DOCSLIB.ORG

Triton Basic Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Triton Basic Guide E 4 Thank you for purchasing the Korg TRITON proX, TRITON pro, or TRITON music worksta- tion/sampler. To ensure trouble-free enjoyment, please read this manual carefully and use the instrument as directed. About this manual Conventions in this manual References to the TRITON proX, TRITON pro, and The owner’s manuals and how to use TRITON The TRITON proX, TRITON pro, and TRITON are col- them lectively referred to in this manual as the TRITON. The TRITON proX, TRITON pro, and TRITON come Switches and knobs [ ] with the following owner’s manuals. References to the switches, dials, and knobs on the TRITON’s panel are enclosed in square brackets [ ]. • Basic Guide References to buttons or tabs indicate objects in the • Parameter Guide LCD display screen. • Voice Name List Parameters in the LCD display screen “ “ Basic Guide Parameters displayed in the LCD screen are enclosed First read this manual carefully to gain a basic under- in double quotation marks “ “. standing of the instrument and to learn basic opera- tion. Boldface type Parameter values are printed in boldface type. “Introduction” explains the function of each part, how Content that is of particular importance is also printed to make connections, basic operation, and gives an in boldface type. overview of each mode. “Quick Start” explains basic topics (hearing the demo Procedure steps 1 2 3 ... songs, selecting sounds, convenient functions for per- Steps in a procedure are listed as 1 2 3 ... formance). If you wish to begin playing immediately, p.I read this section first. These indicate pages or parameter numbers to which “Basic Functions” contains mode-by-mode explana- you can refer. tions of what you need to know to edit sounds, record Symbols , , on the sequencer, and record samples. This section also These symbols respectively indicate cautions, advice, explains how to use the arpeggiator, effects, and MIDI. and MIDI-related explanations. “Appendices” explains how to install the Korg MIDI Driver that you will need when connecting the instru- Example screen displays ment to the TO HOST connector or to a computer, and The values of the parameters shown in the example lists the specifications etc. screens of this manual are only for explanatory pur- poses, and may not necessary match the values that Parameter Guide appear in the LCD screen of your instrument. The Parameter Guide contains explanations and other information regarding the operations of the parame- MIDI-related explanations ters and settings on the TRITON proX, TRITON pro, CC# is an abbreviation for Control Change Number. and TRITON. The explanations are organized by In explanations of MIDI messages, numbers in square mode, page, and tab. Explanations and other informa- brackets [ ] always indicate hexadecimal numbers. tion on the effects and their parameters are also pro- vided for each effect. Refer to this guide when an unfamiliar parameter Data handling appears in the display, or when you need to know more about a particular function. Malfunctions due to incorrect operation may cause the Voice Name List contents of memory to be lost, so we recommend that This lists the multisamples and drumsamples that are you save important data on a floppy disk. Please be built into the TRITON proX, TRITON pro, and TRI- aware that Korg will accept no responsibility for any TON, and the factory preset combinations, programs, damages which may result from loss of data. drum kits, and user arpeggio patterns. Also, when digitally recording copyrighted audio Refer to these lists when you wish to know more about material from a DAT or CD etc., you must obtain per- the preloaded sounds. mission for use. Please be aware that Korg will accept no responsibility for any copyright violations which may occur through your use of this product. * Company names, product names, and names of for- mats etc. are the trademarks or registered trade- marks of their respective owners. iii Table of Contents About this manual . iii Ribbon controller. 25 Data handling. iii SW1, SW2 . 25 The Lock function . 25 Realtime control knobs [1], [2], [3], [4] . 26 Introduction . .1 A mode controls . 26 B mode controls. 27 Introducing the TRITON . .1 [VALUE] slider . 27 Main features . .1 Keyboard . 27 Overview of the modes. .3 Foot pedals . 28 ARPEGGIATOR [TEMPO] knob, [GATE] knob, Front and rear panel . .5 [VELOCITY] knob. 28 Front panel . .5 Rear panel . .8 Using the arpeggiator while you play. 29 Using the arpeggiator in Program mode. 29 Names and functions of objects in the LCD Settings using controllers. 29 screen . .10 Settings in the LCD screen. 30 Basic operation of the TRITON . .12 Using the arpeggiator as you play in Combination 1. Selecting modes . .12 mode . 31 Selecting a page . .12 Settings in the LCD screen. 31 2. Selecting pages and tabs . .12 Playing with the RPPR (Realtime Pattern Play/Re- Selecting a tab. .12 cording) function . 33 VALUE controllers . .13 3. Setting a parameter . .13 Simple program editing . 34 [BANK] keys. .13 Performance Edit. 34 [COMPARE] key . .14 Realtime controls. 34 Popup buttons and popup menus. .14 Keyboard input . .14 Simple combination editing . 35 An example of editing . 35 Connections . .15 Selecting the program for a timbre. 35 1. Connecting the power cable. .15 Adjusting the stereo position . 36 2. Connecting audio output devices . .15 Adjusting the volume. 36 3. Connecting audio input devices . .15 4. Connecting pedals etc. .16 5. Connections to MIDI equipment . .16 Basic functions. 37 6. Connections to a computer. .16 7. Connections to a SCSI device. .16 Saving data. 37 Types of data that can be saved . 37 Writing to internal memory. 37 Quick Start . .17 Writing a program or combination . 38 Writing global settings, user drum kits, and user Turning the power on/off. .17 arpeggio patterns . 39 1. Turning the power on . .17 Saving on external media. 40 2. Turning the power off . .17 MIDI data dump . 41 Listening to a demo song . .18 Restoring the factory settings . 42 1. Loading the demo song data in Disk mode . .18 Loading the preload data. 42 2. Selecting and playing a demonstration song in Se- Program mode . 43 quencer mode. .19 About the pages in Program mode . 43 3. Playing a cue list . .20 Playing a program. 43 Selecting and playing a program . .21 P0: Play . 43 Selecting a program. .21 How a program is organized. 44 P1: Edit-Basic Selecting and playing a combination . .23 Oscillator settings . 45 Selecting a combination . .23 Basic program editing . 45 P2: Edit-Pitch Using controllers to modify the sound . .25 Pitch settings . 47 Joystick . .25 iv P3: Edit-Filter Sampling mode . 75 Filter settings . .48 Features of sampling mode . 75 P4: Edit-Amp Pages in Sampling mode . 76 Amplifier settings . .49 How Sampling mode is organized . 76 P5: Edit-Common LFO In Sampling mode . 76 LFO settings . .50 Samples and Multisamples . 77 P7: Edit-arpeggiator Sampling (recording a sample) . 78 Arpeggiator settings . .51 Preparations for sampling . 78 P8: Edit-Insert Effect Manual sampling. 79 Insert Effect settings. .51 Auto sampling . 80 P9: Edit Master Effect Creating multisample indexes and Master Effect settings . .51 sampling . 81 More about Alternate Modulation . .51 Loop settings . 82 Combination mode . 52 The grid display. 82 Pages in Combination mode. .52 Sample (waveform data) editing. 83 Playing a combination. .52 Multisample editing . 84 P0: Play . .52 Editing the indices. 84 How a combination is structured . ..
Load more

Recommended publications
  • Korg Triton Extreme Manual
    E 2 Thank you for purchasing the Korg TRITON Extreme music workstation/sampler. To ensure trouble-free enjoyment, please read this manual carefully and use the instrument as directed. About this manual Conventions in this manual References to the TRITON Extreme The TRITON Extreme is available in 88-key, 76-key and The owner’s manuals and how to use 61-key models, but all three models are referred to them without distinction in this manual as “the TRITON Extreme.” Illustrations of the front and rear panels in The TRITON Extreme come with the following this manual show the 61-key model, but the illustra- owner’s manuals. tions apply equally to the 88-key and 76-key models. • Quick Start • Operation Guide Abbreviations for the manuals QS, OG, PG, VNL, EM • Parameter Guide The names of the manuals are abbreviated as follows. • Voice Name List QS: Quick Start OG: Operation Guide Quick Start PG: Parameter Guide Read this manual first. This is an introductory guide VNL: Voice Name List that will get you started using the TRITON Extreme. It EM: EXB-MOSS Owner’s Manual (included with the explains how to play back the demo songs, select EXB-MOSS option) sounds, use convenient performance functions, and Keys and knobs [ ] perform simple editing. It also gives examples of using sampling and the sequencer. References to the keys, dials, and knobs on the TRI- TON Extreme’s panel are enclosed in square brackets Operation Guide [ ]. References to buttons or tabs indicate objects in This manual describes each part of the TRITON the LCD display screen.
    [Show full text]
  • Portable Digital Musical Instruments 2009 — 2010
    PORTABLE DIGITAL MUSICAL INSTRUMENTS 2009 — 2010 music.yamaha.com/homekeyboard For details please contact: This document is printed with soy ink. Printed in Japan How far do you want What kind of music What are your Got rhythm? to go with your music? do you want to play? creative inclinations? Recommended Recommended Recommended Recommended Tyros3 PSR-OR700 NP-30 PSR-E323 EZ-200 DD-65 PSR-S910 PSR-S550B YPG series PSR-E223 PSR-S710 PSR-E413 Pages 4-7 Pages 8-11 Pages 12-13 Page 14 The sky's the limit. Our Digital Workstations are jam-packed If the piano is your thing, Yamaha has a range of compact We've got Digital Keyboards of all types to help players of every If drums and percussion are your strong forte, our Digital with advanced features, exceptionally realistic sounds and piano-oriented instruments that have amazingly realistic stripe achieve their full potential. Whether you're just starting Percussion unit gives you exceptionally dynamic and expressive performance functions that give you the power sound and wonderfully expressive playability–just like having out or are an experienced expert, our instrument lineup realistic sounds, letting you pound out your own beats–in to create, arrange and perform in any style or situation. a real piano in your house, with a fraction of the space. provides just what you need to get your creative juices flowing. live performance, in rehearsal or in recording. 2 3 Yamaha’s Premier Music Workstation – Unsurpassed Quality, Features and Performance Ultimate Realism Limitless Creative Potential Interactive
    [Show full text]
  • ES-1Mkii Owner's Manual
    Thank you purchasing the Korg ELECTRIBE·SmkII ES-1mkII. In order to enjoy long and trouble- free use, please read this manual carefully and use the instrument correctly. E 1 To ensure long, trouble-free operation, please read this manual carefully. Precautions Location Using the unit in the following locations can result in a malfunction. • In direct sunlight • Locations of extreme temperature or humidity • Excessively dusty or dirty locations • Locations where excessive vibration exists Power supply Please connect the designated AC adaptor to an AC outlet of the correct voltage. Do not connect it to an AC outlet of voltage other than that for which your unit is intended. Interference with other electrical devices This product contains a microcomputer. Radios and televisions placed nearby may cause reception interference. Operate this unit at a suitable distance from radios and televisions. Handling To avoid breakage, do not apply excessive force to the switches or controls. Care If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as ben- zene or thinner, cleaning compounds or flammable polishes. Keep this manual After reading this manual, please keep it for later reference. Keeping foreign matter out of your equipment •Never set any container with liquid in it near this equipment. If liquid gets into the equipment, it could cause a breakdown, fire, or electrical shock. • Be careful not to let metal objects get into the equipment. If something does slip into the equip- ment, unplug the AC adaptor from the wall outlet. Then contact your nearest Korg dealer or the store where the equipment was purchased.
    [Show full text]
  • Tools for Korg Workstations PCG and Related Files
    Manual Tools for Korg Workstations PCG and Related Files version 1.6.0 Release Date February 20, 2013 Developer Michel Keijzers (MiKeSoft) Online version: https://www.dropbox.com/s/wohq6smdndjnfb0/Manual.docx Brief Overview 1 About PCG Tools .........................................................................................................................1 2 About the Manual .......................................................................................................................4 3 Overview.....................................................................................................................................7 4 Korg Files .................................................................................................................................. 22 5 Workflow .................................................................................................................................. 29 6 Main Screen .............................................................................................................................. 31 7 Using PCG Files .......................................................................................................................... 50 8 Using SNG (Song) Files ............................................................................................................. 122 9 Q & A and Trouble-Shooting .................................................................................................... 125 10 Keyboard Usage & Shortcut Keys ........................................................................................
    [Show full text]
  • Korg Electribe Testbericht Von Delamar
    KORG ELECTRIBE TESTBERICHT DELAMAR TESTBERICHT WERTUNG 4,5/5 INFOS Hersteller Korg • 24 Stimmen (pseudopolyphon) Produkt electribe • 250 Patterns mit je 16 Parts Preis 449,00 Euro • 409 Grundklänge UVP 475,00 Euro • 16 Filtertypen Datum Juli 2015 • 72 Modulationstypen Autor Felix Baarß • 38 Insert-Effekte, 32 Master-Effekte • Sequenzer (64 Steps pro Part) KURZFAZIT • 16 anschlagsdynamische Pads • Eingang: 3,5 mm Stereo • Ausgänge: Reboot geglückt – das Teil ist äu- 2 x 6,3 mm (L/Mono & R) ßerst robust, liefert starke, vielfältige • Kopfhörerausgang: Sounds mit und macht vor allem sehr 3,5 mm (Stereo) viel Spaß beim Sequenzieren und • MIDI I/O (USB und 2 x 3,5 mm Austoben mit Effekten. per Kabelpeitsche) • Sync I/O (2 x 3,5 mm) • Stromspeisung via Netzteil FÜR WEN? (liegt bei) oder 6 AA-Batterien Fortgeschrittene, die einen PRO allumfassenden Klangerzeuger für elektronische (Tanz-)Musik, Hip Hop • Drum Samples, und mehr suchen. Für die Bühne, Instrumentensounds & Co. unterwegs und (mit Abstrichen) das + 55 Wellenformen Studio. Korg electribe • Für elektronische Musik aller Art • Gutklingende, spaßige Effekte + Touchpad für Master-FX • Überwiegend guter Workflow Testbericht • Motion Sequencing, Event Recording & Co. • Extrem robustes Gehäuse dank »Wollmilchsau 2.0.« Zinkdruckguss CONTRA • Keine Einzelausgänge • Kein Senden von MIDI CC 1 2 DELAMAR TESTBERICHT DELAMAR TESTBERICHT den Audioeingang als Quelle für eigene Samples Filter (etwa wie bei einer MPC) zu nutzen, gibt es 408 Korg electribe Testbericht Das Filter bietet die drei üblichen Kategorien Tief-, Grundsounds, die sich wie folgt zusammensetzen: Hoch- und Bandpass mit jeweils mehreren Un- terarten. So zum Beispiel einen Acid-typischen Kein leichtes Erbe: Im Korg electribe Testbericht tritt eine waschechte • 56 Kick-Drums Modus, die Filtertypen des MS-20 und mehr • 58 Snare-Drums Groovebox an, um noch eins auf die beliebten Vorgänger draufzusetzen.
    [Show full text]
  • Saturation of Piano Markets ― History of the U.S
    Saturation of Piano Markets ― History of the U.S. and Asian Piano Industries ― Tomoaki TANAKA 1. Technical development of the piano and how its market grew The first acoustic piano was made in 1709 by Bartolomeo Cristofori, who was a harpsi- chord producer for the Medici family in Italy. The piano was originally built in the shape of a harpsichord. At the beginning pianos were played in relatively small rooms, such as in a salon of a noble residence. But pianos gradually came to be played at concert halls holding thousands of people. The sound of pianos needed to be more powerful and emo- tional. The only way was to increase the tension on the strings. New materials were need- ed since the existing wooden plates could not sustain such tension. Alpheus Babcock, who was a boiler shop owner in the U.S., invented the full iron frame piano in 1825. His pianos succeeded in obtaining more powerful tension than wooden frames and expanded the sound range by octaves. In 1837, Jonas Chickering, a piano engineer and a founder of Chickering & Sons in the U.S., improved Babcockʼs frames and a patent was granted to him in 1841. Steinway & Sons eventually played an even greater role in the evolution of the piano. Steinway & Sons was established in 1853 in New York by Heinrich Engelhart Steinway, who was a German piano producer. This company made important inventions and im- provements to the piano, for example the invention of the over-string scale（crossing the middle and bass strings） for grand pianos, quick response hammer action, and improve- ment of the full cast-iron plate.
    [Show full text]
  • D3200 Owner's Manual
    Owner’s Manual E1 The lightning flash with arrowhead symbol IMPORTANT SAFETY INSTRUCTIONS within an equilateral triangle, is intended to alert the user to the presence of uninsulated • Read these instructions. “dangerous voltage” within the product's •Keep these instructions. enclosure that may be of sufficient magnitude • Heed all warnings. to constitute a risk of electric shock to persons. •Follow all instructions. • Do not use this apparatus near water. The exclamation point within an equilateral • Mains powered apparatus shall not be exposed to dripping or triangle is intended to alert the user to the splashing and that no objects filled with liquids, such as vases, presence of important operating and shall be placed on the apparatus. maintenance (servicing) instructions in the • Clean only with dry cloth. literature accompanying the product. • Do not block any ventilation openings. Install in accordance with the manufacturer's instructions. • Do not install near any heat sources such as radiators, heat CAUTION registers, stoves, or other apparatus (including amplifiers) that Danger of explosion if battery is incorrectly replaced. produce heat. Replace only with the same or equivalent type. • Do not defeat the safety purpose of the polarized or grounding- type plug. A polarized plug has two blades with one wider than THE FCC REGULATION WARNING (for U.S.A.) the other. A grounding type plug has two blades and a third This equipment has been tested and found to comply with the limits grounding prong. The wide blade or the third prong are provided for a Class B digital device, pursuant to Part 15 of the FCC Rules.
    [Show full text]
  • An Arduino-Based MIDI Controller for Detecting Minimal Movements in Severely Disabled Children
    IT 16054 Examensarbete 15 hp Juni 2016 An Arduino-based MIDI Controller for Detecting Minimal Movements in Severely Disabled Children Mattias Linder Institutionen för informationsteknologi Department of Information Technology Abstract An Arduino-based MIDI Controller for Detecting Minimal Movements in Severely Disabled Children Mattias Linder Teknisk- naturvetenskaplig fakultet UTH-enheten In therapy, music has played an important role for children with physical and cognitive impairments. Due to the nature of different impairments, many traditional Besöksadress: instruments can be very hard to play. This thesis describes the development of a Ångströmlaboratoriet Lägerhyddsvägen 1 product in which electrical sensors can be used as a way of creating sound. These Hus 4, Plan 0 sensors can be used to create specially crafted controllers and thus making it possible for children with different impairments to create music or sound. This Postadress: thesis examines if it is possible to create such a device with the help of an Arduino Box 536 751 21 Uppsala micro controller, a smart phone and a computer. The end result is a product that can use several sensors simultaneously to either generate notes, change the Telefon: volume of a note or controlling the pitch of a note. There are three inputs for 018 – 471 30 03 specially crafted sensors and three static potentiometers which can also be used as Telefax: specially crafted sensors. The sensor inputs for the device are mini tele (2.5mm) 018 – 471 30 00 and any sensor can be used as long as it can be equipped with this connector. The product is used together with a smartphone application to upload different settings Hemsida: and a computer with a music work station which interprets the device as a MIDI http://www.teknat.uu.se/student synthesizer.
    [Show full text]
  • A Brief History of Electronic Music
    A Brief History of Electronic Music 1: 1896-1945 The first twenty-five years of the life of the archetypal modern artist, Pablo Picasso - who was born in 1881 - witnessed the foundation of twentieth century technology for war and peace alike: the recoil operated machine gun (1882), the first synthetic fibre (1883), the Parsons steam turbine (1884), coated photographic paper (1885), the Tesla electric motor, the Kodak box camera and the Dunlop pneumatic tyre (1888), cordite (1889), the Diesel engine (1892), the Ford car (1893), the cinematograph and the gramophone disc (1894). In 1895, Roentgen discovered X-rays, Marconi invented radio telegraphy, the Lumiere brothers developed the movie camera, the Russian Konstantin Tsiolkovsky first enunciated the principle of rocket drive, and Freud published his fundamental studies on hysteria. And so it went: the discovery of radium, the magnetic recording of sound, the first voice radio transmissions, the Wright brothers first powered flight (1903), and the annus mirabilis of theoretical physics, 1905, in which Albert Einstein formulated the Special Theory of Relativity, the photon theory of light, and ushered in the nuclear age with the climactic formula of his law of mass-energy equivalence, E = mc2. One did not need to be a scientist to sense the magnitude of such changes. They amounted to the greatest alteration of man's view of the universe since Isaac Newton. - Robert Hughes (1981) In 1896 Thaddeus Cahill patented an electrically based sound generation system. It used the principle of additive tone synthesis, individual tones being built up from fundamentals and overtones generated by huge dynamos.
    [Show full text]
  • Korg Triton Studio Manual
    E 1 IMPORTANT SAFETY INSTRUCTIONS CAUTION Danger of explosion if battery is incorrectly replaced. 1) Read these instructions. Replace only with the same or equivalent type. 2) Keep these instructions. 3) Heed all warnings. THE FCC REGULATION WARNING (for U.S.A.) 4) Follow all instructions. This equipment has been tested and found to comply with the limits 5) Do not use this apparatus near water. for a Class B digital device, pursuant to Part 15 of the FCC Rules. 6) No objects filled with liquids, such as vases, shall be placed These limits are designed to provide reasonable protection against on the apparatus. harmful interference in a residential installation. This equipment 7) Clean only with dry cloth. generates, uses, and can radiate radio frequency energy and, if not 8) Do not block any ventilation openings, install in accordance installed and used in accordance with the instructions, may cause with the manufacturer’s instructions. harmful interference to radio communications. However, there is no 9) Do not install near any heat sources such as radiators, heat guarantee that interference will not occur in a particular installation. registers, stoves, or other apparatus (including amplifiers) If this equipment does cause harmful interference to radio or that produce heat. television reception, which can be determined by turning the 10) Do not defeat the safety purpose of the polarized or equipment off and on, the user is encouraged to try to correct the grounding-type plug. A polarized plug has two blades with interference by one or more of the following measures: one wider than the other.
    [Show full text]
  • OASYS PCI Installation.Book
    PCI Open Architecture Synthesis, Effects, and Audio I/O English Installation Guide This is a hypertext-enabled document. All references to page numbers are live links. Just click on the page number, and the document will go there automatically! The FCC Caution This device complies with Part15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. The FCC Regulation Warning This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of English the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: - Reorient or relocate the receiving antenna. - Increase the separation between the equipment and receiver. - Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. - Consult the dealer or an experienced radio/TV technician for help. Unauthorized changes or modification to this system can void the user's authority to operate this equipment.
    [Show full text]
  • Studio Music Production I Subject Area/Course Number: MUSIC-093
    Course Outline of Record Los Medanos College 2700 East Leland Road Pittsburg CA 94565 (925) 439-2181 Course Title: Studio Music Production I Subject Area/Course Number: MUSIC-093 New Course OR Existing Course Instructor(s)/Author(s): C. Chuah Subject Area/Course No.: MUSIC-093 Units: 2.0 Course Name/Title: Studio Music Production I Discipline(s): Music/Commercial Music Pre-Requisite(s): None Co-Requisite(s) None: Advisories: Prior or concurrent enrollment in Music-15 Catalog Description: This course is for students wanting to produce music using professional music studio equipment. With this lecture/demonstration and hands on class, students will be able to build a music studio and learn the basic operation of electronic musical equipment. The pieces of electronic musical equipment include MIDI synthesizer, music workstations, computer workstations, groove boxes, drum machines, soft-synthesizers, sequencers, and new products as the industry advances. This is an introductory course and it is intended to build a strong foundation in understanding studio music operation, whether the student is interested in composition, making beats and/or being a producer. Schedule Description: Do you want to learn how to produce music using professional music studio equipment? With this lecture/demonstration and hands on class, you will be able to build a music studio and learn the basic operation of electronic musical equipment. This is an introductory course and it is intended to build a strong foundation in understanding studio music operation, whether
    [Show full text]