Korg Triton Studio Manual

Total Page:16

File Type:pdf, Size:1020Kb

Korg Triton Studio Manual E 1 IMPORTANT SAFETY INSTRUCTIONS CAUTION Danger of explosion if battery is incorrectly replaced. 1) Read these instructions. Replace only with the same or equivalent type. 2) Keep these instructions. 3) Heed all warnings. THE FCC REGULATION WARNING (for U.S.A.) 4) Follow all instructions. This equipment has been tested and found to comply with the limits 5) Do not use this apparatus near water. for a Class B digital device, pursuant to Part 15 of the FCC Rules. 6) No objects filled with liquids, such as vases, shall be placed These limits are designed to provide reasonable protection against on the apparatus. harmful interference in a residential installation. This equipment 7) Clean only with dry cloth. generates, uses, and can radiate radio frequency energy and, if not 8) Do not block any ventilation openings, install in accordance installed and used in accordance with the instructions, may cause with the manufacturer’s instructions. harmful interference to radio communications. However, there is no 9) Do not install near any heat sources such as radiators, heat guarantee that interference will not occur in a particular installation. registers, stoves, or other apparatus (including amplifiers) If this equipment does cause harmful interference to radio or that produce heat. television reception, which can be determined by turning the 10) Do not defeat the safety purpose of the polarized or equipment off and on, the user is encouraged to try to correct the grounding-type plug. A polarized plug has two blades with interference by one or more of the following measures: one wider than the other. A grounding type plug has two • Reorient or relocate the receiving antenna. blades and a third grounding prong. The wide blade or the • Increase the separation between the equipment and receiver. third prong are provided for your safety. If the provided plug • Connect the equipment into an outlet on a circuit different does not fit into your outlet, consult an electrician for from that to which the receiver is connected. replacement of the obsolete outlet. (for U.S.A. and Canada) • Consult the dealer or an experienced radio/TV technician for 11) Protect the power cord from being walked on or pinched help. particularly at plugs, convenience receptacles, and the point Unauthorized changes or modification to this system can void the where they exit from the apparatus. user’s authority to operate this equipment. 12) Only use attachments/accessories specified by the manufacturer. CE mark for European Harmonized Standards 13) Unplug this apparatus during lightning storms or when unused for long periods of time. CE mark which is attached to our company’s products of AC mains operated apparatus until December 31, 1996 means it conforms to 14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC). way, such as power-supply cord or plug is damaged, liquid And, CE mark which is attached after January 1, 1997 means it has been spilled or objects have fallen into the apparatus, conforms to EMC Directive (89/336/EEC), CE mark Directive (93/ the apparatus has been exposed to rain or moisture, does 68/EEC) and Low Voltage Directive (73/23/EEC). not operate normally, or has been dropped. Also, CE mark which is attached to our company’s products of 15) Do not install this equipment on the far position from wall Battery operated apparatus means it conforms to EMC Directive outlet and/or convenience receptacle. (89/336/EEC) and CE mark Directive (93/68/EEC). 16) Do not install this equipment in a confined space such as a box for the conveyance or similar unit. 17) Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with this apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over. The lightning flash with arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. ii Data handling COPYRIGHT WARNING This professional device is intended only for use Incorrect operation or malfunction may cause the con- with works for which you yourself own the copy- tents of memory to be lost, so we recommend that you right, for which you have received permission from save important data on a floppy disk or other media. the copyright holder to publicly perform, record, Please be aware that Korg will accept no responsibility broadcast, sell, and duplicate, or in connection with for any damages which may result from loss of data. activities which constitute “fair use” under copy- Also, when digitally recording copyrighted audio right law. If you are not the copyright holder, have material from a DAT or CD etc., you must obtain per- not received permission from the copyright holder, mission for use. Please be aware that Korg will accept or have not engaged in fair use of the works, you no responsibility for any copyright violations which may be violating copyright law, and may be liable may occur through your use of this product. for damages and penalties. If you are unsure about your rights to a work, please consult a copyright attorney. KORG TAKES NO RESPONSIBILITY FOR ANY INFRINGEMENT COMMITTED Handling of the internal hard THROUGH USE OF KORG PRODUCTS. drive Do not apply physical shock to this device. In particu- lar, you must never move this device or apply physical shock while the power is turned on. This can cause part or all of the data on disk to be lost, or may damage the hard disk or interior components. When this device is moved to a location where the tem- perature is radically different, water droplets may con- dense on the disk drive. If the device is used in this condition, it may malfunction, so please allow several hours to pass before operating the device. Do not repeatedly turn the power on/off. This may damage not only the TRITON STUDIO, but also any SCSI devices that are connected. This device begins to access the hard drive immedi- ately after the power is turned on. Never turn off the power while the hard drive is being accessed. Doing so can cause all or part of the data on the disk to be lost, or may cause malfunctions such as damage to the hard drive. If the hard drive has been damaged due to incorrect operation, power failure, or accidental interruption of the power supply, a fee may be charged for replacement even if this device is still within its war- ranty period. * Company names, product names, and names of for- mats etc. are the trademarks or registered trade- marks of their respective owners. iii Thank you for purchasing the Korg TRITON STUDIO music workstation/sampler. To ensure trouble-free enjoyment, please read this manual carefully and use the instru- ment as directed. About this manual Conventions in this manual References to the TRITON STUDIO The TRITON STUDIO is available in 88-key, 76-key The owner’s manuals and how to use and 61-key models, but all three models are referred to them without distinction in this manual as “the TRITON STUDIO.” Illustrations of the front and rear panels in The TRITON STUDIO come with the following this manual show the 61-key model, but the illustra- owner’s manuals. tions apply equally to the 88-key and 76-key models. • Basic Guide Abbreviations for the manuals BG, PG, VNL • Parameter Guide References to the manuals included with the TRITON • Voice Name List STUDIO are abbreviated as follows in this document. BG: Basic Guide Basic Guide PG: Parameter Guide First read this manual carefully to gain a basic under- VNL: Voice Name List standing of the instrument and to learn basic opera- tion. Keys and knobs [ ] “Introduction” explains the function of each part, how References to the keys, dials, and knobs on the TRI- to make connections, basic operation, and gives an TON STUDIO’s panel are enclosed in square brackets overview of each mode. [ ]. References to buttons or tabs indicate objects in “Quick Start” explains the basics of playing the TRI- the LCD display screen. TON STUDIO (how to listen to the demo songs, select sounds, and use convenient performance functions), Parameters in the LCD display screen “ ” and describes examples of how to perform sampling Parameters displayed in the LCD screen are enclosed and use the sequencer. in double quotation marks “ ”. If you wish to begin playing immediately, read this sec- tion first. Boldface type “Basic Functions” contains mode-by-mode explana- Parameter values are printed in boldface type. tions of what you need to know to edit sounds, record Content that is of particular importance is also printed using the sequencer, and to record samples. This sec- in boldface type. tion also explains how to use the arpeggiator, effects, and MIDI. Procedure steps 1 2 3 ... “Appendices” contains information on troubleshoot- Steps in a procedure are listed as 1 2 3 ... ing, specifications, and various other information. p.I Parameter Guide These indicate pages or parameter numbers to which The Parameter Guide contains explanations and other you can refer. information regarding the operations of the parame- ters and settings on the TRITON STUDIO.
Recommended publications
  • Tools for Korg Workstations PCG and Related Files
    Manual Tools for Korg Workstations PCG and Related Files version 1.6.0 Release Date February 20, 2013 Developer Michel Keijzers (MiKeSoft) Online version: https://www.dropbox.com/s/wohq6smdndjnfb0/Manual.docx Brief Overview 1 About PCG Tools .........................................................................................................................1 2 About the Manual .......................................................................................................................4 3 Overview.....................................................................................................................................7 4 Korg Files .................................................................................................................................. 22 5 Workflow .................................................................................................................................. 29 6 Main Screen .............................................................................................................................. 31 7 Using PCG Files .......................................................................................................................... 50 8 Using SNG (Song) Files ............................................................................................................. 122 9 Q & A and Trouble-Shooting .................................................................................................... 125 10 Keyboard Usage & Shortcut Keys ........................................................................................
    [Show full text]
  • Korg Electribe Testbericht Von Delamar
    KORG ELECTRIBE TESTBERICHT DELAMAR TESTBERICHT WERTUNG 4,5/5 INFOS Hersteller Korg • 24 Stimmen (pseudopolyphon) Produkt electribe • 250 Patterns mit je 16 Parts Preis 449,00 Euro • 409 Grundklänge UVP 475,00 Euro • 16 Filtertypen Datum Juli 2015 • 72 Modulationstypen Autor Felix Baarß • 38 Insert-Effekte, 32 Master-Effekte • Sequenzer (64 Steps pro Part) KURZFAZIT • 16 anschlagsdynamische Pads • Eingang: 3,5 mm Stereo • Ausgänge: Reboot geglückt – das Teil ist äu- 2 x 6,3 mm (L/Mono & R) ßerst robust, liefert starke, vielfältige • Kopfhörerausgang: Sounds mit und macht vor allem sehr 3,5 mm (Stereo) viel Spaß beim Sequenzieren und • MIDI I/O (USB und 2 x 3,5 mm Austoben mit Effekten. per Kabelpeitsche) • Sync I/O (2 x 3,5 mm) • Stromspeisung via Netzteil FÜR WEN? (liegt bei) oder 6 AA-Batterien Fortgeschrittene, die einen PRO allumfassenden Klangerzeuger für elektronische (Tanz-)Musik, Hip Hop • Drum Samples, und mehr suchen. Für die Bühne, Instrumentensounds & Co. unterwegs und (mit Abstrichen) das + 55 Wellenformen Studio. Korg electribe • Für elektronische Musik aller Art • Gutklingende, spaßige Effekte + Touchpad für Master-FX • Überwiegend guter Workflow Testbericht • Motion Sequencing, Event Recording & Co. • Extrem robustes Gehäuse dank »Wollmilchsau 2.0.« Zinkdruckguss CONTRA • Keine Einzelausgänge • Kein Senden von MIDI CC 1 2 DELAMAR TESTBERICHT DELAMAR TESTBERICHT den Audioeingang als Quelle für eigene Samples Filter (etwa wie bei einer MPC) zu nutzen, gibt es 408 Korg electribe Testbericht Das Filter bietet die drei üblichen Kategorien Tief-, Grundsounds, die sich wie folgt zusammensetzen: Hoch- und Bandpass mit jeweils mehreren Un- terarten. So zum Beispiel einen Acid-typischen Kein leichtes Erbe: Im Korg electribe Testbericht tritt eine waschechte • 56 Kick-Drums Modus, die Filtertypen des MS-20 und mehr • 58 Snare-Drums Groovebox an, um noch eins auf die beliebten Vorgänger draufzusetzen.
    [Show full text]
  • Korg Volca Sample Loading Samples
    Korg Volca Sample Loading Samples Sydney is unprompted: she rhyming mirthlessly and extravagated her parakeets. Final Bruce engenders conspiratorially. Rocky still preplans crudely while sought Horacio jugulating that rinsing. This app using the studio one in, ableton live work on everything else that samples volca sample loading samples and dx became alienated from Korg announces Volca Sample loop sample sequencer that control be used to edit. Korg Release New Volca Sample Sonic State. Though this makes it turns red when using good strategy to get today best free. Transfers the factory samples provided by Korg to the volca sample. 2 KORG volca sample Tweak attack and Sequence Samples Introducing. It just keep you loaded with loading is absolutely brilliant upgrade here is much of choosing, you can emphasise by motion data. Instead of free application designed for my experience of android for data in designing a load or transferred onto your mpc. Midi driver tool runs on your korg audio culture underground house sylenth presets were established by korg volca beats. How is load their own samples on a Korg Volca Sample Algonaut. Switched on everything by loading, load any changes. How to goal your own samples on a Korg Volca Sample. Korg Volca Beats Analog Korg Volca Sample of white. Volca sample midi cc VG-Immo. Auto music software site is enough to just does not loading samples proves you may earn an. Load samples from the dedicated iOS app In addition discard the 100 preloaded. Volca Sample content of sample sequencing with a load new memory. Vosyr-volca Mp4 3GP Video & Mp3 Download Mxtubenet.
    [Show full text]
  • TRITON-Rack MIDI Implementation Revision 1.3 (Jul.5.'01) Consult Your Local Korg Dealer for More Infomation on MIDI System Exclusive Implementation
    KORG TRITON-Rack MIDI Implementation Revision 1.3 (Jul.5.'01) Consult your local Korg dealer for more infomation on MIDI System Exclusive implementation. 1.TRANSMITTED DATA 1-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal +------+---------+-------------------+--------------------------------------------------------+----+ |Status| Second | Third | Description ( Transmitted by ....) |ENA | |[Hex] |[H] [D] | [H] [D] | | | +------+---------+-------------------+--------------------------------------------------------+----+ | 8n | kk (kk) | 40 (64) | Note Off ( Sequence/Arpeggiator data ) | A | | 9n | kk (kk) | vv (vv) | Note On (vv)=1-127 ( Sequence/Arpeggiator data ) | A | | An | kk (kk) | vv (vv) | Poly Key Pressure ( Sequence data ) | T,Q| | Bn | 00 (00) | mm (mm) | Bank Select(MSB) ( BANK keys, Prog/Combi change ) *1| PB | | Bn | 01 (01) | vv (vv) | Modulation1 ( Knob-B = MIDI CC#01 ) | C | | Bn | 02 (02) | vv (vv) | Modulation2 ( Knob-B = MIDI CC#02 ) | C | | Bn | 04 (04) | vv (vv) | Foot Pedal ( Knob-B = MIDI CC#04 ) | C | | Bn | 05 (05) | vv (vv) | Portamento Time ( Knob-B = Porta.Time,M Chg ) | C | | Bn | 06 (06) | vv (vv) | Data Entry (MSB) ( ARP ON/OFF, GATE, VELOCITY ) *2| C | | Bn | 07 (07) | vv (vv) | Volume ( Knob-B = Volume, M/C Chg ) | C | | Bn | 08 (08) | vv (vv) | Post IFX Panpot ( Knob-B = IFX Pan,M Chg ) | C | | Bn | 0A (10) | vv (vv) | Panpot ( Knob-B = Pan,M Chg ) | C | | Bn | 0B (11) | vv (vv) | Expression ( Knob-B = Expression ) | C | | Bn | 0C (12) | vv (vv) | Effect Control 1 ( Knob-B = FX Ctrl 1 ) | C | | Bn | 0D (13)
    [Show full text]
  • Sound Productions Backline Rentals Production Smaller Dec
    BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P.
    [Show full text]
  • KARMA M3 Help 2.2.11
    HELP FILE AND MANUAL Version 2.2.11 Revision: 26-Jun-2015 ©1994-2015 by Stephen Kay, Karma-Lab LLC. All Rights Reserved. http://www.karma-lab.com Protected by U.S. Patents: 5,486,647, 5,521,327, 6,084,171, 6,087,578, 6,103,964, 6,121,532, 6,121,533, 6,326,538, 6,639,141, 7,169,997, 7,342,166 KARMA® and the KARMA Logo are registered trademarks, and KARMA MW, KARMA Triton, KARMA Oasys, KARMA M3, KARMA M50, KARMA Kronos, KARMA Motif, Generated Effect (GE), Melodic Repeat, Direct Index, Manual Advance, SmartScan, Freeze Randomize, Random Capture and Random FF/REW are trademarks of Stephen Kay, Karma-Lab LLC, www.karma-lab.com. All other trademarks are the property of their respective owners. Portions of the Windows™ version produced with Mac2Win™ Software Copyrights © 1990-2015 Altura Software, Inc. Table Of Contents Using This Help File<UseHelp> Read this first for information on how to best use this on-line manual. Basic Operations<Basic> New Users should consult this to get some helpful advice for working with the software. First Time Setup<SetupKK> How to configure your Korg M3 to work with the software. Includes information on Loading/Saving PCG Data, SysEx, Global Settings and more. • MIDI Setup MIDI Ins & Outs<MIDIInOut> Sync<SynEd> Communication Status<CommStat> • Performance Editor Performance Editor<PE> GE Setup<MixEd> Control<CtlEd> Trigger<TrgEd> MIDI Filter<FilEd> Key Zones<KeyEd> RT Parms<RPPEd> Dynamic MIDI<DynEd> Random Seeds<RsdEd> CC Offsets<OffEd> KORG<KexEd> • GE (Generated Effect) Editor GE (Generated Effect) Editor<GE>
    [Show full text]
  • TRITON MIDI Implementation
    KORG TRITON-SERIES MIDI Implementation Version 1.2 (May.17.'00) 1.TRANSMITTED DATA 1-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal +------+---------+-------------------+--------------------------------------------------------+----+ |Status| Second | Third | Description ( Transmitted by ....) |ENA | |[Hex] |[H] [D] | [H] [D] | | | +------+---------+-------------------+--------------------------------------------------------+----+ | 8n | kk (kk) | 40 (64) | Note Off ( Key Off ) *1| A | | 9n | kk (kk) | vv (vv) | Note On (vv)=1-127 ( Key On ) *1| A | | An | kk (kk) | vv (vv) | Poly Key Pressure ( Seq. recorded data ) | T,Q| | Bn | 00 (00) | mm (mm) | Bank Select(MSB) ( BANK keys, Prog/Combi change ) *2| PB | | Bn | 01 (01) | vv (vv) | Modulation1 ( Joy Stick +Y ) | C | | Bn | 02 (02) | vv (vv) | Modulation2 ( Joy Stick -Y ) | C | | Bn | 04 (04) | vv (vv) | Foot Pedal ( A.Pdl/Knob-B = Foot Pedal ) | C | | Bn | 05 (05) | vv (vv) | Portamento Time ( A.Pdl/Knob-B = Porta.Time,S Chg )| C | | Bn | 06 (06) | vv (vv) | Data Entry (MSB) ( ARP ON/OFF, GATE, VELOCITY ) *3| C | | Bn | 07 (07) | vv (vv) | Volume ( A.Pdl/Knob-B = Volume, S/C Chg ) | C | | Bn | 08 (08) | vv (vv) | Post IFX Panpot ( A.Pdl/Knob-B = PostIFXPan,S Chg )| C | | Bn | 0A (10) | vv (vv) | Panpot ( A.Pdl/Knob-B = Pan,S Chg ) | C | | Bn | 0B (11) | vv (vv) | Expression ( A.Pdl/Knob-B = Expression ) | C | | Bn | 0C (12) | vv (vv) | Effect Control 1 ( A.Pdl/Knob-B = FX Control1 ) | C | | Bn | 0D (13) | vv (vv) | Effect Control 2 ( A.Pdl/Knob-B = FX Control2 ) | C | | Bn | 10 (16) | vv
    [Show full text]
  • TRITON Contg (Final)
    User Guide eUser Guide Features and Benefits 2 "Overview" 5 Connections 8 Disk Mode: Loading the Preload Disks 9 Playing the Factory Demos 10 Basic Navigation: Front Panel Overview, Touchview Graphic Interface 11 Program Mode: Overview 13 Select-By-Bank, Select-By-Category 14 Performance Editing, Realtime Controllers 16 AMS and Effect Dynamic Modulation 18 Very Cool Demo Programs 20 Arpeggiator Mode: Overview and Tour in Program mode 21 Combination Mode: Overview 26 Select By Bank, Select By Category 27 Working with Combinations, Controllers and The Dual Polyphonic Arpeggiators 28 Very Cool Demo Combinations 33 Effects Mode: Inserts and Masters, EQ 34 Working with the Audio Inputs and Effects 42 Using the Vocoder Effect 43 Sampling Mode: Overview 44 One-shot Sampling, Sampling w/ Insert FX 45 Naming Samples, Converting to Programs 48 Working with Grooves, Loops and Tempo 49 Sequencer Mode: Overview, Templates, Preset Patterns, Recording, Play Loops 54 Recording w/ the Arpeggiator, Solo / Mute 57 Creating a Cue List / Converting to a Song 59 RPPR ( Realtime Pattern Play Record) 63 Sequencing w/ Combinations 66 Advanced Arpeggiator Tour 68 Sequencing Using Combis with Arpeggios 76 Output Routing 82 Option Boards: EXB-MOSS, EXB-SCSI, EXB-PCM, SIMM modules, User-installation 84 Additional Information - Owner manual references 86 Cool Demo Programs and Combinations i, ii TRITON Training Guide TRITON Features and Benefits Feature Benefit 1024 onboard sounds All sounds are in RAM* so you can tweak or 512 Programs (including 16 drumkits) replace
    [Show full text]
  • Triton Basic Guide
    E 4 Thank you for purchasing the Korg TRITON proX, TRITON pro, or TRITON music worksta- tion/sampler. To ensure trouble-free enjoyment, please read this manual carefully and use the instrument as directed. About this manual Conventions in this manual References to the TRITON proX, TRITON pro, and The owner’s manuals and how to use TRITON The TRITON proX, TRITON pro, and TRITON are col- them lectively referred to in this manual as the TRITON. The TRITON proX, TRITON pro, and TRITON come Switches and knobs [ ] with the following owner’s manuals. References to the switches, dials, and knobs on the TRITON’s panel are enclosed in square brackets [ ]. • Basic Guide References to buttons or tabs indicate objects in the • Parameter Guide LCD display screen. • Voice Name List Parameters in the LCD display screen “ “ Basic Guide Parameters displayed in the LCD screen are enclosed First read this manual carefully to gain a basic under- in double quotation marks “ “. standing of the instrument and to learn basic opera- tion. Boldface type Parameter values are printed in boldface type. “Introduction” explains the function of each part, how Content that is of particular importance is also printed to make connections, basic operation, and gives an in boldface type. overview of each mode. “Quick Start” explains basic topics (hearing the demo Procedure steps 1 2 3 ... songs, selecting sounds, convenient functions for per- Steps in a procedure are listed as 1 2 3 ... formance). If you wish to begin playing immediately, p.I read this section first. These indicate pages or parameter numbers to which “Basic Functions” contains mode-by-mode explana- you can refer.
    [Show full text]
  • About This Manual Steps in a Procedure Are Listed As 1 2 3
    Procedure steps 1 2 3 ... About this manual Steps in a procedure are listed as 1 2 3 ... p.I, I – I This “Parameter Guide” contains explanations and other These indicate pages or parameter numbers to which you information regarding the operations of the parameters and can refer. settings on the TRITON proX, TRITON pro, and TRITON. I I The explanations are organized by mode, page, and tab. Link – Explanations and other information on the effects and their Link indicates a linked parameter on a different page that I I parameters are also provided for each effect. has the same name or an abbreviated name. – indicates Refer to this guide when an unfamiliar parameter appears in the parameter numbers. the display, or when you need to know more about a partic- Symbols , , , , , ular function. These symbols respectively indicate cautions, advice, MIDI- related explanations, a parameter that can be selected as an alternate modulation source, a parameter that can be Conventions in this manual selected as a dynamic modulation source, and a parameter that can use the BPM/MIDI Sync function. References to the TRITON proX, TRITON pro, and TRITON Example screen displays The TRITON proX, TRITON pro, and TRITON are collec- The values of the parameters shown in the example screens tively referred to in this manual as the TRITON. of this manual are only for explanatory purposes, and may Switches and knobs [ ] not necessary match the values that appear in the LCD References to the switches, dials, and knobs on the TRI- screen of your instrument. TON’s panel are enclosed in square brackets [ ].
    [Show full text]
  • Korg Triton Extreme Issue 33
    E Q U Korg Triton Extreme I Derek Johnson assesses what makes this Triton so extreme. P M ake a range of sampling workstation synths from a tidy as having all the drives fitted inside the synth, but E major manufacturer and repackage them with more we’re talking a serious cash saving here! Tdesirable features and release the result for less Extreme also features a CompactFlash/Microdrive N money. You’d go for it, right? slot, for compact budget data storage and retrieval to T Well, that’s just what Korg has apparently done with a card of up to 1GB capacity. You’ll need to buy one their top-notch Triton range. First of all, it genuinely of these increasingly cheap cards if you want to beam is a repackage job, losing – sadly, it must be said – the samples from your computer, since a card in the slot T classic silver look that the company’s followed from is the only destination in this circumstance. Samples 1995’s Trinity to the Triton Studio range launched in can’t be simply sent to Extreme’s RAM. E ‘02. But we don’t judge a synth by its colour, do we? In most other ways, Extreme is very much similar to S Especially if it features a flexibly assignable vacuum the Triton Studio. It comes in three flavours for a start: T tube circuit, as initially seen on the company’s latest 61-note, 76-note and 88-note keyboards, the latter Electribes! Extreme loses some of the overt expand- featuring a weighted piano action.
    [Show full text]
  • Triton-Editopro Tutorial
    Triton-Edit-Pro SoundEditor User Guide Windows Edition This page intentionally left blank. Triton SoundEditor User Guide 2 TABLE OF CONTENTS: 1 INTRODUCTION ...............................................................................................5 1. 1 Credits........................................................................................................5 1.2 Support........................................................................................................5 2 INSTALLATION/REQUIREMENTS....................................................................6 2.1 Before You Begin ........................................................................................6 3 OVERVIEW .......................................................................................................7 4 PROGRAM FLOW.............................................................................................8 5 SOUNDEDITOR SETUP ...................................................................................9 5.1 MIDI SETUP................................................................................................9 5.2 RECEIVING TRITON DATA......................................................................11 5.3 SHORTCUTS............................................................................................13 6 PROGRAM BANK (PLAY) MODE ...................................................................16 6.1 PROGRAM BANK MODE .........................................................................16 6.2 PROGRAM GENETICS
    [Show full text]