On Space, Place, and Form in Herodotus' Histories
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Sesquicentennialpublists
In these lists an asterisk before the item indicates it is still available from Oxford University Press, either from stock or by print on demand. Philological Monographs The dates given are those of the original publications, issued by the APA or a contracted press in various cities. Many titles were reprinted by Scholars Press, and thirteen are still distributed by OUP. A few titles were reprinted by other publishers, as noted. *Taylor, Lily Ross. The Divinity of the Roman Emperor. Philological Monographs 1. 1931. Forbes, Clarence Allen. Neoi: A Contribution to the Study of Greek Associations (ΝΕΟΙ: A Contribution to the Study of Greek Associations). Philological Monographs 2. 1933. Oldfather, William Abbot; Canter, Howard Vernon; and Perry, Ben Edwin. Index Apuleianus. Philological Monographs 3. 1934. Post, Levi Arnold. The Vatican Plato and Its Relations. Philological Monographs 4. 1934. Robinson, Rodney P. The Germania of Tacitus: A Critical Edition. Philological Monographs 5. 1935. Rogers, R.S. Criminal Trials and Criminal Legislation Under Tiberius. Philological Monographs 6. 1935. *Perry, B. E. Studies in the Text History of the Life and Fables of Aesop. Philological Monographs 7. 1936. Greene, William Chase (with Frederic de Forest Allen, John Burnett, Charles Pomeroy Parker). Scholia Platonica. Philological Monographs 8. 1938. [reprint Georg Olms Verlag 1988] Wolff, Hans Julius. Written and Unwritten Marriages in Hellenistic and Post-Classical Roman Law. Philological Monographs 9. 1939. De Lacy, Phillip; De Lacy, Estelle. Philodemus: On Methods of Inference : A Study in Ancient Empiricism. Philological Monographs 10. 1941. *Pearson, Lionel. The Local Historians of Attica. Philological Monographs 11. 1942. *Lutz, Cora E. -
THE SANCTUARY at EPIDAUROS and CULT-BASED NETWORKING in the GREEK WORLD of the FOURTH CENTURY B.C. a Thesis Presented in Partial
THE SANCTUARY AT EPIDAUROS AND CULT-BASED NETWORKING IN THE GREEK WORLD OF THE FOURTH CENTURY B.C. A Thesis Presented in Partial Fulfillment of the Requirements for the degree Master of Arts in the Graduate School of The Ohio State University by Pamela Makara, B.A. The Ohio State University 1992 Master's Examination Committee: Approved by Dr. Timothy Gregory Dr. Jack Ba I cer Dr. Sa u I Corne I I VITA March 13, 1931 Born - Lansing, Michigan 1952 ..... B.A. in Education, Wayne State University, Detroit, Michigan 1952-1956, 1966-Present Teacher, Detroit, Michigan; Rochester, New York; Bowling Green, Ohio 1966-Present ............. University work in Education, Art History, and Ancient Greek and Roman History FIELDS OF STUDY Major Field: History Studies in Ancient Civi I izations: Dr. Timothy Gregory and Dr. Jack Balcer i i TABLE OF CONTENTS VITA i i LIST OF TABLES iv CHAPTER PAGE I. INTRODUCTION 1 I I. ANCIENT EPIDAUROS AND THE CULT OF ASKLEPIOS 3 I II. EPIDAURIAN THEARODOKOI DECREES 9 IV. EPIDAURIAN THEOROI 21 v. EPIDAURIAN THEARODOKOI INSCRIPTIONS 23 VI. AN ARGIVE THEARODOKOI INSCRIPTION 37 VII. A DELPHIC THEARODOKOI INSCRIPTION 42 VIII. SUMMARY 47 END NOTES 49 BIBLIOGRAPHY 55 APPENDICES A. EPIDAURIAN THEARODOKOI INSCRIPTIONS AND TRANSLATIONS 58 B. ARGIVE THEARODOKO I I NSCR I PT I ON 68 C. DELPHIC THEARODOKOI INSCRIPTION 69 D. THEARODOKO I I NSCR I PT IONS PARALLELS 86 iii LIST OF TABLES TABLE PAGE 1. Thearodoko i I nscr i pt ions Para I I e Is •••••••••••• 86 iv CHAPTER I INTRODUCTION Any evidence of I inkage in the ancient world is valuable because it clarifies the relationships between the various peoples of antiquity and the dealings they had with one another. -
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES NUMBER 7 Editorial Board Chair: Donald Mastronarde Editorial Board: Alessandro Barchiesi, Todd Hickey, Emily Mackil, Richard Martin, Robert Morstein-Marx, J. Theodore Peña, Kim Shelton California Classical Studies publishes peer-reviewed long-form scholarship with online open access and print-on-demand availability. The primary aim of the series is to disseminate basic research (editing and analysis of primary materials both textual and physical), data-heavy re- search, and highly specialized research of the kind that is either hard to place with the leading publishers in Classics or extremely expensive for libraries and individuals when produced by a leading academic publisher. In addition to promoting archaeological publications, papyrolog- ical and epigraphic studies, technical textual studies, and the like, the series will also produce selected titles of a more general profile. The startup phase of this project (2013–2017) was supported by a grant from the Andrew W. Mellon Foundation. Also in the series: Number 1: Leslie Kurke, The Traffic in Praise: Pindar and the Poetics of Social Economy, 2013 Number 2: Edward Courtney, A Commentary on the Satires of Juvenal, 2013 Number 3: Mark Griffith, Greek Satyr Play: Five Studies, 2015 Number 4: Mirjam Kotwick, Alexander of Aphrodisias and the Text of Aristotle’s Meta- physics, 2016 Number 5: Joey Williams, The Archaeology of Roman Surveillance in the Central Alentejo, Portugal, 2017 Number 6: Donald J. Mastronarde, Preliminary Studies on the Scholia to Euripides, 2017 Early Greek Alchemy, Patronage and Innovation in Late Antiquity Olivier Dufault CALIFORNIA CLASSICAL STUDIES Berkeley, California © 2019 by Olivier Dufault. -
Torresson Umn 0130E 21011.Pdf
The Curious Case of Erysichthon A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Elizabeth Torresson IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisor: Nita Krevans December 2019 © Elizabeth Torresson 2019 Acknowledgments First, I would like to thank the department for their support and especially the members of my committee: Nita Krevans, Susanna Ferlito, Jackie Murray, Christopher Nappa, and Melissa Harl Sellew. The seeds of this dissertation were planted in my senior year of college when Jackie Murray spread to me with her contagious enthusiasm a love of Hellenistic poetry. Without her genuine concern for my success and her guidance in those early years, I would not be where I am today. I also owe a shout-out to my undergraduate professors, especially Robin Mitchell-Boyask and Daniel Tompkins, who inspired my love of Classics. At the University of Minnesota, Nita Krevans took me under her wing and offered both emotional and intellectual support at various stages along the way. Her initial suggestions, patience, and encouragement allowed this dissertation to take the turn that it did. I am also very grateful to Christopher Nappa and Melissa Harl Sellew for their unflagging encouragement and kindness over the years. It was in Melissa’s seminar that an initial piece of this dissertation was begun. My heartfelt thanks also to Susanna Ferlito, who graciously stepped in at the last minute and offered valuable feedback, and to Susan Noakes, for offering independent studies so that I could develop my interest in Italian language and literature. -
Theopompus' Homer
Haverford College Haverford Scholarship Faculty Publications Classics 2020 Theopompus’ Homer: Paraepic in Old and Middle Comedy Matthew C. Farmer Follow this and additional works at: https://scholarship.haverford.edu/classics_facpubs THEOPOMPUS’ HOMER: PARAEPIC IN OLD AND MIDDLE COMEDY MATTHEW C. FARMER T IS A STRIKING FACT that, out of the twenty titles preserved for the late fifth- and early fourth-century comic poet Theopompus, three directly reference I Homer’s Odyssey: Odysseus, Penelope, and Sirens. In one fragment (F 34) preserved without title but probably belonging to one of these plays, Odysseus himself is the speaking character; he quotes the text of the Odyssey, approv- ingly.1 Another fragment (F 31), evidently drawn from a comedy with a more contemporary focus, mocks a politician in a run of Homeric hexameters. Theo- pompus was, it seems, a comic poet with a strong interest in paraepic comedy, that is, in comedy that generates its humor by parodying, quoting, or referring to Homeric epic poetry. In composing paraepic comedy, Theopompus was operating within a long tra- dition. Among the earliest known Homeric parodies, Hipponax provides our first certain example, a fragment in which the poet invokes the muse and deploys Homeric language to mock a glutton (F 128). The Margites, a poem composed in a mixture of hexameters and trimeters recounting the story of a certain fool in marked Homeric language, may have been composed as early as the seventh cen- tury BCE, but was certainly known in Athens by the fifth or fourth.2 In the late -
Copyright by Thomas James Bolt 2019
Copyright by Thomas James Bolt 2019 The Dissertation Committee for Thomas James Bolt Certifies that this is the approved version of the following Dissertation: Delusions of Grandeur: Humor, Genre, and Aesthetics in the Poetry of Statius Committee: Pramit Chaudhuri, Supervisor Neil Coffee Ayelet Haimson Lushkov Alison Keith Andrew Riggsby Delusions of Grandeur: Humor, Genre, and Aesthetics in the Poetry of Statius by Thomas James Bolt Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2019 Dedication To my parents Acknowledgements I have been fortunate enough to have received support from many sources to whom I am forever grateful. First thanks must go to my supervisor, Pramit Chaudhuri. His patience, guidance, and keen eye for detail have been essential for the successful completion of this project. Each word in this dissertation has benefitted from his thoughtful consideration. He has consistently challenged me to think about literature in more creative and deeper ways, and this dissertation — to say nothing of my scholarly perspective as a whole — is much the better for it. I also thank Ayelet Haimson Lushkov. Apart from her characteristically insightful commentary on this project, I will always be thankful that she took me under her wing while I was a first-year graduate student and assured me that it was, in fact, okay to become a Latinist. Andrew Riggsby, Alison Keith, and Neil Coffee provided invaluable insights and feedback on this project. -
Domestic Architecture in the Greek Colonies of the Black Sea from the Archaic Period Until the Late Hellenictic Years Master’S Dissertation
DOMESTIC ARCHITECTURE IN THE GREEK COLONIES OF THE BLACK SEA FROM THE ARCHAIC PERIOD UNTIL THE LATE HELLENICTIC YEARS MASTER’S DISSERTATION STUDENT: KALLIOPI KALOSTANOU ID: 2201140014 SUPERVISOR: PROF. MANOLIS MANOLEDAKIS THESSALONIKI 2015 INTERNATIONAL HELLENIC UNIVERSITY MASTER’S DISSERTATION: DOMESTIC ARCHITECTURE IN THE GREEK COLONIES OF THE BLACK SEA FROM THE ARCHAIC PERIOD UNTIL THE LATE HELLENISTIC YEARS KALLIOPI KALOSTANOU THESSALONIKI 2015 [1] CONTENTS INTRODUCTION ...................................................................................................................... 4 ARCHAIC PERIOD 1.1. EARLY (610-575 BC) & MIDDLE ARCHAIC PERIOD (575-530 BC): ARCHITECTURE OF DUGOUTS AND SEMI DUGOUTS .................................................................................... 8 1.1. 1. DUGOUTS AND SEMI-DUGOUTS: DWELLINGS OR BASEMENTS? .................... 20 1.1. 2. DUGOUTS: LOCAL OR GREEK IVENTIONS? ........................................................... 23 1.1. 3. CONCLUSION ............................................................................................................. 25 1.2. LATE ARCHAIC PERIOD (530-490/80 BC): ABOVE-GROUND HOUSES .................. 27 1.2.1 DEVELOPMENT OF THE ABOVE-GROUND HOUSES .............................................. 30 1.2.2. CONCLUSION: ............................................................................................................. 38 CLASSICAL PERIOD 2.1. EARLY CLASSICAL PERIOD (490/80-450 BC): ............................................................ 43 -
The Character of Greek Colonisation.1 Three
THE CHARACTER OF GREEK COLONISATION.1 THREE movements of expansion can be distinguished in what we know of. the history of the Greeks. The first, that of the so-called Dorian, and Ionian migrations, left them in possession of the Greek mainland, the principal islands of the Aegean, and the western seaboard of Asia Minor. The second, that of Greek colonisation properly so-called, extended the Greek world to the limits familiar to us in the history of Greece during the fifth and fourth centuries. The third, in which. Macedonian kings act as leaders, began with the conquests of Alexander, and resulted in that Hellenisation of the East which was the permanent achievement of his successors. The general character of the second of these movements forms the subject of this essay. Much has still to be done before a detailed history of Greek colonisation can be given to the world. Sites must be excavated, and the main lines of Greek commercial history established, before it can even be attempted. But we know enough already to judge with fair accuracy of that tremendous outburst of activity, which left the Greeks almost undisputed masters of Mediterranean commerce. Here and there the course of develop- ment is still uncertain, and almost everywhere we are ignorant of details that would inevitably be instructive; but, since recent historians of Greece aim rather at narrating the story of individual colonies than at presenting general conclusions, it may prove worth while to give here a survey of the whole field. Perhaps the clearest way of presenting such a survey will be to discuss first the causes of Greek colonisation; secondly, the political and social conditions under which it developed; and lastly, the relations which resulted between each colony and its mother-state.2 I.—The Causes of Greek Colonisation. -
Artemis in Attica
Artemis in Attica ‘Sing, Muse, of Artemis, sister of the Far-shooter, the virgin profuse of arrows, fellow nursling of Apollo; who after watering her horses at the reedy Meles drives her chariot all of gold swiftly through Smyrna to vine-terraced Claros, where silverbow Apollo sits awaiting the far-shooting one, the profuse of arrows. So I salute you, and all goddesses, in my song; of you and from you first I sing. Ruth Léger Utrecht University - 3113256 Dr. F. van den Eijnde Prof. Dr. J.H. Blok July 2011 Index 1. Introduction 4 2. Artemis 6 2.1 The Mistress of Animals 7 2.2 The bloodthirsty goddess 9 2.3 Artemis and the vulnerable maiden 10 2.4 Visual representations of Artemis 11 3. Artemis in Attica 13 3.1 Brauron 13 3.1.1 Architecture 13 3.1.2 Archaeological finds 18 3.1.3 Use of the sanctuary 20 3.1.4 Iphigeneia 22 3.2 Halai Araphenides/Loutsa 24 3.2.1 Architecture 24 3.2.2 Archaeological finds 27 3.2.3 Use of the sanctuary 29 3.2.4 Iphigeneia 30 3.3 Mounichia 31 3.3.1 Architecture 32 3.3.2 Archaeological finds 34 3.3.3 Use of the sanctuary 35 3.3.4 Iphigeneia 36 4. Analysis 38 4.1 Comparison of the three cults 38 4.1.1 Artemis 38 4.1.2 Architecture 39 4.1.3 Archaeological finds 41 4.1.4 Use of the sanctuaries 42 4.1.5 Iphigeneia 43 2 5. Conclusion 45 5.1 Artemis in Attica 45 5.2 How to distinguish the cults of Artemis. -
Theriomorphic Forms: Analyzing Terrestrial Animal- Human Hybrids in Ancient Greek Culture and Religion
Theriomorphic Forms: Analyzing Terrestrial Animal- Human Hybrids in Ancient Greek Culture and Religion Item Type text; Electronic Thesis Authors Carter, Caroline LynnLee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 21:29:46 Link to Item http://hdl.handle.net/10150/633185 THERIOMORPHIC FORMS: ANALYZING TERRESTRIAL ANIMAL-HUMAN HYBRIDS IN ANCIENT GREEK CULTURE AND RELIGION by Caroline Carter ____________________________ Copyright © Caroline Carter 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF RELIGIOUS STUDIES AND CLASSICS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 THE UNIYERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master's Committee, we certi$ that we have read the thesis prepared by Caroline Carter titled Theriomorphic Forms: Analyzing Terrestrial Animal-Humøn Hybrids in Ancíent Greek Culture and Religion and reç¡¡ü¡sr6 that it be accepted as firlfilling the disse¡tation requirement for the Master's Degree. G Date: + 26 Z¿f T MaryV o 1.011 ,AtÌ.r.ln Date: \l 41 , Dr. David Gilman Romano - 4*--l -r Date; { zé l2 Dr. David Soren r) øate:4'2 6 - l\ Dr. Kyle Mahoney Final approval and acceptance of this thesis is contingent upon the candidate's submission of the final copies of the thesis to the Graduate College. -
Herodotus and the Beginning of the Ionian Revolt (5.28–38.1) Rosaria Vignolo Munson1
chapter 5 The trouble with the Ionians: Herodotus and the beginning of the Ionian Revolt (5.28–38.1) Rosaria Vignolo Munson1 the larger context Placed at the very centre of Herodotus’ work (5.28–6.42), the Ionian Revolt of 499–494 bc plays a pivotal role, both chronologically and causally, link- ing the Persians’ Eastern campaigns to their invasions of Greece.2 It also represents a crucial moment in Herodotus’ history of the Ionians, which spans the whole work from beginning to end. The Ionians jump-start the Histories, one might say, and they do so because they find themselves at the receiving end of the first known Eastern aggressions against Greeks (1.5.3, 6.2–3). Croesus of Lydia completes ‘the first subjection of Ionia’, as the narrator summarizes at the end of the Croesus logos.3 The second is called ‘enslavement’, when Cyrus defeats Croesus and conquers his possessions.4 And so is the third, which occurs after the failure of the revolt we are examining: oÌtw d t¼ tr©ton ïIwnev katedoulÛqhsan, präton mn Ëp¼ Ludän, dªv d pex¦v t»te Ëp¼ Perswn In this way the Ionians were enslaved for the third time, [having been conquered] first by the Lydians and twice in a row by the Persians. (6.32) The Ionians become free from Persian domination after the Greek victory at the time of Xerxes’ invasion. But the 1-2-3 count in the statement above proleptically alludes to a fourth subjection, beyond the chronological range 1 I thank Carolyn Dewald and Donald Lateiner for reading earlier drafts of this paper and offering suggestions. -
ATLAS of CLASSICAL HISTORY
ATLAS of CLASSICAL HISTORY EDITED BY RICHARD J.A.TALBERT London and New York First published 1985 by Croom Helm Ltd Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2003. © 1985 Richard J.A.Talbert and contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Atlas of classical history. 1. History, Ancient—Maps I. Talbert, Richard J.A. 911.3 G3201.S2 ISBN 0-203-40535-8 Master e-book ISBN ISBN 0-203-71359-1 (Adobe eReader Format) ISBN 0-415-03463-9 (pbk) Library of Congress Cataloguing in Publication Data Also available CONTENTS Preface v Northern Greece, Macedonia and Thrace 32 Contributors vi The Eastern Aegean and the Asia Minor Equivalent Measurements vi Hinterland 33 Attica 34–5, 181 Maps: map and text page reference placed first, Classical Athens 35–6, 181 further reading reference second Roman Athens 35–6, 181 Halicarnassus 36, 181 The Mediterranean World: Physical 1 Miletus 37, 181 The Aegean in the Bronze Age 2–5, 179 Priene 37, 181 Troy 3, 179 Greek Sicily 38–9, 181 Knossos 3, 179 Syracuse 39, 181 Minoan Crete 4–5, 179 Akragas 40, 181 Mycenae 5, 179 Cyrene 40, 182 Mycenaean Greece 4–6, 179 Olympia 41, 182 Mainland Greece in the Homeric Poems 7–8, Greek Dialects c.