DOCSLIB.ORG

Drum Machines / Percussion Pads 800-416-5090

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

100 Drum Machines / Percussion Pads 800-416-5090 ROLAND #ROSPD20 $ 95 YAMAHA #YAQY100 SPD-20 699 $49900 QY100 The SPD-20 Total Percussion Pad is an electronic percussion multi-pad 700 high-quality percussion, drum and in- strument sounds built-in. It is equipped with 8 velocity-sensitive rubber pads, four dual-trigger inputs for triggering SPD-20 sounds from external pads and other triggering devices and onboard multi effects including reverb, delay, chorus & fl anger. The QY100 is the combination of a midi sequencer, a 16 track digital recorder, a drum machine, and an effects • 700 high-quality drum and percussion sounds • 8 velocity-sensitive rubber pads box. It’s ideal for a musician who wants to create music for practice and live performance, and also as a handy • Internal memory: 99 patches, 8 patch chain • 14 voice polyphony songwriting tool. It features an impressive amount of • Sound parameters: instrument, level, pitch, decay, pan, curve, effect send level internal sounds including more than 4,000 sequencing • (4) dual-trigger inputs for external triggers • Built-in multi-effects phrases and 128 preset styles from Polka to Gangsta. ROLAND #ROHPD15 • Midi I/O, 1/4” Mic/Guitar input, $ 00 1/8” headphone/line output HPD-15 895 • Stores memory to a SmartMedia card The HPD-15 HandSonic is an electronic hand • Powers from AC or 6 AA batteries percussion multi-pad with 600 realistic acoustic • Includes guitar amp simulator & electronic percussion sounds and versatile • Port for optional footswitch realtime control. It features a 10” rubber pad • Mac and PC compatible Data Filer software included with 15 parts, a built-in sequencer and onboard effects include reverb and multi-effects proces- sors. It uses triggering capabilities technology ALESIS #ALSR16 from Roland’s V-Drums, and a built-in pressure SR16 $14900 sensor allows for realistic muting and pitch control of sounds. The Alesis SR-16 is a • Electronic hand percussion pad w/ V-Drums technology • 300 percussion and drum classic 16- sounds from around the world • D-Beam controller, dual ribbon controllers, three control bit stereo knobs • 10” rubber pad with 15 parts for triggering • Built-in multi-effects processors drum • Dual-trigger input and hi-hat control jack machine designed for compo- KORG #KOER1MK2 sition, re- ER1mkII $19900 cording and accompaniment applications. It features The Electribe RmkII is an innovative 233 realistic, natural drum sounds (supplied both dry Rhythm Synthesizer with an expanded and sampled with digital reverb). This compact drum list of new preset patterns that cover machine provides complete MIDI implementation, every type of modern dance music. a footswitch input, fl exible programming & editing It features an intuitive interface for features and 12 velocity-sensitive pad buttons. creating beats and tweaking them in realtime, powerful cross modulation • 233 realistic, natural drum sounds options and a “Motion Sequence” • 12 velocity sensitive pads with Dynamic function that records knob move- Articulation ments. The ER1mkIIs onboard sounds • 50 preset & 50 user Kits can be used in conjunction with its • 200 user & 200 preset patterns external audio input to create uncon- • 16-voice polyphony ventional rhythms and effects. • (4) 1/4” outputs (2 stereo pairs) • 256 patterns, 16 songs • Step Sequencer for easy input of patterns • 2 footswitch jacks • Low Boost and Delay effects • Preset patterns covering every type of dance music • “Motion Sequence” function records knob movements • Audio input function for gate effects www.bhproaudio.com Drum Machines 101 BOSS #RODR880 $ 00 DR-880 495 ZOOM #ZORT223 $17900 The Dr. Rhythm DR-880 is a powerful RT-223 drum machine with innovative features The Zoom including: a Hi-Z instrument input for RT-223 is a guitar & bass, a coaxial S/PDIF output, battery oper- 3 independent insert effects and propri- ated drum etary COSM amp modeling. It provides machine with 440 world-class drum and percussion 511 rhythm sounds, 40 bass sounds (with COSM patterns, 70 preset drum bass-amp models) and a unique “EZ kits, 127 Compose” feature for quick, hassle-free user-pro- programming. grammed • 20 velocity-sensitive pads • Guitar/bass input, multi-effects, COSM amp models kits, 39 sounds and 12 bass sound sources. Its FAST • TSC with Sound Shape function and Ambience • 1,000 patterns (500 preset, 500 user) (Formula Assisted Song Translator) song creation func- • Coaxial S/PDIF digital output • Stereo RCA & (2) 1/4” outputs tion simplifi es song arrangement, and speeds up the process of assembling songs with repeated patterns & • (4) Footswitch and expression-pedal inputs sequences. • Lightweight portable drum machine BOSS #RODR670 $ 00 • 511 Rhythm Patterns : (440-factory, 71-blank) DR-670 279 • Touch-sensitive drum pads, Groove Play pad assignment The Dr. Rhythm DR-670 is a feature • FAST(Formula Assisted Song Translator) song creation packed drum machine with a unique pad function • Built-in multi-band compressor/EQ & interface designed like a bass guitar neck multi-effects • Line input for external audio for easy programming of rhythm/bass • Powers via: (4) “AA” batteries or optional AD-0006 lines. Its unique “Direct Pattern Play” AC adapter function allows users to assign internal patterns to 16 pads for triggering in real- time, and preset and user patterns can ZOOM #ZOSB246 be easily chained together to create up to SB-246 $18995 100 songs. The Zoom • 255 drum and percussion waveforms • 16 velocity-sensitive pads Streetbox • 200 Preset or User patterns • Stereo 1/4” & 1/8” stereo headphone outputs SB-246 is a • Unique Direct Pattern Play function • Pedal Switch input rhythm ma- • Powers via: AC or battery power chine designed for creating all styles of BOSS #RODR3 Hip Hop. It DR3 $17900 features 529 authentic Hip The Dr. Rhythm DR3 is an affordable Hop sounds and an easy-to-use loop pattern se- drum machine designed for guitarists and quencer for putting together complex tracks. Equally songwriters. Great for jamming or practice, at home on stage and in the studio, the SB-246 can the DR3 provides 13 velocity-sensitive pads, operate continuously for 8 hours on four “AA” bat- BOSS’ best acoustic and electronic drum teries, making it ideal for portable applications. kits and a great selection of bass sounds. It can power via batteries, and an optional • 529 authentic Hip Hop sounds footswitch can be used to control many of • 210 preset patterns produced by Beat Kangz the useful functions. • 24 bass sound sources • Loop pattern sequencer optimized for Hip Hop • 100 Preset Styles and 100 User styles • Built-in multi-band compressor/EQ & multi-effects • Realistic drum, percussion and bass sounds • Stereo (L,R) 1/4” outputs • Rhythm Progressions with 3 variations of Intro, Verse, Fill and Ending • Powers via: (4) “AA” batteries or optional AD- • TSC with Sound Shape function and Ambience • Stereo RCA & (2) 1/4” outputs 0006 AC adapter • Footswitch input for easy live control • Powers via: AC or battery power 102 Sampler/Sequencer Workstations 800-416-5090 AKAI #AKMPC1000 $ 00 BOSS #ROSP404 MPC1000 999 $39500 SP-404 The MPC1000 combines great feeling, The SP-404 is an easy- velocity/pressure sensitive pads into a to-use portable sampler 64-track MIDI sequencer with 32-voice capable of recording Stereo Digital Sampler. Although it and looping samples in inherits the same legendary “feel” real-time. Samples can and “groove” of older MPC’s, it adds then easily be assigned welcome new features, including: two Q- to any of the large twelve link sliders, two separate multi-effects processors, resonant multi-mode fi lters, 4-way trigger pads, processed sample layering and velocity switching per pad, and standard multiple audio outputs. using 29 different effects, edited with powerful sample-editing tools and • Pattern-based 64-track sequencer with 32 MIDI channels • 32-voice drum/phrase then stored as .WAV or sampler with up to 128MB ram • Transfer/store via Compact Flash (2GB) max. or USB .AIFF fi les on up to 1GB port • Master and dual multi-effects engines • 1/4” balanced inputs, 1/4” unbal- Compact Flash media anced outputs, digital I/O S/PDIF (coaxial) cards. A built-in microphone makes for quick setup and SDCFB2048A10 Sandisk 2GB compact fl ash card #SACF2GB .............................$43.95 recording with no cables to connect. • 12-voice sampler with 12 pads and built-in AKAI #AKMPC2500 microphone $ 00 • Create up to 24 patterns with up to 8000 notes MPC2500 1999 • 29 expressive effects controlled in real-time via The MPC2500 is a professional sampling music production 3 front-panel knobs center that combines a 64-track MIDI sequencer with a • Import or export .WAV or .AIFF via up to 32-voice, 16-bit stereo digital sampler. It features 16 velocity 1GB CompactFlash and pressure sensitive pads for more natural and effi cient • RCA line I/O, MIDI in • Battery or AC powered drum programming, two internal effects processors, exten- sive connectivity and a host of new features including Chop Shop- the ability to slice loops, automatically assign them to ROLAND #ROSP606 a pad, and synchronize the resulting loops/phrases to any tempo without changing pitch. SP-606 $69500 The 8-voice SP- • 64-track, 32-voice music production sequencer • Extensive sample editing including 606 is a table-top resampling, slice, pitch-shift and more • Classic MPC “feel” and “sound” with 16 velocity sampler/ se- and pressure sensitive pads • New features include: Patched Phrase, Grid Edit, Effect and quencer capable LFO sync • 10 built-in outputs, 2 MIDI inputs/4 MIDI outputs, USB port for Mac/PC con- of importing or nection • MPC and .WAV fi le compatible sampling direct from its stereo analog/digital inputs or audio AKAI #AK4000P supported USB MPC4000 Plus $279900 port. Audio can be synchronized, edited and se- quenced using BPM sync control, powerful sample Advancing the legend of beat-making MPC’s, sculpting tools, and an internal 4-track, 18,000 note the MPC4000 is a powerful 24/96k sampling/se- sequencer.
Recommended publications
  • PRODUCT CATALOG WINTER 2014 the Original Red Keyboards the Nord Factory Is Located in the Creative Area of Stockholm Also Known As Sofo, in the District of Södermalm

    PRODUCT CATALOG WINTER 2014 the Original Red Keyboards the Nord Factory Is Located in the Creative Area of Stockholm Also Known As Sofo, in the District of Södermalm

    Nord Keyboards Product Catalog Winter Catalog Product Keyboards Nord SYNTHESIZERS • STAGE PIANOS • COMBO ORGAN Handmade in Sweden by Clavia DMI AB 2014 PRODUCT CATALOG WINTER 2014 The Original Red Keyboards The Nord factory is located in the creative area of Stockholm also known as SoFo, in the district of Södermalm. With everything located in the same building, communication between development and production is only a matter of walking a few meters. We are proud to say all our Nord products are assembled by hand and they all go through a series of tough tests to ensure they’ll be ready for a long and happy life ‘on the road’. CONTENTS SYNTHESIZERS NORD LEAD A1 6 NEW NORD LEAD 4 14 NORD DRUM 2 22 STAGE PIANOS NORD ELECTRO 4 26 NORD PIANO 2 34 NORD STAGE 2 40 COMBO ORGAN NORD C2D 48 SOUND LIBRARIES 56 Manufacturer: Clavia DMI AB, Box 4214, SE-102 65 Stockholm, Sweden Phone: +46 8 442 73 60 | Fax: +46 8 644 26 50 | Email: [email protected] | www.nordkeyboards.com 3 IT ALL STARTED BACK IN 1983... In 1983 founder Hans Nordelius created the Digital In 2001 the first Nord Electro was released, In 2008 we released the Nord Electro 3 and the Percussion Plate 1 – the first drum pad allowing for introducing stunning emulations of classic vintage exclusively licensed sounds from the Mellotron and dynamic playing using sampled sounds. The DPP1 electro-mechanical instruments with a level of Chamberlin. The Electro 3 became one of the most was an instant success and soon thereafter the portability generally not associated with the original successful products we’ve ever made.
  • Korg Triton Extreme Manual

    Korg Triton Extreme Manual

    E 2 Thank you for purchasing the Korg TRITON Extreme music workstation/sampler. To ensure trouble-free enjoyment, please read this manual carefully and use the instrument as directed. About this manual Conventions in this manual References to the TRITON Extreme The TRITON Extreme is available in 88-key, 76-key and The owner’s manuals and how to use 61-key models, but all three models are referred to them without distinction in this manual as “the TRITON Extreme.” Illustrations of the front and rear panels in The TRITON Extreme come with the following this manual show the 61-key model, but the illustra- owner’s manuals. tions apply equally to the 88-key and 76-key models. • Quick Start • Operation Guide Abbreviations for the manuals QS, OG, PG, VNL, EM • Parameter Guide The names of the manuals are abbreviated as follows. • Voice Name List QS: Quick Start OG: Operation Guide Quick Start PG: Parameter Guide Read this manual first. This is an introductory guide VNL: Voice Name List that will get you started using the TRITON Extreme. It EM: EXB-MOSS Owner’s Manual (included with the explains how to play back the demo songs, select EXB-MOSS option) sounds, use convenient performance functions, and Keys and knobs [ ] perform simple editing. It also gives examples of using sampling and the sequencer. References to the keys, dials, and knobs on the TRI- TON Extreme’s panel are enclosed in square brackets Operation Guide [ ]. References to buttons or tabs indicate objects in This manual describes each part of the TRITON the LCD display screen.
  • Portable Digital Musical Instruments 2009 — 2010

    Portable Digital Musical Instruments 2009 — 2010

    PORTABLE DIGITAL MUSICAL INSTRUMENTS 2009 — 2010 music.yamaha.com/homekeyboard For details please contact: This document is printed with soy ink. Printed in Japan How far do you want What kind of music What are your Got rhythm? to go with your music? do you want to play? creative inclinations? Recommended Recommended Recommended Recommended Tyros3 PSR-OR700 NP-30 PSR-E323 EZ-200 DD-65 PSR-S910 PSR-S550B YPG series PSR-E223 PSR-S710 PSR-E413 Pages 4-7 Pages 8-11 Pages 12-13 Page 14 The sky's the limit. Our Digital Workstations are jam-packed If the piano is your thing, Yamaha has a range of compact We've got Digital Keyboards of all types to help players of every If drums and percussion are your strong forte, our Digital with advanced features, exceptionally realistic sounds and piano-oriented instruments that have amazingly realistic stripe achieve their full potential. Whether you're just starting Percussion unit gives you exceptionally dynamic and expressive performance functions that give you the power sound and wonderfully expressive playability–just like having out or are an experienced expert, our instrument lineup realistic sounds, letting you pound out your own beats–in to create, arrange and perform in any style or situation. a real piano in your house, with a fraction of the space. provides just what you need to get your creative juices flowing. live performance, in rehearsal or in recording. 2 3 Yamaha’s Premier Music Workstation – Unsurpassed Quality, Features and Performance Ultimate Realism Limitless Creative Potential Interactive
  • The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model

    The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model

    The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model Werner, K. J., Abel, J., & Smith, J. (2014). The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model. In A. Georgaki, & G. Kouroupetroglou (Eds.), Proceedings of the 40th International Computer Music Conference and the 11th Sound and Music Computing Conference (pp. 1453–1460). http://quod.lib.umich.edu/cgi/p/pod/dod-idx/tr-808-cymbal-a-physically-informed-circuit-bendable- digital.pdf?c=icmc;idno=bbp2372.2014.221 Published in: Proceedings of the 40th International Computer Music Conference and the 11th Sound and Music Computing Conference Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2014 The Author(s). This is an open access article published under a Creative Commons Attribution License (https://creativecommons.org/licenses/by/3.0/), which permits unrestricted use, distribution and reproduction in any medium, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws.
  • Design and Evaluation of a Digitally Active Drum

    Design and Evaluation of a Digitally Active Drum

    Personal and Ubiquitous Computing https://doi.org/10.1007/s00779-020-01391-6 ORIGINAL ARTICLE Design and evaluation of a digitally active drum Peter Williams1 · Daniel Overholt1 Received: 21 November 2019 / Accepted: 5 March 2020 © The Author(s) 2020 Abstract Despite the ever growing variety and popularity of commercially available electronic percussion (EP) instruments, there are still a significant number of active musicians who prefer to use acoustic drums. Digitally active drum (DAD) is an enhanced snare drum that provides sonic capabilities associated with digital musical instruments in the form of a traditional acoustic drum allowing full use of acoustic drumming gesture vocabulary. By using an in-built loud speaker and tactile sound transducers system, a Bela Cape and Beagle Bone Black, near field photoelectric sensors and a synthesis and effects patch built in Pure Data (PD), a prototype of a hybrid acoustic - electronic instrument has been made. This prototype has been evaluated by five expert drummers and two co-performers in both group and solo settings in order to determine its effectiveness and potential role in professional music making. Keywords Augmented drums · Electronic percussion · Music technology · Digital musical instruments · New interfaces for musical expression · Sound & music computing · Active acoustics · Hybrid instruments · Musical instrument evaluation 1 Introduction this despite the advantages of portability and variety of sound characteristics that they exhibit. Research was carried Many musicians embrace the products of newly developed out as to why this might be the case by reviewing drumming technology because of the new dimensions for personal forums and magazines, in addition to five unstructured expression they provide.
  • Tools for Korg Workstations PCG and Related Files

    Tools for Korg Workstations PCG and Related Files

    Manual Tools for Korg Workstations PCG and Related Files version 1.6.0 Release Date February 20, 2013 Developer Michel Keijzers (MiKeSoft) Online version: https://www.dropbox.com/s/wohq6smdndjnfb0/Manual.docx Brief Overview 1 About PCG Tools .........................................................................................................................1 2 About the Manual .......................................................................................................................4 3 Overview.....................................................................................................................................7 4 Korg Files .................................................................................................................................. 22 5 Workflow .................................................................................................................................. 29 6 Main Screen .............................................................................................................................. 31 7 Using PCG Files .......................................................................................................................... 50 8 Using SNG (Song) Files ............................................................................................................. 122 9 Q & A and Trouble-Shooting .................................................................................................... 125 10 Keyboard Usage & Shortcut Keys ........................................................................................
  • Korg Electribe Testbericht Von Delamar

    Korg Electribe Testbericht Von Delamar

    KORG ELECTRIBE TESTBERICHT DELAMAR TESTBERICHT WERTUNG 4,5/5 INFOS Hersteller Korg • 24 Stimmen (pseudopolyphon) Produkt electribe • 250 Patterns mit je 16 Parts Preis 449,00 Euro • 409 Grundklänge UVP 475,00 Euro • 16 Filtertypen Datum Juli 2015 • 72 Modulationstypen Autor Felix Baarß • 38 Insert-Effekte, 32 Master-Effekte • Sequenzer (64 Steps pro Part) KURZFAZIT • 16 anschlagsdynamische Pads • Eingang: 3,5 mm Stereo • Ausgänge: Reboot geglückt – das Teil ist äu- 2 x 6,3 mm (L/Mono & R) ßerst robust, liefert starke, vielfältige • Kopfhörerausgang: Sounds mit und macht vor allem sehr 3,5 mm (Stereo) viel Spaß beim Sequenzieren und • MIDI I/O (USB und 2 x 3,5 mm Austoben mit Effekten. per Kabelpeitsche) • Sync I/O (2 x 3,5 mm) • Stromspeisung via Netzteil FÜR WEN? (liegt bei) oder 6 AA-Batterien Fortgeschrittene, die einen PRO allumfassenden Klangerzeuger für elektronische (Tanz-)Musik, Hip Hop • Drum Samples, und mehr suchen. Für die Bühne, Instrumentensounds & Co. unterwegs und (mit Abstrichen) das + 55 Wellenformen Studio. Korg electribe • Für elektronische Musik aller Art • Gutklingende, spaßige Effekte + Touchpad für Master-FX • Überwiegend guter Workflow Testbericht • Motion Sequencing, Event Recording & Co. • Extrem robustes Gehäuse dank »Wollmilchsau 2.0.« Zinkdruckguss CONTRA • Keine Einzelausgänge • Kein Senden von MIDI CC 1 2 DELAMAR TESTBERICHT DELAMAR TESTBERICHT den Audioeingang als Quelle für eigene Samples Filter (etwa wie bei einer MPC) zu nutzen, gibt es 408 Korg electribe Testbericht Das Filter bietet die drei üblichen Kategorien Tief-, Grundsounds, die sich wie folgt zusammensetzen: Hoch- und Bandpass mit jeweils mehreren Un- terarten. So zum Beispiel einen Acid-typischen Kein leichtes Erbe: Im Korg electribe Testbericht tritt eine waschechte • 56 Kick-Drums Modus, die Filtertypen des MS-20 und mehr • 58 Snare-Drums Groovebox an, um noch eins auf die beliebten Vorgänger draufzusetzen.
  • The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap

    The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap

    Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians.
  • Microkorg S Bedienungsanleitung

    Microkorg S Bedienungsanleitung

    Vielen Dank für den Erwerb des microKORG S Synthesizer/Vocoder. Um Inhalt den problemlosen Betrieb zu gewährleisten, lesen Sie diese Anleitung bitte sorgfältig und bedienen Sie das Produkt in der richtigen Weise. Erste Schritte ......................................................................... 7 Hier werden die ersten Bedienungsschritte mit dem microKORG S erklärt (Anhören der Vorweg.................................................................................... 1 Demo-Songs, Auswählen von Programmen, Einsatz des Arpeggiators und Spielfunktionen) und es werden einfache Bedienungsvorgänge erläutert. Erklärt die Leistungsmerkmale des microKORG S und erläutert die Bezeichnungen und Demo-Songs......................................................................................................................7 Funktionen der einzelnen Bereiche. Anhören der Demo-Songs ............................................................................................. 7 Hauptmerkmale ................................................................................................................. 1 Synth-Programme ............................................................................................................ 8 Voder-und Rückseite ........................................................................................................ 2 1. Programm auswählen und spielen ............................................................................. 8 Vorderseite .....................................................................................................................2
  • Electronic Drum Kit

    Electronic Drum Kit

    ELECTRONIC DRUM KIT INSTRUCTION MANUAL Models: PTEDRL12, PTEDRL14 Dear Customer Thank you sincerely for buying our hand roll drum kit. We are specialized in devel- oped and manufactured hand roll drum kit and piano for over 15years. This hand roll drum kit is a handy size product which is very easy to carry, in order to have a bast experience affect, please pay attention to the operation, wish you enjoy it, thanks again for your cooperation! I. Specification: 1. 7 drum pad: (Include crash cymbal, ride cymbal, open/close hi-hat, snare,high tom, low tom-tom, oor tom-tom) 9 drum pad: (include 2 crash cymbal, ride cymbal, open/close hi-hat, snare, base drum, high tom-tom, low tom-tom, oor tom-tom) 2 drum pedals: (include 1 hi-hat, 1 base drum) 2. 12demo songs, 7drum sounds, accompaniment 3. Volume Control: lever 9 4. Speed Control :lever 15 5. Could record and play 6. Audio input,match your cell phone, tablet, PC and other device which could support music. 7. With speaker, using as stereo II. Features: 1. The world's rst Multinational, portable, and professional drum 2. Fit for family entertainment/friends gathering and drum practice 3. Multi-sounds, simulated the really drum kits 4. The standard drum conguration and the extension for foot pedal could bring you real-life drum experience 5. Include accompaniment/ demo songs,control the playing speed free, this Is the best choice for drum learning 6. Include recording function,get all your inspiration in record easily 7. With two high-quality stereo speakers 8.
  • Instructions for Midi Interface Roland Tr-808 Drum Machine

    Instructions for Midi Interface Roland Tr-808 Drum Machine

    INSTRUCTIONS FOR MIDI INTERFACE ROLAND TR-808 DRUM MACHINE USING THE MIDI INTERFACE Your TR808 drum is now equipped to send and receive MIDI information. When turned on the machine will function normally, sending out and receiving MIDI note & velocity information on the channels set in memory. The factory channel settings are: receive chan 10 omni off transmit chan 10 and Stop/start TX/RX enabled Clock information is always sent and Start/stop information is sent and received if enabled. (Not channel sensitive) YOU CAN RETURN TO THE FACTORY MIDI SETTINGS BY SWITCHING THE MACHINE ON WHILST HOLDING THE RED BUTTON PRESSED (hold for a couple of seconds) With the rear panel switch set to normal (up) the TR808 drum will run from its own internal clock and will send out MIDI timing information at a rate determined by the tempo control. With the rear panel switch in the down position however, it will run from MIDI sync at the rate set by the MIDI device connected. If no MIDI timing information ispresent then the TR808 drum will not run. Some drum machines/sequencers may not send start/stop codes, in this case pressing the start switch on the TR808, will make it wait until MIDI clock/sync is present. You can make the TR808 ignore start/stop codes by selecting it from the programming mode described in the next paragraph, when set to disable the TR808 will neither respond to, nor send start/stop codes - when enabled (the default condition) start/stop codes will be both sent and received.
  • Nitro Drum Module User Guide

    Nitro Drum Module User Guide

    User Guide English ( 3 – 9 ) Guía del usuario Español ( 10 – 16 ) Guide d’utilisation Français ( 17 – 23 ) Guida per l’uso Italiano ( 24 – 30 ) Benutzerhandbuch Deutsch ( 31 – 37 ) Appendix English ( 38 ) 2 User Guide (English) Introduction Support For the latest information about this product (system requirements, compatibility information, etc.) and product registration, visit alesis.com. For additional product support, visit alesis.com/support. Quick Start / Connection Diagram Setup and Playing * sold separately Tom 4 Drum Pad* Crash 2 Cymbal Pad* Computer* Power Smartphon e, MP3 player, etc.* Headphone s* MIDI OUTPUT USB TOM 4 CRASH 2 R L / MONO AUX IN OUT IN External Monitors* sound module* MIDI keyboard* Use the cable snake to connect the drum module to the drum/cymbal pads of your electronic drum kit. 1. Connect your electronic drum kit's pads to the cable snake, then connect the cable snake to the Cable Snake Input on the module's rear panel. 2. Optional: If you have any additional pads (e.g., an extra tom, an extra crash cymbal), connect them to the module's Tom 4 Input or Crash 2 Input. 3. Connect speakers (sold separately) to the Outputs and/or connect 1/8" stereo headphones (sold separately) to the Phones output. Turn the Volume knob all the way down (counterclockwise). 4. Connect the module to a power source, using the included power adapter (9 VDC, 500 mA, center positive). 5. Press the Power Switch to turn the module on. 6. Adjust the Volume knob to an appropriate level and play some drums! Selecting a Drum Kit: After powering on the module, or after pressing the Kit button, you will see the Kit indicator and NUM in the display.