The Extant Odes of Pindar

Total Page:16

File Type:pdf, Size:1020Kb

The Extant Odes of Pindar TH E EXTANT O D E S O F P I N D ‘A R O EN GLISH WITH AN I N TR OD UCTI ON 2411i SHOR T NOTES E N S M Y E M R E T R S, . A. And qf thc 320111107; M A L L A A D . c C M I N N o . SON OF THE LI H NIN F AIR AN H ERY S AR G T G, D T . S RONG-WIN E IMPERIAL P DA VO CE IV INE T G D IN R, I D ; LET THESE DEEP D RAUGH TS OF THY ENCHANTED WINK L I FT ME WITH THEE IN SOARI N GS HI GH AND F AR PRO ER HAN PEGASEKN OR HE CAR UD T , T WHE E N APOLLO RAP HE M AI R I T T HUNTRESS D. SO LE ME RANGE MI N E HOU OO SOON O F A E T R, T T D T R I N O DULL P ESEN CE OF THE T HI N GS THAT A RE. YET K NOW THAT EV EN AMID THIS JARRI N G N OI SE OF HATES L OV ES CRE E D T OGETHER H EAPED AN H RLE . , S, D U D, SOME ECHO P AI N T OF G RACE AND G RAN D EUR S TI RS RO T Y SWEET H EL L AS HOME OF OBL E OYS F M H . N J . FI RST F RUIT AND B EST OF ALL OUR W ESTERN W ORLD ; ATE'ER E HOL OF BEA TY HALF I S HE H W U . W D , RS I N T R O D U C T L O N E R R A T A In the Introduction a e 1 ’ ’ p g 3 , 2 8 or d - line , f psm read dp crr, 0 last line on the page, for V ale read vale In the Prefatory N ote . 2 2 1. 1 p , , a ter 2 7 f Isthm . insert 7 In the Translafion I . 1. I x or p 4 , , f hastest read hasteth . 1. or h p 3 3 , I I , f P o ebus rea d Phoibos . 1 p 4 3 , . , after Er oteles insert 4 g , and at Pytho twi ce , ' ’ 6 1 or ne fiw p , note f p s rea d x epaaJ . 8 p n Ode I V of the I troduction to , for I o lchian . 1 2 1. or e d p 4 , f gu st rea quest . 1 2 l . I or p 4 , 3 , f court rea d count never derive pleasure and instruction from 3 tra slatl on 0 5 1e ( ? h Hegfe; foreign poet, for to this rule our current ver n t e ° 1 _ _ psalm ists and prophets furnish one m arked ex c p5ton at east ilt- l ned Class still it is robabl to what m ay be called the a ear , p y I N T R O D U C T I O N . PROBABL Y no poet of importance equal or approaching to finds few that of Pindar so and so infrequent readers . The causes are not far to seek : in the first and m ost obvious place m difficult co es the great y of his language, in the second the ft c l quent obscurity of his thought, resu ting mainly from his exceed u ing allusiveness and his abr pt transitions, and in the third place that amount of m onotony which m ust of necessity attach to a m m series of poe s provided for a succession of si ilar occasions . I t is as an attempt towards obviating the fi rst of these - hind difficult rances to the study of Pindar, the y of his language, that m this translation is of course especially intended . To who and in what cases are translations of poets useful ? To a perfect the su erfluous scholar in original tongue they are p , to one wholly ignorant of it they are apt to be (unless here and there to a m m Keats) eaningless, flat, and puzzling. There re ains the third class of those Who have a certain am ount of knowledge of a m language, but not enough to enable the to read unassisted its m ore difficult books Without an expenditure of tim e and trouble transla which is virtually prohibitive . It is to this class that a s m chiefl An intelli tion ought, it would ee , y to address itself. gent person of cultivated literary taste, and able to read the m easier books in an acquired language , will feel hi self indebted to a hand which unlocks for him the inner chambers of a tem ple in whose outer courts he had already delighted to wander. ‘ ’ Without therefore saying that the m erely English reader m ay never derive pleasure and instruction from a translation of a w foreign poet, for to this rule our current version of the Hebre psalm ists and prophets furnish one m arked exception at least m a — still, it is probably to what y be called the half learned class m find that the translator m ust pree inently look to an audience . The other causes of Pindar ’s unpopularity to which reference m was m ade above, the obscurity of his thought and the onotony m m at of his subj ects, will in great easure disappear by eans of m o m tentive study of the poem s the selves, and of ther sources fro which m ay be gathered an understanding of the region of tho ught and feeling in which they m ove . In proportion to our m fam iliarity not only with Hellenic ythology and history, but with Hellenic life and habits of thought generally, will be our readiness and facility in seizing the drift and import of what m Pindar says, in divining what has passed through his ind and in his case perhaps even m ore than in the case of other inde finitel o ur ~ increasin poets, this facility will increase y with g acquaintance With his works and with the light thrown on each part of them by the rest 1 m m u n ues The onotony of the odes, though to so e extent q n bl m su erficial tio a y and unavoidably real, is to so e extent also p m and in appearance only. The fa ily of the victor, or his country, m t som e incident of his past, so e possibility of his future li e , m ff m m suggest in each case so e di erent legendary atter, so e dif it m ff it ferent way of treating , so e di erent application of , general Out in ex or particular, or both . of such resources Pindar is haustible in building up in subtly varying forms the splendid structure of his song . Y K et doubtless the drawbacks in reading Pindar, though they m a m : y be largely reduced, will always in so e degree exist we o shall always wish that he was easier to c nstrue, that his allu; sions to things unfam iliar and som etim es undiscoverable to us m m m were less frequent , that fa ily pride had not ade it custo ary for him to spend so m any lines on an enum eration of priz es won elsewhere and at other tim es by the victor of the occasion or by ‘ hi iin fi s kin . Such drawbacks can only fall into ns g icance when m eclipsed by consideration of the far ore , than counterbalancing m attractions of the poe s, of their unique and surpassing interest, m . poetical, historical, and oral 1 The importance and interest to a student in Hellenic literature of a collateral study o f w hatever rem ains to us of He llenic plasti c art_ — a e e em and o n can a d be ro s s d st tu s, vas s, g s , c i s h r ly too st ngly in i te ou . Of i Pindar as a poet it is hard ndeed to speak adequately, and m ' briefl al ost as hard to speak y, for a discussion of his poetical characteristics once begun m ay wander far before even a sm all m b part has been said of what ight e . To say that to his poetry m b in supre e degree elong the qualities of force, of vividness, of m e intoxicating Splendour, of the ajesty of a lofty styl , the ex m m m pression of a high personality, of a astery of rhyth and etre m difi d and i aginative diction, of an intensely Hellenic Spirit m o e m e - m ra by an un istakabl individuality, above all of a pre e inent ’ — p idity as of an eagle s flight or of very lightning to say all this would be to suggest som e of the m ost obvious features of u m these wonderf l odes ; and each of these qualities, and any m i m - b w ore requ ring exacter delineation, ight e illustrated ith numberless instances which even in the faint im age of a transla m m 2 tion would furnish a ple testi ony . But as this introduction ’ ho is intended for those W purpose reading Pindar s poetry, or ' l it m at any rate the present trans ation of , for the selves, I will leave it to them to discover for them selves the qualities which m have given Pindar his high place a ong poets, and will pass on to suggest briefly his claims to interest us by reason of his place m in the history of hum an action and hu an thought .
Recommended publications
  • Sesquicentennialpublists
    In these lists an asterisk before the item indicates it is still available from Oxford University Press, either from stock or by print on demand. Philological Monographs The dates given are those of the original publications, issued by the APA or a contracted press in various cities. Many titles were reprinted by Scholars Press, and thirteen are still distributed by OUP. A few titles were reprinted by other publishers, as noted. *Taylor, Lily Ross. The Divinity of the Roman Emperor. Philological Monographs 1. 1931. Forbes, Clarence Allen. Neoi: A Contribution to the Study of Greek Associations (ΝΕΟΙ: A Contribution to the Study of Greek Associations). Philological Monographs 2. 1933. Oldfather, William Abbot; Canter, Howard Vernon; and Perry, Ben Edwin. Index Apuleianus. Philological Monographs 3. 1934. Post, Levi Arnold. The Vatican Plato and Its Relations. Philological Monographs 4. 1934. Robinson, Rodney P. The Germania of Tacitus: A Critical Edition. Philological Monographs 5. 1935. Rogers, R.S. Criminal Trials and Criminal Legislation Under Tiberius. Philological Monographs 6. 1935. *Perry, B. E. Studies in the Text History of the Life and Fables of Aesop. Philological Monographs 7. 1936. Greene, William Chase (with Frederic de Forest Allen, John Burnett, Charles Pomeroy Parker). Scholia Platonica. Philological Monographs 8. 1938. [reprint Georg Olms Verlag 1988] Wolff, Hans Julius. Written and Unwritten Marriages in Hellenistic and Post-Classical Roman Law. Philological Monographs 9. 1939. De Lacy, Phillip; De Lacy, Estelle. Philodemus: On Methods of Inference : A Study in Ancient Empiricism. Philological Monographs 10. 1941. *Pearson, Lionel. The Local Historians of Attica. Philological Monographs 11. 1942. *Lutz, Cora E.
    [Show full text]
  • Torresson Umn 0130E 21011.Pdf
    The Curious Case of Erysichthon A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Elizabeth Torresson IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisor: Nita Krevans December 2019 © Elizabeth Torresson 2019 Acknowledgments First, I would like to thank the department for their support and especially the members of my committee: Nita Krevans, Susanna Ferlito, Jackie Murray, Christopher Nappa, and Melissa Harl Sellew. The seeds of this dissertation were planted in my senior year of college when Jackie Murray spread to me with her contagious enthusiasm a love of Hellenistic poetry. Without her genuine concern for my success and her guidance in those early years, I would not be where I am today. I also owe a shout-out to my undergraduate professors, especially Robin Mitchell-Boyask and Daniel Tompkins, who inspired my love of Classics. At the University of Minnesota, Nita Krevans took me under her wing and offered both emotional and intellectual support at various stages along the way. Her initial suggestions, patience, and encouragement allowed this dissertation to take the turn that it did. I am also very grateful to Christopher Nappa and Melissa Harl Sellew for their unflagging encouragement and kindness over the years. It was in Melissa’s seminar that an initial piece of this dissertation was begun. My heartfelt thanks also to Susanna Ferlito, who graciously stepped in at the last minute and offered valuable feedback, and to Susan Noakes, for offering independent studies so that I could develop my interest in Italian language and literature.
    [Show full text]
  • Theopompus' Homer
    Haverford College Haverford Scholarship Faculty Publications Classics 2020 Theopompus’ Homer: Paraepic in Old and Middle Comedy Matthew C. Farmer Follow this and additional works at: https://scholarship.haverford.edu/classics_facpubs THEOPOMPUS’ HOMER: PARAEPIC IN OLD AND MIDDLE COMEDY MATTHEW C. FARMER T IS A STRIKING FACT that, out of the twenty titles preserved for the late fifth- and early fourth-century comic poet Theopompus, three directly reference I Homer’s Odyssey: Odysseus, Penelope, and Sirens. In one fragment (F 34) preserved without title but probably belonging to one of these plays, Odysseus himself is the speaking character; he quotes the text of the Odyssey, approv- ingly.1 Another fragment (F 31), evidently drawn from a comedy with a more contemporary focus, mocks a politician in a run of Homeric hexameters. Theo- pompus was, it seems, a comic poet with a strong interest in paraepic comedy, that is, in comedy that generates its humor by parodying, quoting, or referring to Homeric epic poetry. In composing paraepic comedy, Theopompus was operating within a long tra- dition. Among the earliest known Homeric parodies, Hipponax provides our first certain example, a fragment in which the poet invokes the muse and deploys Homeric language to mock a glutton (F 128). The Margites, a poem composed in a mixture of hexameters and trimeters recounting the story of a certain fool in marked Homeric language, may have been composed as early as the seventh cen- tury BCE, but was certainly known in Athens by the fifth or fourth.2 In the late
    [Show full text]
  • Copyright by Thomas James Bolt 2019
    Copyright by Thomas James Bolt 2019 The Dissertation Committee for Thomas James Bolt Certifies that this is the approved version of the following Dissertation: Delusions of Grandeur: Humor, Genre, and Aesthetics in the Poetry of Statius Committee: Pramit Chaudhuri, Supervisor Neil Coffee Ayelet Haimson Lushkov Alison Keith Andrew Riggsby Delusions of Grandeur: Humor, Genre, and Aesthetics in the Poetry of Statius by Thomas James Bolt Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2019 Dedication To my parents Acknowledgements I have been fortunate enough to have received support from many sources to whom I am forever grateful. First thanks must go to my supervisor, Pramit Chaudhuri. His patience, guidance, and keen eye for detail have been essential for the successful completion of this project. Each word in this dissertation has benefitted from his thoughtful consideration. He has consistently challenged me to think about literature in more creative and deeper ways, and this dissertation — to say nothing of my scholarly perspective as a whole — is much the better for it. I also thank Ayelet Haimson Lushkov. Apart from her characteristically insightful commentary on this project, I will always be thankful that she took me under her wing while I was a first-year graduate student and assured me that it was, in fact, okay to become a Latinist. Andrew Riggsby, Alison Keith, and Neil Coffee provided invaluable insights and feedback on this project.
    [Show full text]
  • Artemis in Attica
    Artemis in Attica ‘Sing, Muse, of Artemis, sister of the Far-shooter, the virgin profuse of arrows, fellow nursling of Apollo; who after watering her horses at the reedy Meles drives her chariot all of gold swiftly through Smyrna to vine-terraced Claros, where silverbow Apollo sits awaiting the far-shooting one, the profuse of arrows. So I salute you, and all goddesses, in my song; of you and from you first I sing. Ruth Léger Utrecht University - 3113256 Dr. F. van den Eijnde Prof. Dr. J.H. Blok July 2011 Index 1. Introduction 4 2. Artemis 6 2.1 The Mistress of Animals 7 2.2 The bloodthirsty goddess 9 2.3 Artemis and the vulnerable maiden 10 2.4 Visual representations of Artemis 11 3. Artemis in Attica 13 3.1 Brauron 13 3.1.1 Architecture 13 3.1.2 Archaeological finds 18 3.1.3 Use of the sanctuary 20 3.1.4 Iphigeneia 22 3.2 Halai Araphenides/Loutsa 24 3.2.1 Architecture 24 3.2.2 Archaeological finds 27 3.2.3 Use of the sanctuary 29 3.2.4 Iphigeneia 30 3.3 Mounichia 31 3.3.1 Architecture 32 3.3.2 Archaeological finds 34 3.3.3 Use of the sanctuary 35 3.3.4 Iphigeneia 36 4. Analysis 38 4.1 Comparison of the three cults 38 4.1.1 Artemis 38 4.1.2 Architecture 39 4.1.3 Archaeological finds 41 4.1.4 Use of the sanctuaries 42 4.1.5 Iphigeneia 43 2 5. Conclusion 45 5.1 Artemis in Attica 45 5.2 How to distinguish the cults of Artemis.
    [Show full text]
  • Theriomorphic Forms: Analyzing Terrestrial Animal- Human Hybrids in Ancient Greek Culture and Religion
    Theriomorphic Forms: Analyzing Terrestrial Animal- Human Hybrids in Ancient Greek Culture and Religion Item Type text; Electronic Thesis Authors Carter, Caroline LynnLee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 21:29:46 Link to Item http://hdl.handle.net/10150/633185 THERIOMORPHIC FORMS: ANALYZING TERRESTRIAL ANIMAL-HUMAN HYBRIDS IN ANCIENT GREEK CULTURE AND RELIGION by Caroline Carter ____________________________ Copyright © Caroline Carter 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF RELIGIOUS STUDIES AND CLASSICS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 THE UNIYERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master's Committee, we certi$ that we have read the thesis prepared by Caroline Carter titled Theriomorphic Forms: Analyzing Terrestrial Animal-Humøn Hybrids in Ancíent Greek Culture and Religion and reç¡¡ü¡sr6 that it be accepted as firlfilling the disse¡tation requirement for the Master's Degree. G Date: + 26 Z¿f T MaryV o 1.011 ,AtÌ.r.ln Date: \l 41 , Dr. David Gilman Romano - 4*--l -r Date; { zé l2 Dr. David Soren r) øate:4'2 6 - l\ Dr. Kyle Mahoney Final approval and acceptance of this thesis is contingent upon the candidate's submission of the final copies of the thesis to the Graduate College.
    [Show full text]
  • ATLAS of CLASSICAL HISTORY
    ATLAS of CLASSICAL HISTORY EDITED BY RICHARD J.A.TALBERT London and New York First published 1985 by Croom Helm Ltd Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2003. © 1985 Richard J.A.Talbert and contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Atlas of classical history. 1. History, Ancient—Maps I. Talbert, Richard J.A. 911.3 G3201.S2 ISBN 0-203-40535-8 Master e-book ISBN ISBN 0-203-71359-1 (Adobe eReader Format) ISBN 0-415-03463-9 (pbk) Library of Congress Cataloguing in Publication Data Also available CONTENTS Preface v Northern Greece, Macedonia and Thrace 32 Contributors vi The Eastern Aegean and the Asia Minor Equivalent Measurements vi Hinterland 33 Attica 34–5, 181 Maps: map and text page reference placed first, Classical Athens 35–6, 181 further reading reference second Roman Athens 35–6, 181 Halicarnassus 36, 181 The Mediterranean World: Physical 1 Miletus 37, 181 The Aegean in the Bronze Age 2–5, 179 Priene 37, 181 Troy 3, 179 Greek Sicily 38–9, 181 Knossos 3, 179 Syracuse 39, 181 Minoan Crete 4–5, 179 Akragas 40, 181 Mycenae 5, 179 Cyrene 40, 182 Mycenaean Greece 4–6, 179 Olympia 41, 182 Mainland Greece in the Homeric Poems 7–8, Greek Dialects c.
    [Show full text]
  • The Greek Histories
    The Greek Histories Old Western Culture Reader Vol. 3 The Greek Histories Old Western Culture Reader Vol. 3 Herodotus, Thucydides, and Xenophon Companion to Greeks: The Histories, a great books curriculum by Roman Roads Media. The Greek Histories: Herodotus, Thucydides, and Xenophon Old Western Culture Reader, Volume 3. Copyright © 2018 Roman Roads Media Published by Roman Roads Media, LLC 121 E 3rd St., Moscow ID 83843 www.romanroadsmedia.com [email protected] Editor: Evan Gunn Wilson Series Editor: Daniel Foucachon Cover Design: Valerie Anne Bost and Rachel Rosales Printed in the United States of America. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopy, recording, or otherwise, without prior permission of the publisher, except as provided by the USA copyright law. Version 1.0.0 The Greek Histories: Herodotus, Thucydides, and Xenophon Old Western Culture Reader Vol. 3 Roman Roads Media, LLC. ISBN: 978-1-944482-33-6 This is a companion reader for the Old Western Culture curriculum by Roman Roads Media. To find out more about this course, visit www.romanroadsmedia.com Old Western Culture Great Books Reader Series THE GREEKS The Epics Drama & Lyric The Histories The Philosophers THE ROMANS The Aeneid The Historians Early Christianity Nicene Christianity CHRISTENDOM Early Medievals Defense of the Faith The Medieval Mind The Reformation EARLY MODERNS Rise of England The Enlightenment The Victorian Poets The Novels Copyright © 2018 by Roman Roads Media, LLC Roman Roads Media 121 E 3rd St Moscow, Idaho 83843 www.romanroadsmedia.com Roman Roads combines its technical expertise with the experience of established authorities in the field of classical education to create quality video courses and resources tailored to the homeschooler.
    [Show full text]
  • Ethnos and Koinon Studies in Ancient Greek Ethnicity and Federalism
    Heidelberger Althistorische Beiträge – Band 61 Franz Steiner Verlag Sonderdruck aus: Ethnos and Koinon Studies in Ancient Greek Ethnicity and Federalism Edited by Hans Beck, Kostas Buraselis and Alex McAuley Franz Steiner Verlag, Stuttgart 2019 CONTENTS List of Illustrations ................................................................................................... 7 Hans Beck, Kostas Buraselis, & Alex McAuley Preface ..................................................................................................................... 9 Emily Mackil Ethnic Arguments .................................................................................................. 11 Giovanna Daverio Rocchi Lokrian Federal and Local Proxenies in Interstate Relations: A Case Study ........ 29 Nikolaos Petrochilos The Archaeological and Epigraphic Testimonies for the ethnos of the Western Lokrians ................................................................................................................. 45 Albert Schachter The Boiotians: Between ethnos and koina ............................................................. 65 Angela Ganter Federalism Based on Emotions? Pamboiotian Festivals in Hellenistic and Roman Times ....................................... 83 Ruben Post Integration and Coercion: Non–Boiotians in the Hellenistic Boiotian League ..... 99 Nikos Giannakopoulos Euboian Unity in the 2nd Century BCE and the Chalkidian Embassy at Amarynthos: The Limits of Roman–Sponsored Greek Federalism ..................... 113 Alex McAuley Sans
    [Show full text]
  • Pushing the Boundaries of Myth: Transformations of Ancient Border
    THE UNIVERSITY OF CHICAGO PUSHING THE BOUNDARIES OF MYTH: TRANSFORMATIONS OF ANCIENT BORDER WARS IN ARCHAIC AND CLASSICAL GREECE A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CLASSICS: ANCIENT MEDITERRANEAN WORLD BY NATASHA BERSHADSKY CHICAGO, ILLINOIS MARCH 2013 UMI Number: 3557392 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3557392 Published by ProQuest LLC (2013). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 Acknowledgements I would like to express my deep gratitude to the members of my dissertation committee, Jonathan Hall, Christopher Faraone, Gloria Ferrari Pinney and Laura Slatkin, whose ideas and advice guided me throughout this research. Jonathan Hall’s energy and support were crucial in spurring the project toward completion. My identity as a classicist was formed under the influence of Gregory Nagy. I would like to thank him for the inspiration and encouragement he has given me throughout the years. Daniela Helbig’s assistance was invaluable at the finishing stage of the dissertation. I also thank my dear colleague-friends Anna Bonifazi, David Elmer, Valeria Segueenkova, Olga Levaniouk and Alexander Nikolaev for illuminating discussions, and Mira Bernstein, Jonah Friedman and Rita Lenane for their help.
    [Show full text]
  • Political Parthenoi: the Social and Political Significance of Female Performance in Archaic Greece
    Political Parthenoi: The Social and Political Significance of Female Performance in Archaic Greece Submitted by James William Smith to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Classics, February 2013 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. i Abstract This thesis will explore how social and political conditions in archaic Greece affected the composition of poetry for female choral performance. My primary source material will be the poetry of Alcman and Sappho. I examine the evidence suggesting that poems by both Alcman and Sappho commented on political issues, using this as a basis to argue that women in archaic Greece may have had a more vocal public presence that has previously been imagined. Rather than viewing female performance as a means of discussing purely feminine themes or reinforcing the idea of a disempowered female gender, I argue that the poetry of Alman and Sappho gives parthenoi an authoritative public voice to comment on issues in front of the watching community. Part of this authority is derived from the social value of parthenoi, who can act as economically and socially valuable points of exchange between communities, but I shall also be looking at how traditional elements of female performance genre were used to enhance female authority in archaic Sparta and Lesbos.
    [Show full text]
  • On Space, Place, and Form in Herodotus' Histories
    Histos () – ON SPACE, PLACE, AND FORM IN HERODOTUS’ HISTORIES * Abstract: This article reflects on how our own technological developments can help us see Herodotus’ archetype of historical inquiry in a new light. It explores various aspects of place in the Histories —as spaces that are lived, constructed, and relational—to show how and why the idea of place can be such a powerful means for linking information and understanding the past. In discussing the role of place in structuring Herodotus’ narrative, it argues that the potential for linking is afforded by the new prose medium. By virtue of those linkages, Herodotus’ account differs in its spatial configurations from earlier, oral-based narratives. Keywords : analogy, cartography, digital, Herodotus, hodology, linked open data, map, place, space, writing Had to get the train / From Potsdamer Platz / You never knew that / That I could do that / Just walking the dead David Bowie, Where Are We Now? hat with one thing and another, we live in interesting times. 1 The last decade or so has witnessed the greatest economic crash since the s, civil war on Mediterranean shores, fascists in the US W 2 Capitol, and the upheaval of a global pandemic. Add to this the revolution at home, where, thanks to modern technology and social media, a bedroom is a world stage. 3 Perhaps Bowie really was holding the universe together. 4 Place matters in all this. To home in on the past year: COVID - has revealed fundamental disparities in global responses in spite of the extent to which we are interconnected. We are not (and never have been) in this together.
    [Show full text]