Procedure steps 1 2 3 ... About this manual Steps in a procedure are listed as 1 2 3 ... p.I, I – I This “Parameter Guide” contains explanations and other These indicate pages or parameter numbers to which you information regarding the operations of the parameters and can refer. settings on the TRITON proX, TRITON pro, and TRITON. I I The explanations are organized by mode, page, and tab. Link – Explanations and other information on the effects and their Link indicates a linked parameter on a different page that I I parameters are also provided for each effect. has the same name or an abbreviated name. – indicates Refer to this guide when an unfamiliar parameter appears in the parameter numbers. the display, or when you need to know more about a partic- Symbols , , , , , ular function. These symbols respectively indicate cautions, advice, MIDI- related explanations, a parameter that can be selected as an alternate modulation source, a parameter that can be Conventions in this manual selected as a dynamic modulation source, and a parameter that can use the BPM/MIDI Sync function. References to the TRITON proX, TRITON pro, and TRITON Example screen displays The TRITON proX, TRITON pro, and TRITON are collec- The values of the parameters shown in the example screens tively referred to in this manual as the TRITON. of this manual are only for explanatory purposes, and may Switches and knobs [ ] not necessary match the values that appear in the LCD References to the switches, dials, and knobs on the TRI- screen of your instrument. TON’s panel are enclosed in square brackets [ ]. References MIDI-related explanations to buttons or tabs indicate objects in the LCD display CC# is an abbreviation for Control Change Number. screen. In explanations of MIDI messages, numbers in square Parameters in the LCD display screen “ “ brackets [ ] always indicate hexadecimal numbers. Parameters displayed in the LCD screen are enclosed in double quotation marks “ “. Boldface type Parameter values are printed in boldface type. Content that is of particular importance is also printed in boldface type. How to read the “Parameter Guide” (example) Page menu command No. M Mode name Program P5: Edit-Common LFO 5–1: Page Menu Command Page menu Here you can make settings for the LFO that can be used to 0–1A command name cyclically modulate the Pitch, Filter, and Amp of oscillators 1 5–1A and 2. There are two LFO units for each oscillator. By setting Page No. the LFO1 or LFO2 Intensity to a negative (–) value for Pitch, 5–1A: Swap LFO 1&2 Filter, or Amp, you can invert the LFO waveform. This command exchanges the settings of LFO1 and 2. If LFO2 Page menu command has been selected as Frequency Modulation AMS1 or 2 of LFO1, that setting will be cancelled for LFO2 after the LFO1 5–1: OSC1 LFO1 ( ) and 2 settings have been exchanged. If this is selected from Tab No. the OSC1 LFO1 or OSC1 LFO2 tab, the LFO1 and LFO2 of Make settings for the “OSC1 LFO1,” which is the first LFO OSC1 will be exchanged. that can be used for oscillator 1. Tab name (2) 1 Select this command to open the dialog box. 5–1 2 Press the OK button. Tab name (1) 5–1a 5–2: OSC1 LFO2 Here you can make settings for the OSC1 LFO2, which is the 5–1b second LFO that can be applied to oscillator 1. ( “5–1: OSC1 LFO1”) However in “Frequency Modulation” (5–1b), the LFO cannot be selected as a modulation source in “AMS1” or Parameter 5–1c “AMS2.” number 5–3: OSC2 LFO1 This can be used when “Oscillator Mode” (1–1a) is set to 5–1a: OSC1 LFO1 Double. Parameter Here you can make settings for the OSC2 LFO1, which is the Waveform [Triangle 0…Random6 (Vector)] name first LFO that can be applied to oscillator 2. ( “5–1: OSC1 Select the LFO waveform. LFO1”) Range of possible parameter values iii Table of Contents 2. Combination mode . .29 Combination P0: Play . 29 0–1: Prog. Select (Program Select). 29 1. Program mode . 1 0–2: Mixer . 31 Program P0: Play . .1 0–3: Arpegg. A (Arpeggio Play A) . 32 0–1: Perf. Edit (Performance Edit) . .1 0–4: Arpegg. B (Arpeggio Play B). 32 0–2: Arpeggio . .3 Combination P1: Edit–Program/Mixer . 32 Program P1: Edit – Basic . .4 1–1: Program/Mixer . 32 1–1: Program Basic. .4 Combination P2: Edit–Trk Param . 33 1–2: OSC Basic . .5 2–1: MIDI Channel (MIDI Ch). 33 1–3: Velo. Zone (Velocity Zone). .7 2–2: OSC . 33 1–4: Controller (Controller Setup) . .8 2–3: Pitch. 33 Program P2: Edit – Pitch . .8 2–4: Other . 34 2–1: OSC1 P.Mod (OSC1 Pitch Mod.) . .8 Combination P3: Edit-MIDI Filter. 35 2–2: OSC2 P.Mod (OSC2 Pitch Mod.) . .10 3–1: MIDI 1 (MIDI Filter –1) . 35 2–3: Pitch EG . .10 3–2: MIDI 2 (MIDI Filter –2) . 36 Program P3: Edit – Filter . .12 3–3: MIDI 3 (MIDI Filter –3) . 36 3–1: Filter1. .12 3–4: MIDI 4 (MIDI Filter –4) . 36 3–2: Filter1 Mod.. .13 Combination P4: Edit-Zone/Ctrl . 37 3–3: Filter1 lfo Mod (Filter1 LFO Mod.) . .14 4–1: Key Z (Key Zone) . 37 3–4: Filter1 EG . .15 4–2: Vel Z (Vel Zone) . 37 3–5: Filter2. .16 4–3: MOSS Setup (MOSS). 38 3–6: Filter2 Mod.. .16 4–4: Controller (Control) . 38 3–7: Filter2 lfo Mod (Filter1 LFO Mod.) . .16 Combination P7: Edit-Arp . 39 3–8: Filter2 EG . .16 7–1: Setup . 39 Program P4: Edit -Amp. .17 7–2: Arpegg. A (Arpeggiator A) . 40 4–1: Amp1 Lvl/Pan (Amp1 Level/Pan). .17 7–3: Arpegg. B (Arpeggiator B). 40 4–2: Amp1 Mod.. .17 7–4: Scan Zone (Scan Zone A/B) . 40 4–3: Amp1 EG . .18 Combination P8: Edit-Insert FX. 41 4–4: Amp2 Lvl/Pan (Amp1 Level/Pan). .20 8–1: Routing . 41 4–5: Amp2 Mod.. .20 8–2: Insert Fx . 42 4–6: Amp2 EG . .20 8–3: IFX 1 . 42 Program P5: Edit-Common LFO . .20 8–4: IFX 2 . 42 5–1: OSC1 LFO1 . .20 8–5: IFX 3 . 42 5–2: OSC1 LFO2 . .21 8–6: IFX 4 . 42 5–3: OSC2 LFO1 . .21 8–7: IFX 5 . 42 5–4: OSC2 LFO2 . .22 Combination P9: Edit-Master FX . 43 Program P7: Edit-Arpeggiator . .22 9–1: Master FX . 43 7–1: Arpeg. Setup. .22 9–2: MFX 1 (Master Effect1). 43 7–2: Scan Zone . .24 9–3: MFX 2 (Master Effect2). 43 Program P8: Edit-Insert Effect . .24 9–4: Master EQ. 44 8–1: Routing . .24 8–2: Insert FX . .25 8–3: IFX 1 . .26 3. Sequencer mode . .45 8–4: IFX 2 . .26 Sequencer P0: Play/Rec . 45 8–5: IFX 3 . .26 0–1: Prog. 1–8 (Program T01–08). 45 8–6: IFX 4 . .26 0–2: Prog. 9–16 (Program T09–16). 45 8–7: IFX 5 . .26 0–3: Mixer 1–8 (Mixer T01–08) . 49 Program P9: Edit-Master Effect . .27 0–4: Mixer 9–16 (Mixer T09–16) . 49 9–1: Master FX . .27 0–5: PlyLoop 1–8 (PlayLoop T01–08) . 49 9–2: MFX 1. .28 0–6: PlyLoop 9–16 (PlayLoop T09–16) . 49 9–3: MFX 2. .28 0–7: Preference. 50 9–4: Master EQ . .28 Sequencer P1: Cue List . 51 1–1: Cue List. 51 Sequencer P2: Trk Param . 55 2–1: MIDI Ch 1–8 (MIDI Ch T01–08) . 55 2–2: MIDI Ch 9–16 (MIDI Ch T09–16) . 55 2–3: OSC 1–8 (OSC T01–08) . 55 iv 2–4: OSC 9–16 (OSC T09–16) . ..