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LCO Jonny Greenwood Feb FINAL HB
For immediate release Jonny Greenwood and the London Contemporary Orchestra Soloists in concert Sunday 23 February 2014 Wapping Hydraulic Power Station, E1W PerFormance at 7:30pm Tickets: £28 (incl. booking fee) www.lcorchestra.co.uk Guitarist and acclaimed composer Jonny Greenwood is once again joining forces with the London Contemporary Orchestra (LCO) to present a special one-off performance featuring music from his catalogue of film scores as well as a showcase of new material by Greenwood, at the Wapping Hydraulic Power Station in East London, Sunday 23 February 2014. Greenwood will appear alongside the LCO Soloists playing guitar, electronics and the Ondes Martenot. In addition to music by Greenwood, which includes cues from his scores for the Oscar and BAFTA-nominated films There Will Be Blood and The Master, and Japanese film Norwegian Wood based on the book by Haruki Murakami, the concert features works by J.S. Bach, Henry Purcell and contemporary British composer Edmund Finnis. This performance will mark a continued creative relationship between the London Contemporary Orchestra and Jonny Greenwood. The LCO has been performing Greenwood’s orchestral works since 2008 and this concert, curated by Greenwood and the LCO’s Artistic Directors Hugh Brunt and Robert Ames, will be the second major collaboration between the composer and orchestra since the LCO performed and recorded the score for the lauded 2012 film The Master, directed by Paul Thomas Anderson and starring Philip Seymour Hoffman and Joaquin Phoenix. Since 2003 Greenwood has become well known for his work as a film composer, and has scored five major films, including Bodysong, There Will Be Blood, We Need To Talk About Kevin, Norwegian Wood and The Master. -
London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8Pm, Hall
London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8pm, Hall Giacinto Scelsi Uaxuctum: The Legend of the Maya City, destroyed by the Maya people themselves for religious reasons UK premiere interval 20 minutes John Luther Adams Become Ocean London Contemporary Orchestra and Choir Robert Ames conductor Universal Assembly Unit art direction Artrendex artificial intelligence London Contemporary Orchestra and Universal Assembly Unit are grateful to Arts Council England for their support for the visual elements of this concert Part of Barbican Presents 2018–19 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. Please remember that to use our induction loop you should switch your hearing aid to T setting on entering the hall. If your hearing aid is not correctly set to T it may cause high-pitched feedback which can spoil the enjoyment of your fellow audience members. We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. The City of London If anything limits your enjoyment please let us know Corporation is the founder and during your visit. Additional feedback can be given principal funder of online, as well as via feedback forms or the pods the Barbican Centre located around the foyers. -
Tourism's Final Frontier
Perspectıve THE BREWIN DOLPHIN MAGAZINE SPRING 2018 China’s century How China will shape the next 100 years A richer later life Why people are choosing to reject retirement Grand designs The restoration of Wentworth Woodhouse Tourism’s THE BREWIN DOLPHIN MAGAZINE final frontier Is space tourism just around the corner? SPRING 2018 COMPETITION BRAIN FOOD Complete our latest crossword to win an amazing National Geographic Newtonian telescope to help you see the solar system. It’s the perfect mirror telescope for beginners and amateur astronomers, and comes with a tripod and numerous lenses. Simply solve the crossword and rearrange the letters in the yellow squares to find a space-related word. Email the mystery word to us and we’ll pick the winner at random. Across Down 1. Extraordinary natural wonder 2. Deep, inarticulate sound in 1 2 3 4 56 situated on the border between response to pain or despair (5) 7 8 Brazil and Argentina (6,5) 3. Bow and arrow sport (7) 9. Small Italian dumplings (7) 4. Football soap opera, which 9 10 10. In Cajun cooking, a spicy appeared on BBC between chicken soup thickened with 1965 and 1967 (6) okra or rice (5) 5. Simple, non-flowering plants 11 12 11. In weight, one-sixteenth of a of a large group, which pound (5) includes seaweeds (5) 12. Mountain scaled by Hillary and 6. Scot who replaced Mark 13 14 15 16 Tenzing in 1953 (7) Hughes as Stoke City 13. Allison Janney has won many manager (7) 17 awards for her performance 7. -
LCO Working with Us
LONDON CONTEMPORARY ORCHESTRA WORKING WITH US “...a grass-roots perspective and a wide-eyed enthusiasm that could only exist in an orchestra run by young people for young people.” Classical Music Magazine COLLABORATIONS | CORPORATE EVENTS | PRODUCT LAUNCHES London Contemporary Orchestra Limited 9 Angel Mews, London SW15 4HU, United Kingdom Company No: 6895875 Registered Charity No: 1129768 www.lcorchestra.co.uk www.lcorchestra.co.uk WHAT WE DO DIFFERENTLY • Formed in 2008, the LCO has already established itself as one of the most innovative and DYNAMIC. respected ensembles on the London music scene. CUTTING EDGE. • LCO has worked alongside such distinguished artists as Radiohead’s Jonny Greenwood, Matmos, Biosphere, composers Mark-Anthony Turnage and Anna Meredith, Sound Intermedia, Mira Calix, United Visual Artists, sound artist Simon Fisher Turner and Foals. • At all times we aim to stimulate and enlighten audiences through our fresh approach and breathtaking performances. • LCO draws together London’s brightest young talent – musicians who perform regularly with TALENTED. groups such as the London Symphony Orchestra, BBC Symphony Orchestra, Philharmonia YOUNG PROFESSIONALS. Orchestra and London Sinfonietta. • All our players possess an unrivalled technical facility to meet the demands of session work, and a friendly, open-minded approach crucial for collaborative projects. • Being on that level sets us apart on the London scene, creating events that always feel right and sound exceptional. • We can help with all your needs, including finding a suitable recording studio and liaising with VERSATILE. venues. LCO provides any number of players from a single harpist to a full symphony orchestra. WELL CONNECTED. We’ll also find you a particular soloist or chorus. -
Cooked in the Lab Dark, Techy D&B Trio Ivy Lab Break Bad on LP P.108
MUSIC DECEMBER ON THE DANCEFLOOR This month’s tracks played out p. 92 GO LONG! The long-players listened to p. 108 WILD COMBINATION The most crucial compilations p. 113 Cooked In The Lab Dark, techy d&b trio Ivy Lab break bad on LP p.108 djmag.com 091 HOUSE REVIEWS BEN ARNOLD [email protected] melancholy pianos, ‘A Fading Glance’ is a lovely, swelling thing, QUICKIES gorgeously understated. ‘Mayflies’ is brimming with moody, building La Fleur Fred P atmospherics, minor chord pads Make A Move Modern Architect and Burial-esque snatches of vo- Watergate Energy Of Sound cal. ‘Whenever I Try To Leave’ winds 9.0 8.5 it up, a wash of echoing percus- The first lady of Berlin’s A most generous six sion, deep, unctuous vibrations Watergate unleashes tracks from the superb and gently soothing pianos chords. three tracks of Fred Peterkin. It’s all This could lead Sawyer somewhere unrivalled firmness. If great, but ‘Tokyo To special. ‘Make A Move’’s hoover Chiba’, ‘Don’t Be Afraid’, bass doesn’t get you, with Minako on vocals, Hexxy/Andy Butler ‘Result’’s emotive vibes and ‘Memory P’ stand Edging/Bewm Chawqk will. Lovely. out. Get involved. Mr. Intl 7. 5 Various Shift Work A statuesque release from Andy Hudd Traxx Now & Document II ‘Hercules & Love Affair’ Butler’s Mr. Then Houndstooth Intl label. Hexxy is his new project Hudd Traxx 7. 5 with DJ Nark, founder of the excel- 7. 5 Fine work in the lent ‘aural gallery’ site Bottom Part four of four in this hinterland between Forty and Nark magazine. -
London Contemporary Orchestra Textures Spitfire Audio User Manual Congratulations
LONDON CONTEMPORARY ORCHESTRA TEXTURES SPITFIRE AUDIO USER MANUAL CONGRATULATIONS Thank you for purchasing Spitfire Audio - London Contemporary Orchestra Textures. Our second collaborative venture with the internationally-acclaimed London Contemporary Orchestra took us to an awe-inspiring aircraft hangar for a re- cording process like no other. Together we have created a completely unique, never-before-sampled sound palette — a sophisticated collection of constantly evolving organic textures, formed by layering unexpected combinations of instru- ments (from tuned wine glasses, to felt piano to voices). In applying the signature workshopping, performance styles and innovative techniques that have made the LCO so sought after, we have produced textures made up of indefinable, fas- cinating sounds. To capture these textures, we needed a space with unparalleled acoustics, which led us to the most un- conventional recording space in Spitfire’s eleven year sampling history — a cavernous aircraft hangar in Suffolk, England, with a remarkable 10 second reverb tail — adding incredible resonance to each note. Enhanced with our unique Evo Grid technology and mixed by renowned mix engineer, Joe Rubel, we give you access to a cutting edge, inspiring collection of instantly playable, spellbinding textures which will add incredible depth and colour to your composition. Quick Specs Table Of Contents CONGRATULATIONS 2 • 3468 samples WELCOME 3 • 28.52 GB Uncompressed WAV DOWNLOADING & INSTALLING 5 • 14.29 GB Disk space required THE SPITFIRE APP PREFERENCES -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
LCO Job Description
LONDON CONTEMPORARY ORCHESTRA RECORDING PROJECTS MANAGER (SALARIED) – JOB DESCRIPTION SUMMARY JOB TITLE: Recording Projects Manager TERMS: Part-time - four hours per day, five days per week CONTRACT: Salaried, beginning May/June 2019, with a 3-month review LINE MANAGER: Hugh Brunt – co-Artistic Director & co-Principal Conductor REMUNERATION: £18,200 (£36,400 pro rata) INTRODUCTION London Contemporary Orchestra (LCO) is pleased to recruit for the specially-created role of Recording Projects Manager – working with co-Artistic Director & co-Principal Conductor Hugh Brunt to support the delivery and expansion of the LCO’s studio output, encompassing Hollywood and independent feature films, TV series, production/library music, video games, sample libraries, and albums with leading bands and solo artists. BACKGROUND LCO is a leading global ensemble focused on performing, commissioning and developing new music and cross-arts collaborations. Alongside working with well-known artists, the LCO is driven to develop a diverse next generation of players, conductors and composers by creating opportunities for them to work at the highest professional level. Formed in 2008 by co-Artistic Directors Robert Ames and Hugh Brunt, the LCO has collaborated with a distinguished array of composers, artists and brands, from Actress to Radiohead, Boiler Room to Vivienne Westwood. It is a past winner of the Ensemble category at the Royal Philharmonic Society Music Awards. In addition to its busy concert schedule – most recently including sold-out performances at the BBC Proms, Southbank Centre and Barbican, and collaborations with Steve Reich, Mica Levi and Terry Riley – the LCO has established a strong reputation for its innovative and dynamic approach to film scoring, regularly appearing at Abbey Road Studios and AIR Studios. -
“Where the Mix Is Perfect”: Voices
“WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE by Carleton S. Gholz B.A., Macalester College, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Carleton S. Gholz It was defended on April 11, 2011 and approved by Professor Brent Malin, Department of Communication Professor Andrew Weintraub, Department of Music Professor William Fusfield, Department of Communication Professor Shanara Reid-Brinkley, Department of Communication Dissertation Advisor: Professor Ronald J. Zboray, Department of Communication ii Copyright © by Carleton S. Gholz 2011 iii “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE Carleton S. Gholz, PhD University of Pittsburgh, 2011 In recent years, the city of Detroit’s economic struggles, including its cultural expressions, have become focal points for discussing the health of the American dream. However, this discussion has rarely strayed from the use of hackneyed factory metaphors, worn-out success-and-failure stories, and an ever-narrowing cast of characters. The result is that the common sense understanding of Detroit’s musical and cultural legacy tends to end in 1972 with the departure of Motown Records from the city to Los Angeles, if not even earlier in the aftermath of the riot / uprising of 1967. In “‘Where The Mix Is Perfect’: Voices From The Post-Motown Soundscape,” I provide an oral history of Detroit’s post-Motown aural history and in the process make available a new urban imaginary for judging the city’s wellbeing. -
THE ART of the SCORE ALEC BALDWIN, Artistic Advisor
FOR IMMEDIATE RELEASE August 1, 2018 Contact: Deirdre Roddin (212) 875-5700; [email protected] THE ART OF THE SCORE ALEC BALDWIN, Artistic Advisor SCORES PERFORMED LIVE TO COMPLETE FILMS THERE WILL BE BLOOD Conducted by HUGH BRUNT September 12–13, 2018 2001: A SPACE ODYSSEY in Its 50th Anniversary Conducted by ANDRÉ DE RIDDER September 14–15, 2018 The New York Philharmonic will present the sixth season of The Art of the Score, September 12–15, 2018, featuring complete screenings of two films with their acclaimed scores — both incorporating classical music — performed live to the films: There Will Be Blood, with Jonny Greenwood’s score conducted by Hugh Brunt in his Philharmonic debut, and 2001: A Space Odyssey, with André de Ridder conducting works by Richard Strauss, Ligeti, Johann Strauss II, and Khachaturian. There Will Be Blood director / writer Paul Thomas Anderson said of 2001: A Space Odyssey, celebrating its 50th anniversary this year: “It’s so hard to do anything that doesn’t owe some kind of debt to what Stanley Kubrick did with music in movies.” Actor and Philharmonic Board Member Alec Baldwin returns as Artistic Advisor of The Art of the Score, which explores some of the most distinctive uses of music in film. “The Art of the Score demonstrates how scoring illuminates film,” said Alec Baldwin, the series’ Artistic Advisor. “Just take the opening sequence of 2001, ‘The Dawn of Man,’ which never ceases to amaze and unsettle me — apes on the verge of the Homo sapiens era experience God or ‘Genius’ or some such inspiration. -
Birmingham Cover
Birmingham Cover January 2017.qxp_Birmingham Cover 16/12/2016 12:09 Page 1 Your FREE essential entertainment guide for the Midlands ISSUE 373 JANUARY 2017 BIRMINGHAM WHAT’S ON WHAT’S BIRMINGHAM 2017 JANUARY KARA TOINTON Birmingham STARS IN GASLIGHT AT THE NEW ALEX ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD Onbirminghamwhatson.co.uk PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART TWITTER @WHATSONBRUM BIRMINGHAMWHATSON.CO.UK @WHATSONBRUM TWITTER The Old Rep (FP- January 17).qxp_Layout 1 16/12/2016 11:43 Page 1 Contents January Birmingham.qxp_Layout 1 16/12/2016 10:16 Page 2 January 2017 Contents The Red Shoes - Matthew Bourne’s sumptuous new adaptation heads to the Hippodrome page 34 Kaiser Chiefs Reginald D Hunter Autosport show the list talk about bringing their Stay back on the road with a brand the world’s greatest four-wheel Your 16-page Together tour to the Midlands new show for 2017 indoor extravaganza at the NEC week-by-week listings guide Interview page 14 Interview page 22 page 49 page 51 inside: 4. First Word 11. Food 13. Music 24. Comedy 28. Theatre 41. Film 44. Visual Arts 47. Events @whatsonbrum fb.com/whatsonbirmingham @whatsonbirmingham Birmingham What’s On Magazine Birmingham What’s On Magazine Birmingham What’s On Magazine Managing Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Whats On Matt Rothwell [email protected] -
Concert Program
5 AUGUST 2017 CONCERT PROGRAM ARTISTS Paramount Vantage and Melbourne Symphony Orchestra Miramax present Hugh Brunt conductor There Will Be Blood (2007) Riley Skevington violin Running time: 3 hours including Daniel Day-Lewis 20-minute interval Paul Dano Kevin J. O’Connor Ciarán Hinds Hugh Brunt Dillon Freasier Hugh Brunt is co-Artistic Director Music by Jonny Greenwood and co-Principal Conductor of the London Contemporary Cinematography Roert Elswit Orchestra, winners of the Ensemble Screenplay by Paul Thomas Anderson category at the Royal Philharmonic Society Music Awards 2015. Based on the novel Oil! by Upton Sinclair He conducted the string and choir arrangements on Radiohead’s new Produced by JoAnne Sellar, Paul album A Moon Shaped Pool. A Thomas Anderson and Daniel Lupi collaborator of composer and guitarist Directed by Paul Thomas Anderson Jonny Greenwood, he conducted his scores for Paul Thomas Anderson’s The Master and Lynne Ramsay’s You LIVE PERFORMANCE CREDITS Were Never Really Here. With the LCO Soloists he has premiered seven short Film Licensing Paul Mackenzie works by Greenwood and conducted on behalf of Roadshow the first live screening of the Academy Film Preparation Tony Laughton Award-winning There Will Be Blood. Music Licensing and Preparation Other collaborative work includes Tim Brooke and Bruce MacRae Beck, Imogen Heap, Belle & Sebastian, Actress, Boiler Room and Foals. Music performed by arrangement with Faber Music Ltd., London and Riley Skevington Warner Chappell Music Australia Riley is a violinist from WA, where he studied under Professor Paul Wright, Dorothy Ford and Luci McArthur. He has performed in a number of national music festivals and in 2016 he joined the Australian Chamber Orchestra as an Emerging Artist, touring NSW and WA.