David Bowie Spécial 33 Tours

Total Page:16

File Type:pdf, Size:1020Kb

David Bowie Spécial 33 Tours L’estimaTION DE VOS VINYLES 33 T / 45 T Estim’Vinyl® STUDIO - LIVE - SINGLES - CD DAVID BOWIE SPÉCIAL 33 TOURS Station to Station Low «Heroes» Lodger N°8 VOLUME 3 SOMMAIRE DAVID BOWIE SOMMAIRE 3 EDITO 5 BIBLIOGRAPHIE / BIBLIOGRAPHY 10 ALBUMS STUDIO 13 REF DB08-2 REF DB08-3A l l 2 SPÉCIAL david BOWIE 08 SPÉCIAL david BOWIE 08 3 LOCATION DE SONOS DAVID À LA SEMAINE - AU MOIS - À L’ANNÉE édito BOWIE Estim'Vinyl® N° 00008 3ème Volume 3RD Volume pour plus de plaisir... For more fun ... Notre rédacteur en chef, fan de Our editor-in-chief, a fan of Bowie, entre autres, s’en donne Bowie, among others, gives him- à cœur joie. self to our hearts. Music à fond dans son bureau, Music to bottom in his office, exclusivement du David, il fait exclusively David, it fright the péter les watts. watts. Il tient tout d’abord à remercier la First of all, he would like to thank Société West pour son cadeau West for his Christmas present, de Noël, 4 fabuleuses enceintes 4 fabulous 100-watt speakers de 100 watts qui maintenant that now embellish his office. It agrémentent son bureau. Il ne lui only misses the amp that goes manque que l’ampli qui va avec. with it. Cordialement cordially D.J Baron von H. Baron von H. Animateur de vos soirées CONTACT : FABRICE REF DB08-4 [email protected] l 4 SPÉCIAL david BOWIE 08 SPÉCIAL david BOWIE 08 5 DAVID CODE TRADUCTION État COUVERTURE État VINYLE S Neuf Le disque est encore sous son Le disque est encore sous son BOWIE (scellé) emballage d’origine. emballage d’origine. M Comme neuf La pochette est comme neuve, mais Le disque est absolument parfait, édito elle n’est plus scellée. comme neuf, mais il n’est plus Estim'Vinyl® scellé. N° 00008 NM Parfait La pochette est parfaite, pouvant Le disque est parfait. Un frottement néanmoins comporter de très peut être constaté sur le disque, minimes signes d’usure. mais doit être vraiment moindre. Par contre, le dessin artistique ou la Il ne doit y avoir aucun effet sur la photo doivent être aussi impeccable qualité sonore du disque. Si c’est le que possible cas, même minime, il ne pourra plus 3. AUSGABE 第三の問題 être considéré comme NM. FÜR MEHR SPASS ... より多くの楽しみのために... EX Excellent La pochette peut avoir quelques très Le disque montre des signes d’avoir discrètes rayures et/ou des petits été joué (marques lumineuses Unser Redakteur Fan von Bowie, 彼らの心のコンテンツでとりわけボ plis. sensibles), mais la perte de qualité sonore est pratique ment inaudible. unter anderem in Herzenslust . ウ イ の 私 た ち の エ デ ィ タ フ ァ ン 、、。 Musik den Weg in sein Büro, 音楽彼のオフィスへの道、もっぱらデ VG+ Très bon La pochette présente des signes de C’est l’état le plus courant des ausschließlich von David, er Furz manipulations évidentes : extré- disques de deuxième main. Les ビッドから、彼お ならワット。 mité légèrement cornée, étiquette disques ont quelques rayures qui Watt. du prix, plis. Mais aucun défaut n’affectent pas la qualité sonore. 彼は最初、そのクリスマスプレゼン majeur. Il se peut aussi qu’elle soit Certains crépitements peuvent Er möchte zunächst den Westen en parfait état mais présente un être audibles sur des platines très Corporation für seine Weihnachts- ト、今彼のオフィスを飾る4素晴らし poinson ou une extrémité biseautée. sensibles. geschenk danken, 4 fabelhafte い100ワットのスピーカーのための VG- Bon La pochette est usée avec des plis, Le disque a des rayures et marques 100-Watt-Lautsprecher, die jetzt 西社に感謝したいと思います。それは des marques, des décollements, une qui affectent la qualité sonore sein Büro schmücken. Es fehlt nur それで 行くだけアンペアを欠 いてい usure des bords, des décolorations, avec éventuellement quelques un début de marque circulaire du craquements et/ou sautements sur der Verstärker, der mit ihm geht. ます。 disque sur la pochette. quelques pistes. herzlich 真心を込めて G Passable L’état de la pochette est proche de La qualité du son est détériorée celui de VG- avec en plus des écri- par les nombreuses lectures, il y a Baron von H. バ ロ ン・フ ォン・H . tures, un papier gondolé à cause du souffle, des sautements ou des de l’humidité, des déchirures et/sur craquements répétés et nuisibles. les bords ... On ne distingue pratiquement plus les sillons du disque. B Mauvais La pochette est très abîmée avec Le disque n’est plus jouable correcte des déchirures, des traces et ment à cause des trops nombreuses marques d’usure un peu partout. rayures et défauts de surface. Le disque peut être cassé, dans ce cas il mérite sa place au catalogue uniquement s’il est rare. NA Non La pochette est manquante ou ce Le disque est manquant ou ce code applicable code n’est pas applicable à ce type n’est pas applicable à ce type d’articles (Pochette neutre blanche d’articles (livres, merchandising, ...) ou noire, livres, merchandising, ...). 6 SPÉCIAL david BOWIE 08 SPÉCIAL david BOWIE 08 7 CODE TRADUCTION J.JOPLINstate COVERAGE state VINYL S Nine The disc is still in its The disc is still in its (sealed) original packaging. original packaging. M Like new The cover is like new, but it is not The disc is absolutely perfect, like sealed. new, but it is no longer sealed. NM Perfect The cover is perfect, however, may The disc is perfect. Friction can be have very minimal signs of wear. found on the disk, but must be really By cons, line art drawing or photo low. There should be no effect on must be as flawless as possible. the sound quality of the disc. If so, however small, it can no longer be considered NM. EX Excellent The cover may have some very The disc shows signs of having been discreet stripes and / or small folds. played (light sensitive brands), but the loss of sound quality is inaudible ment practice. VG+ Very Good The cover shows signs of obvious It is the state the most common manipulations: tip slightly horny, second hand discs. The discs have price tag, folds. But any major fault. some scratches that do not affect It is also possible that it is in perfect sound quality. condition but has a Poinson or a Some crackles may be audible on beveled end. sensitive plates. VG- Good The cover is worn with creases, The disc has scratches and marks marks, delamination, edge wear, that affect the sound quality with discoloration, a circular mark the possibly some cracking and / or beginning of the disk on the cover. jump on some tracks. G Fair The state of the cover is similar to The sound quality is deteriorated by that of VG-plus entries, a curled the many readings, there is breath, paper due to moisture, tears and / jumps or repeated cracking and on the edge ... damaging. Can be distinguished practically the grooves of the disc. REF DB08-8 B Bad The cover is very worn with tears, The disc is not playable correct l wear marks and traces everywhere. ment because of too many scratches CLIQUEZ SUR LE BOUTON - MERCI and surface defects. The disc can be broken in this case it deserves its place in the catalog only if it is rare. NA Not The cover is missing or this code The disk is missing or this code Relevant shall not apply to such articles does not apply to such items (books, (neutral white or black bag, books, merchandising, ...) merchandising ...). 8 SPÉCIAL david BOWIE 08 SPÉCIAL david BOWIE 08 9 DAVID BOWIE DAVID BOWIE BIBLIOGRAPHIE BIBLIOGRAPHIE David Bowie, de son vrai nom David Ro- David Bowie, whose real name is David bert Jones est né le 8 janvier 1947 à Londres, Robert Jones was born January 8, 1947 in dans le quartier de Brixton. Décédé le 10 Janvier London, near Brixton, Dead 10 January 2016 in 2016 à Manhattan, New York City, Manhattan, New York City. Singer, songwriter, Chanteur, compositeur, producteur de disques et record producer and actor. He scored more than acteur britannique. Il a marqué plus de quatre four decades of a career with frequent changes décennies d’une carrière par les changements of direction and style. It has become one of the fréquents de direction et de style. Il s’est imposé most original and unpredictable rock music. Nu- comme un des personnages les plus originaux et merous artists have claimed its influence. imprévisibles de la musique rock. De très nom- breux artistes se sont réclamés de son influence. After a slow start between folk and variety, Bowie became a star in 1972 through his alter Après des débuts hésitants entre le folk et la va- ego Ziggy Stardust decadent, and requires riété, Bowie devient une vedette en 1972 par a sophisticated and glam rock apocalyptic and l’intermédiaire de son alter ego décadent Ziggy flamboyant performances. Stardust, et impose un glam rock sophistiqué It also participates in the solo careers of Lou et apocalyptique et des spectacles flamboyants. Reed and Iggy Pop as a collaborator and pro- Il participe aussi aux carrières solo de Lou ducer. Reed et d’Iggy Pop en tant que collaborateur et producteur. During the remainder of the decade, he became Pendant le reste de la décennie, il s’intéresse interested in black music (soul, funk and disco) aux musiques noires (soul, funk et disco) et à la and the emerging electronic music, creating new musique électronique émergente, créant des mé- mixtures including with the help of producer and langes nouveaux notamment avec la complicité musician Brian Eno. du producteur et musicien Brian Eno. Dans les années 80, il devient une vedette grand public et In the 80s, he became a star and meets the pu- remplit les stades avec une pop efficace, puis fi- blic stage with an effective pop, then ended the nit la décennie avec un revirement complet, inté- decade with a complete turnaround, including grant le groupe de garage rock Tin Machine.
Recommended publications
  • Heroes / Low Symphonies Mp3, Flac, Wma
    Bowie Heroes / Low Symphonies mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Heroes / Low Symphonies Country: Europe Released: 2003 Style: Contemporary MP3 version RAR size: 1762 mb FLAC version RAR size: 1736 mb WMA version RAR size: 1677 mb Rating: 4.7 Votes: 492 Other Formats: VQF AUD WAV MP4 FLAC ADX DMF Tracklist Heroes Symphony 1-1 Heroes 5:53 1-2 Abdulmajid 8:53 1-3 Sense Of Doubt 7:21 1-4 Sons Of The Silent Age 8:19 1-5 Neuköln 6:44 1-6 V2 Schneider 6:49 Low Symphony 2-1 Subterraneans 15:11 2-2 Some Are 11:20 2-3 Warszawa 16:01 Companies, etc. Phonographic Copyright (p) – Decca Music Group Limited Copyright (c) – Decca Music Group Limited Record Company – Universal Music Phonographic Copyright (p) – Universal International Music B.V. Credits Composed By – Philip Glass Conductor [Associate Conductor] – Michael Riesman (tracks: 1-1 to 1-6) Conductor [Principal] – Dennis Russell Davies Engineer – Dante DeSole (tracks: 2-1 to 2-3), Rich Costey (tracks: 1-1 to 1-6) Executive-Producer – Kurt Munkacsi, Philip Glass, Rory Johnston Music By [From The Music By] – Brian Eno, David Bowie Orchestra – American Composers Orchestra (tracks: 1-1 to 1-6), The Brooklyn Philharmonic Orchestra Producer – Kurt Munkacsi, Michael Riesman Producer [Associate] – Stephan Farber (tracks: 1-1 to 1-6) Notes This compilation ℗ 2003 Decca Music Group Limited © 2003 Decca Music Group Limited CD 1 ℗ 1997 Universal International Music BV CD 2 ℗ 1993 Universal International Music BV Artists listed as: Bowie & Eno meet Glass on spine; Glass Bowie Eno on front cover; Bowie Eno Glass on both discs.
    [Show full text]
  • Prohibition Premieres October 2, 3 & 4
    Pl a nnerMichiana’s bi-monthly Guide to WNIT Public Television Issue No. 5 September — October 2011 A FILM BY KEN BURNS AND LYNN NOVICK PROHIBITION PREMIERES OCTOBER 2, 3 & 4 BrainGames continues September 29 and October 20 Board of Directors Mary’s Message Mary Pruess Chairman President and GM, WNIT Public Television Glenn E. Killoren Vice Chairmen David M. Findlay Rodney F. Ganey President Mary Pruess Treasurer Craig D. Sullivan Secretary Ida Reynolds Watson Directors Roger Benko Janet M. Botz WNIT Public Television is at the heart of the Michiana community. We work hard every Kathryn Demarais day to stay connected with the people of our area. One way we do this is to actively engage in Robert G. Douglass Irene E. Eskridge partnerships with businesses, clubs and organizations throughout our region. These groups, David D. Gibson in addition to the hundreds of Michiana businesses that help underwrite our programs, William A. Gitlin provide WNIT with constant and immediate contact to our viewers and to the general Tracy D. Graham Michiana community. Kreg Gruber Larry D. Harding WNIT maintains strong partnerships and active working relationship with, among others, James W. Hillman groups representing the performing arts – Arts Everywhere, Art Beat, the Fischoff National Najeeb A. Khan Chamber Music Association, the Notre Dame Shakespeare Festival, the Krasl Art Center in Evelyn Kirkwood Kevin J. Morrison St. Joseph, the Lubeznik Center for the Arts in Michigan City and the Southwest Michigan John T. Phair Symphony; civic and cultural organizations like the Center for History, Fernwood Botanical Richard J. Rice Garden and Nature Center and the Historic Preservation Commission; educational, social Jill Richardson and healthcare organizations such as WVPE National Public Radio, the St.
    [Show full text]
  • WATCHMOJO – the Life and Career of David Bowie (1947-2016)
    WATCHMOJO – The life and career of David Bowie (1947-2016) https://www.youtube.com/watch?v=Lan_wotkon0 [Fashion] Welcome to watchmojo.com and today we're taking a look at the life and career of David Bowie. [Queen Bitch] David Robert Jones was born on January 8 1947 in Brixton London England. Though he showed musical interest at a young age it was only in the early 60s that he really pursued the art. He started by joining several blues bands but branched off on his own when they had little success. Renaming himself David Bowie he released his self-titled debut in 1967. [Who's that hiding in the apple tree clinging to a branch] Its lack of success led Bowie to participate in a promotional film called Love you till Tuesday which showcased several of his songs. A particular interest was Space Oddity : that track became a hit after it was released at the same time as the first moon landing. [Ground control to Major Tom] His sophomore effort of the same name however was another commercial disappointment. [The man who sold the world] To promote his third album The man who sold the world, Bowie was put in a dress to capitalize on his androgynous look. [Life on mars] [Ziggy Stardust] In 1971 a pop influenced record called Hunky-Dory came out and was followed by the creation of his flamboyant Ziggy Stardust persona and stage show with backing band The Spiders from Mars. Then came his breakthrough record The rise and fall of Ziggy Stardust and the Spiders from Mars which climbed the charts thanks to his performance of the single Star Man on Top of the Pops.
    [Show full text]
  • ED127048.Pdf
    DOCUMENT NESUNE ED 127 048 PS 008 798 TITLE Child and Family Services Act, 1°75.JointHearings Before the Subcommittee on Children and Youth-and the Subcommittee on Employment, Povelty, and Migratory Labor of the Committee on Labor and Public Welfare, United States Senate, and the Subcommittee on Select Education of the Committee on Education and Labor, U.S. House of Representatives, Ninety-Fourth Congress, First Session. Part 8. INSTITUTION Congress of the U.S., Washington, D.C. .House Committee on Education and Labor.;-Congress of the U.S., Washington, D.C. Senate Committee on Labor and Public Welfare. PUB DATE .. 19 Jun 75 . NOTE 438p.; Several pages of the original document are . copyrighted and therefore not available. They are not included in the pagination; Not available' in hard copydue to print size of original; For related .47 a documents, see PS..008.790-799' 7 EDRS PRICE MF-$0.83 Plus Postage. HC NOt Available frbm 'EDRS. DESCRIPTORS *Child.Care; Child Care Centers; Child Welfare; *Day Care Servioes4 *Early Childhood Eddcation; Educational. Legislation;_Family Day Care; *Family Programs; *Federal Legislation; *Federal Programs; - Health Services; Infants; Medical Services; Migrant Welfare Services; Minority Groups; Nutrition; ParentS'; Preschool Children; Social Services; Standards; State Federal Aid IpENTIFIERS . *Child and Family Services Act; Legislative Hearings ABSTRACT .. 0 This document records proceedings of the joint hearings on the Child and Family` Services Act, 1975 (bills S.626 and H.R.2966). Included are witnesses' testimony of June 19,1975, statements, presented, and additional information (including related publications and communications). (sBy . -. 4 * ********************************************************************** Documents acquired by ERIC include many informal unpublished *materials not available from other sources.
    [Show full text]
  • Autobituary: the Life And/As Death of David Bowie & the Specters From
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing.
    [Show full text]
  • David Bowie a New Career in a New Town [1977-1982] Mp3, Flac, Wma
    David Bowie A New Career In A New Town [1977-1982] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: A New Career In A New Town [1977-1982] Country: UK, Europe & US Released: 2017 Style: Avantgarde, Art Rock, Experimental MP3 version RAR size: 1738 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1377 mb Rating: 4.1 Votes: 572 Other Formats: AIFF AAC MP1 XM VOC MOD VQF Tracklist Hide Credits Low A1 Speed Of Life A2 Breaking Glass What In The World A3 Vocals – Iggy Pop A4 Sound And Vision A5 Always Crashing In The Same Car A6 Be My Wife A7 A New Career In A New Town B1 Warszawa B2 Art Decade B3 Weeping Wall B4 Subterraneans Heroes C1 Beauty And The Beast C2 Joe The Lion C3 “Heroes” C4 Sons Of The Silent Age C5 Blackout D1 V-2 Schneider D2 Sense Of Doubt D3 Moss Garden D4 Neuköln D5 The Secret Life Of Arabia "Heroes" EP E1 “Heroes” / ”Helden” (German Album Version) E2 “Helden” (German Single Version) F1 “Heroes” / ”Héros” (French Album Version) F2 “Héros” (French Single Version) Stage (Original) G1 Hang On To Yourself G2 Ziggy Stardust G3 Five Years G4 Soul Love G5 Star H1 Station To Station H2 Fame H3 TVC 15 I1 Warszawa I2 Speed Of Life I3 Art Decade I4 Sense Of Doubt I5 Breaking Glass J1 “Heroes” J2 What In The World J3 Blackout J4 Beauty And The Beast Stage K1 Warszawa K2 “Heroes” K3 What In The World L1 Be My Wife L2 The Jean Genie L3 Blackout L4 Sense Of Doubt M1 Speed Of Life M2 Breaking Glass M3 Beauty And The Beast M4 Fame N1 Five Years N2 Soul Love N3 Star N4 Hang On To Yourself N5 Ziggy Stardust N6 Suffragette City O1 Art Decade O2 Alabama Song O3 Station To Station P1 Stay P2 TVC 15 Lodger Q1 Fantastic Voyage Q2 African Night Flight Q3 Move On Q4 Yassassin (Turkish For: Long Live) Q5 Red Sails R1 D.J.
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • Vol. 20, No. 11 November 2016 Youfree Can’T Buy It
    ABSOLUTELY Vol. 20, No. 11 November 2016 YouFREE Can’t Buy It Work is by Eileen Blyth and is part of the exhibit Harvest Art, featuring works by the studio artists at Vista Studios/Gallery 80808 in Columbia, SC from November 16 - 29, 2016. See the article on Page 17. Building in Stiches, featuring works by Susan Lenz will be on view at City Art Gallery in Columbia, SC from November 17 - December 31, 2016. See the article on Page 19. “Acorns” are part of the ongoing 25th Anniversary Celebration at One Eared Cow Glass in Columbia, SC. Work by Mark Flowers is part of the exhibit Washing the Dust, on view at if ART Work is by Laurie McIntosh and is part of the exhibit Harvest Art, Gallery in Columbia, SC, through November 19, 2016. See article recap on Page 40. featuring works by the studio artists at Vista Studios/Gallery 80808 in Columbia, SC from November 16 - 29, 2016. See the article on Page 17. All works are part of the 31st Annual Vista Lights Celebration on November 17, 2016, in Columbia, SC’s Vista. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Columbia, SC’s 31st Annual Vista Lights Celebration Page 3 - Ella Walton Richardson Fine Art Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 4 - The Sylvan Gallery Page 5 - Fabulon Art & Peter Scala Page 4 - Editorial Commentary 15th Year Anniversary Celebration
    [Show full text]
  • Bates Student
    Bates College SCARAB The aB tes Student Archives and Special Collections 1-27-1977 The aB tes Student - volume 104 number 03 - January 27, 1977 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 104 number 03 - January 27, 1977" (1977). The Bates Student. 1745. http://scarab.bates.edu/bates_student/1745 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. The Bates Student Established 1873 Volume 104, No. 3 Bates College, Lewiston, Maine Thursday, January 27, 1977 Win. Thompson: Edifice Complex ? By JOHN HOWE ing will sponsor an evening burg, and is presently a Con- discussion on careers in arch- tributing Editor and Architectual William Thompson, a success- itecture Tuesday night at seven- Consultant for Early American ful professional architect. will thirty in the Skelton Lounge. Life. begin a week long visit to the Skclton Lounge will also be the One of Thompson's present Bates Campus Monday Jan. 31. scene of a Wednesday night interests in _thc psychological The visit includes panel dis- forum that will take up the impact our surroundings have cussions, a seminar in Environ- practical subject of "Designing upon our attitudes and behavior. mental Psychology, and small and Building Your Own Home," He has also been conducting a group meetings with students. a topic Mr. Thompson can study of communities that seek Thompson is the first of two address with great expertise, alternative life styles in the hope visiting professionals selected to having designed 400 commercial, of planning such a community in come to Bates this semester educational, and private dwelling New Jersey.
    [Show full text]
  • Locational Relationality in Hedi Slimane and Helmut Lang Susan Ingram
    Document généré le 3 oct. 2021 03:30 Imaginations Journal of Cross-Cultural Image Studies Revue d’études interculturelles de l’image Where the Boys Who Keep Swinging Are Now Locational Relationality in Hedi Slimane and Helmut Lang Susan Ingram Fashion Cultures and Media – Canadian Perspectives Résumé de l'article Cultures et médias de la mode – Perspectives canadiennes Cet article illustre les mécanismes par lesquels Berlin et Vienne en sont venus à Volume 9, numéro 2, 2018 figurer différemment dans l’imaginaire mondial de la mode. Il établit la relation locale stylistique de Hedi Slimane et Helmut Lang, deux dessinateurs URI : https://id.erudit.org/iderudit/1059167ar de mode connus pour leur styles distictintifs qui résistent aux normes DOI : https://doi.org/10.17742/IMAGE.FCM.9.2.7 prévalentes de la respectabilité bourgeoise. La nature relationnelle de leurs identités géographiques—L’attrait de Berlin pour Slimane et le rejet de Vienne pour Lang—est liée à l’imaginaire urbain des deux villes, ce qui se manifeste en Aller au sommaire du numéro rendant hégémoniques des aspects particuliers des époques et du style de l’histoire des deux villes. Éditeur(s) York University ISSN 1918-8439 (numérique) Découvrir la revue Citer cet article Ingram, S. (2018). Where the Boys Who Keep Swinging Are Now: Locational Relationality in Hedi Slimane and Helmut Lang. Imaginations, 9(2), 67–83. https://doi.org/10.17742/IMAGE.FCM.9.2.7 All Rights Reserved ©, 2018 Susan Ingram Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne.
    [Show full text]
  • David Bowie's Urban Landscapes and Nightscapes
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context.
    [Show full text]
  • Trans-FM-Ottawa-CKCU.Pdf
    A Gutetc CKCU 93.1 FN/ SOUVE\ IR EDITV ACT CKCU Celebrates 5 Years of Frequency Modulation Vrk.. \hi- PLUS: An interview with KimVitcholl Dcvid 30wie_ Fincerorintz-Levon He m-Fictionoy Ken Ric5;77), -Solit Enz-Conacicn Film FesfivcIs- onc more... ATTENTION STUDENTS! MILLION DOLLAR GOLD BUY CASH-CASH-CASH YES DIAMONDS WE BUY STERLING SILVER GOLD You Can Get Gold Jewellery -10K -14K -18K -22K E Jewellery Dental Gold Bangles Gold Coins Scrap Gold Bracelets Gold Wafers Chains Charms Placer Gold PHOTOCOPIES Rings Pocket Watches Platinum `Pendants Wrist Watches Silver Coins I 24 Hours A Day CASH FOR GOLD `r,u mu/ ,ap o,Kok Cal we pay cask r ;won, 000 5rr,rre r.n9. 5,2 no to 5,35 00 weareep ook ST 00 to SOO 00 Ir+Ore for Monday to Saturday darnOnC161 pocket *atones 565 00 to $250 00 y,u nol Sure v... vdr test rt t,re anti Make you an one, You .01 Irks CASH FOR STERLING CASH FOR DIAMONDS forks 11.91 SIZE GOOD EIETIERBEST Sorloott 33 Gloat530 $105 5200 Enron 4 84 CaratS70 $220 1450 Sofro. 50.00 s op I. Corot$125 $400 MOO Too Soto 25000 up Carol$200 $550 $1400 10% 2 CaratSSW $1200 S2850 Our Ottawa West Buying Office is now open Monday through Saturday Discount With This Ad 10:00 a.m.-7:00 p.m. penunays oontil 4PM MOW IT N... ITwow PARKING FACILITIES AVAILABLE 1I0041 VOLUAIKE CAMPBELL ELECTRONIC fist p 0,,r °ratedo ver rroorr YOU 'IOW Halklort Howe PRINTING SYSTEMS MI poops sublet -I to osorkot oottellitorto 6 orloo 2249 Carling A.m.., Soho 224 171 Slater Street, Ottawa INTERNATIONAL WE RESERVE THE RIGHT TO REFUtE ANY PURCHASE GOLD&DIAMOND INC.
    [Show full text]