon’s most respected pianists, Thomas Lauderdale and Hunter Noack. Lauderdale’s popular Portland band, Pink Martini, comes onstage in the second half of the program to reprise its 2014 collaboration with the ballet company, “Never Stop Falling (in Love).” Tying it all together is choreography by Nicolo Fonte, in his second season as Oregon Ballet’s resident choreographer, whose work has been performed nationally and internationally. Oregon Ballet Theatre dancers rehearse the number "Never Stop Falling (in Love)" for the company's season opener. (Amy Wang/Staff) Fonte promises a joyful, exuberant program (the exuberance shone through clearly at a recent rehearsal). Here are eight things to know about Oregon Ballet Theatre’s season opener. -
Music Program
THE MUSIC, JUNE 9 , 2012 at WaterFire Providence 8:19 “Being in Rhythm” 8:58 “Canzon ottava detta L’Ambitiosa” composed by Layne Redmond composed by Girolamo performed by Layne Redmond & Frescobaldi Tommy Brunjes performed by the brass section of from Being in Rhythm the Frankfurt Radio Symphony Orchestra 8:25 “Finney Makes a Point” from Venezianische composed by Mike Figgis Mehrchörigkeit performed by Mike Figgis from Stormy Monday soundtrack 9:06 “Nessun dorma” from Turandot composed by Giacomo Puccini 8:28 “Halleluyah” performed by Luciano Pavarotti composed by David Hykes performed by David Hykes, 9:09 “Soul Blues” Michelle Hykes, Timothy Hill written by Coleman Hawkins voices and drum performed by Coleman Hawkins from Harmonic Meetings from Coleman Hawkins Soul 8:35 “Bamako” 9:19 “Nepalese Lullaby” written by Roswell Rudd traditional performed by Roswell Rudd and performed by Neelam Shrestha Toumani Diabate from Welcoming Children in to from Malicool the World 8:42 “Tudo Esto E Fado” 9:21 “Koftos” performed by Amalia Rodrigues traditional from Tudo Esto E Fado performed by Kohelet 3 from More 8:46 Fado Instrumental Traditional (Portuguese) 9:25 “Oumai” written by Maria de Barros 8:48 “Nao Digas Mal Dele” performed by Maria de Barros performed by Amalia Rodrigues from Danca Ma Mi from Tudo Esto E Fado 9:28 “Deep As Love” 8:52 “Full Circle” composed by Tord Gustavsen written and composed by Loreena performed by the Tord Gustavsen McKennitt Trio performed by Loreena McKennitt from Changing Places from e Mask and the Mirror 9:34 “Hope -
Fabrizio De André Tutti I Testi
Fabrizio De André Tutti i testi 1 Indice LAUDATE DOMINUM 14 FOLAGHE 30 TUTTO FABRIZIO DE ANDRE’ (1966)3 L'INFANZIA DI MARIA 14 IL RITORNO DI GIUSEPPE 14 LA BALLATA DELL'AMORE CIECO (O DELLA IL SOGNO DI MARIA 15 UNA STORIA SBAGLIATA (45 GIRI) (1980) VANITA') 3 AVE MARIA 15 .....................................................30 AMORE CHE VIENI, AMORE CHE VAI 3 MARIA NELLA BOTTEGA D'UN FALEGNAME 15 LA BALLATA DELL'EROE 3 VIA DELLA CROCE 15 UNA STORIA SBAGLIATA 30 LA CANZONE DI MARINELLA 3 TRE MADRI 16 TITTI 31 FILA LA LANA 3 IL TESTAMENTO DI TITO 16 LA CITTÀ VECCHIA 3 LAUDATE HOMINEM 16 LA BALLATA DEL MICHE' 4 (1981) LA CANZONE DELL'AMORE PERDUTO 4 FABRIZIO DE ANDRE’ ...........31 LA GUERRA DI PIERO 4 NON AL DENARO NON ALL'AMORE IL TESTAMENTO 5 NE' AL CIELO (1971).....................17 QUELLO CHE NON HO 31 CANTO DEL SERVO PASTORE 31 FIUME SAND CREEK 31 VOLUME 1 (1967)..................................5 DORMONO SULLA COLLINA 17 AVE MARIA (in sardo) 32 UN MATTO (DIETRO OGNI SCEMO C'E' UN AVE MARIA (traduzione) 25 VILLAGGIO) 17 PREGHIERA IN GENNAIO 5 HOTEL SUPRAMONTE 32 UN GIUDICE 17 MARCIA NUZIALE 6 FRANZISKA 32 UN BLASFEMO (DIETRO OGNI BLASFEMO C'E' SPIRITUAL 6 SE TI TAGLIASSERO A PEZZETTI 33 SI CHIAMAVA GESU' 6 UN GIARDINO INCANTATO) 18 VERDI PASCOLI 33 UN MEDICO 18 LA CANZONE DI BARBARA 6 UN MALATO DI CUORE 18 VIA DEL CAMPO 7 UN CHIMICO 18 CARO AMORE 7 CREUZA DE MÄ (1984)......................33 UN OTTICO 19 LA STAGIONE DEL TUO AMORE 7 IL SUONATORE JONES 19 BOCCA DI ROSA 7 CREUZA DE MÄ 33 LA MORTE 8 MULATTIERA DI MARE (traduzione) 33 CARLO -
Discographie Fabrizio De Andrè
Jazz Collection: Discographie Fabrizio De Andrè Dienstag, 22.02.2019, 21.00 – 22.00 Uhr Radio SRF 2 Kultur Samstag, 26.01.2019, 17.06 – 18.30 Uhr (mit Bonustracks) Fabrizio De André war einer der herausragendsten Cantautori Italiens. Einer, dessen Lieder die Jahrzehnte überlebt haben. Im Januar 1999 verstarb er viel zu früh. Eric Facon unterhält sich mit dem Kenner Italiens und seiner Cantautore-Szene Ruedi Ankli über den grossen Genueser Sänger. Kaum ein italienischer Cantautore hat ein derart hochgepriesenes Werk hinterlassen wie der Genueser Fabrizio De André. In seiner 35 Jahre dauernden Karriere hat er sich stets musikalisch weiterentwickelt – von den Anfängen als italienisches Gegenpart zu den Chansons eines Georges Brassens hin zu seinem Spätwerk, das eine eigene, mediterrane Sprache erfand. Fabrizio De André, der Sohn einer intellektuellen, besser gestellten Familie aus der Hafenstadt, schrieb Lieder, in denen er sich für die Schwachen, die Ausgestossenen, für die Prostituierten und armen Leute einsetze. Canzoni, die von grosser Poesie und Musikalität zeugen, die in Italien längst zum volksmusikalischen Kanon gehören. Am 11.1.1999 verstarb Fabrizio De André. Eric Facon unterhält sich mit dem Kenner Italiens und seiner Cantautore-Szene Ruedi Ankli über den grossen Genueser Sänger, dessen Lieder, und das Land, das ihn umgab. Gast: Ruedi Ankli Redaktion und Moderation: Eric Facon Fabrizio De André - Vol.3 Label: Ricordi Track 01: La Canzone Di Marinella Fabrizio De André - Peccati Di Gioventù Label: Universal Track 07: La Ballata Del Michè Fabrizio De André - Vol.1 Label: Ricordi Track 06: Via Del Campo Fabrizio De André - Storia Di Un Impiegato Label: Ricordi Track 02: La Canzone Del Maggio Fabrizio De André - Vol. -
AARON MEYER - ROCK CONCERT VIOLINIST Aaron's Cutting Edge Musical Style Was Inspired by His Worldwide Travels
AARON MEYER - ROCK CONCERT VIOLINIST Aaron's cutting edge musical style was inspired by his worldwide travels. After performing as an original band member for the world-renowned band Pink Martini, he recorded on the album Sympathique (which sold a million copies worldwide), Aaron then refined his own brand of music. Get set to be truly mesmerized by Aaron's unique stage presence blended with awe-inspiring virtuosic performances. He immediately engages his fans, displaying an affinity for the violin in a seemingly effortless mastery of the instrument. FACEBOOK: @AaronMeyerRockConcertViolinist INSTAGRAM: @amrockviolin TWITTER: @AMRockViolin YOUTUBE: https://www.youtube.com/user/aaronviolin WEBSITE: www.aaronmeyer.com AJE FACEBOOK: @AJE Music Productions INSTAGRAM: @ajemusicproductions TWITTER: @AJEmProductions HASHTAG: #AJEMUSICPRODUCTIONS BIGFOOT MOJO Gracefully blends mandolin, guitar and upright bass with rich vocal harmonies and foot-stompin' solos. Award winning songwriters and instrumentalists, they have a history stretching decades and a sound that exceeds millenniums. If you happen to have a Bigfoot Mojo sighting (or hearing), you will be swept away on an unbelievable journey of blues, swing and bluegrass. FACEBOOK: @bigfootmojo YOUTUBE: https://www.youtube.com/playlist?list=PLIbcjfjo daOL1r9hCdJ9BlJRQ2qTwekjY WEBSITE: www.bigfootmojo.com HASHTAGS: #bigfootmojo BILLY NOVAS The Billy Novas describe their sound as Hillbilly Bossa Nova blending influences from the great musical traditions filtered through their original style. The Billy Novas feature singer/songwriters Kevin Neil and Marianne Flemming . Both have made their mark as artists with extensive national touring experience. FACEBOOK: @TheBillyNovas WEBSITE: https://www.reverbnation.com/thebillynovas BRIANA RENEA Briana Renea comes by her country roots naturally, growing up on a rural farm in Canby, Oregon in the heart of the Pacific Northwest. -
PM Splendor Bio.Indd
NEW ALBUM IN STORES OCTOBER 27, 2009 PINK MARTINI HISTORY AND BIOGRAPHY “Pink Martini is a rollicking around-the-world musical adventure … if the United archeologists, digging through recordings and scores of years past and samba parade in Rio de Janeiro, and in the next moment, you’re in a French NYC; the Governor’s Ball at the 80th Annual Academy Awards in 2008; and the Nations had a house band in 1962, hopefully we’d be that band.” – Thomas rediscovering beautiful songs.” music hall of the 1930s or a palazzo in Napoli. It’s a bit like an urban musical opening of the 2008 Sydney Festival in Australia. Lauderdale, bandleader/pianist travelogue. We’re very much an American band, but we spend a lot of time Lauderdale met China Forbes, Pink Martini’s “Diva Next Door” lead vocalist, at abroad … and therefore have the incredible diplomatic opportunity to represent Pink Martini’s debut album Sympathique was released independently in 1997 15 years ago in his hometown of Portland, Oregon, Thomas Lauderdale was Harvard. He was studying history and literature while she was studying English a broader, more inclusive America … the America which remains the most on the band’s own label Heinz Records (named after Lauderdale’s dog), and working in politics, thinking that one day he would run for mayor. Like other literature and painting. Actually neither of them really studied, they socialized heterogeneously populated country in the world … comprised of people of quickly became an international phenomenon, garnering the group nominations eager beaver politicians-in-training, he went to every political fundraiser under … and late at night, they would break into the lower common room in their every country, every language, every religion.” for “Song of the Year” and “Best New Artist” in France’s Victoires de la Musique the sun … but was dismayed to find the music at these events underwhelming, college dormitory and sing arias by Puccini and Verdi – and the occasional Awards in 2000. -
Broadway Center Presents Pink Martini with China Forbes at The
FOR IMMEDIATE RELEASE: March 13, 2018 Broadway Center presents Pink Martini with China Forbes At the historic Pantages Theater on April 20 “…a rollicking around-the-world musical adventure.”— Thomas Lauderdale, Bandleader/Pianist Sponsor: Gray Lumber Company TACOMA, WASH. – Pink Martini with lead singer China Forbes will perform a concert at Tacoma’s historic Pantages Theater on Friday, April 20 at 7:30 p.m. The group, which describes themselves as a “mini orchestra,” brings a showcase of original music from their 23-year career. Having worked with the likes of Emilio Delgado, Chavela Vargas, and Michael Feinstein, this is a show not to be missed. Tickets are on sale now. Pink Martini draws inspiration from the romantic Hollywood musicals of the 1940s and '50s and crosses genres to make an eclectic, modern sound. Their arrangements of Latin music, jazz, cabaret and cinema scores come together in a sound that defies categorization. Ticket for Pink Martini are on sale now and start at $34. To buy now, call the Broadway Center Box Office at 253.591.5894, toll-free 1.800.291.7593, online at BroadwayCenter.org, or in person at 901 Broadway in Tacoma's Theater District. MEDIA CONTACT: Mariesa Bus, Associate Director of Communications | 253.573.2507 | [email protected] ### The center of Tacoma’s Historic Theater District, the Broadway Center’s mission is to energize the community through live performance. Founded in 1979, the Broadway Center is a non-profit organization recognized for leadership in presenting world-class performing artists, providing one of the largest arts education programs in Washington State, and preserving Tacoma's historic theaters. -
BIOGRAPHY in 1994 in His Hometown of Portland, Oregon, Thomas Lauderdale Was Working in Politics, Thinking That One Day He Would Run for Mayor
BIOGRAPHY In 1994 in his hometown of Portland, Oregon, Thomas Lauderdale was working in politics, thinking that one day he would run for mayor. Like other eager politicians-in- training, he went to every political fundraiser under the sun… but was dismayed to find the music at these events underwhelming, lackluster, loud and un-neighborly. Drawing inspiration from music from all over the world – crossing genres of classical, jazz and old-fashioned pop – and hoping to appeal to conservatives and liberals alike, he founded the “little orchestra” Pink Martini in 1994 to provide more beautiful and inclusive musical soundtracks for political fundraisers for causes such as civil rights, affordable housing, the environment, libraries, public broadcasting, education and parks. One year later, Lauderdale called China Forbes, a Harvard classmate who was living in New York City, and asked her to join Pink Martini. They began to write songs together. Their first song “Sympathique” became an overnight sensation in France, was nominated for “Song of the Year” at France’s Victoires de la Musique Awards, and to this day remains a mantra (“Je ne veux pas travailler” or “I don’t want to work”) for striking French workers. Says Lauderdale, “We’re very much an American band, but we spend a lot of time abroad and therefore have the incredible diplomatic opportunity to represent a broader, more inclusive America… the America which remains the most heterogeneously populated country in the world… composed of people of every country, every language, every religion.” Featuring a dozen musicians, Pink Martini performs its multilingual repertoire on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, the Middle East, Northern Africa, Australia, New Zealand, South America and North America. -
JF07-National Copy.Indd
Montage Art, books, diverse creations 18 Off the Shelf 19 Sophomores, Sex, Soap 20 Venerable,Valuable Volumes 24 Chairman of the Bored 25 Open Book 26 Chapter and Verse from almost anything else out there, and audiences are re- sponding: Pink Martini’s first two albums sold more than a million copies combined, and its recently released third album, Hey Eugene!, entered Amazon’s bestseller list at number one. The New York Times headlined its review of the Carnegie Hall concert “Grab a Cocktail and Lis- ten to the Vintage-Chic Pink Martini Band.” Replace “Cock- onstage, with tail” with “Co≠ee,” and Stirred, Shaken, and Sung Thomas Lauderdale on that headline—with its piano at far o≠beat allure—could left, and have been a handwritten Pink Martini—musicians who don’t “know enough to be scared” vocalist China HOWARD AXELROD Forbes. sign from 1992 advertising by a musical night at Café Mardi in the Adams House lower common t the end of Pink Martini’s verse globalization. Rather than impose room. The founder of Café Mardi, and of Carnegie Hall debut this past one style everywhere, it draws from Pink Martini, has never had trouble at- June, a conga line broke out in nearly everywhere, ranging from Edith tracting an audience. With his platinum- Athe audience and bounced Piaf-style torch songs to Brazilian sambas blond hair, bow tie (something he gave up its way up and down one of to Gershwin standards; the lyrics are in after college), and cross-dressing, Thomas the aisles. Even in the venerable hall’s Spanish, French, Italian, Japanese, Arabic, Lauderdale has always cut a flamboyant tiered balconies, people were on their feet, and Portuguese, as well as English.