Broadway Center Presents Pink Martini with China Forbes at The

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FOR IMMEDIATE RELEASE: March 13, 2018 Broadway Center presents Pink Martini with China Forbes At the historic Pantages Theater on April 20 “…a rollicking around-the-world musical adventure.”— Thomas Lauderdale, Bandleader/Pianist Sponsor: Gray Lumber Company TACOMA, WASH. – Pink Martini with lead singer China Forbes will perform a concert at Tacoma’s historic Pantages Theater on Friday, April 20 at 7:30 p.m. The group, which describes themselves as a “mini orchestra,” brings a showcase of original music from their 23-year career. Having worked with the likes of Emilio Delgado, Chavela Vargas, and Michael Feinstein, this is a show not to be missed. Tickets are on sale now. Pink Martini draws inspiration from the romantic Hollywood musicals of the 1940s and '50s and crosses genres to make an eclectic, modern sound. Their arrangements of Latin music, jazz, cabaret and cinema scores come together in a sound that defies categorization. Ticket for Pink Martini are on sale now and start at $34. To buy now, call the Broadway Center Box Office at 253.591.5894, toll-free 1.800.291.7593, online at BroadwayCenter.org, or in person at 901 Broadway in Tacoma's Theater District. MEDIA CONTACT: Mariesa Bus, Associate Director of Communications | 253.573.2507 | [email protected] ### The center of Tacoma’s Historic Theater District, the Broadway Center’s mission is to energize the community through live performance. Founded in 1979, the Broadway Center is a non-profit organization recognized for leadership in presenting world-class performing artists, providing one of the largest arts education programs in Washington State, and preserving Tacoma's historic theaters. Learn more at BroadwayCenter.org. The Broadway Center for the Performing Arts gratefully acknowledges the following for support of the 2017-18 Season: Alaska USA Federal Credit Union, ArtsFund, Biller Family Foundation, The Boeing Company, CHI Franciscan Health System, City of Tacoma, DaVita, Forest Foundation, National Endowment for the Arts, The News Tribune, Pierce County Arts Commission, Wells Fargo, and the Washington State Arts Commission. .

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FOR IMMEDIATE RELEASE Monday, July 12, 2021 Contact: Ellen
7/12/2021 Kauffman Center View in browser FOR IMMEDIATE RELEASE Monday, July 12, 2021 Contact: Ellen McDonald, Publicist Kauffman Center for the Performing Arts (816) 213-4335 | [email protected] Bess Wallerstein Huff, Director of Marketing and Community Outreach Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] TWO PERFORMANCES ADDED TO KAUFFMAN CENTER PRESENTS FALL 2021 CALENDAR Pink Martini featuring China Forbes coming Tuesday, Oct. 26; Asleep at the Wheel coming Saturday, Oct. 30. Kansas City, MO – This October on Muriel Kauffman Theatre stage, audiences can revel in two exciting Kauffman Center Presents performances: Pink Martini featuring China Forbes on Oct. 26 and Asleep at the Wheel on Oct. 30. Kauffman Center Presents is made possible by the John N. and Marilyn P. McConnell Foundation. Tickets for Pink Martini featuring China Forbes range from $39 to $79 plus applicable fees. Tickets for Asleep at the Wheel range from $39 to $59 plus applicable fees. Both shows go on sale to the public at 10 a.m. Friday, July 16. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222 or online at kauffmancenter.org. ABOUT PINK MARTINI “Pink Martini is a rollicking around-the-world musical adventure… if the United Nations had a house band in 1962, hopefully we’d be that band.” – Thomas Lauderdale, bandleader/pianist. Featuring a dozen musicians, with songs in 25 languages, Pink Martini performs its multilingual repertoire on concert stages on six continents. After making its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998, the band has gone on to play with more than 50 orchestras around the world.
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Pink Martini Thomas Lauderdale Piano Storm Large Vocals Nicholas Crosa Violin Timothy Nishimoto Vocals, Percussion Phil Baker Ba
Pops Jeudi / Donnerstag / Thursday 10.10.2013 20:00 Grand Auditorium Pink Martini Thomas Lauderdale piano Storm Large vocals Nicholas Crosa violin Timothy Nishimoto vocals, percussion Phil Baker bass Daniel Faehnle guitar Anthony Jones drums Brian Davis drums, percussion Derek Rieth percussion Antonis Andreou trombone Gavin Bondy trumpet ~90’ sans entracte / ohne Pause / without intermission Interprètes Biographies IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Pink Martini Le plus français des groupes américains, après 2 disques d’or et 1 disque de platine, revient en octobre sur le devant de la scène avec «A Retrospective», son premier best of. Il s’agit d’une œuvre complète, qui illustre l’appétit créatif de Thomas Lauderdale, fondateur du groupe, depuis 15 ans: en plus d’of- frir une perspective originale sur le passé d’un groupe devenu aujourd’hui incontournable, elle comprend 7 morceaux inédits (dont «Moon River», en duo avec Gus Van Sant). Savant mé- lange de sonorités et de cultures de tous horizons, la musique de Pink Martini est un cocktail à déguster sans modération. L’aventure Pink Martini débute en 1994, dans l’Oregon. Origi- nellement centré autour de Thomas M. Lauderdale et China Forbes, le groupe aux inspirations et collaborations multiples chante en anglais, français, mais aussi espagnol, italien, japo- nais, croate… Leur style musical, éclectique, passe «d’une samba digne d’une parade à Rio de Janeiro à la musique d’un cabaret français des années 30 ou d’un palais napolitain, un peu comme une sorte de voyage musical urbain», d’après les mots de Thomas Lauderdale. «On essaye de créer une sorte de char- mant environnement musical, dont on peut augmenter ou bais- ser le volume, et jouer en toute occasion, ou presque: musique d’ambiance, aventure amoureuse ou quand on passe l’aspira- teur chez soi!».
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Oregon Ballet Theatre, Pink Martini Team up for 'Love and Happiness' Double Bill
Menu Set Weather Subscribe Sign In Search PORTLAND & OREGON ART Oregon Ballet Theatre, Pink Martini team up for 'love and happiness' double bill Posted September 30, 2017 at 05:00 PM | Updated October 11, 2017 at 10:46 AM Comments Oregon Ballet Theatre dancers (from left) Katherine Monogue, Eva Burton, Chauncey Parsons (in air) and Michael Linsmeier perform with Portland band Pink Martini in Nicolo Fonte's "Never Stop Falling (in Love) in 2014. The company and band reprise their performance this fall. (Blaine Truitt Covert) By Amy Wang | The Oregonian/OregonLive Oregon Ballet Theatre’s 2017‑18 season opener has the feel of an all‑star lineup. Oregon Ballet Theatre's resident choreographer, Nicolo Fonte. (Heidi Williams/Staff) Leading off is George Gershwin’s “Rhapsody in Blue,” arguably one of the best‑known and best‑loved American compositions ever. Performing the piece in a world‑premiere performance will be two of Oregon’s most respected pianists, Thomas Lauderdale and Hunter Noack. Lauderdale’s popular Portland band, Pink Martini, comes onstage in the second half of the program to reprise its 2014 collaboration with the ballet company, “Never Stop Falling (in Love).” Tying it all together is choreography by Nicolo Fonte, in his second season as Oregon Ballet’s resident choreographer, whose work has been performed nationally and internationally. Oregon Ballet Theatre dancers rehearse the number "Never Stop Falling (in Love)" for the company's season opener. (Amy Wang/Staff) Fonte promises a joyful, exuberant program (the exuberance shone through clearly at a recent rehearsal). Here are eight things to know about Oregon Ballet Theatre’s season opener.
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THE MUSIC, JUNE 9 , 2012 at WaterFire Providence 8:19 “Being in Rhythm” 8:58 “Canzon ottava detta L’Ambitiosa” composed by Layne Redmond composed by Girolamo performed by Layne Redmond & Frescobaldi Tommy Brunjes performed by the brass section of from Being in Rhythm the Frankfurt Radio Symphony Orchestra 8:25 “Finney Makes a Point” from Venezianische composed by Mike Figgis Mehrchörigkeit performed by Mike Figgis from Stormy Monday soundtrack 9:06 “Nessun dorma” from Turandot composed by Giacomo Puccini 8:28 “Halleluyah” performed by Luciano Pavarotti composed by David Hykes performed by David Hykes, 9:09 “Soul Blues” Michelle Hykes, Timothy Hill written by Coleman Hawkins voices and drum performed by Coleman Hawkins from Harmonic Meetings from Coleman Hawkins Soul 8:35 “Bamako” 9:19 “Nepalese Lullaby” written by Roswell Rudd traditional performed by Roswell Rudd and performed by Neelam Shrestha Toumani Diabate from Welcoming Children in to from Malicool the World 8:42 “Tudo Esto E Fado” 9:21 “Koftos” performed by Amalia Rodrigues traditional from Tudo Esto E Fado performed by Kohelet 3 from More 8:46 Fado Instrumental Traditional (Portuguese) 9:25 “Oumai” written by Maria de Barros 8:48 “Nao Digas Mal Dele” performed by Maria de Barros performed by Amalia Rodrigues from Danca Ma Mi from Tudo Esto E Fado 9:28 “Deep As Love” 8:52 “Full Circle” composed by Tord Gustavsen written and composed by Loreena performed by the Tord Gustavsen McKennitt Trio performed by Loreena McKennitt from Changing Places from e Mask and the Mirror 9:34 “Hope
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AARON MEYER - ROCK CONCERT VIOLINIST Aaron's Cutting Edge Musical Style Was Inspired by His Worldwide Travels
AARON MEYER - ROCK CONCERT VIOLINIST Aaron's cutting edge musical style was inspired by his worldwide travels. After performing as an original band member for the world-renowned band Pink Martini, he recorded on the album Sympathique (which sold a million copies worldwide), Aaron then refined his own brand of music. Get set to be truly mesmerized by Aaron's unique stage presence blended with awe-inspiring virtuosic performances. He immediately engages his fans, displaying an affinity for the violin in a seemingly effortless mastery of the instrument. FACEBOOK: @AaronMeyerRockConcertViolinist INSTAGRAM: @amrockviolin TWITTER: @AMRockViolin YOUTUBE: https://www.youtube.com/user/aaronviolin WEBSITE: www.aaronmeyer.com AJE FACEBOOK: @AJE Music Productions INSTAGRAM: @ajemusicproductions TWITTER: @AJEmProductions HASHTAG: #AJEMUSICPRODUCTIONS BIGFOOT MOJO Gracefully blends mandolin, guitar and upright bass with rich vocal harmonies and foot-stompin' solos. Award winning songwriters and instrumentalists, they have a history stretching decades and a sound that exceeds millenniums. If you happen to have a Bigfoot Mojo sighting (or hearing), you will be swept away on an unbelievable journey of blues, swing and bluegrass. FACEBOOK: @bigfootmojo YOUTUBE: https://www.youtube.com/playlist?list=PLIbcjfjo daOL1r9hCdJ9BlJRQ2qTwekjY WEBSITE: www.bigfootmojo.com HASHTAGS: #bigfootmojo BILLY NOVAS The Billy Novas describe their sound as Hillbilly Bossa Nova blending influences from the great musical traditions filtered through their original style. The Billy Novas feature singer/songwriters Kevin Neil and Marianne Flemming . Both have made their mark as artists with extensive national touring experience. FACEBOOK: @TheBillyNovas WEBSITE: https://www.reverbnation.com/thebillynovas BRIANA RENEA Briana Renea comes by her country roots naturally, growing up on a rural farm in Canby, Oregon in the heart of the Pacific Northwest.
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PM Splendor Bio.Indd
NEW ALBUM IN STORES OCTOBER 27, 2009 PINK MARTINI HISTORY AND BIOGRAPHY “Pink Martini is a rollicking around-the-world musical adventure … if the United archeologists, digging through recordings and scores of years past and samba parade in Rio de Janeiro, and in the next moment, you’re in a French NYC; the Governor’s Ball at the 80th Annual Academy Awards in 2008; and the Nations had a house band in 1962, hopefully we’d be that band.” – Thomas rediscovering beautiful songs.” music hall of the 1930s or a palazzo in Napoli. It’s a bit like an urban musical opening of the 2008 Sydney Festival in Australia. Lauderdale, bandleader/pianist travelogue. We’re very much an American band, but we spend a lot of time Lauderdale met China Forbes, Pink Martini’s “Diva Next Door” lead vocalist, at abroad … and therefore have the incredible diplomatic opportunity to represent Pink Martini’s debut album Sympathique was released independently in 1997 15 years ago in his hometown of Portland, Oregon, Thomas Lauderdale was Harvard. He was studying history and literature while she was studying English a broader, more inclusive America … the America which remains the most on the band’s own label Heinz Records (named after Lauderdale’s dog), and working in politics, thinking that one day he would run for mayor. Like other literature and painting. Actually neither of them really studied, they socialized heterogeneously populated country in the world … comprised of people of quickly became an international phenomenon, garnering the group nominations eager beaver politicians-in-training, he went to every political fundraiser under … and late at night, they would break into the lower common room in their every country, every language, every religion.” for “Song of the Year” and “Best New Artist” in France’s Victoires de la Musique the sun … but was dismayed to ﬁnd the music at these events underwhelming, college dormitory and sing arias by Puccini and Verdi – and the occasional Awards in 2000.
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BIOGRAPHY in 1994 in His Hometown of Portland, Oregon, Thomas Lauderdale Was Working in Politics, Thinking That One Day He Would Run for Mayor
BIOGRAPHY In 1994 in his hometown of Portland, Oregon, Thomas Lauderdale was working in politics, thinking that one day he would run for mayor. Like other eager politicians-in- training, he went to every political fundraiser under the sun… but was dismayed to find the music at these events underwhelming, lackluster, loud and un-neighborly. Drawing inspiration from music from all over the world – crossing genres of classical, jazz and old-fashioned pop – and hoping to appeal to conservatives and liberals alike, he founded the “little orchestra” Pink Martini in 1994 to provide more beautiful and inclusive musical soundtracks for political fundraisers for causes such as civil rights, affordable housing, the environment, libraries, public broadcasting, education and parks. One year later, Lauderdale called China Forbes, a Harvard classmate who was living in New York City, and asked her to join Pink Martini. They began to write songs together. Their first song “Sympathique” became an overnight sensation in France, was nominated for “Song of the Year” at France’s Victoires de la Musique Awards, and to this day remains a mantra (“Je ne veux pas travailler” or “I don’t want to work”) for striking French workers. Says Lauderdale, “We’re very much an American band, but we spend a lot of time abroad and therefore have the incredible diplomatic opportunity to represent a broader, more inclusive America… the America which remains the most heterogeneously populated country in the world… composed of people of every country, every language, every religion.” Featuring a dozen musicians, Pink Martini performs its multilingual repertoire on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, the Middle East, Northern Africa, Australia, New Zealand, South America and North America.
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JF07-National Copy.Indd
Montage Art, books, diverse creations 18 Off the Shelf 19 Sophomores, Sex, Soap 20 Venerable,Valuable Volumes 24 Chairman of the Bored 25 Open Book 26 Chapter and Verse from almost anything else out there, and audiences are re- sponding: Pink Martini’s ﬁrst two albums sold more than a million copies combined, and its recently released third album, Hey Eugene!, entered Amazon’s bestseller list at number one. The New York Times headlined its review of the Carnegie Hall concert “Grab a Cocktail and Lis- ten to the Vintage-Chic Pink Martini Band.” Replace “Cock- onstage, with tail” with “Co≠ee,” and Stirred, Shaken, and Sung Thomas Lauderdale on that headline—with its piano at far o≠beat allure—could left, and have been a handwritten Pink Martini—musicians who don’t “know enough to be scared” vocalist China HOWARD AXELROD Forbes. sign from 1992 advertising by a musical night at Café Mardi in the Adams House lower common t the end of Pink Martini’s verse globalization. Rather than impose room. The founder of Café Mardi, and of Carnegie Hall debut this past one style everywhere, it draws from Pink Martini, has never had trouble at- June, a conga line broke out in nearly everywhere, ranging from Edith tracting an audience. With his platinum- Athe audience and bounced Piaf-style torch songs to Brazilian sambas blond hair, bow tie (something he gave up its way up and down one of to Gershwin standards; the lyrics are in after college), and cross-dressing, Thomas the aisles. Even in the venerable hall’s Spanish, French, Italian, Japanese, Arabic, Lauderdale has always cut a ﬂamboyant tiered balconies, people were on their feet, and Portuguese, as well as English.
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China Forbes, Vocals Timothy Nishimoto, Vocals Gavin Bondy
Pink Martini would like to thank: Patrick Abbey, Hilary Abraham, Jorge Alabe, Jane Andrews, Lu Andros, Joey Arias, Howie Baggadonutz, Ida + Geoff Baker, Janet Baker, Jeanna + Nikolas Baker, Valentina Graziano Barroso, Stephen Baugh, Byron Beck + Juan Martinez, Doris Bloom, Brian + Gwyneth Gamble Booth, MargiePersonnel: Boule´ + Dave Beck, Alex Boule´-Buckley, David Bragdon, Susan Brennan, Karen Brooks, Jeffrey Budin, Jimi Biron, John Brodie, Marilyn Brodie, George Calvo, Bruce Carey + Joe Rogers, Aida Casis, Joe Chiccarelli, Benjamin AlexanderChina Clark Forbes, + Caroline Fitchett, vocals Alba + Francesco Clemente, Sarah Collins, Sam Coomes, Mickey Cottrell, Christian Coulet, Miss Margaret Coulter, Anne + Jim Crumpacker, Marty Davis, Suzy Davis, Timothy Demmon, LeeAnne DenBeste,Timothy Dimitri from Paris, Nishimoto, Marco Domingues, vocalsEric Edwards, Tim Ellis, Justin Emerich, Michelle Boss + Charles Lewis & ETHOS, Joy Fabos, Charles Floyd, Leslie Frank + Jennifer Grant & King, Holmes, Paterno & Berliner, LLP, Michael Flutie, Mary Folberg & the NorthwestGavin Academy, Bondy, Faith Forbes,trumpet Peggy Forbes + Harry Bremond, Maya Forbes + Wally, Clementine and Imogene Wolodarsky, Bill + Carol Foster, Dave Friedlander + Amy Levy, Christine A. Fruehling, Andy Gilbert, Claude + YvesRobert & Gwyndal Giron,Taylor, Mary Greitzer, trombone John Sebastian & Griffin, trumpet Stanley Griffin, Walter Haman, Nic Harcourt + Ariana Morgenstern & KCRW, Kim Hastreiter + David Hershkovits & Paper magazine, Kirk Holz, Noriko Honda + Ms. Yasuko Honda,
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Kimmel Cultural Campus Presents Tony Award® Winner Alan Cumming and Renowned Journalist & Singer Ari Shapiro for Och & Oy! a Considered Cabaret on October 17
Share it! Tony winner @AlanCumming (Twitter)/@AlanCummingSnaps (Instagram) & renowned journalist and singer @AriShapiro join forces for Och & Oy! A Considered Cabaret at the @KimmelCC (Twitter)/@KimmelCulturalCampus (Facebook and Instagram) on 10/17! For more information, please visit kimmelculturalcampus.org. Press Contacts: Lauren Hall Hannah Clough 484-832-1963 267-765-3726 [email protected] [email protected] KIMMEL CULTURAL CAMPUS PRESENTS TONY AWARD® WINNER ALAN CUMMING AND RENOWNED JOURNALIST & SINGER ARI SHAPIRO FOR OCH & OY! A CONSIDERED CABARET ON OCTOBER 17 FOR IMMEDIATE RELEASE (September 2, 2021) - The Kimmel Cultural Campus presents Tony Award® winner Alan Cumming and renowned journalist and singer Ari Shapiro on its Merriam Theater stage on Sunday, October 17, 2021, at 8:00 p.m. for Och & Oy! A Considered Cabaret. Alan Cumming (Cabaret on Broadway, CBS’ The Good Wife) and Ari Shapiro (NPR’s All Things Considered, Pink Martini band) both transport audiences to other worlds through their stories. Now, they’re joining forces in SONG. Witness the exclusive debut of their new evening of tunes and tall tales, with musical direction by Henry Koperski. “The Kimmel Cultural Campus is home to so many art forms – from Broadway to comedy, rock to jazz, family-friendly to classical, and everything in between,” said Ed Cambron, Executive Vice President and Chief Operating Officer of the Kimmel Cultural Campus. “This is a unique opportunity to see two individuals, both exemplary in their work across a range of media, combine their talents for a refreshing new stage experience.” In a statement, Cumming said, “I’ve got to know Ari over the last few years, both socially and when he interviewed me for a couple of events.
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NEWS RELEASE Contact: Emily Everett at 413-545-4482 Or [email protected]
NEWS RELEASE Contact: Emily Everett at 413-545-4482 or [email protected] FOR IMMEDIATE RELEASE: August 19, 2014 WHAT: Pink Martini WHEN: Saturday, September 20, 8 p.m. WHERE: Fine Arts Center Concert Hall University of Massachusetts Amherst TICKETS: Call 1-800-999-UMAS or 545-2511 for tickets or go online to http://www.fineartscenter.com/ IMAGES: To download images relating to this press release please go online to https://fac.umass.edu/Online/PressImages Multilingual, Retro-hip Pink Martini Opens UMass Fine Arts Center’s 2014-15 Season “United Nations meets Breakfast at Tiffany’s.” Hailing from Portland, Oregon, baroque-pop, classical, and jazz group Pink Martini has played to adoring audiences around the world, and will make its Fine Arts Center debut on Saturday, September 20 at 8 p.m. Tickets are on sale now. Prior to the concert, the FAC invites ticket-holders to celebrate the opening of its season with a free dessert party on the plaza with live entertainment and a cash bar featuring the signature cocktail, you guessed it, a pink martini. This 12-member "little orchestra" draws inspiration from pounding Cuban beats and the heart-wrenching tunes of smoky Paris nightclubs. It is an unpredictable ensemble that joins a variety of musical styles and performs "music of the world without being world music," consistently mixing melodies and rhythms from around the world to create something fresh and new. In describing his band, Lauderdale remarked, "(We) draw inspiration from the romantic Hollywood musicals of the 1940s or ‘50s with a more global perspective.
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Concert Review Pink Martini Takes Audience on Dazzling Ride at Hanover in Worcester
Concert review Pink Martini takes audience on dazzling ride at Hanover in Worcester By: Victor D. Infante October, 4, 2018 WORCESTER — Pink Martini has a way of creating an illusion on stage. The 10-person band, fronted by vocalist China Forbes and pianist Thomas M. Lauderdale and accompanied by two guest vocalists, transported the packed house Wednesday at The Hanover Theatre for the Performing Arts around the world and back through time with seeming ease, shifting between genres and languages with barely a hitch. Forbes demonstrated her musical sleight-of-hand right out of the gate with a tender and vulnerable rendition of the song “Let’s Never Stop Falling in Love,” which feels like a ’20s torch song but was actually an original composition. If you didn’t know that, you could be forgiven for trying to seek out a Josephine Baker version, but nonetheless, the grandness of the theater became a smoky Roaring ’20s jazz lounge, the song felt so intimate. Like any good illusionist, Forbes dropped her façade for a moment to greet the audience. A former resident of Cambridge, she revealed that her first major concert experience was at the Worcester Centrum. (She wasn’t 100 percent certain, but she thinks it was Peter Gabriel.) Lauderdale also spoke a bit about how the Oregon-based band was formed to entertain at political fundraisers and has grown into something else. Then, pleasantries out of the way, the band launched into another original song — this one in French — called “Sympathique,” which they described as an “ode to smoking.” It was a tightly restrained performance, bristling with feeling and leaving room for the delicacy of Lauderdale’s performance.
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