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American Rock with a European Twist: the Institutionalization of Rock’N’Roll in France, West Germany, Greece, and Italy (20Th Century)❧
75 American Rock with a European Twist: The Institutionalization of Rock’n’Roll in France, West Germany, Greece, and Italy (20th Century)❧ Maria Kouvarou Universidad de Durham (Reino Unido). doi: dx.doi.org/10.7440/histcrit57.2015.05 Artículo recibido: 29 de septiembre de 2014 · Aprobado: 03 de febrero de 2015 · Modificado: 03 de marzo de 2015 Resumen: Este artículo evalúa las prácticas desarrolladas en Francia, Italia, Grecia y Alemania para adaptar la música rock’n’roll y acercarla más a sus propios estilos de música y normas societales, como se escucha en los primeros intentos de las respectivas industrias de música en crear sus propias versiones de él. El trabajo aborda estas prácticas, como instancias en los contextos francés, alemán, griego e italiano, de institucionalizar el rock’n’roll de acuerdo con sus propias posiciones frente a Estados Unidos, sus situaciones históricas y políticas y su pasado y presente cultural y musical. Palabras clave: Rock’n’roll, Europe, Guerra Fría, institucionalización, industria de música. American Rock with a European Twist: The Institutionalization of Rock’n’Roll in France, West Germany, Greece, and Italy (20th Century) Abstract: This paper assesses the practices developed in France, Italy, Greece, and Germany in order to accommodate rock’n’roll music and bring it closer to their own music styles and societal norms, as these are heard in the initial attempts of their music industries to create their own versions of it. The paper deals with these practices as instances of the French, German, Greek and Italian contexts to institutionalize rock’n’roll according to their positions regarding the USA, their historical and political situations, and their cultural and musical past and present. -
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Arab American Literary Fictions, Cultures, and Politics American Literature Readings in the 21st Century Series Editor: Linda Wagner-Martin American Literature Readings in the 21st Century publishes works by contemporary critics that help shape critical opinion regarding literature of the nineteenth and twentieth centuries in the United States. Published by Palgrave Macmillan Freak Shows in Modern American Imagination: Constructing the Damaged Body from Willa Cather to Truman Capote By Thomas Fahy Arab American Literary Fictions, Cultures, and Politics By Steven Salaita Women and Race in Contemporary U.S. Writing: From Faulkner to Morrison By Kelly Lynch Reames Arab American Literary Fictions, Cultures, and Politics Steven Salaita ARAB AMERICAN LITERARY FICTIONS, CULTURES, AND POLITICS © Steven Salaita, 2007. Softcover reprint of the hardcover 1st edition 2007 978-1-4039-7620-8 All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2007 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 978-1-349-53687-0 ISBN 978-0-230-60337-0 (eBook) DOI 10.1057/9780230603370 Library of Congress Cataloging-in-Publication Data is available from the Library of Congress. -
Case 1:21-Cv-00756 ECF No. 1, Pageid.1 Filed 08/27/21 Page 1 of 49
Case 1:21-cv-00756 ECF No. 1, PageID.1 Filed 08/27/21 Page 1 of 49 IN THE UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF MICHIGAN JEANNA NORRIS, on behalf of herself ) and all others similarly situated, ) ) Plaintiffs, ) ) v. ) ) CLASS ACTION COMPLAINT SAMUEL L. STANLEY, JR. ) FOR DECLARATORY AND in his official capacity as President of ) INJUNCTIVE RELIEF Michigan State University; DIANNE ) BYRUM, in her official capacity as Chair ) JURY TRIAL DEMANDED of the Board of Trustees, DAN KELLY, ) in his official capacity as Vice Chair ) of the Board of Trustees; and RENEE ) JEFFERSON, PAT O’KEEFE, ) BRIANNA T. SCOTT, KELLY TEBAY, ) and REMA VASSAR, in their official ) capacities as Members of the Board of ) Trustees of Michigan State University, ) and JOHN and JANE DOES 1-10, ) ) Defendants. ) Plaintiff and those similarly situated, by and through their attorneys at the New Civil Liberties Alliance (“NCLA”), hereby complains and alleges the following: INTRODUCTORY STATEMENT a. By the spring of 2020, the novel coronavirus SARS-CoV-2, which can cause the disease COVID-19, had spread across the globe. Since then, and because of the federal government’s “Operation Warp Speed,” three separate coronavirus vaccines have been developed and approved more swiftly than any other vaccines in our nation’s history. The Food and Drug Administration (“FDA”) issued an Emergency Use Authorization (“EUA”) for the Pfizer- 1 Case 1:21-cv-00756 ECF No. 1, PageID.2 Filed 08/27/21 Page 2 of 49 BioNTech COVID-19 Vaccine (“BioNTech Vaccine”) on December 11, 2020.1 Just one week later, FDA issued a second EUA for the Moderna COVID-19 Vaccine (“Moderna Vaccine”).2 FDA issued its most recent EUA for the Johnson & Johnson COVID-19 Vaccine (“Janssen Vaccine”) on February 27, 2021 (the only EUA for a single-shot vaccine).3 b. -
Heroes (TV Series) - Wikipedia, the Free Encyclopedia Pagina 1 Di 20
Heroes (TV series) - Wikipedia, the free encyclopedia Pagina 1 di 20 Heroes (TV series) From Wikipedia, the free encyclopedia Heroes was an American science fiction Heroes television drama series created by Tim Kring that appeared on NBC for four seasons from September 25, 2006 through February 8, 2010. The series tells the stories of ordinary people who discover superhuman abilities, and how these abilities take effect in the characters' lives. The The logo for the series featuring a solar eclipse series emulates the aesthetic style and storytelling Genre Serial drama of American comic books, using short, multi- Science fiction episode story arcs that build upon a larger, more encompassing arc. [1] The series is produced by Created by Tim Kring Tailwind Productions in association with Starring David Anders Universal Media Studios,[2] and was filmed Kristen Bell primarily in Los Angeles, California. [3] Santiago Cabrera Four complete seasons aired, ending on February Jack Coleman 8, 2010. The critically acclaimed first season had Tawny Cypress a run of 23 episodes and garnered an average of Dana Davis 14.3 million viewers in the United States, Noah Gray-Cabey receiving the highest rating for an NBC drama Greg Grunberg premiere in five years. [4] The second season of Robert Knepper Heroes attracted an average of 13.1 million Ali Larter viewers in the U.S., [5] and marked NBC's sole series among the top 20 ranked programs in total James Kyson Lee viewership for the 2007–2008 season. [6] Heroes Masi Oka has garnered a number of awards and Hayden Panettiere nominations, including Primetime Emmy awards, Adrian Pasdar Golden Globes, People's Choice Awards and Zachary Quinto [2] British Academy Television Awards. -
Stories Matter: the Complexity of Cultural Authenticity in Children's Literature (Pp
DOCUMENT RESUME ED 480 339 CS 512 399 AUTHOR Fox, Dana L., Ed.; Short, Kathy G., Ed. TITLE Stories Matter: The Complexity of CulturalAuthenticity in Children's Literature. INSTITUTION National Council of Teachers of English, Urbana,IL. ISBN ISBN-0-8141-4744-5 PUB DATE 2003-00-00 NOTE 345p. AVAILABLE FROM National Council of Teachers ofEnglish, 1111 W. Kenyon Road, Urbana,.IL 61801-1096 (Stock no. 47445: $26.95members; $35.95 nonmembers). Tel: 800-369-6283 (Toll Free); Web site: http://www.ncte.org. PUB TYPE Books (010).-- Collected Works General (020) -- Opinion Papers (120) EDRS PRICE EDRS Price MF01/PC14 Plus Postage. DESCRIPTORS *Childrens Literature; *Cultural Context; ElementaryEducation; *Literary Criticism; *Multicultural Literature;Picture Books; Political Correctness; Story Telling IDENTIFIERS Trade Books ABSTRACT The controversial issue of cultural authenticity inchildren's literature resurfaces continually, always elicitingstrong emotions and a wide range of perspectives. This collection explores thecomplexity of this issue by highlighting important historical events, current debates, andnew questions and critiques. Articles in the collection are grouped under fivedifferent parts. Under Part I, The Sociopolitical Contexts of Cultural Authenticity, are the following articles: (1) "The Complexity of Cultural Authenticity in Children's Literature:Why the Debates Really Matter" (Kathy G. Short and Dana L. Fox); and (2)"Reframing the Debate about Cultural Authenticity" (Rudine Sims Bishop). Under Part II,The Perspectives of Authors, -
Why Emma Roberts Is My Spirit Animal
Dating Tip #77: Google the person. Thursday, October 15, 2015 12A The Valdosta Daily Times The video !! art of brain tra surgery FROM JOE Medical Degrees: 0 Malpractice Suits: Too many to count XX he patient is readied. My #vdtxtra assistants are ready. My Thands are washed. It’s time to start on an appendectomy. Just as I make my first incision, I get the horrific realization I forgot some- thing. Maybe it’s the fact the patient just let out a bone-chilling scream that could be heard by everyone on the helipad six stories above us. My lead assistant looks at me, not really im- pressed with my minor mistake. “You know, that wasn’t really the proper procedure,” he tells me, as calm as ever. The chief surgeon, trying to make par 3 on the 15th in one stroke, had his phone go off just as he made the shot. When he stormed into my vicinity, I thought he was going to wrap his 5-iron around my throat. “I am outraged at your unbelievable incompetence!” he roared in my direc- tion. Gee, thanks. I found out later his shot wound up beaning someone Gerald Ford-style. My job was now to take care of this guy. JOE By the way, I should point out that I’m really just playing a game — “Life and Death,” a game by Software Toolworks which came out in 1988. The first game focused on the lower body — the appendix, the stomach, etc. Its sequel, “Life and Death II,” focused on the brain. -
Billboard 1967-11-04
EijilNOVEMBER 4, 1967 SEVENTY -THIRD YEAR 75 CENTS The International Music -Record Newsweekly Labels Hold Boston Capitol to Back Labels Int'l Pop Fest Koppelman & Rubin Talent) Parties in Of By ELIOT TIEGEL Planned for N.Y. NEW YORK - Capitol Rec- Koppelman, co -owner of the ords will finance and distribute two -year -old independent disk All -Out Artist Hunt a series of pop labels formed producing firm /music publish- By HANK FOX by Charles Koppelman and Don ing combine, said Capitol's in- To Help Charity BOSTON - "Stand up straight -talent scouts Rubin. The affiliation marks vestment in the first of his new are watching you" is the advice circulating the record manufacturer's sec- labels, The Hot Biscuit Disc By CLAUDE HALL through this town and Cambridge. Record com- ond such deal with an out- Co., was over $1 million. Hot moving side interest. The Beach Boys' Biscuit's debut single, sched- NEW YORK -An International Pop Music panies and independent producers are 40 of the world's into the region, furiously signing local talent for Brother Records was launched uled for release in two weeks, Festival, featuring more than top artists and groups, is being planned for late a major onslaught of releases by Boston -based several months ago from the introduces a new New York Coast. (Continued on page 10) June next year in Central Park here. Sid Bern- groups due to hit the market in January. organizing Boston and Cambridge groups are stein, the promoter- manager who is At least six it more than scheduled for release in January, and the Festival, believes will draw already for a three -day event. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Program Notes Chicago Humanities Festival 2009
Chicago Humanities Festival 2009 Laughter Guerrilla Girls Thursday–Saturday, Marga Gomez November 10–14, 2009 Don Byron Photo by Cori Wells Braun mcachicago.org Chicago Humanities Festival 2009 Welcome Laughter Titles will be announced on stage from the following The Chicago Humanities Festival (CHF) Have you been on the CHF website lately? song list: and the MCA, Chicago, welcome you to the Newly launched in August 2009, the CHF website Tuesday, November 10 20th-annual festival. offers lectures, slideshows, and materials from Prologue: Guerrilla Girls CHF’s 20-year archive. Programs included in the . shed no tears before the rain (Don Byron) CHF creates opportunities for people of all ages Feminist Masked Avengers 2009 festival will become available in the late fall and to support, enjoy, and explore the humanities. The Frailach Jamboree (Mickey Katz) winter. Commentary, including blogs and ongoing Wednesday, November 11 organization accomplishes this by creating annual conversations, are a central feature of the site. Create Marga Gomez Haim Afen Range (adapted from Home on the Range, fall and spring festivals, by presenting programs an account, share a festival itinerary, and join the Long Island Iced Latina traditional) throughout the year that encourage the study and conversation at chicagohumanities.org. enjoyment of the humanities, and by maintaining an Directed by David Schweizer Mamaliege Dance (Nat Farber and Mickey Katz) online home for the humanities community on its Sweet and Gentle (Monterrey Portal and George Saturday, November 14 website. Thorn) Don Byron This year’s festival, titled Laughter, includes more The Music of Mickey Katz Litvak Square Dance (Mickey Katz) than 90 events at 19 venues around Chicago’s Loop Don Byron, clarinet and emcee C’est Si Bon (Jerry Seelen, Henry Betti, and and Hyde Park neighborhoods, and features con- JD Parran, woodwinds Andre Hornez) certs, theater performances, exhibits, discussions, Charles Lewis, trumpet Trombonik Tanz (Nat Farber and Mickey Katz) lectures, and films. -
Twentieth Century UK and US Popular Music History (Things You May Not Have Known Or Never Thought to Ask)
2020 Series 3 Course H Title Twentieth Century UK and US Popular Music History (things you may not have known or never thought to ask) Dates Fridays 16 October – 20 November 2020 Time 10 am – 12 noon Venue Leith Bowling Club, 2 Duke Street, North Dunedin Convenors Linda Kinniburgh & Pat Thwaites Email: [email protected] Phone: 473 8443 Mobile: 021 735 614 Developer Rob Burns Course fee $45 Bank account U3A Dunedin Charitable Trust 06 0911 0194029 00 This course provides a historical insider’s view of how modern popular music evolved from a relatively amateur business on both sides of the Atlantic in the late nineteenth century, into a contemporary billion dollar industry driven by constant change and reworking of pre-existing styles. It also addresses how technology has played a major role in musical development and change during the twentieth century. All presenters are from the School of Performing Arts, University of Otago. All applications must be received by Thursday 17 September 2020. You will receive a response to your application by Monday 28 Septembert 2020. Please contact the Programme Secretary [email protected], phone 467 2594 with any queries. U3A Dunedin Charitable Trust u3adunedin.org.nz Twentieth Century UK and US Popular Music History 16 October Changes in popular music and technology as pop music enters the twentieth century -Associate Professor Robert Burns Invention of recording technologies, changes to copyright and publishing laws, family entertainment, changes to listening trends caused by WWI – with the introduction of Vaudeville and the necessary changes to old Music Hall, and folk music in the middle! 23 October The jazz age in the UK, France and the US: The Blues, Bessie, Basie, Billie, Bechet, Ella and Ellington -Associate Professor Peter Adams Big Band Jazz, the major artists of the 1920s and 1930s and their effect on allied morale in WW2. -
The California Special"
To: WATERMARK PROGRAM SUBSCRIBERS From: Tom Rounds Re: "THE CALIFORNIA SPECIAL" Saturday, May 31, 1975 Our producer, Ron Jacobs, calls it "better than the History of Rock and Roll or the Elvis Presley Story". He, along with just about everybody else in the Southern California music community has been swept up in the tremendous enthusiasm building for Watermark's latest radio program production: "The California Special". Our 4 color brochure, which I promised a few weeks ago, won't be ready for this week's mailing, so we've re-printed the ad that will break next week. I've also enclosed a postcard, which you should fill out and return, even if you are just remotely interested. If you send in the postcard, we'll send you the demo tape just as soon as it's produced•.. about June 15. The complete 6 hour special will be ready shortly thereafter. "The California Special" will be a new kind of rockumentary, It' 11 be based on all the Southern California hits from 1960 through 1975, but the emphasis will be on the "summer fun and sun'' hits and artists .•. Beachboys, Jan & Dean, etc. The license will allow unlimited use through March of 1977, and we think you' 11 be able to get at least two runs out of the six hours this summer if you move fast. Because the content and the music is so comprehensive, it's probably an easy sell, if you decide to go that way. The ideal scheduling, if your advance programming commitments permit, would call for Sunday afternoon 12Noon-6PM. -
An Exploration of Extra-Musical Issues in the Music of Don Byron Steven Craig Becraft
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 An Exploration of Extra-Musical Issues in the Music of Don Byron Steven Craig Becraft Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AN EXPLORATION OF EXTRA-MUSICAL ISSUES IN THE MUSIC OF DON BYRON By STEVEN CRAIG BECRAFT A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2005 Copyright 2005 Steven Craig Becraft All Rights Reserved The members of the committee approve the treatise of Steven Craig Becraft defended on September 26, 2005. ____________________________ Frank Kowalsky Professor Directing Treatise ____________________________ Denise Von Glahn Outside Committee Member ____________________________ Jeffrey Keesecker Committee Member ____________________________ Patrick Meighan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS To Don Byron: Thank you for making such fascinating music. I thoroughly appreciate your artistic vision, your intellect, and your phenomenal technique as a clarinetist. The knowledge I have gained and the new perspective I have on music and society as a result of completing the research for this treatise has greatly impacted my life. I am grateful for the support of the Arkansas Federation of Music Clubs, especially Janine Tiner, Ruth Jordan, and Martha Rosenbaum for awarding me the 2005 Marie Smallwood Thomas Scholarship Award that helped with final tuition and travel expenses. My doctoral committee has been a great asset throughout the entire degree program.