Concert Program

Total Page:16

File Type:pdf, Size:1020Kb

Concert Program 5 AUGUST 2017 CONCERT PROGRAM ARTISTS Paramount Vantage and Melbourne Symphony Orchestra Miramax present Hugh Brunt conductor There Will Be Blood (2007) Riley Skevington violin Running time: 3 hours including Daniel Day-Lewis 20-minute interval Paul Dano Kevin J. O’Connor Ciarán Hinds Hugh Brunt Dillon Freasier Hugh Brunt is co-Artistic Director Music by Jonny Greenwood and co-Principal Conductor of the London Contemporary Cinematography Roert Elswit Orchestra, winners of the Ensemble Screenplay by Paul Thomas Anderson category at the Royal Philharmonic Society Music Awards 2015. Based on the novel Oil! by Upton Sinclair He conducted the string and choir arrangements on Radiohead’s new Produced by JoAnne Sellar, Paul album A Moon Shaped Pool. A Thomas Anderson and Daniel Lupi collaborator of composer and guitarist Directed by Paul Thomas Anderson Jonny Greenwood, he conducted his scores for Paul Thomas Anderson’s The Master and Lynne Ramsay’s You LIVE PERFORMANCE CREDITS Were Never Really Here. With the LCO Soloists he has premiered seven short Film Licensing Paul Mackenzie works by Greenwood and conducted on behalf of Roadshow the first live screening of the Academy Film Preparation Tony Laughton Award-winning There Will Be Blood. Music Licensing and Preparation Other collaborative work includes Tim Brooke and Bruce MacRae Beck, Imogen Heap, Belle & Sebastian, Actress, Boiler Room and Foals. Music performed by arrangement with Faber Music Ltd., London and Riley Skevington Warner Chappell Music Australia Riley is a violinist from WA, where he studied under Professor Paul Wright, Dorothy Ford and Luci McArthur. He has performed in a number of national music festivals and in 2016 he joined the Australian Chamber Orchestra as an Emerging Artist, touring NSW and WA. In consideration of your fellow patrons, the MSO thanks you for dimming the lighting Riley has performend at international on your mobile phone. festivals and venues throughout Europe and China, including the BBC The MSO acknowledge the Traditional Owners of the land on which we are Proms in London, Menuhin Festival in performing. We pay our respects to their Gstaad, and the Concertgebouw in Elders, past and present, and the Elders from Amsterdam. other communities who may be in attendance. More than 100 dedicated musicians make up your orchestra. Meet the talented artists of the MSO at mso.com.au/about-us/the-orchestra Did you know? Connect with the MSO Ticket sales account for only 33% Like us on Facebook of the MSO’s revenue. The Orchestra is deeply appreciative of the support @MelbSymphony it receives from Federal, State and Local government funders, @MelbourneSymphonyOrchestra corporate partners, individual donors, trusts and foundations. @TheMSOrchestra For a full list of supporters and for ways to support your MSO, please visit mso.com.au/support You may also enjoy… MSO PLAYS THE COMPOSER HANDEL’S LA MER IS DEAD MESSIAH 30 September– 11 November 9–10 December 2 October Arts Centre Melbourne, Arts Centre Melbourne, Arts Centre Melbourne, Hamer Hall Hamer Hall Hamer Hall Uh oh, there’s dreadful Since its triumphant Take an aural journey news from the concert premiere in Dublin in with the MSO through hall: the composer is 1742 – a performance Debussy’s shimmering dead! Join the MSO in so packed that ladies’ La Mer. With its a perplexing orchestral hooped skirts and atmospheric soundscapes ‘whodunnit’, starring gentlemen’s swords and impressionistic legendary comedian had to be banned – moods that ebb and flow Frank Woodley. Meet Messiah has remained throughout the work, the the orchestra, solve the Handel’s most frequently masterpiece is described mystery and have a good performed work. as the ‘greatest portrayal laugh in this engaging While most audiences of the sea in music’. introduction to classical would be familiar with music. With Dutch conductor the strident refrains of Otto Tausk directing All tickets are just $29 the Hallelujah Chorus, from the podium and so bring the family for how familiar are you with internationally-acclaimed this special MSO event. the larger work from pianist Saleem Ashkar Written by Lemony which it originated? (pictured) joining him Snicket and performed Kick the 2017 festive for Brahms’ Piano to packed houses around season off to a flying Concerto No.1 – one of the world over the past start in style with the world’s most-loved decade, this is your the MSO and one of piano concertos – this family’s chance to enjoy the biggest concerts is sure to be a night The Composer Is Dead of the year. of pure wonder. here in Melbourne. Tickets for these shows and more at mso.com.au.
Recommended publications
  • LCO Jonny Greenwood Feb FINAL HB
    For immediate release Jonny Greenwood and the London Contemporary Orchestra Soloists in concert Sunday 23 February 2014 Wapping Hydraulic Power Station, E1W PerFormance at 7:30pm Tickets: £28 (incl. booking fee) www.lcorchestra.co.uk Guitarist and acclaimed composer Jonny Greenwood is once again joining forces with the London Contemporary Orchestra (LCO) to present a special one-off performance featuring music from his catalogue of film scores as well as a showcase of new material by Greenwood, at the Wapping Hydraulic Power Station in East London, Sunday 23 February 2014. Greenwood will appear alongside the LCO Soloists playing guitar, electronics and the Ondes Martenot. In addition to music by Greenwood, which includes cues from his scores for the Oscar and BAFTA-nominated films There Will Be Blood and The Master, and Japanese film Norwegian Wood based on the book by Haruki Murakami, the concert features works by J.S. Bach, Henry Purcell and contemporary British composer Edmund Finnis. This performance will mark a continued creative relationship between the London Contemporary Orchestra and Jonny Greenwood. The LCO has been performing Greenwood’s orchestral works since 2008 and this concert, curated by Greenwood and the LCO’s Artistic Directors Hugh Brunt and Robert Ames, will be the second major collaboration between the composer and orchestra since the LCO performed and recorded the score for the lauded 2012 film The Master, directed by Paul Thomas Anderson and starring Philip Seymour Hoffman and Joaquin Phoenix. Since 2003 Greenwood has become well known for his work as a film composer, and has scored five major films, including Bodysong, There Will Be Blood, We Need To Talk About Kevin, Norwegian Wood and The Master.
    [Show full text]
  • London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8Pm, Hall
    London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8pm, Hall Giacinto Scelsi Uaxuctum: The Legend of the Maya City, destroyed by the Maya people themselves for religious reasons UK premiere interval 20 minutes John Luther Adams Become Ocean London Contemporary Orchestra and Choir Robert Ames conductor Universal Assembly Unit art direction Artrendex artificial intelligence London Contemporary Orchestra and Universal Assembly Unit are grateful to Arts Council England for their support for the visual elements of this concert Part of Barbican Presents 2018–19 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. Please remember that to use our induction loop you should switch your hearing aid to T setting on entering the hall. If your hearing aid is not correctly set to T it may cause high-pitched feedback which can spoil the enjoyment of your fellow audience members. We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. The City of London If anything limits your enjoyment please let us know Corporation is the founder and during your visit. Additional feedback can be given principal funder of online, as well as via feedback forms or the pods the Barbican Centre located around the foyers.
    [Show full text]
  • Tourism's Final Frontier
    Perspectıve THE BREWIN DOLPHIN MAGAZINE SPRING 2018 China’s century How China will shape the next 100 years A richer later life Why people are choosing to reject retirement Grand designs The restoration of Wentworth Woodhouse Tourism’s THE BREWIN DOLPHIN MAGAZINE final frontier Is space tourism just around the corner? SPRING 2018 COMPETITION BRAIN FOOD Complete our latest crossword to win an amazing National Geographic Newtonian telescope to help you see the solar system. It’s the perfect mirror telescope for beginners and amateur astronomers, and comes with a tripod and numerous lenses. Simply solve the crossword and rearrange the letters in the yellow squares to find a space-related word. Email the mystery word to us and we’ll pick the winner at random. Across Down 1. Extraordinary natural wonder 2. Deep, inarticulate sound in 1 2 3 4 56 situated on the border between response to pain or despair (5) 7 8 Brazil and Argentina (6,5) 3. Bow and arrow sport (7) 9. Small Italian dumplings (7) 4. Football soap opera, which 9 10 10. In Cajun cooking, a spicy appeared on BBC between chicken soup thickened with 1965 and 1967 (6) okra or rice (5) 5. Simple, non-flowering plants 11 12 11. In weight, one-sixteenth of a of a large group, which pound (5) includes seaweeds (5) 12. Mountain scaled by Hillary and 6. Scot who replaced Mark 13 14 15 16 Tenzing in 1953 (7) Hughes as Stoke City 13. Allison Janney has won many manager (7) 17 awards for her performance 7.
    [Show full text]
  • London Contemporary Orchestra Textures Spitfire Audio User Manual Congratulations
    LONDON CONTEMPORARY ORCHESTRA TEXTURES SPITFIRE AUDIO USER MANUAL CONGRATULATIONS Thank you for purchasing Spitfire Audio - London Contemporary Orchestra Textures. Our second collaborative venture with the internationally-acclaimed London Contemporary Orchestra took us to an awe-inspiring aircraft hangar for a re- cording process like no other. Together we have created a completely unique, never-before-sampled sound palette — a sophisticated collection of constantly evolving organic textures, formed by layering unexpected combinations of instru- ments (from tuned wine glasses, to felt piano to voices). In applying the signature workshopping, performance styles and innovative techniques that have made the LCO so sought after, we have produced textures made up of indefinable, fas- cinating sounds. To capture these textures, we needed a space with unparalleled acoustics, which led us to the most un- conventional recording space in Spitfire’s eleven year sampling history — a cavernous aircraft hangar in Suffolk, England, with a remarkable 10 second reverb tail — adding incredible resonance to each note. Enhanced with our unique Evo Grid technology and mixed by renowned mix engineer, Joe Rubel, we give you access to a cutting edge, inspiring collection of instantly playable, spellbinding textures which will add incredible depth and colour to your composition. Quick Specs Table Of Contents CONGRATULATIONS 2 • 3468 samples WELCOME 3 • 28.52 GB Uncompressed WAV DOWNLOADING & INSTALLING 5 • 14.29 GB Disk space required THE SPITFIRE APP PREFERENCES
    [Show full text]
  • LCO Job Description
    LONDON CONTEMPORARY ORCHESTRA RECORDING PROJECTS MANAGER (SALARIED) – JOB DESCRIPTION SUMMARY JOB TITLE: Recording Projects Manager TERMS: Part-time - four hours per day, five days per week CONTRACT: Salaried, beginning May/June 2019, with a 3-month review LINE MANAGER: Hugh Brunt – co-Artistic Director & co-Principal Conductor REMUNERATION: £18,200 (£36,400 pro rata) INTRODUCTION London Contemporary Orchestra (LCO) is pleased to recruit for the specially-created role of Recording Projects Manager – working with co-Artistic Director & co-Principal Conductor Hugh Brunt to support the delivery and expansion of the LCO’s studio output, encompassing Hollywood and independent feature films, TV series, production/library music, video games, sample libraries, and albums with leading bands and solo artists. BACKGROUND LCO is a leading global ensemble focused on performing, commissioning and developing new music and cross-arts collaborations. Alongside working with well-known artists, the LCO is driven to develop a diverse next generation of players, conductors and composers by creating opportunities for them to work at the highest professional level. Formed in 2008 by co-Artistic Directors Robert Ames and Hugh Brunt, the LCO has collaborated with a distinguished array of composers, artists and brands, from Actress to Radiohead, Boiler Room to Vivienne Westwood. It is a past winner of the Ensemble category at the Royal Philharmonic Society Music Awards. In addition to its busy concert schedule – most recently including sold-out performances at the BBC Proms, Southbank Centre and Barbican, and collaborations with Steve Reich, Mica Levi and Terry Riley – the LCO has established a strong reputation for its innovative and dynamic approach to film scoring, regularly appearing at Abbey Road Studios and AIR Studios.
    [Show full text]
  • JOAN SOBEL, ACE Editor
    JOAN SOBEL, ACE Editor FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS THE PERFECT GUY David Rosenthal Glenn Gainor / Sony Screen Gems THE FORGER Phillip Martin Al Corley / Anonymous Content LITTLE BOY Add’l Editing Alejandro Monteverde Anna Villareal, Eduardo Verástegui Metanoia Films VAMPIRE ACADEMY Add’l Editing Mark Waters Cory McCrum, Don Murphy The Weinstein Company MISS MEADOWS Karen Leigh Hopkins Mark B. Johnson, Rob Carliner Official Selection - Tribeca Film Festival Independent ADMISSION Paul Weitz Andrew Miano, Paul Weitz, Caroline Baron Focus Features BEING FLYNN Paul Weitz Andrew Miano, Paul Weitz, Jane Rosenthal Michael Costigan / Focus Features JESUS HENRY CHRIST Dennis Lee Julia Roberts, Suskee Chew, Philip Rose Tribeca Film Festival Lisa Gillan / Red Om Films / Reliance A SINGLE MAN Tom Ford Chris Weitz, Andrew Miano, Robert Salerno BAFTA Editing semi-finalist The Weinstein Company Academy Award nomination – Best Actor BARRY MUNDAY Chris D’Arienzo Mickey Barold, Eric Kopeloff, Matt Weaver South by Southwest Festival Stone Douglass / Magnolia Films SUBURBAN GIRL Marc Klein Deborah Del Prete, Gigi Pritzker Tribeca Film Festival Darryl Taja /Odd Lot Entertainment GLASS HOUSE: THE GOOD MOTHER Steve Antin Billy Pollina, Connie Dolph, Nick Phillips Sony Screen Gems THE QUIET Jamie Babbit Andrea Sperling, Joel Michaely Carolyn Pfeiffer, Holly Wiersma Sony Pictures Classics THE ACCOUNTANT Short Ray McKinnon Walton Goggins, Lisa Blount Academy Award - Winner, Best Live Action Short Ginny Mule Pictures / Vivendi Ent. STARCROSSED Short James Burkhammer Andrea Sperling, Chris Stinson Winner, Best Dramatic Short – Planet Out Lisa Thrasher / Power Up Films HARSH TIMES Add’l Editor David Ayer Philippe Martinez, Andrea Sperling / MGM WAKING UP RENO Assoc.
    [Show full text]
  • 90Th Annual Academy Awards® Oscar® Nominations Fact Sheet
    90TH ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: Call Me by Your Name (Sony Pictures Classics) - Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, producers - This is the first nomination for all four. Darkest Hour (Focus Features) - Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, producers - This is the fifth nomination for Tim Bevan. His previous Best Picture nominations were for Elizabeth (1998), Atonement (2007), Les Misérables (2012) and The Theory of Everything (2014). This is the sixth nomination for Eric Fellner. His previous Best Picture nominations were for Elizabeth (1998), Atonement (2007), Frost/Nixon (2008), Les Misérables (2012) and The Theory of Everything (2014). This is the second Best Picture nomination for both Lisa Bruce and Anthony McCarten, who were previously nominated for The Theory of Everything (2014). This is the first nomination for Douglas Urbanski. Dunkirk (Warner Bros.) - Emma Thomas and Christopher Nolan, producers - This is the second Best Picture nomination for both. They were previously nominated for Inception (2010). Get Out (Universal) - Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, producers - This is the second Best Picture nomination for Jason Blum, who was previously nominated for Whiplash (2014). This is the first Best Picture nomination for Sean McKittrick, Edward H. Hamm Jr. and Jordan Peele. Lady Bird (A24) - Scott Rudin, Eli Bush and Evelyn O'Neill, producers - This is the ninth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013), The Grand Budapest Hotel (2014) and Fences (2016).
    [Show full text]
  • THE ART of the SCORE ALEC BALDWIN, Artistic Advisor
    FOR IMMEDIATE RELEASE August 1, 2018 Contact: Deirdre Roddin (212) 875-5700; [email protected] THE ART OF THE SCORE ALEC BALDWIN, Artistic Advisor SCORES PERFORMED LIVE TO COMPLETE FILMS THERE WILL BE BLOOD Conducted by HUGH BRUNT September 12–13, 2018 2001: A SPACE ODYSSEY in Its 50th Anniversary Conducted by ANDRÉ DE RIDDER September 14–15, 2018 The New York Philharmonic will present the sixth season of The Art of the Score, September 12–15, 2018, featuring complete screenings of two films with their acclaimed scores — both incorporating classical music — performed live to the films: There Will Be Blood, with Jonny Greenwood’s score conducted by Hugh Brunt in his Philharmonic debut, and 2001: A Space Odyssey, with André de Ridder conducting works by Richard Strauss, Ligeti, Johann Strauss II, and Khachaturian. There Will Be Blood director / writer Paul Thomas Anderson said of 2001: A Space Odyssey, celebrating its 50th anniversary this year: “It’s so hard to do anything that doesn’t owe some kind of debt to what Stanley Kubrick did with music in movies.” Actor and Philharmonic Board Member Alec Baldwin returns as Artistic Advisor of The Art of the Score, which explores some of the most distinctive uses of music in film. “The Art of the Score demonstrates how scoring illuminates film,” said Alec Baldwin, the series’ Artistic Advisor. “Just take the opening sequence of 2001, ‘The Dawn of Man,’ which never ceases to amaze and unsettle me — apes on the verge of the Homo sapiens era experience God or ‘Genius’ or some such inspiration.
    [Show full text]
  • A Content Analysis of the Gender of Academy Award Nominees and Winners for Films
    A Content Analysis of the Gender of Academy Award Nominees and Winners for Films Released between 1927 and 2010 A thesis presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the Master of Science Katie E. Labovitz June 2011 © 2011 Katie E. Labovitz. All Rights Reserved. This thesis titled A Content Analysis of the Gender of Academy Award Nominees and Winners for Films Released between 1927 and 2010 by KATIE E. LABOVITZ has been approved for the E.W. Scripps School of Journalism and the Scripps College of Communication by _______________________________________________ Joseph P. Bernt Professor of Journalism _______________________________________________ Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT LABOVITZ, KATIE E., M.S., June 2011, Journalism A Content Analysis of the Gender of Academy Award Nominees and Winners for Films Released between 1927 and 2010 (92 pp.) Director of Thesis: Joseph P. Bernt Using a coding instrument designed specifically for this study, the researcher analyzed the gender of Academy Award nominees and winners in all categories in which potential for direct competition between women and men existed. This study examined if there was gender discrepancy in terms of whose work was recognized in the film industry by the Academy of Motion Pictures Arts and Sciences. Data from 83 Academy Awards ceremonies honoring the films released from 1927 to 2010 yielded 1,471 cases that, when analyzed, supported the statement that more men than women have been nominated for, and winners of, Academy Awards in every category other than Costume Design. Examining the results by year of nominations, wins, and categories showed trends in the numbers of women and men nominees and winners.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Santa Barbara Music As a Procedural
    UNIVERSITY OF CALIFORNIA Santa Barbara Music as a Procedural Motive in the Filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by Meghan Joyce Tozer Committee in charge: Professor Stefanie Tcharos, Chair Professor Robynn Stilwell Professor David Paul Professor Derek Katz September 2016 The dissertation of Meghan Joyce Tozer is approved. __________________________________________ Robynn Stilwell __________________________________________ Derek Katz __________________________________________ David Paul __________________________________________ Stefanie Tcharos (Committee Chair) June 2016 Music as a Procedural Motive in the Filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson Copyright © 2016 by Meghan Joyce Tozer iii ACKNOWLEDGEMENTS There are a great many people whose time, expertise, and support made this dissertation possible. First, I would like to thank my advisor, Dr. Stefanie Tcharos. The impact of your patience and knowledge was only outweighed, in the process of writing this dissertation, by the examples you have set for me in the work you do and, frankly, the life you lead. My life will be forever improved because I have had you as a mentor and role model. Dr. Robynn Stilwell, thank you for taking the time to participate in this project so wholeheartedly, for giving me your valuable advice, and for blazing the proverbial trail for women film music scholars everywhere. Drs. Dave Paul and Derek Katz, thank you for the years of guidance you provided as I have developed as a scholar. I want to thank my colleagues at the University of California, Santa Barbara – Emma Parker, Linda Shaver-Gleason, Sasha Metcalf, Scott Dirkse, Vincent Rone, Michael Vitalino, Shannon McCue, Jacob Adams, Michael Joiner, and, I am sure, others – for your careful feedback during workshops, in-person and online, as well as for your comradery and friendship throughout our years together.
    [Show full text]
  • 90Th Oscars® Nominations Announced
    MEDIA CONTACT Academy Publicity [email protected] January 23, 2018 FOR IMMEDIATE RELEASE Note: Nominations press kit and video content available here 90TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Actress-comedian Tiffany Haddish and actor-director Andy Serkis, joined by Academy President John Bailey, announced the 90th Academy Awards® nominations today (January 23) live from the Academy’s Samuel Goldwyn Theater via a global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms, a satellite feed and broadcast media. Haddish and Serkis announced the nominees in 11 categories at 5:22 a.m. PT, with pre-taped category introductions by Academy members Priyanka Chopra, Rosario Dawson, Gal Gadot, Salma Hayek, Michelle Rodriguez, Zoe Saldana, Molly Shannon, Rebel Wilson and Michelle Yeoh. Haddish and Serkis announced the remaining 13 categories at 5:38 a.m. PT. For a complete list of nominees, visit the official Oscars website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Active members of the Academy are eligible to vote for the winners in all 24 categories beginning Tuesday, February 20 through Tuesday, February 27. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 90th Oscars®, hosted by Jimmy Kimmel, will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m.
    [Show full text]
  • Birmingham Cover
    Birmingham Cover January 2017.qxp_Birmingham Cover 16/12/2016 12:09 Page 1 Your FREE essential entertainment guide for the Midlands ISSUE 373 JANUARY 2017 BIRMINGHAM WHAT’S ON WHAT’S BIRMINGHAM 2017 JANUARY KARA TOINTON Birmingham STARS IN GASLIGHT AT THE NEW ALEX ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD Onbirminghamwhatson.co.uk PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART TWITTER @WHATSONBRUM BIRMINGHAMWHATSON.CO.UK @WHATSONBRUM TWITTER The Old Rep (FP- January 17).qxp_Layout 1 16/12/2016 11:43 Page 1 Contents January Birmingham.qxp_Layout 1 16/12/2016 10:16 Page 2 January 2017 Contents The Red Shoes - Matthew Bourne’s sumptuous new adaptation heads to the Hippodrome page 34 Kaiser Chiefs Reginald D Hunter Autosport show the list talk about bringing their Stay back on the road with a brand the world’s greatest four-wheel Your 16-page Together tour to the Midlands new show for 2017 indoor extravaganza at the NEC week-by-week listings guide Interview page 14 Interview page 22 page 49 page 51 inside: 4. First Word 11. Food 13. Music 24. Comedy 28. Theatre 41. Film 44. Visual Arts 47. Events @whatsonbrum fb.com/whatsonbirmingham @whatsonbirmingham Birmingham What’s On Magazine Birmingham What’s On Magazine Birmingham What’s On Magazine Managing Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Whats On Matt Rothwell [email protected]
    [Show full text]