HAIKU FROM ZERO

“their finest album in years” –NPR MUSIC "It's magnificently ambitious"–NPR MUSIC

“The band nimbly shifts between minor-key verses and major-key choruses, melancholy and euphoria, reality and escapism. And there, in the thick of prodigious extremes, the members of Cut Copy find their sweet spot." –NPR MUSIC

"a rush of infectious grooves and melodies" –STEREOGUM

“Cut Copy masterfully blends electronic music with indie rock music in the diverse collection of tracks that range from down tempo to upbeat and dance-inducing.” –DANCING ASTRONAUT

“Cut Copy has impressively taken another leap forward in establishing a voluminous yet high-caliber legacy with Haiku From Zero.” –GLIDE MAGAZINE

“polished synth-pop” –PITCHFORK

“Song by song, the album gathers more and more emotion” –PITCHFORK

“[Cut Copy] deliver their tightest, most cohesive work in more than a decade.” –Treblezine

“danceable electronic grooves” –SPIN

“Their fifth record, 2017's ‘Haiku from Zero,’ is their biggest and warmest yet.” –ALL MUSIC

“the album is supremely confident…the songs hit like concentrated bursts of sunny, danceable pop” –ALL MUSIC

“the album…is destined to be a dance floor killer, with propulsive beats, soaring vocals, and shimmering synths” –ALL MUSIC

“impressive” –ALL MUSIC

“Haiku From Zero is more than pleasant, with its chill vibe and dance floor-ready pop meditations.” UNDER THE RADAR

“masterful”—EDM SAUCE

AIRBORNE:

“a disco-pop odyssey that sounds like, well, soaring through the sky, before eventually blasting off into psychedelic bliss” –STEREOGUM

“Cut Copy soar towards psychedelic bliss on new song ‘Airborne’” — Consequence Of Sound

“"Airborne" percolates with baubles of percussion, Nile Rodgers-esque disco guitars, and vocal samples all buffed to a sheen. It is classy as shit, and it's definitely a "match your steps to the tempo of the song as you walk down the street" kind of jam.” –NOISEY

“Cut Copy's Funky "Airborne" Is Like Putting on a Crisp New Pair of Shades” –NOISEY

“Get your sunglasses and dancing shoes on and stream "Airborne" –NOISEY

“Titled “Airborne,” the track is a guitar-driven dance effort with spacey drum machine rhythms and soaring, reverb-drenched synth lines.”— SPIN

“Infectious” –PASTE Magazine

“The track is an airy, confident, synth-disco-driven pop gem that you’ll want to listen to on repeat, exemplifying Cut Copy’s effortless appeal to both those rave-y/club kids and more song-based listeners.” – PASTE MAGAZINE

STANDING IN THE MIDDLE OF THE FIELD:

"On ‘Standing in the Middle of the Field,’ the quartet’s vibrant synthesizer antics are at their most fine-tuned. Opening with a merry melody of xylophones, cowbells, and drum pad strikes, the song is a spirited bop with some sly pensive tension at its core…With it, Cut Copy reassert their ability to turn even moody introspection into floor-filler bliss." PITCHFORK

“’Standing in the Middle of the Field,’..builds slowly up from a sort of Congolese-sounding thumb piano loop before reaching stadium-sized liftoff about two-thirds of the way through.” –SPIN

“’Standing in the Middle of the Field,..finds the band utilizing a four-on-the-floor beat aided by plinking electronics in the vein of John Talabot before blasting off in typical euphoric fashion.” –PREFIX MAGAZINE

“’Standing in the Middle of the Field,’…features a bouncy, tropical instrumental underneath Whitford’s airy vocals.”–BROOKLYN VEGAN

STARS LAST ME A LIFETIME: “’Stars Last Me a Lifetime’ is laid back and blissful” –UNDER THE RADAR

TIED TO THE WEATHER: “it’s poised and graceful, yet deliciously bitter.” – PITCHFORK