JOAN SOBEL, ACE Editor

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JOAN SOBEL, ACE Editor FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS THE PERFECT GUY David Rosenthal Glenn Gainor / Sony Screen Gems THE FORGER Phillip Martin Al Corley / Anonymous Content LITTLE BOY Add’l Editing Alejandro Monteverde Anna Villareal, Eduardo Verástegui Metanoia Films VAMPIRE ACADEMY Add’l Editing Mark Waters Cory McCrum, Don Murphy The Weinstein Company MISS MEADOWS Karen Leigh Hopkins Mark B. Johnson, Rob Carliner Official Selection - Tribeca Film Festival Independent ADMISSION Paul Weitz Andrew Miano, Paul Weitz, Caroline Baron Focus Features BEING FLYNN Paul Weitz Andrew Miano, Paul Weitz, Jane Rosenthal Michael Costigan / Focus Features JESUS HENRY CHRIST Dennis Lee Julia Roberts, Suskee Chew, Philip Rose Tribeca Film Festival Lisa Gillan / Red Om Films / Reliance A SINGLE MAN Tom Ford Chris Weitz, Andrew Miano, Robert Salerno BAFTA Editing semi-finalist The Weinstein Company Academy Award nomination – Best Actor BARRY MUNDAY Chris D’Arienzo Mickey Barold, Eric Kopeloff, Matt Weaver South by Southwest Festival Stone Douglass / Magnolia Films SUBURBAN GIRL Marc Klein Deborah Del Prete, Gigi Pritzker Tribeca Film Festival Darryl Taja /Odd Lot Entertainment GLASS HOUSE: THE GOOD MOTHER Steve Antin Billy Pollina, Connie Dolph, Nick Phillips Sony Screen Gems THE QUIET Jamie Babbit Andrea Sperling, Joel Michaely Carolyn Pfeiffer, Holly Wiersma Sony Pictures Classics THE ACCOUNTANT Short Ray McKinnon Walton Goggins, Lisa Blount Academy Award - Winner, Best Live Action Short Ginny Mule Pictures / Vivendi Ent. STARCROSSED Short James Burkhammer Andrea Sperling, Chris Stinson Winner, Best Dramatic Short – Planet Out Lisa Thrasher / Power Up Films HARSH TIMES Add’l Editor David Ayer Philippe Martinez, Andrea Sperling / MGM WAKING UP RENO Assoc. Editor Jordan Brady Ben Myron, Jeremy Kramer, Bob Salerno Harvey Weinstein / Miramax FIRST ASSISTANT EDITOR KILL BILL: VOL. 2 Quentin Tarantino Lawrence Bender, Harvey Weinstein Editor: Sally Menke E. Bennett Walsh / Miramax KILL BILL: VOL. 1 Quentin Tarantino Lawrence Bender, Harvey Weinstein Editor: Sally Menke E. Bennett Walsh / Miramax ALL THE PRETTY HORSES Billy Bob Thornton Bob Salerno, Bruce Heller, Jonathan Gordon Editor: Sally Menke Miramax / Columbia Pictures DADDY AND THEM Billy Bob Thornton Geyer Kosinski, Larry Meistrich Editor: Sally Menke Bob Salerno, Harvey Weinstein / Miramax BOOGIE NIGHTS Paul Thomas Anderson Lloyd Levin, John Lyons, Joanne Sellar Editor: Dylan Tichenor Daniel Lupi / New Line Cinema HURLYBURLY Anthony Drazan Richard Gladstein, David Hamburger Editor: Dylan Tichenor Fine Line / FilmColony IT ALL CAME TRUE Recut Peter Yates Andrew Karsch, Sidney Kimmel Editor: Jeff Freeman / Hughes Winborne Miramax / Longfellow Pictures SWINGERS Recut Editor: Stephen Mirrione Doug Liman Victor Simpkins, Jon Faverau / Miramax .

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Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88Th Annual Academy Awards
March 1, 2016 Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88th Annual Academy Awards Every Winner and Nominee for Best Picture, Film Editing, Sound Editing, Sound Mixing and Original Score Relied on Avid Creative Solutions BURLINGTON, Mass., March 01, 2016 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulates its customers recognized as nominees and winners at the 88th Academy Awards®, the world's most prestigious ceremony honoring film industry professionals. Every nominee in the Best Picture, Best Film Editing, Best Sound Editing, Best Sound Mixing and Best Original Score categories, including Best Picture winner Spotlight, was crafted by Avid customers using Avid Artist Suite audio and video creative tools, powered by the Avid MediaCentral™ Platform. All five nominees in the Film Editing category—winner Margaret Sixel for Mad Max: Fury Road, Hank Corwin for The Big Short, Stephen Mirrione for The Revenant, Tom McArdle for Spotlight, and Maryann Brandon and Mary Jo Markey for Star Wars: The Force Awakens—relied on the industry's preeminent editing solution, Avid Media Composer® to cut their films. In the Sound Editing category, all five nominees—winners Mark Mangini and David White for Mad Max: Fury Road, Oliver Tarney for The Martian, Martin Hernandez and Lon Bender for The Revenant, Alan Robert Murray for Sicario, and Matthew Wood and David Acord for Star Wars: The Force Awakens—all relied on the industry-standard digital audio software Avid Pro Tools® for sound editing. "I had an opportunity to develop many soundscapes on The Revenant," said Formosa Group's Lon Bender. "Each day I would take material from our team and hone it using my Avid control surface for reviews with Alejandro.
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