DOCSLIB.ORG

About This Manual Steps in a Procedure Are Listed As 1 2 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
About This Manual Steps in a Procedure Are Listed As 1 2 3 Procedure steps 1 2 3 ... About this manual Steps in a procedure are listed as 1 2 3 ... p.I, I – I This “Parameter Guide” contains explanations and other These indicate pages or parameter numbers to which you information regarding the operations of the parameters and can refer. settings on the TRITON proX, TRITON pro, and TRITON. I I The explanations are organized by mode, page, and tab. Link – Explanations and other information on the effects and their Link indicates a linked parameter on a different page that I I parameters are also provided for each effect. has the same name or an abbreviated name. – indicates Refer to this guide when an unfamiliar parameter appears in the parameter numbers. the display, or when you need to know more about a partic- Symbols , , , , , ular function. These symbols respectively indicate cautions, advice, MIDI- related explanations, a parameter that can be selected as an alternate modulation source, a parameter that can be Conventions in this manual selected as a dynamic modulation source, and a parameter that can use the BPM/MIDI Sync function. References to the TRITON proX, TRITON pro, and TRITON Example screen displays The TRITON proX, TRITON pro, and TRITON are collec- The values of the parameters shown in the example screens tively referred to in this manual as the TRITON. of this manual are only for explanatory purposes, and may Switches and knobs [ ] not necessary match the values that appear in the LCD References to the switches, dials, and knobs on the TRI- screen of your instrument. TON’s panel are enclosed in square brackets [ ]. References MIDI-related explanations to buttons or tabs indicate objects in the LCD display CC# is an abbreviation for Control Change Number. screen. In explanations of MIDI messages, numbers in square Parameters in the LCD display screen “ “ brackets [ ] always indicate hexadecimal numbers. Parameters displayed in the LCD screen are enclosed in double quotation marks “ “. Boldface type Parameter values are printed in boldface type. Content that is of particular importance is also printed in boldface type. How to read the “Parameter Guide” (example) Page menu command No. M Mode name Program P5: Edit-Common LFO 5–1: Page Menu Command Page menu Here you can make settings for the LFO that can be used to 0–1A command name cyclically modulate the Pitch, Filter, and Amp of oscillators 1 5–1A and 2. There are two LFO units for each oscillator. By setting Page No. the LFO1 or LFO2 Intensity to a negative (–) value for Pitch, 5–1A: Swap LFO 1&2 Filter, or Amp, you can invert the LFO waveform. This command exchanges the settings of LFO1 and 2. If LFO2 Page menu command has been selected as Frequency Modulation AMS1 or 2 of LFO1, that setting will be cancelled for LFO2 after the LFO1 5–1: OSC1 LFO1 ( ) and 2 settings have been exchanged. If this is selected from Tab No. the OSC1 LFO1 or OSC1 LFO2 tab, the LFO1 and LFO2 of Make settings for the “OSC1 LFO1,” which is the first LFO OSC1 will be exchanged. that can be used for oscillator 1. Tab name (2) 1 Select this command to open the dialog box. 5–1 2 Press the OK button. Tab name (1) 5–1a 5–2: OSC1 LFO2 Here you can make settings for the OSC1 LFO2, which is the 5–1b second LFO that can be applied to oscillator 1. ( “5–1: OSC1 LFO1”) However in “Frequency Modulation” (5–1b), the LFO cannot be selected as a modulation source in “AMS1” or Parameter 5–1c “AMS2.” number 5–3: OSC2 LFO1 This can be used when “Oscillator Mode” (1–1a) is set to 5–1a: OSC1 LFO1 Double. Parameter Here you can make settings for the OSC2 LFO1, which is the Waveform [Triangle 0…Random6 (Vector)] name first LFO that can be applied to oscillator 2. ( “5–1: OSC1 Select the LFO waveform. LFO1”) Range of possible parameter values iii Table of Contents 2. Combination mode . .29 Combination P0: Play . 29 0–1: Prog. Select (Program Select). 29 1. Program mode . 1 0–2: Mixer . 31 Program P0: Play . .1 0–3: Arpegg. A (Arpeggio Play A) . 32 0–1: Perf. Edit (Performance Edit) . .1 0–4: Arpegg. B (Arpeggio Play B). 32 0–2: Arpeggio . .3 Combination P1: Edit–Program/Mixer . 32 Program P1: Edit – Basic . .4 1–1: Program/Mixer . 32 1–1: Program Basic. .4 Combination P2: Edit–Trk Param . 33 1–2: OSC Basic . .5 2–1: MIDI Channel (MIDI Ch). 33 1–3: Velo. Zone (Velocity Zone). .7 2–2: OSC . 33 1–4: Controller (Controller Setup) . .8 2–3: Pitch. 33 Program P2: Edit – Pitch . .8 2–4: Other . 34 2–1: OSC1 P.Mod (OSC1 Pitch Mod.) . .8 Combination P3: Edit-MIDI Filter. 35 2–2: OSC2 P.Mod (OSC2 Pitch Mod.) . .10 3–1: MIDI 1 (MIDI Filter –1) . 35 2–3: Pitch EG . .10 3–2: MIDI 2 (MIDI Filter –2) . 36 Program P3: Edit – Filter . .12 3–3: MIDI 3 (MIDI Filter –3) . 36 3–1: Filter1. .12 3–4: MIDI 4 (MIDI Filter –4) . 36 3–2: Filter1 Mod.. .13 Combination P4: Edit-Zone/Ctrl . 37 3–3: Filter1 lfo Mod (Filter1 LFO Mod.) . .14 4–1: Key Z (Key Zone) . 37 3–4: Filter1 EG . .15 4–2: Vel Z (Vel Zone) . 37 3–5: Filter2. .16 4–3: MOSS Setup (MOSS). 38 3–6: Filter2 Mod.. .16 4–4: Controller (Control) . 38 3–7: Filter2 lfo Mod (Filter1 LFO Mod.) . .16 Combination P7: Edit-Arp . 39 3–8: Filter2 EG . .16 7–1: Setup . 39 Program P4: Edit -Amp. .17 7–2: Arpegg. A (Arpeggiator A) . 40 4–1: Amp1 Lvl/Pan (Amp1 Level/Pan). .17 7–3: Arpegg. B (Arpeggiator B). 40 4–2: Amp1 Mod.. .17 7–4: Scan Zone (Scan Zone A/B) . 40 4–3: Amp1 EG . .18 Combination P8: Edit-Insert FX. 41 4–4: Amp2 Lvl/Pan (Amp1 Level/Pan). .20 8–1: Routing . 41 4–5: Amp2 Mod.. .20 8–2: Insert Fx . 42 4–6: Amp2 EG . .20 8–3: IFX 1 . 42 Program P5: Edit-Common LFO . .20 8–4: IFX 2 . 42 5–1: OSC1 LFO1 . .20 8–5: IFX 3 . 42 5–2: OSC1 LFO2 . .21 8–6: IFX 4 . 42 5–3: OSC2 LFO1 . .21 8–7: IFX 5 . 42 5–4: OSC2 LFO2 . .22 Combination P9: Edit-Master FX . 43 Program P7: Edit-Arpeggiator . .22 9–1: Master FX . 43 7–1: Arpeg. Setup. .22 9–2: MFX 1 (Master Effect1). 43 7–2: Scan Zone . .24 9–3: MFX 2 (Master Effect2). 43 Program P8: Edit-Insert Effect . .24 9–4: Master EQ. 44 8–1: Routing . .24 8–2: Insert FX . .25 8–3: IFX 1 . .26 3. Sequencer mode . .45 8–4: IFX 2 . .26 Sequencer P0: Play/Rec . 45 8–5: IFX 3 . .26 0–1: Prog. 1–8 (Program T01–08). 45 8–6: IFX 4 . .26 0–2: Prog. 9–16 (Program T09–16). 45 8–7: IFX 5 . .26 0–3: Mixer 1–8 (Mixer T01–08) . 49 Program P9: Edit-Master Effect . .27 0–4: Mixer 9–16 (Mixer T09–16) . 49 9–1: Master FX . .27 0–5: PlyLoop 1–8 (PlayLoop T01–08) . 49 9–2: MFX 1. .28 0–6: PlyLoop 9–16 (PlayLoop T09–16) . 49 9–3: MFX 2. .28 0–7: Preference. 50 9–4: Master EQ . .28 Sequencer P1: Cue List . 51 1–1: Cue List. 51 Sequencer P2: Trk Param . 55 2–1: MIDI Ch 1–8 (MIDI Ch T01–08) . 55 2–2: MIDI Ch 9–16 (MIDI Ch T09–16) . 55 2–3: OSC 1–8 (OSC T01–08) . 55 iv 2–4: OSC 9–16 (OSC T09–16) . ..
Load more

Recommended publications
  • Tools for Korg Workstations PCG and Related Files
    Manual Tools for Korg Workstations PCG and Related Files version 1.6.0 Release Date February 20, 2013 Developer Michel Keijzers (MiKeSoft) Online version: https://www.dropbox.com/s/wohq6smdndjnfb0/Manual.docx Brief Overview 1 About PCG Tools .........................................................................................................................1 2 About the Manual .......................................................................................................................4 3 Overview.....................................................................................................................................7 4 Korg Files .................................................................................................................................. 22 5 Workflow .................................................................................................................................. 29 6 Main Screen .............................................................................................................................. 31 7 Using PCG Files .......................................................................................................................... 50 8 Using SNG (Song) Files ............................................................................................................. 122 9 Q & A and Trouble-Shooting .................................................................................................... 125 10 Keyboard Usage & Shortcut Keys ........................................................................................
    [Show full text]
  • Korg Electribe Testbericht Von Delamar
    KORG ELECTRIBE TESTBERICHT DELAMAR TESTBERICHT WERTUNG 4,5/5 INFOS Hersteller Korg • 24 Stimmen (pseudopolyphon) Produkt electribe • 250 Patterns mit je 16 Parts Preis 449,00 Euro • 409 Grundklänge UVP 475,00 Euro • 16 Filtertypen Datum Juli 2015 • 72 Modulationstypen Autor Felix Baarß • 38 Insert-Effekte, 32 Master-Effekte • Sequenzer (64 Steps pro Part) KURZFAZIT • 16 anschlagsdynamische Pads • Eingang: 3,5 mm Stereo • Ausgänge: Reboot geglückt – das Teil ist äu- 2 x 6,3 mm (L/Mono & R) ßerst robust, liefert starke, vielfältige • Kopfhörerausgang: Sounds mit und macht vor allem sehr 3,5 mm (Stereo) viel Spaß beim Sequenzieren und • MIDI I/O (USB und 2 x 3,5 mm Austoben mit Effekten. per Kabelpeitsche) • Sync I/O (2 x 3,5 mm) • Stromspeisung via Netzteil FÜR WEN? (liegt bei) oder 6 AA-Batterien Fortgeschrittene, die einen PRO allumfassenden Klangerzeuger für elektronische (Tanz-)Musik, Hip Hop • Drum Samples, und mehr suchen. Für die Bühne, Instrumentensounds & Co. unterwegs und (mit Abstrichen) das + 55 Wellenformen Studio. Korg electribe • Für elektronische Musik aller Art • Gutklingende, spaßige Effekte + Touchpad für Master-FX • Überwiegend guter Workflow Testbericht • Motion Sequencing, Event Recording & Co. • Extrem robustes Gehäuse dank »Wollmilchsau 2.0.« Zinkdruckguss CONTRA • Keine Einzelausgänge • Kein Senden von MIDI CC 1 2 DELAMAR TESTBERICHT DELAMAR TESTBERICHT den Audioeingang als Quelle für eigene Samples Filter (etwa wie bei einer MPC) zu nutzen, gibt es 408 Korg electribe Testbericht Das Filter bietet die drei üblichen Kategorien Tief-, Grundsounds, die sich wie folgt zusammensetzen: Hoch- und Bandpass mit jeweils mehreren Un- terarten. So zum Beispiel einen Acid-typischen Kein leichtes Erbe: Im Korg electribe Testbericht tritt eine waschechte • 56 Kick-Drums Modus, die Filtertypen des MS-20 und mehr • 58 Snare-Drums Groovebox an, um noch eins auf die beliebten Vorgänger draufzusetzen.
    [Show full text]
  • Korg Triton Studio Manual
    E 1 IMPORTANT SAFETY INSTRUCTIONS CAUTION Danger of explosion if battery is incorrectly replaced. 1) Read these instructions. Replace only with the same or equivalent type. 2) Keep these instructions. 3) Heed all warnings. THE FCC REGULATION WARNING (for U.S.A.) 4) Follow all instructions. This equipment has been tested and found to comply with the limits 5) Do not use this apparatus near water. for a Class B digital device, pursuant to Part 15 of the FCC Rules. 6) No objects filled with liquids, such as vases, shall be placed These limits are designed to provide reasonable protection against on the apparatus. harmful interference in a residential installation. This equipment 7) Clean only with dry cloth. generates, uses, and can radiate radio frequency energy and, if not 8) Do not block any ventilation openings, install in accordance installed and used in accordance with the instructions, may cause with the manufacturer’s instructions. harmful interference to radio communications. However, there is no 9) Do not install near any heat sources such as radiators, heat guarantee that interference will not occur in a particular installation. registers, stoves, or other apparatus (including amplifiers) If this equipment does cause harmful interference to radio or that produce heat. television reception, which can be determined by turning the 10) Do not defeat the safety purpose of the polarized or equipment off and on, the user is encouraged to try to correct the grounding-type plug. A polarized plug has two blades with interference by one or more of the following measures: one wider than the other.
    [Show full text]
  • Korg Volca Sample Loading Samples
    Korg Volca Sample Loading Samples Sydney is unprompted: she rhyming mirthlessly and extravagated her parakeets. Final Bruce engenders conspiratorially. Rocky still preplans crudely while sought Horacio jugulating that rinsing. This app using the studio one in, ableton live work on everything else that samples volca sample loading samples and dx became alienated from Korg announces Volca Sample loop sample sequencer that control be used to edit. Korg Release New Volca Sample Sonic State. Though this makes it turns red when using good strategy to get today best free. Transfers the factory samples provided by Korg to the volca sample. 2 KORG volca sample Tweak attack and Sequence Samples Introducing. It just keep you loaded with loading is absolutely brilliant upgrade here is much of choosing, you can emphasise by motion data. Instead of free application designed for my experience of android for data in designing a load or transferred onto your mpc. Midi driver tool runs on your korg audio culture underground house sylenth presets were established by korg volca beats. How is load their own samples on a Korg Volca Sample Algonaut. Switched on everything by loading, load any changes. How to goal your own samples on a Korg Volca Sample. Korg Volca Beats Analog Korg Volca Sample of white. Volca sample midi cc VG-Immo. Auto music software site is enough to just does not loading samples proves you may earn an. Load samples from the dedicated iOS app In addition discard the 100 preloaded. Volca Sample content of sample sequencing with a load new memory. Vosyr-volca Mp4 3GP Video & Mp3 Download Mxtubenet.
    [Show full text]
  • TRITON-Rack MIDI Implementation Revision 1.3 (Jul.5.'01) Consult Your Local Korg Dealer for More Infomation on MIDI System Exclusive Implementation
    KORG TRITON-Rack MIDI Implementation Revision 1.3 (Jul.5.'01) Consult your local Korg dealer for more infomation on MIDI System Exclusive implementation. 1.TRANSMITTED DATA 1-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal +------+---------+-------------------+--------------------------------------------------------+----+ |Status| Second | Third | Description ( Transmitted by ....) |ENA | |[Hex] |[H] [D] | [H] [D] | | | +------+---------+-------------------+--------------------------------------------------------+----+ | 8n | kk (kk) | 40 (64) | Note Off ( Sequence/Arpeggiator data ) | A | | 9n | kk (kk) | vv (vv) | Note On (vv)=1-127 ( Sequence/Arpeggiator data ) | A | | An | kk (kk) | vv (vv) | Poly Key Pressure ( Sequence data ) | T,Q| | Bn | 00 (00) | mm (mm) | Bank Select(MSB) ( BANK keys, Prog/Combi change ) *1| PB | | Bn | 01 (01) | vv (vv) | Modulation1 ( Knob-B = MIDI CC#01 ) | C | | Bn | 02 (02) | vv (vv) | Modulation2 ( Knob-B = MIDI CC#02 ) | C | | Bn | 04 (04) | vv (vv) | Foot Pedal ( Knob-B = MIDI CC#04 ) | C | | Bn | 05 (05) | vv (vv) | Portamento Time ( Knob-B = Porta.Time,M Chg ) | C | | Bn | 06 (06) | vv (vv) | Data Entry (MSB) ( ARP ON/OFF, GATE, VELOCITY ) *2| C | | Bn | 07 (07) | vv (vv) | Volume ( Knob-B = Volume, M/C Chg ) | C | | Bn | 08 (08) | vv (vv) | Post IFX Panpot ( Knob-B = IFX Pan,M Chg ) | C | | Bn | 0A (10) | vv (vv) | Panpot ( Knob-B = Pan,M Chg ) | C | | Bn | 0B (11) | vv (vv) | Expression ( Knob-B = Expression ) | C | | Bn | 0C (12) | vv (vv) | Effect Control 1 ( Knob-B = FX Ctrl 1 ) | C | | Bn | 0D (13)
    [Show full text]
  • Sound Productions Backline Rentals Production Smaller Dec
    BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P.
    [Show full text]
  • KARMA M3 Help 2.2.11
    HELP FILE AND MANUAL Version 2.2.11 Revision: 26-Jun-2015 ©1994-2015 by Stephen Kay, Karma-Lab LLC. All Rights Reserved. http://www.karma-lab.com Protected by U.S. Patents: 5,486,647, 5,521,327, 6,084,171, 6,087,578, 6,103,964, 6,121,532, 6,121,533, 6,326,538, 6,639,141, 7,169,997, 7,342,166 KARMA® and the KARMA Logo are registered trademarks, and KARMA MW, KARMA Triton, KARMA Oasys, KARMA M3, KARMA M50, KARMA Kronos, KARMA Motif, Generated Effect (GE), Melodic Repeat, Direct Index, Manual Advance, SmartScan, Freeze Randomize, Random Capture and Random FF/REW are trademarks of Stephen Kay, Karma-Lab LLC, www.karma-lab.com. All other trademarks are the property of their respective owners. Portions of the Windows™ version produced with Mac2Win™ Software Copyrights © 1990-2015 Altura Software, Inc. Table Of Contents Using This Help File<UseHelp> Read this first for information on how to best use this on-line manual. Basic Operations<Basic> New Users should consult this to get some helpful advice for working with the software. First Time Setup<SetupKK> How to configure your Korg M3 to work with the software. Includes information on Loading/Saving PCG Data, SysEx, Global Settings and more. • MIDI Setup MIDI Ins & Outs<MIDIInOut> Sync<SynEd> Communication Status<CommStat> • Performance Editor Performance Editor<PE> GE Setup<MixEd> Control<CtlEd> Trigger<TrgEd> MIDI Filter<FilEd> Key Zones<KeyEd> RT Parms<RPPEd> Dynamic MIDI<DynEd> Random Seeds<RsdEd> CC Offsets<OffEd> KORG<KexEd> • GE (Generated Effect) Editor GE (Generated Effect) Editor<GE>
    [Show full text]
  • TRITON MIDI Implementation
    KORG TRITON-SERIES MIDI Implementation Version 1.2 (May.17.'00) 1.TRANSMITTED DATA 1-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal +------+---------+-------------------+--------------------------------------------------------+----+ |Status| Second | Third | Description ( Transmitted by ....) |ENA | |[Hex] |[H] [D] | [H] [D] | | | +------+---------+-------------------+--------------------------------------------------------+----+ | 8n | kk (kk) | 40 (64) | Note Off ( Key Off ) *1| A | | 9n | kk (kk) | vv (vv) | Note On (vv)=1-127 ( Key On ) *1| A | | An | kk (kk) | vv (vv) | Poly Key Pressure ( Seq. recorded data ) | T,Q| | Bn | 00 (00) | mm (mm) | Bank Select(MSB) ( BANK keys, Prog/Combi change ) *2| PB | | Bn | 01 (01) | vv (vv) | Modulation1 ( Joy Stick +Y ) | C | | Bn | 02 (02) | vv (vv) | Modulation2 ( Joy Stick -Y ) | C | | Bn | 04 (04) | vv (vv) | Foot Pedal ( A.Pdl/Knob-B = Foot Pedal ) | C | | Bn | 05 (05) | vv (vv) | Portamento Time ( A.Pdl/Knob-B = Porta.Time,S Chg )| C | | Bn | 06 (06) | vv (vv) | Data Entry (MSB) ( ARP ON/OFF, GATE, VELOCITY ) *3| C | | Bn | 07 (07) | vv (vv) | Volume ( A.Pdl/Knob-B = Volume, S/C Chg ) | C | | Bn | 08 (08) | vv (vv) | Post IFX Panpot ( A.Pdl/Knob-B = PostIFXPan,S Chg )| C | | Bn | 0A (10) | vv (vv) | Panpot ( A.Pdl/Knob-B = Pan,S Chg ) | C | | Bn | 0B (11) | vv (vv) | Expression ( A.Pdl/Knob-B = Expression ) | C | | Bn | 0C (12) | vv (vv) | Effect Control 1 ( A.Pdl/Knob-B = FX Control1 ) | C | | Bn | 0D (13) | vv (vv) | Effect Control 2 ( A.Pdl/Knob-B = FX Control2 ) | C | | Bn | 10 (16) | vv
    [Show full text]
  • TRITON Contg (Final)
    User Guide eUser Guide Features and Benefits 2 "Overview" 5 Connections 8 Disk Mode: Loading the Preload Disks 9 Playing the Factory Demos 10 Basic Navigation: Front Panel Overview, Touchview Graphic Interface 11 Program Mode: Overview 13 Select-By-Bank, Select-By-Category 14 Performance Editing, Realtime Controllers 16 AMS and Effect Dynamic Modulation 18 Very Cool Demo Programs 20 Arpeggiator Mode: Overview and Tour in Program mode 21 Combination Mode: Overview 26 Select By Bank, Select By Category 27 Working with Combinations, Controllers and The Dual Polyphonic Arpeggiators 28 Very Cool Demo Combinations 33 Effects Mode: Inserts and Masters, EQ 34 Working with the Audio Inputs and Effects 42 Using the Vocoder Effect 43 Sampling Mode: Overview 44 One-shot Sampling, Sampling w/ Insert FX 45 Naming Samples, Converting to Programs 48 Working with Grooves, Loops and Tempo 49 Sequencer Mode: Overview, Templates, Preset Patterns, Recording, Play Loops 54 Recording w/ the Arpeggiator, Solo / Mute 57 Creating a Cue List / Converting to a Song 59 RPPR ( Realtime Pattern Play Record) 63 Sequencing w/ Combinations 66 Advanced Arpeggiator Tour 68 Sequencing Using Combis with Arpeggios 76 Output Routing 82 Option Boards: EXB-MOSS, EXB-SCSI, EXB-PCM, SIMM modules, User-installation 84 Additional Information - Owner manual references 86 Cool Demo Programs and Combinations i, ii TRITON Training Guide TRITON Features and Benefits Feature Benefit 1024 onboard sounds All sounds are in RAM* so you can tweak or 512 Programs (including 16 drumkits) replace
    [Show full text]
  • Triton Basic Guide
    E 4 Thank you for purchasing the Korg TRITON proX, TRITON pro, or TRITON music worksta- tion/sampler. To ensure trouble-free enjoyment, please read this manual carefully and use the instrument as directed. About this manual Conventions in this manual References to the TRITON proX, TRITON pro, and The owner’s manuals and how to use TRITON The TRITON proX, TRITON pro, and TRITON are col- them lectively referred to in this manual as the TRITON. The TRITON proX, TRITON pro, and TRITON come Switches and knobs [ ] with the following owner’s manuals. References to the switches, dials, and knobs on the TRITON’s panel are enclosed in square brackets [ ]. • Basic Guide References to buttons or tabs indicate objects in the • Parameter Guide LCD display screen. • Voice Name List Parameters in the LCD display screen “ “ Basic Guide Parameters displayed in the LCD screen are enclosed First read this manual carefully to gain a basic under- in double quotation marks “ “. standing of the instrument and to learn basic opera- tion. Boldface type Parameter values are printed in boldface type. “Introduction” explains the function of each part, how Content that is of particular importance is also printed to make connections, basic operation, and gives an in boldface type. overview of each mode. “Quick Start” explains basic topics (hearing the demo Procedure steps 1 2 3 ... songs, selecting sounds, convenient functions for per- Steps in a procedure are listed as 1 2 3 ... formance). If you wish to begin playing immediately, p.I read this section first. These indicate pages or parameter numbers to which “Basic Functions” contains mode-by-mode explana- you can refer.
    [Show full text]
  • Korg Triton Extreme Issue 33
    E Q U Korg Triton Extreme I Derek Johnson assesses what makes this Triton so extreme. P M ake a range of sampling workstation synths from a tidy as having all the drives fitted inside the synth, but E major manufacturer and repackage them with more we’re talking a serious cash saving here! Tdesirable features and release the result for less Extreme also features a CompactFlash/Microdrive N money. You’d go for it, right? slot, for compact budget data storage and retrieval to T Well, that’s just what Korg has apparently done with a card of up to 1GB capacity. You’ll need to buy one their top-notch Triton range. First of all, it genuinely of these increasingly cheap cards if you want to beam is a repackage job, losing – sadly, it must be said – the samples from your computer, since a card in the slot T classic silver look that the company’s followed from is the only destination in this circumstance. Samples 1995’s Trinity to the Triton Studio range launched in can’t be simply sent to Extreme’s RAM. E ‘02. But we don’t judge a synth by its colour, do we? In most other ways, Extreme is very much similar to S Especially if it features a flexibly assignable vacuum the Triton Studio. It comes in three flavours for a start: T tube circuit, as initially seen on the company’s latest 61-note, 76-note and 88-note keyboards, the latter Electribes! Extreme loses some of the overt expand- featuring a weighted piano action.
    [Show full text]
  • Triton-Editopro Tutorial
    Triton-Edit-Pro SoundEditor User Guide Windows Edition This page intentionally left blank. Triton SoundEditor User Guide 2 TABLE OF CONTENTS: 1 INTRODUCTION ...............................................................................................5 1. 1 Credits........................................................................................................5 1.2 Support........................................................................................................5 2 INSTALLATION/REQUIREMENTS....................................................................6 2.1 Before You Begin ........................................................................................6 3 OVERVIEW .......................................................................................................7 4 PROGRAM FLOW.............................................................................................8 5 SOUNDEDITOR SETUP ...................................................................................9 5.1 MIDI SETUP................................................................................................9 5.2 RECEIVING TRITON DATA......................................................................11 5.3 SHORTCUTS............................................................................................13 6 PROGRAM BANK (PLAY) MODE ...................................................................16 6.1 PROGRAM BANK MODE .........................................................................16 6.2 PROGRAM GENETICS
    [Show full text]