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CKCU Celebrates 5 Years of Frequency Modulation

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Fincerorintz-Levon He m-Fictionoy Ken Ric5;77), -Solit Enz-Conacicn Film FesfivcIs- onc more... ATTENTION STUDENTS! MILLION DOLLAR GOLD BUY CASH-CASH-CASH

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2 TRANS FM NOVEMBER rfiliWay

A Guide toCKCU 93.1 FM

FEATJRES VOLUME 2, NUMBER 3 RADIO ACTIVE CRAIG MACKIE A celebration of five years of alternative radio 8 THE KIM MITCHELL INTERVIEW GEOFF CURRIER Max Webster has plans for a long time to come 24 FINGERPRINTZ BRUCE SIN/PSON More songs about songs dealing with paranoia 28 LEVON HELM WORKMAN JOHN On the road with the Cate Brothers and a gallon of sake 30 I'LL MEET YOU BY THE TWO THOUSAND SEAS KEN ROSS From the dream life of Derek D SPLIT ENZ ROB STEWART Conquering the Northern Hemisphere by laser 56

REGU_ARS UNCONTROLLED FEEDBACK 4 PRINTED CIRCUITS ....RAY NOYES 6 PROGRAM SCHEDULE 12 93. HIGHLIGHTS 15 CINEMA BILL WHITE 36 RECORDS ON REVIEW 40 ALTERNATIVE RECORD CHART ALWYN ROSS ...47 COVER ART: RADIO ACTIVE by Robie SINGLED OUT ROB STEWART .51 Hai. 7. original painting is DREADTALKS....JUNIOR SMITH 53 available as 'a full -colour glos.sy TRANS FM CLASSIFIEDS 55 poster. Call CKCU for details.

1980 TRANS FM 3, riansFrauncomoum--

Editor. STEVE MORETTI What's wrong with and I want to be sure you will still be on Copy the air when I return. Especially No RAY NOYES all you Ottawa people? Future Now and Meantown Blues and Layout ArkansasTraveller. I missSneezy Dear TRANS FM, DALE DREWERY Waters and Molson Stock Ale, a tall Re: Joe Jackson review, page 15, STEVE MORETTI one, at the Lafayette Hotel. Keep up the Photography. Vo. 2 no. 1 good work. I was very disappointea with Steve DANNY PATTERSON Moretti's review of Joe's show at Camp Bob Feindel JAY HARRISON Fortune. Maybe he was one of the many New South Wales CHRISTINE JOHNSON "hippies" that frustrated him Australia. throughouttheshow. Coming from ROBIE HARTLING Montreal, after the drive to Gatineau STEVEN ANDERSON Pork, after parking in the primitive lotAn important alternative and after hiking the final 3,000 meters,

I stillenjoyed a great show. What'sfor Ottawa Adver. j wrongwithall you peoplefrom (Copy of a letter sent to tne (..1album. I have a funny feelingthatthe audience were the Both as to quality and quantity, the Greek sheep herders stoned on Ouzopublic affairs programming of CKCU is TRANS FM is published monthly by that Moretti mentioned. most impressive, as the station con- Radio Carleton Incorporated. Thank you and I dare you to print tinuesto reach out to meet the needs

. of new audiences. Contents are copyright 1980 All this one. rights reserved. ISSN 0704-478X. I would hope that in your Monthly circulation, 15,000 Jeanne Cari3oneau deliberationsyouwillconsiderthis copies. Montreal, Quebec record andtheopportunitieswhich present themselves for the future and Typeset by The Charlatan . YVETTE Well, we printed it. So what? give thisapplication your favourable DIEPENBROCK ANL, SUSAN Ed. consideration. AYSCOUGH ypesetters. Printed by Marion Dewar, Performance Printing Mayor, Ottawa Colour separations by Hadwen Nothing like Molson Stock Graphics Ltd and Meantown Blues ve, Dear Radio Carleton, Address letters to: I have been working for the past Pd rates available on request 41/2 months down here in Australia so TRANS FM (613) 231-7477 unfortunately I haven't heard many of

your broadcasts. I do, at least, get my Room 517, Unicentre SUBSCRIPTIONS: S25 a year. (Used copies of TRANS FM sent down. to support CKCU-FM, a non-profit Anyway,since yourlicence is Carleton University community radio station Donors coming up for renewal,I am writing a Ottawa, Ontario become members of Radio letter of support for your radio station Carleton Inc ) because you were the only radio station K1S 5B6 in Ottawa worth listening to when Ileft

4 TRANS FM NOVEMBER, Reserve NOW through Canadian Universities Travel Service CHRISTMATERSS C.U.ESCHAR TORONTO TO VANCOUVER from $259 TORONTO TO LONDON $569 MANCHESTER BRITAIN PRESTWICK

- Edmonton 60Laurier Ave. E. Vancouver 238-8222 Carleton University $239 238- 5493

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The large plastic box told Alpha, Beta and Gamma all they needed to know about the creatures RAY NOYES

he structure was composed mainly of cylindrical colleague, Gamma, infrontoftheverticle "opaque Lstems from some of the larger, firmer vegetationopening" which Beta had discovered. nearby. These stems had been cleaned and stacked Instruments beyond my understanding were employed to form a cube with a cover of some other materialto destroy the simple metal latch and open the door so that inthe shape of two rectangular panels, whichthe tiny explorers could enter. Within they founda very overhung slightly all round the cube;, the panelssimple scene - buta wealth of information fortheir came together in a ridge above the middle of the structure.acutely developed senses and theirunimaginablein- Itwas evidently undamaged, but there were openings;struments. around these the explorers noticed transparent, gleaming A creature, as massive as Alpha's whole party com- fragmentsregularly sprayed upon the ground. Brokenbined, lay still on a piece of furniture which was Beta's glass. height from the dirtfloor and justlong enough' to ac- The first explorer, whom Imight as well call Alpha,commodate thecreature's frame. The party began to began to enter the structure through one of the openings, measure, probe, examine. .. Beta discovered a supply of. which was some distance from the ground. Beta, the second food on shelving in a corner, and more in a small, sealed explorer, called from around the corner: his message waslocker (perishables - stillintact). Gamma very quickly not "sound" asI understand it, but its content was simple: measured the other furnishings - a round slab, again of "Small opening of no -more shards is part of opaque openingwood, supported by small wooden cylinders; more wooden extending down tosoil. This large opening will yield."objects which could have been wheels or spools, but which Alpha, whose form was made forcrawling, climbing,clearly functioned here as supports for various objects and probing and exploring, nevertheless knew that a ground -their owner, to elevate them to heights appropriate to his level opening would be quicker. He joined Beta and a third physical construction...

6 TRANS FM NOVEMBER 'V V. Onnwen <4.% Alpha's examination confirmed what Alpha had begun But most importantly, Gamma discovered, inside this to consider possible (what Alpha had "expected"). A larger box, another of the small containers with spools of genetic analysis showed that the creature was their first magnetized ribbon - just as Beta found on empty "outer "intact specimen of the beings who had seemed to be shell" and proceeded to search for its missing spool -deck; thoroughly destroyed;inthehabitation centre,three when they combined their efforts, they concluded that the degrees of latitude away in the direction of the rising sun,large box must also be a decoder for the message spools. not one remained whole. The shelter of the surroundingThe small pictographic markings on the six buttonswere hills had preserved for the explorers a cache of intact ar-understood perfectly after a simple assessment (by X-ray? tifacts. by sonar?) o' the mechanical parts below; an appendage The creature had died from toxic radiation, and notwas brought forth and a buttor was engaged - the symbol from the catastrophe itself; it (he) seemed to have known was ofits(his)impendingdeath,and may have made rudimentary preparations, both medical and spiritual, to ease its onset. Gamma hod moved from a furniture study to an unrelenting scrutiny of the few other technological im- plements in the cabin. Some were simple and obvious: devices for traversing crystalline water; a rubber sphere with complementary glove forrecreation; a fireproof structure and a passage for smoke; toolsfor starting, maintaining and extinguishing a fire; a simple lamp and fuel; eating vessels and utensils, including containers full

(or partiy full) of water and alcohol.. . There were intact samples of the creature's permanent linguisticrecord -- mostlysymbols onstacksofthin sheaves, genetically identified as wood -based. Implements for inscribing the symbols were found, as well as several bound lumps of symbol -sheaves which had clearly been prepared by machine. The task of relating the symbols to each other and to the creature's perceptual context would have to wait at least two rotations of the planet. Alpha, Beta and Gamma were to rendezvous with Delta, Epsilon and Theta at that time, halfway between the cabin and the destroyed city. There they would "put their heads together", so to speak, and attempt a complete synergy of what they had learned. Unless, of course, somethingunex- pected "notyet considered possible" - were toin- tervene.

. and what they recistered,in their ownway, as air now Beta had finished in the food corner and Gamma's sculpture - moving waves- sound -- wasnottobe work with the furniture and implements was done.deciphered for at least two rotations of the Earth. Itwas Alpha by now was engaged in attempting to recordspeech, the language of the unfortunate creatures who had RNA codings - memories - from the recently livingso thoroughly destroyec so much. man. So Alpha was not present at the discovery made No; the meaning of these first soundswas beyond by Beta and Gamma on the second corner shelf. Alpha, Beta and Gamma. They were words, only words, The explorers were very short- their sophisticatedspilling from the radio / cassette player: toolsand superbly developedselves had thoroughly 'CKCU, 93.1 FM. Please dial and donate-help save worked through all raw data to be found in the cabin, alternative radio.. ." except for the prize on this higher shelf. Beta found the . but what came next was pure glee (or something like small, flat boxes, made of firm, light petroleum derivatives, it)forAlpha, Beta and Gamma: regular,rhythmic, and labelled with more machine -processed symbols; within mathematically altered and varied, dancing, pulsating, them were more compact, sealed plastic boxes containing spiritually nourishing vibrationsin the air around them. magnetized plastic ribbons wound on spools. Since part ofThey scurried to the floor .to prepare to sendan urgent the wound -up plastic was exposed in eachcase, Beta dispatch to their comrade- explorers in the destroyed city. decided that a message must be there. A good rendering of tneir message might be: Gamma, at the same time, was scanning the contents "MUSIC DISCOVERED. CULTURE SPIRIT PRESENT. and surface features of a larger plastic box. It had control COMMENCE SEARCH FOR SURVIVORS." buttons and levers and knobs which were suitable for They did not know, for example, 'that the man singing handling by creatures like the cabin's owner. Mcre symbols, Saved' on the tape machine was still alive; but theywere most of them immediately incomprehensible, were on thisefficient and would soon find out. For now, however, machine. A scale, recognizable to Gamma asa series ofGamma had just discovered the uses of the FF /CUE but- indicators at logarithmically spaced intervals, suggestedton ... as Gamma varied the tape speed intricately, the that a receiver for signals borne on electromagneticwaves others rolled for joy on the dirt floor, wishing that the lost was contained in the plastic housing. creature could have heard their thanks..

1980 TRANS FM 7

RADIO ACTIVE

Af-er five years on the FM band CKCU, Radio Carleton, is beginning to look more like a permanent fix-ure in the Ottawa -Hull community_ and less like a shot -lived University broadcasting experiment. Current Station Manager Craig Mackie has personally participated in all five years of he station's FM history. His..observations

are a lesson in the . impcssible, the improbable and the sheer laughable. But they ore important lessons. And everyone that believes in the future of an independent, alternative media should know about them.

Art by Danny Patterson 2'X'AVOMMOMMKS4WOWalefteiEMMinedreU.

can think of the starting point and I can see where we are now, but the rest ofthishalf decade isa high speed collage of sounds and voices, images and faces, and perilous lows followed by awesome highs. There have been manytimesduringthemanic- depressive history of CKCU-FM when it seemed like the end was so close. No matter what predicament the station encountered, there have been two forces that have guided the station throughout. The first is the dream and the reality of FM radio and the second is the unfailing, indomitable spirit and imagination of the people who worked at CKCU-FM. The storyofRadio Carleton is fascinating simply for the people who have participated in this artistic communications experiment. But what has always made itexciting for me is the individual creativity that CKCU has inspired.I have never been, and I doubt THE ORIGINAL 1975 GANG OF NTNE.Jeff Green, Al Thaw, Eric Dormer, if I ever will be again, associated with such concentrated creativity' over suchRob Braide, Chris Henry, Randy Williams, Sheryl Bennet, Craig Mackie an extended period of time.

The group that brought CKCU ontocreativity. I remember Andrea Thiel,Joni Mitchell's 'You Turn Me On I'm A the airwaves has long since departed.whose verve lead to new directions for Radio' played over the air at midnight But the energy that spawned CKCU-FM public affairs programming. I on November 14th,1975. We stood has been regenerated many times over. remember Peter Lennon, whose Hunter- around the office guzzling champagne Yet the people and the programsThomsonesque light -speed energy kept with the tears of joy streaming down mean nothing withoutearsto hearRadio Carleton a financial reality. everyone'sfaces.Everyonehugging them. The listeners of CKCU-FM have Those were the people at the roots everyone else, not knowing whether to given new meaning to the words radioof CKCU-FM. Many, many others have laugh or cry. audience. brought their talents into the studios The loyality,spirit and And I fondly recall the scores of supportshownbyRadio and offices of the station, all the while Carleton'skeeping the essential live radio experiments: an entire studio audience have been major factors in nature of theunder canvas outside at the Central oursurvival.Often,whennothingstation alive - as well as takingitin new directions. 'Canada Exhibition, live music from the seemed to be going for us, our listeners Festival For the Folks, from the Alex, came through by phone, by mail and by and from Rooster's Coffee House; a their dollars. The relationship between debate on nuclear energy, coverage of CKCU and the people who listenis the World Symposium on Humanity something I shall treasure all the rest of "Radio Carleton from Toronto, elections and the first - my life. ever campus radio network.

Perhaps, long after I leave CKCU, exists for the Space will simply not allow for me I'llhavethe timeandspaceto to indulgeinthis strange trip down remember this experience and to put it stimulation of the memory lone to the extent that I'd like. into some kind of perspective. But still There are hundreds of people whom I being actively involved in it all, it's hardears and the mind"should thank and remember for their to choose a few memories to share with contributionsto CKCU-FM. There are you. It's a five year blur that sometimes countless incidents which have come to seems like 50 years and sometimes mind during the writing of this article seems like no time at all. some funny, some sad, some which I I also remember the bitter I remember Randy Williams. His would dearly love to relate to you. But fighting spirit disappointmentsthat smashedthe and determinationyouthful idealism in the early days ofthepast is something whichis in- against all odds put CKCU-FM on the air. FM:theCRTC, whose programmingdividual to the person remembering. It I remember Paul Munson,whose platitudes meant nothing when it camenow onlyexistsinourhearts and technical expertise in setting up CKCU- to allowing a truly free experiment in minds. FM lives on today. I remember Jeff radio. Radio Carleton, above and beyond Green, whose mind created so many anyothermedium,existsforthe new sounds and whose style in radio AndI remember the soaring h'gh stimulation of the ears and the mind. production set new standards for as we went on the air for the first time. Fantasyand imaginationarereal

10 TRANS FM NOVEMBER, worldsinradio. Unhindered by the stand corn, stop reading. These pastexperienced. But we have never been visual, we can and have created anyfive years have been the most won-ones to lay back on our laurels. It's not scenario of which the mind can con-derful of my life. IfI were asked to do it inour nature.Instead, we will con- ceive.In our audio history, we have again, without hesitation I'd say YES!! I stantly seek out the unknown and the blown up the Arts Tower, been taken have been immense'y lucky to have had untried, exploring and experimenting over by T.H.W.A.R.T. (Three Hundred this oportunity to share with so many to the limits of our imaginations. Wimps Against Radio Tyranny), beenpeople this remarkable experience. If So,this November 14th at mid- controlledandoverriddenby GBSyou were there for part of the journey, night, no matter what you're up to, join (GalacticBroadcasting System). Wethen you know what I mean. If you've usinspiritifnotinpersonfora have asked our listeners to take us justjoinedus,stay tuned, becausecelebratory toast to CKCU-FM. When where their imaginations will go. Thatyou're in for the time of your life. you hear Joni, we're five years old that included everything from a choinsaw The people at Radio Carleton are instant. And although I can't be with fantasy to hash-hungries. proud of the past five years and theyou in person, thanks for your friend- Now for those of you who can'taccomplishments and successes we've ship, for your love - for everything.. Five Years Of Radio Activity

For those who may be keepers ofstation that advertising will be an issue November 15, 1978 memorabilia, here are just a fewnext year at licence renewal time. CKCU'slisteners come through with oftheimportant datesintheNovember 15, 1977 outstanding financial support for the history of CKCU-FM: OnCKCU's thirdanniversary,the station. station is called to another CRTC public December 25, 1978 July 15, 1974 hearing to renew its licence. Contrary A happy Christmas made happier with Randy Williams is hired to prepare for to rules of procedure, CHEZ is allowed Bruce Cockburn's own special. an FM radio station on the Carletonto file a negative irtervention less than April 7-14, 1979 University campus. He becomes the first 24 hours before the hearing. CKCU is CKCU broadcasts for an hour each night FM Station Manager. given no advance warning. livefrom the World Symposium on December 28, 1977 Humanity in Toronto. May 6, 1975 CRTC issues a decision which denies May 22, 1979 Radio Carleton'sfirstpublic hearing CKCU's application for renewal. And with the CRTC, chaired by Harry Boyle. OntarioUniversities'Radio Network although the stationis praised for its (first ever in goes on the air to The hearing is held in Hamilton and excellenceinprogramming and ad- attended by nearly one hundred CKCU cover the federal election. CKCU is the vertising, the CRTC accuses CKCU of "an anchor station. staffers and supporters. excessive drive forprofessionalism". CKCU is given 6 months to prepare a March 30, 1979 June 27, 1975 CKCU's first toevision /radio simulcast CRTC Decision 75-247 grants a special r.ew application. CKCU isordered to cease and desist withCJOH. The program is Cheap broadcasting licence to CKCU-FM. all advertising. Six Trick - Live at Budokan. November 14, 1975 people lose part-time jobs at the station because of this decision. September, 1979 11:00a.m. - Department ofCom- TRANS FM is born. munications (DOC) orders CKCU not to February 1, 2, & 3, 1978 Carleton Students' Association holds a November 15, 1979 go on the air at midnight because the CKCU's listeners come through again by station's transmitter is interfering with referendum on the future existence ofdonating nearly $25,000 to keep the sensitive experiments in the Radio Carleton: 88% of a record turn-station on the air for another year. Engineering School. out vote in favour of continued funding for the station. December 8, 1979 4:00 p.m. - DOC relents, giving CKCU CKCU makes the cover ofBillboard permission to go on as scheduled. February 14, 1978 Students' Ass'ncutsoffallfunding magazine by airing bootleg records. Midnight - CKCUchristenstheair- Ooops1 waves at 93.1 MHz with transmitter including salaries.CKCU goes over budget. February 18, 1980 power of 4100 watts and a broadcast OUR Network comes back to cover the radius of 50 miles. Joni Mitchell's 'You August 1, 1978 After Williams'resignation,Craig federal election with extensive coast - Turn Me On, I'm A Radio'is the first to -coast coverage. music played. Mackie is hiredasinterimStation June 5-7, 1980 Manager. November 22, 1976 Realityiscast aside as listeners and CKCU'ssecondpublichearingwith September 12, 1978 staff participate in Fantasy Weekend. CRTC held in Ottawa. CKCU proposes to Yet another CRTC public hearing for CK-September 14, 1980 solve interference problem by movingCU's licence renewal. CKCU and Ottawa Cablevision begin transmitterto Camp Fortune. At the November 1, 1978 regular weekly simulcast of No One same time, CKCU proposes to go 24 CKCU begins first annualpublic Came. hours per day. CFMO and CHEZ in-donations drive to support the station's November 14, 1980, midnight tervene, requesting that CKCU's hours operation. CKCU-FM is five years old. also be restricted. November 3, 1978 December 6, 1976 CRTC renews station'slicence fora The futureof CKCU-FM remains CKCU moves transmitter and goes 24 periodof 2Y4 years. Advertisingquestion. .. it'sup to you to help us hours for the first time. CRTC warnsrestrictions are reinforced. make the answer positive.

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music and impart on their such as unemployment, Karen Haines zoom in on Monday to Friday experiences. Repeated access,housing, andcut- local, notional, and in- Indicates programs Thursdays at 6:30 pm. This backs are examined. ternational cinema topics. Exceptional lectures that alternate weekly.) is a simulcast with Ottawa will The He a She Hour(9-10 pm) Cablevision Channel 12. occasionally be presented. He's Alwyn, she's Evelyn. Special Blend (8-10 am) In The Shadows(8-8:30 The Vinyl Hour(9-10 pm) Together they sample new A refreshingmixtureof Pm)* A fast -paced hour of music directions inmusic,and music, interviews and Thisprogram makes you and information containing personalities everysecond weekplay colourful listen to radio in a unique interviews with artists, rock'n'roll games with beginning each morning and sometimes startling reviewsofconcertsand withtheBBC news from you - the listener. way, anditwillhelp you recent album releases, and Sponsored by La Crepe de London. discover you. discussionwiththosein- France. The Rides Boar i(8 am) Music From The Glen (8:3C-9 volved in the music industry. Ride offers and requests are What A Long Strange Trip Ifs pm) Sponsored by Peaches presented in this free Bei/n(10-11 pm) Traditional music from the Restaurant. The music of the 1960's is classified service. Call 231- BritishIsles. Sponsored by Contrabands(10-11 pen) 4498 for more information. chronicled.Sponsored by Molly McGuire's. A weekly look at the world Legend Records. High Noon(Noon-1 pm) Meantown Blues(9-11 pm ofmusic, mportedstyle. A one -hour package of your Two hoursofthe bestin Records that can only be programs and favourite blues and profilesof the purchased in Canadaas Saturday comedy, the Entertainment artists who makeit.Host importswillbe featured. in- 93.Live (4-5 pm) Calendar, community John Tackaberry. Sponsored by Super Clef. formation and the BBC In -concert recordings of Worldservice News. Thursday today's most energetic jazz, The Entertainment Calendar Tuesday blues, and rock artists. (High Noon) Dutch Concert Hall(2-3 pm) Sponsored by Record Off the Pedestal (7-7:30 pm)* Runner. A capsuleofupcoming A program that examines Some of the world's finest live events, concerts, nightclub and backgrounds con- recordingsof serious Breakaway (7-7:30 pm) performances and cultural temporary women's issues. music are provided to CKCU Complete sports coverage happenings. Repeats on Thursday's High by Radio Nederland, including feature interviews featuring top Radio News (12:50 & 5:50 Noon. Dutch or- with top professional chestras and choirs. pm) athletes. Host Geoff Currier. Latitudes(7 -7:30 pm) A ten minute A Classic Afternoon (3-6 pm) Network °world* (9-10 pm) newscast Complex political issues in prepared bystudentsat Classical music forthe Top rock stars are featured Carleton University's School international affairs are broadest musical tastes with inan hour special broad- of Journalism. discussed and reviewed. host Chuck Kyle. cast. Repeats on Thursday's High WIssenchaft(7-7:30 pm) Monday Noon. A science magazine Song For You (8-10 am) British Airwaves (9-10 pm) program focusing on Sunday ContemporaryChristian Each week host Rob Stewart research inCanada, and music with host Lorne examines the trends and the scientific developmental Canadian Spaces (10:30-11 Anderson. individuals from past and interpretation of current am) Music From India (10-11 am) present who have made scientific explorations. An examination of the folk rootsofNorthAmerica, Religious classics, British rock what itis. Sundial (7-7:30 pm) traditionalfolkandcon- featuringtraditionalfolk No Future Now (10-11 pm) Therelationshipbetween temporary moviethemes The punk and new wove and country, bluegrass. combined with news from man, technology and nature movement is chronicled are examined. ArtisticLicense (11:30 am - India, hostedbyHarsha through its music with Noon) Slidire Delta (7:30-9 pm) Dehejia. Sponsored by India specialemphasisonthe HostsSandyBarsand Foods. artists who lead the way. Acoustic and traditional Suzanne King explore the SundaySlmcho (11-11:30 blues featuring the masters artistic world, with special Hosts Roch Parisian and Rob of the twelve bar with host am) Stewart. emphasis on the performing Host Rabbi Mordecai Berger John Tackaberry. arts. Workman John (11-12 pm) features music and thought - In A Mellow Tone (9-1 1 pm) Backbeat( I:Joon-2 pm) provokingdiscussionthat Artist profiles, musical trendsofthepastand A historiccl survey of jazz A weekly overview of reflectstheJewishcom- and blues from the twenties contemporary soul musings on themodern with munity of Ottawa. to the seventies. Hosted by Alwyn Ross. Prifsence Haitian(11:30 - condition as seen by John Workman. Ron Sweelman. Sponsored Disco Radio (2-3 pm) Noon) by CW's. The music and culture of A studyofcurrentdisco Wednesday Rabble Without A Cause (11 trends with Elorious Cain. Haiti with Max Beaugee. pm -1 am) Rendezvous(5-7 pm) Half -Way Home (7-7:30 Reggae inThe Fields (4-5 pm) Jazz artists and by-products, The finest inQuebecois triviaand esotericawith pm) APublicaffairsprogram music with interviews and Don Lahey and James Hole. The past, present, and special features. Host Marc directed at and produced by future of reggae as Thivierge. youths.Hostedby Mike presented by Junior Smith. Sourial and Heather Wilson. Friday No On. Came (7-7:30 pm) New Revolutions(8-9 pm) A program in which local Waiting in Une (7-7:30 pm) Apertue (7-7:30 pm) Host John Stamos airs new musicians perform their Post secondaryproblems HostsDiane Laursen and releases in rock each week.

NOVEMBER, 1980 TRANS FM 13 MICHAEL WHITE AND LOU ADLER PRESENT THEFIRSTNORTH AMERICAN TOUR

NATIONAL ARTS CENTRE GEORGE Dec. 6th / 11 P.M. Dec. 7th / 6:30 P.M. & 9:30 P.M. THOROGOOD Tickets $15.00, $13.50, $11.50, $9.50 Tickets on sale Nov. 17th And The Destroyers Tickets available at NAC Box Offices Super Clef & Treble Clef Record locations Wed. Nov. 12th Civic Centre Salons / 8:00 PM More George Thorogood and the Destroyers Tickets $8.50 Tickets available at all Treble Clef Records & Super Clef locations ROUGH TRADE With CAROLE POPE & Kevan Staples At Barrymore's Nov. 20-22 /tickets $6.50 Reserved seating for dinner customers, for reservations call: 238-5691 Tickets available at all Treble Clef Avoid Freud record locations, Super Clef & Barrymore's 2. 11EiCH:ICFES BACKBEAT I pm SATURDAY In honour of CKCU's funding \ovemoer 1 drive, November is Superstars month on Back- beat. This week: Stevie Wonder.

DISCO RADIO - 2 pm European Disco:Elorious Cain presents European disco you lust might have missed.

THE HISTORY OF REGGAE -3 Pm Junior Smith presents part one of this month -long seriesonthehstoryof reggae. This afternoon he looks atthe influencesof America and the Rastafarians. Workman John, A Thaw and Dave Emmerson BABBLE WITHOUT A PAUSE - Midnight HEARTS OF STONE - 5 pm -8 Shucking for sheckles and spare parts MichaelGiunta andNeil pm ovember will certainly be a hectic month around Bregman are caught in the JamesHale and Howard Radio Carleton. The funding drive really has the act of Bloom present an nterview station hopping. All kinds of birthday specials Shucking for are planned for this exciting month. Scheckles os they return to with Southside Johnny and theairwavesfor the the Asbury Jukes with live Starting with Saturday, November 1st, Neil concert nBregman and Mike Giunta will kick off FUNDING FUNDING DRIVE '80 kick-off materialandan interview with Johnny Lyon.DRIVE 80 with Shuckirg for Scheckles at midnight. Besure extravaganza. (For mature to check these two guys out listeners only.) The pledge line will be open - what a pair! Later in the wide at 231-7590. day, at noon, the inde.:atigable Miguel Giella will be into present a special return edition of Musica Y Dialog°. Also DAVE EMMERSON - 8:30 am on Saturday, Chopper McKinnon brings us Canadian Spaces in the former Arkansas Traveller slot, 10:30 to 1 1 :30 am. High harmony and Lowdown Chopper tells us that Saturday morning is the only morning Pick in':Two of hours SUNDAY he feels like getting up early, so give hima call and really bluegrass featuring Bill make his day worthwhile. Later in the afternoon, Rendez- Munroe, The Seldom Scene Novemoer 2 vous will be shifted from 4-7 pm to 5-7 pm. and Norman Blake. As usual, Radio Carleton will be presentinga wide SONG FOR YOU - 8 pm variety of special music programsthis month: George ARTISTIC LICENSE - 11:30Rare and obscure materialThorogood on November 4th, and a very special, special am that you can only hear atedition of Network Overide on the 14thare but two of the Tokickoff thismonth's CKCU. Larry Norman, Glass great programs planned. Thorogood gets under way at 8:00 dance theme, a feature on Harp,DanielAmos,Cliffpm and Network Overide at 9 pm. Canadianmulti -media Richardandmore. Good Nobody really knows forsure what's planned for dancerLilyEng, whois.reasonsforgiving.231-midnight Nov. 14th. What's so significant about midnight appearing at Le groupe de 7590. November 14th, you ask? This is the time when every lover la Place Royale tonight. of alternative radio can bow their heads ina moment of Also, an interview with The NO ONE CAME - 7pmsilentprayer,andthengoout and gettotalledin Great Canadian Theatre (Simulcast- Ottawa celebration of CKCU's fifth birthday. But stay close to the Company's artistic director, Cablevision, Channel 12) radio though, CKCU will have a bevy of specials tocom- LarryMacDonald,and a Jeff Belanger is the featured memorate the occasion. feature on Gancouver poetartist. This month will also see some new voices atnew times. Carolyn Zonailo. Startirg with Mondays, Special Blend will be piloted by Al MEANTOWN BLUES - 9 pm "Printemps" Thaw, while High Noonwill be manned by Matt MUSICA Y DIALOG() - Hits That Missed:MoreButler, who tells usthigitall the rumours about him are Noon 'Meat 8 Gravy from Cadillacuntrue. Tuesday High Noon will be under the steady hand of Miguel' Giella returns to the Baby'. Volume 2ofblues Program Director Geoff Currier, while the Tuesday 11pm -2 airwaves for a special from Bea 8 Baby music from am slot will be hosted by John Stomas. And during the fundingdriveeditionof JimmyCotton,Andrewfunding drive Brent Craig will be in the saddle for High Musica Y Dialog°. McMahon and others. Noon on Wednesdays.

NOVEMBER, 1980 TRANS FM 15 RIGIDAIR A POOR MAN'S HEATINAVE A BENEFIT FOR

PRESENTED By

R.A.R.aNuNOFUTURENoW time:7:00 P.M. "november _8TH" main hall,unicentre carleton university with

STARK NAKED &THE, SOUND FLESHTONILS LIGHTING 1HE UNKNOWNS by THE SHADES RESTLESS VIRGINS urban fate * ADVANCE TICKETS $3.50 SPLASH GALLERY at the door RECORD THEATRE SECOND TIME 'ROUND $4.00 EARFULL RECORDS RECORDS ON WHEELS H,00* 00,040000 01000,. .0L SUNDIAL - 7pm Robert Lantos; a review of MONDAY TUESDAY Broadcasting: What it is and Ca peut pas etre l'hiver, on a what it should be. mernepaseud'ete,by November 3 November 4 Louise Carre, which will be SLIDIN' DELTA - 7:30 pm screenedtonight at the T.J. MARTIN -4 pm SPECIAL BLEND -8 am Harmonica Blues: At last - National Film Theatre. Dial This afternoon T.J. The Return of Neil & Dave: great harmonica per- and donate - you could demonstrates how a musical Bregman and Mowbray formances of the 1920's and win one of five packages to show is put together, using returnfora very special 1930's preserved on Yazoo. the N.F.T. 231-7590. a variety of styles toshow one-time only performance how creative mixing sets a in honour of FUNDING IN A MELLOW TONE - 9pm THE HE AND SHE HOUR - 9 mood for the listener. The DRIVE '80. To get them off Vernon Isaac: A tribute to Pm last part of the show will be the air, dial & donate: 231-the veteran localAlwyn and Evelyn go to the unplanned mayhem as Terry 7590. As well, The Dragnetsax ophon .st /vibraphonist, movies.Don'tforgetthe inviteslistenerstodial & Duck. including some tapes of hisadmission charge. donate (231-7590) while he HALF WAY HOME - 7pm new big bond and his choice attemptsto mix listener's of some ofhisfavourite WHAT A LONG STRANGE TRIP requestsinthe quest for An update of CKCU's Spirits Alive Competition. recording artists. IT'S BEEN - 10 pm that "perfect mix". The Survivors - Part one. CONCERT PREVIEW -8 pm RABBLE WITHOUT A OFF THE PEDESTAL - 7pm CAUSE - 11 pm Women InLove: The trueGeorge Thorogood: A profileof the artist along Don & James acceptjazz story of Julie, who wants to requests with donations at write a Harlequin romance. with tracks fromhis new FRIDAY album. 231-7590 and ask listeners to "guess that tune" to winNovember 7 BRITISH AIRWAVES - 9pm albums. Who Was ThatMasked THE VINYL HOUR - 9pm Band?: Tonight, Rob brings GeoffCurrierand Diane JON FINNEGAN -3 am you a programme of musicalLaursen present an in- DiscreetWho: Rare Who hoaxes,unusualcover terview with John Cougar tracks not released versions, and famousand a review of the JimTHURSDAY domesticallyarefeatured groups recording under Morrisonnovel No One this morning. Here Gets Out Alive. aliases. In addition, a November 6 special gift for the highest STEVE MORETTI - II am pledge 'over $50willbe The secret lives of the great giver out. T.J. MARTIN - I pm masters. An exploration of Thedebutof The CKCU what the great composers WEDNESDAY Traffic Terry NO FUTURE NOW - 10 pm Report. and did intheirsparetime, Music For Money: No FutureNovember 5 Mike Merlin ride the Radio includingRossini's uses of Now appropriately kicks off Carletontraffic'copter.Is the William Tell Overture mass transittheonly their first show of this year's MAX BRUIN - 3 am and Bach'suse of cousin funding drive by examining alternativeto a "drive" Heidi. New Music: The latestshow? the role of money and big releases from the big guys. business in the music of the A CRAZY new wave. Who will win, the AU STAR FUNNIES - 5 am LAZY THURS- creativebands or thePart one of a two-part look DAY -4 pm conglomerate recordat the best in comedy. A mixture of music meant to companies? Along with your motivateeventhemost donations, get in your mellow and miserly -minded requestsfornext week's SPECIAL BLEND -8 am of women and men to march second annual all -listener - BBC Worldservice News, their money many miles, in request show? and a special feature Why mind of months and months Not Let the Americans Have of magnificent FM memories WORKMAN JOHN - 11 pm it All? - a look at the (at 93.1 of course! ) TheWorst MusicIn The amountofAmericanin- World-Part Two: By tervention in the Canadian NO ONE CAME- 6:30 pm popular request the Work-economy and some of the (Simulcast with Ottawa man willair what he, you alternatives to selling out. Cablevisioi, Channel 12) and others consider to be Jeff Belanger is the featured trashy and nauseating. Tune artist. in and be surprised at what A CLASSIC AFTERNOON -2 93.LIVE a- 4 pm some people consider pm JoeJackson:Recorded garbage! Concert"Lollipops": Chuck APERTURE - 7pm earlierthisyearatthe Kyle presents light classics An interview with Elwy Yost HatfieldPolytechnic in in concert. and big-timeproducer England.

NOVEMBER, 1980 TRANS FM 17 BARRYMORE'S 323 Bank St. NAPOLI Oct 30 -Nov 1: Italian & Sea Food HARLIQUIN Cuisine Nov 4: Watch For Our New STEPPENWOLF WITH John Kay Location at 429 Nov 3-6 St. Laurent Blvd. BUTLER NAP' - Italian & Sea Food Cuisine1 Discount Nov 7-8 With This DOUG & THE SLUGS 1 0 % Coupon Nov 10-12 429 St. Laurent Blvd/15 Grenfell Cres. LEVON HELM & The Cate Brothers 15 Grenfell Crescent Nepean-225-7845 Nov 13-15 LOVER BOY nommtmighl, SECOND TIME Nov 17-19 ROBIN LANE 'ROUND The Chartbusters We have a large Nov 20-22 selection of ROUGH TRADE albums & books. FEATURING Carol Pope Also buying Nov 24-26 comics & tapes. DUTCH MASON BUY-SELL-TRADE Open 10 am-8 pm Dec 1 & 2 SAM & DAVE Mon.-Sat. Dec 3 & 4 1097 Bank St. TAJ MAHAL 234-6546 Phone: 238-5691 BRIAN EAGLE - 6 pm JAMES HALE -5 pm -8 pm NO ONE CAME - 7pm Johnny Marshall to Hello Tower: By over- Pay Your Dues for the 3lues: [Simulcast on Ottawa thoroughlyinvestigate the whelming popular demand, Jamesinviteslistenersto Cablevislon, Channel 12] music they feel will soon be Brian brings back the Flightmake a pledge at 231-7590 Heather Drummond and RDbtaking over the world - 52 escapade. andrequest a favourite MacDonald are the featured rock -a -billy.Hear rock -a - blues song. artists. billy old and new, bad and BREAKAWAY - 7 pm good -mostly good, of The best of Breakaway. MEANTOWN BLUES - 9 am course. Trying To Make A Living: the NETWORK OVERIDE - 9pm SUNDAY third volume of Meat cnd JamesMarshallHendrix: Gravy from Cadillac Baby, One hour of selectedlive \ovemoer 9 blues on Bea and Baby by tracks. TUESDAY Y GLASS Eddie Boyd, Bobby Saxton and L.C. McKinley. \ovemoer 11 JAMES HALE - 11 pm WAITING IN LINE - 7 pm SATURDAY The HistoryofSouthernThe best of Waiting In Line Rock, Part Two: The and the rest of W.I.L. Issues \ovemoer 8 Childrer of Duane Allman.range from South Africa to James follows the course of Carleton University. ONCE UPON A TIME IN THE ZZ Top,LynyrdSkynyrd, STONE AGE - 1 am Grinde- Switch, The THE VINYL HOUR - 9pm MichelBeaudoinandAI Outlaws, Molly Hatchet cnd DianeLaursenandBrian Thaw waste the night, the others in thewakeof Eagle celebrate Remem- day and their brain(s) with Allman'3death Oct.29, brance Day with some stories, contests and a little 1971. choice interviews from the help from Odakim Ltd. past year.

DAVE EMMERSON - 8:30 am Country Classics:. Dave MONDAY presents the all time greats WEDNESDAY of country music including November 10 Hank Williams, Jimmy \oven oer 12 Rogers,Doc Watson, and LATITUDES - 7 pm many more. An examination of the SPECIAL BLEND - 8 am

possibility of World War I I What Will We Do With The Folks? The rising problems ARTISTIC LICENSE - 11:30 BRITISH AIRWAVES - 9pm of the elderly. am Rarefied Airwaves: The An interview with Bill James vaults creak open this A CLASSIC AFTERNOON - 2 from Le groupe de la Place evening as rare and unusual pm royale, and a review of the recordings make their way ConcertLollipops:Chuck Wooden Sculptures ontotheturntables: The Kyle plays light classics for a exhibition at theWells Move, David Bowie,Nick Wednesday afternoon. Gallery. Also, a feature on Lowe and much, much, Canada's new arts network T.R.A.T.A.N.A.P.E. - 2 am more. Once again, a special WISSENSCH AFT - 7 pm on CBC-TV. The Roch and Terry All-night giftforthe highest pledge An exploration of the end of AcidPsychedelicover $50. the universe. BACKBEAT - Noon Extravaganza: Roch Par is ien Part two of Backbeat'sand T.J. Martinhost a NO FUTURE NOW - 10 pm DAVE EMMERSON - 7:30 superstarsmonth. This morningof wacky weird- The 2nd Annual All -Listener - pm week's special feature: ness,mentalabbr aviation Request -Show: You wart it, Break out the candles: A Donna Summer. and music to fry your brainyou gotit! Tell us what romantic evening with some cells to. WARNING: Warped, punk /new wave songs you unique lyrical perspectives DISCO RADIO - 2 pm disordered, or otherwise want to hear on No Futurefrom BigMaybelle,Little European Disco - part two. alteredstatescfcon- Now when you phonein Esther, Pleasant Joe and Big sciousness only - please! your pledges to CKCU. We Joe Turner. THE HISTORY OF REGGAE dare you to stump us on a MUSIC - 3 pm SONG FOR YOU, - 8 am request! We double -dare IN A MELLOW TONE - 9pm Junior Smith continues this Someoftheyear'sbest youtorequest us on a CKCU's Fifth Birthday: series which traces the roots interviews are replayed. stump I Listeners get to choose the of reggae. Todaythe Have you made your pledge musicisns who will play to periodsofska androck yet to keep Song Fcr You on WORKMAN JOHN - 1I pm celebrate the fifth birthday steady are explored. the air? Workman teamsupwith of CKCU-FM.

NOVEMBER, 1980 TRANS FM 19 MIDRIGITCS FRIDAYS SATURDAYS 111000110101010111.01141.1011ANIllaellattell1PallteeataistarealiasailatePollgoonVolseallatooloWleilltelles~0101111411 FRIDAY OCTOBER 31 SATURDAY NOVEMBER 1 FRIDAY Special Hallowe . 44,1. ted Br,,, 11 NOVEMBER 7 Presentation 4'14 DRACULA,- The Ramones. : Bela Lugos, V . !101 1 Fleetwood Mac. Paul PLUS: Ito be confirmed) FREE sneak preview off McCartney & Winos. 4.111114144. VLAD THE IMPALER 1 Alice Cooper. Chuck Berry Come See & Be Seen! The Trim Lift, of Dracula ! & Todd Rundgren in fry,,,,,q This him ,n, not ter I., `q,,0:1, ,b 1 SATURDAY - --I FRIDAY NOVEMBER 14 SATURDAY NOVEMBER 15 NOVEMBER 8 Fif M If THE eye , .1'1 'hog RETURN ENGAGEMENT! LED ZEPPLIN in ERASERHEAD

SEBASTLiNE MLA t AN.. 11114/Pil I vuli1 bme Mwilb or, IMO. Mor

a film In Derek Jarman I, his music Brian EM) , -1"o TESQNWEMAINSIESAM SATURDAY FRIDAY NOVEMBER 28 FRIDAY NOVEMBER 22 For Those Who Never Knew NOVEMBER 21 For Those Who Will Never Forget...

, The Band. Bob Dylan. Joe Cock, s & Nash Stintana Sna,) Jfffn, Sebastian. Neil Young. Joni Samna,. & rte. arn,n /rant, rrnr Sly & The Farnay StoneTen Years AtterRicht. vaarna rr, HAver, Country Joe & The F,shArlo Gurnee and Mitchell. Eric Clapton other Beaut.lui People Ringo Starr in With th core of Bill Murray John Illailushi Martin ScorsPs«,..s sonnzekrulle_Jri Ottawa Paprmere/ SATUR b AV NOWA OE Admission (for midnight programmes)Regular $3.50 Student John Waters PINK FLAMINGOS and FEMALE TROUBLE PHOENIX232-0456 Starring Divine 413 Bank atipres Gladstone Not to be seen near

p., JESTOR'S 44t I, NO BAR RESTAURANT 40 rue Ptrnt,pale We're working... HullP Q so you will too. 1378 Clyde Avenue Cuisine Nepean, Ontario Italian & European Progressive Conservative Youth Federation Federation des jeunes progressistes-conservateurs Fruits de Mer - Bifteck 178, rue Queen Street, Ottawa (Ontario) KIP 5E1 Salon Bar (613) 238-6111 224-9117 Diane - Spectacle Banquet Seafood - Steak SCHOOL OF LANGUAGES LTD. Piano Bar L'ECOLE DE LANGUES tve That Van: GERARD CARON GERARD CARON LTEE. Banquet Reception THE GERARD CARON European Sun Lounges 209, Ch. MontrealRd. 40, rue Principale, Hull, P.Q. Vanier, Ontario 2934 Carling Ave. By Appointment Only KlL6C8 Ottawa, Ont. K2B 7J7 828-6822 (819)770-4606 (613) 741-4547 STEVE MORETTI - 10 am SATURDAY access to education. THURSDAY Wired For Sound: A history BRITISH AIRWAVES - 9pm of electronic music from the November 13 November15 The Enz in Sight: As stardom beginning until now. lurksaroundthecorner, T.J. MARTIN - 1 pm Request your favourite ARTISTIC UCENSE - 11:30New Zealanders, Split Enz, electronics at 231-7590. Guitarists' Dream: From pm pay avisittoBritish A ir- Akkerman to Zappa from What's itliketobe a waves to discuss the past, Los Indios to Di Meola: Terry struggling actor in Ottawa?the present and future of and the Workman try to find Findoutthis morning as the group. out what makes a guitaristFRIDAY ArtisticLicensetalksto great, and invite listeners to David Evans. NO FUTURE NOW - 10 pm pledge fortheir favouriteNovember 14 BACKBEAT - Noon Odds and Ends: Tonight we axeman. If you like strings, Superstars Part Three: Thefinishoffthelistener you won't want to miss this 93.LIVE -4 pm requests from the funding The Jam: Jacksons. Recordedlast driveandfeaturesome onel spring at London's Rainbow gemsjustaching tobust Theatre. DISCO RADIO -2 pm A CRAZY LAZY THURS- European Disco - Partloose from the new -release chart. DAY -4 pm BREAKAWAY - 7 pm Three: Artists that you may Neil Bregman tantalizes you have never known about. with a preview of his up- Brains vs. Brawn: The issue WORKMAN JOHN - 11 pm of scholarships in Caradian Workmancelebrates comingwinterline-upof the university is THE HISTORY OF interviews which include the sports birthday of Gene Clark by examined tonight. REGGAE -3 pm playing and chronicling the likesof Mel Lewis, Susan Junior Smith continues themusic of the group he was Mingus, Randy Brecker, BRIAN EAGLE - 7:30 pm story of reggae. 1969-1973 an important part of - The Philip Catherine, Janne Night In Rustyare explored today. Byrds. Schaeffer and more. These Armour - Volume 2: One - interviews are being held and -a -half hours back in the THE BOSS, PART THREE - 5 for ransom. You can helpsixtieswithyour fave 2 - pm -8 pm free them by making yourminute tunes. JamesHale and Howard contributiontoFUNDING BloompresenttheThird WEDNESDAY DRIVE '80. NETWORK OVERIDE - 9pm AnnualBruce Springsteen CKCU-FM November 19 NO ONE CAME - 6:30 pm From Skid Row to So Ho: A Funding Drive Special. 231-7590. The last (Simulcast on Ottawa profile of Gary Moore. A CLASSIC AFTERNOON day for pledges! I - Cablevision, Channel 12) 2 pm William Walton: Heather Drummond and Rob Viola Concerto, Paul Doktor, MacDonald are the featured viola, London Philharmonia artists. Orchestra. Edward Downes, SUNDAY conducting. APERTURE - 7 pm The Best of Aperture No. 1: November 16 SLIDIN' DELTA - 7:30 pm AretrospectiveofAper- Uptown Blues: Guitar -piano ture'scolourful4 -year NO ONE CAME - 7pm duets from 1927-37 history,includingstraight (Simulcast on Ottawa collected by Yazoo. talk from Craig Russell, wise Cablevision, Channel 12) words from Bernardo Labyrinth is the featured IN A MELLOW TONE - 9pm Bertolucci, zany trivia from a artist. Crazy 'bout a Saxophone: game show, bizarre fantasy, N:! Mary Van Wyck and Ron Harry Medved and some MEANTOWN BLUES - 9pm Sweetmanplaysomeof special funding drive Roy Browyn, 'Laughing But theirfavourite saxophone celebratorymoviepasses Crying' - kicks from Routerecordings, from Coleman, for appreciative donors to 66, the great Swedish label, HawkinstoPharoah San- CKCU-FM. the best in rhythm and blues ders. from the west coast in the

I THE HE AND SHE HOUR - 9 / Ii ' late forties. pm FIFTH ANNIVERSARY Help keep Alwyn avl Evelyn SPECIAL - Midnight on the air by donating to CKCU-FMturnsfivewith THURSDAY FUNDING DRIVE '80 and by much hoop -la, champagne MONDAY playing the Bio-Rhythms and a story that will have November 20 Game. 231-7590. you in tears of joy, sadness, November 17 A CRAZY LAZY THUR- silliness, and craziness. Five SDAY -4 pm WHAT A LONG STRANGE TRIP years ofmemoriesare OFF THE PEDESTAL - 7 pm Neil Bregmantakes an IT'S BEEN - 10 pm condensedinthisspecial Mind Gettos: An inside look at Joni Mitchell's The Survivors: Part two. presentation. examination of women andaward -winning Mingus'

NOVEMBER, 1980 TRANS FM 21 career,Richie talks about anniversary of the Bolshevik Third World: The best THURSDAY hispast,and aboutthe Revolution;thecomposer reggae /rock bandinthe album he is currently entitled the work 1905 and world performs live at November 20working on. dedicateditto the Russian London's Rainbow Theatre. uprising of that year. Dimitri APERTURE - 7 pm NO ONE CAME - 7 pm A reviewof Lesgrands Shostokovich: Eleventh NETWORK OVERIDE - 9pm enfants by Paul Tana. (Simulcast on Ottawa Symphony, Leopold Three Steps toHeaven: Cablevision, Channel 12) Stokowskiconductingthe Twenty yearslater, Eddie Thefeaturedartist is THE HE AND SHE HOUR- 9 Houston Symphony Cochran. pm Spencer Valentine. Orchestra. Alwyn and Evelyn discover the startling resurgence of MEANTOWN BLUES - 9pm WISSENSCHAFT - 7pm Amos Milburn and his A look at ice -testing, heroin in today's music Chickenshackers - the scene. Even Major Tom's a astronauts and eating. SATURDAY junkie! rocking bluesof the man from Houston, Texas. IN A MELLOW TONE - 9pm November 29 WHAT A LONG STRANGE TRIP Recent releases: The cream IT'S BEEN - 10 pm of the crop releases in the ARTISTIC LICENSE - 11:30 Rhythm Rockers: The best fields of jazz and blues. am on bass and drums in the MONDAY Fundingfordancecom- sixties. panies in Canada is discussed as Artistic License November 24 examines the Canada THURSDAY Council's stand on this lively BRITISH AIRWAVES - 9pm November 27 art form. FRIDAY TheRobertWybttStory: November 21 Quite possibly one of the A CRAZY LAZY THUR- BACKBEAT - Noon most brilliant musicians onSDAY - 4pm Get Up Offa That Thing! 93.LIVE - 4pm theBritishmusicscene,An interview and profile of Alwyn Ross pays homage to The Concert Forpercussionist /keyboard-Belgian guitarist Philip James Brown. Bangladesh. dist /vocalist Robert WyattCatherine is Neil Bregman's isentering a new phase.featureonthelastlazy DISCO RADIO -2 pm NETWORK OVERIDE - 9pm Rob Stewart takes a Thursdayafternoon of European Disco: part five. AC/ DC: A long way to the retrospective look at November. top. REGGAE IN THE FIELDS -4 Wyatt - his music, and pm thoughts from Soft MachineNO ONE CAME - 6:30 pmOldies but goodies, to the present. (Simulcast on Ottawa featuring... Cablevision, Channel 12) SATURDAY NO FUTURE NOW - 10 pm Spencer Valentine is ThunderbirdsareGol:featured today. November 22 Tonightthelong-awaited ARTISTIC LICENSE - 11:30 specialon Britishcomic - APERTURE - 7 pm am punk crazies, The Rezillos. A A tribute to the AmericanSUNDAY Ottawa's new artists' co-ophistory of the band's hecticturkey. is examined; a review of the career featuring new November 30 releasesfromoffshoot THE HE AND SHE Greasy Spoons exhibition at HOUR - 9pm the Splash Gallery; groups Shake and Revillos. SONG FOR YOU -8 am For kids of all ages! Play Duelling Discs as Alwyn and Evelynpittwo new Last Night I Had The BACKBEAT - Noon releases against one Strangest Dream: Part two. Earth Wind and WORKMAN JOHN - 11 pm Fireare Music of the Girl Groups:another in the battle of the today's Superstars feature. Hear the thrilling trilling of bands. NO ONE CAME - 7pm (Simulcast on Ottawa REGGAE IN THE FIELDS -4the Shirelles, The Chrystals, pm The Ronettesand maybe WHAT A LONG STRANGE TRIPCablevision, Channel 12) Allan Richardson and Janey ReggaeSunsplash: Junior evenLesleyGore. IT'S BEEN - 10 pm finally makes it to the 1980 The Rolling StonesintheMillicanare thefeatured version! sixties - part two. artists. MEANTOWN BLUES - 9pm WEDNESDAY Charles Brown and Johnny SUNDAY Moore's Three Blazers play November 26FRIDAY the mellow blues of "Sunny November 23 A CLASSIC AFTERNOON -2 Road" on Route 66. SONG FOR YOU - 8 am Pm November 28 .Richie Furay: From Buffalo Commissioned for the 40th93.LIVE -4 pm

22 TRANS FM NOVEMBER 7hc4 b@Ebv@

C -M he following is the beginning of a NATIONAL FILM THEATRE - 238-7865 growinglistof businesses who Stay tuned during Aperture on are chipping in to help raise November 6th and 13th at 7:00 p.m. as funds for Radio Carleton during we auction two pairs of season passes FUNDING DRIVE80. We urge all our and ten pairs of single passes to the listeners to patronize these businesses NFT winter showings. as a demonstration of appreciation for the contributions they have made to the continued survival of CKCU-FM. Many local businesses have The followingbusinesseshave donated goods or services for auctionbeen kind enough to donate goods to during the funding drive, November 1st - the Radio Carleton stafftofacilitate 15th,1980.Stay tunedto93.1 for their efforts in raising money for CKCU. detailsthroughoutthe fabulous two weeks. Dial and donate - and pick up CYRVILLE CHRYSLER -PLYMOUTH - 900 something extra at the same time. 231- St. Laurent Blvd.

7590. . . Our very special thanks go out to the fine people at Cyrville Chrysler - ELGIN ART - 279 Elgin Street, 238.2644 Plymouth who have donatec a 1980 Head down to Elgin Art and do your PlymouthVolaretoCKCUforthe Christmas shopping early. The proceeds duration of the funding drive. from the sales of certain framed prints will go directly to CKCU. COCA-COLA LIMITED - 500Coventry Road A refreshing thank -you to Coca-Cola for supplying our hard-working telephone staff with soft drinks from November 1 st-1 5th. CAMP FORTUNE We will be selling ten adult learn -to -ski packages for donations November 1st - 15th. Each package includes four nights' worthofreturntransportation from

Ottawa, a 1 1/2 hourskilesson,full equipment, andfreeskitime.This package is completely transferable so it 4111C makes the perfect Christmas present *(11(kil (restricted to those 18 years and older).

Many local businesses have made SPORTSHOE - 1668 Merivale Road, 224- cash donations to Radio Carleton which 5374 will be used strictly for the purchase of Any pair of running shoes in the store capital equipment needed to keep the valued at $50.00 or less. high'ytechnicalside ofCKCU in working order. A complete list of these ODAKIM - 7 Frieman Street, 234-8248 businesseswillbe publishedinthe Join Al Thaw and Michel Beaudoin on December issue of TRANSFM. Saturday, November 8th at 1:00 a.m. as STAR TREK - THE MOTION PIC- As well,manybusinessesare theyauctionoffan assortmentof TURE - Mc in Hall, Unicentre holckng Radio Carleton Donation Boxes amazing paraphernalia donated by the Thursday, November 13th, 1980 by tneir cash or front counter. When fine folks at Odakim. 7 pm and 9 pm you're finished your shopping, throw The Carleton University Students'your spare change into the box. Every Association is chipping in witH a benefit little bit counts! U -FRAME -IT - 728 Bank Street, 236.0027 forCKCU-FM.Ifyou'reahard-core $50.00 gift certificate for framing. Trekkie, head down to the Main Hall in the Unicen-re of Carleton University. Thank you everybody for all your RECORD THEATRE - Westgate Shopping Admissionis$2.00 for students and support andco-operation.We ap- Centre $3.00 for non -students with all profits preciate it. 30 assorted records. going to FUNDING DRIVE 80. The Staff of Radio Carleton

1980 IRANS FM 23 Kim Mitchell

Although they've gone from four members to two over the last year, Max Webster is still committed to another decade of recording. Lead guitarist Kim Mitchell has plans for seven more albums. He talked to CKCU's Geoff Currier about the future and about the present, which includes a new album.

Mitchell OK. It's Universal Juveniles that's the title. There's a lot of street talk - Max Websterisms in it once again. You know, "This party's higher than the Eiffel Tower." There's tonsof'emonce againonthisalbum. FM: The lyrics by Pye Dubois again? Mitchell: Yes. All the lyrics on the album are by Pye Dubois. And it's got great stuff. FM: Have you written all the music or are the other guys kicking in?

Mitchell: I wrote eightof the tunes and then Gary McCracken, the drummer, wrote a tune called 'What Do You Do with the Urge? "Go for broke. Go for bravado. Go for magico. Go for what you know. Everything is magico." He wrotethatalong withPye.See, Gary'sa greatriff writer /rock writer because he's a drummer, and when he writes on the guitar it's lust basic root. FM: It's all rhythmical. Mitchell: It's all rhythmical and all root, and he came up with a great riff for this song. It's a great riff. And then the other song was written by Dave Myles, the bass player, who has left the band. He got the basic pressures from the wife to move back to his home town and pursue a career in ad- vertising; selling plastic forks and plastic spoons for his

24 TRANS FM NOVEMBER wife's . .. his wife'sfather. Someone with that talent . I the face, but unless you get out there in front of the just . . . I can understand someone making a decision about people. .. their life, and I respect them for doing that, but when youMitchell: Ya, that's right, 'cause each night takes on a have a talent like he had, I don't understand it at al'. Rightdifferent form. after the album's done everybody's got a smile on their faceFM: So, has the sound of the band changed at all or did you and he comes and hits me with this thing, so there's a biggo for guys that could replace the people you had? panic to get a bass player, and we come up with a guyMitchell: Ah. .. we went For players we liked. That's what I named Mike Gingrich. OK? Within a day this guy showed up basically looked for. out of the blue - an incredible bass player, and the band is FM: You weren't afraid of the sound of the band changing or five - piece now; we've added another guitar player too. anything? FM: That takes a little of the pressure off you. Mitchell: No I wasn't, and I hope it doesn't freak people out. Mitchell:It wasn't a case of taking the pressure cff, youshouldn't because Max has always gone through changes. know. It was a case of Ijust want to play more solos, and I It's an inspiration to me. You know, to all of a sudden have a wasn't havingthe chance. I didn't look at it as pressure. I justguitar player there who's playing beside me. And a dif- looked atit as, like,ifI wanted to stop playing the bandferent keyboard player. And a different bass player. It's an would be able to carry itself and I'll be able to sing a line, inspiration. You got people coming up from totally different play some guitar, sing another line, play some more guitar, backgrounds, and. .. and they're peeling out with you. It's and the end product of the new Max album, Universalgreat. So it shouldn't freak people out because it still sounds

Juveniles, is like that. There's a lot of stuff that . there's like Max, you know, it does. The writing.It starts in the a lot of playing in between lines now,and I wanted to bewriting, and the end product isstill Max Webster. Like, able to cut that on stage without the bottom falling out ofthese guys are all 'Max Websters'. They're not groovy, the band. glitter rock stars, or whatever, you know. FM: So you go from being down to two guys to up to fiveFM: What does it take to be a 'Max Webster'? Are there any again? special elements that it takes? Mitchell: Exactly, ya. That's what happened. We were threeMitchell: You have to know more than four chords. You recording; down to two. Desperate. Bummed - out, and nowhave to have a Chargex card, and now there's a new it's great. It's the second week of rehearsal now and it'slaw - nowives.No,I'mjustkidding.Ah. I don't going really well. know.You just sense the magico. You know? You just sense FM: How long will it take you to get the band ready to gothe magico in certain players, and we went after specific out on the road now? players.It wasn't a case of, well, here's a guitar player, Mitchell:About another week - and - a - half - it's goingwe'll try him out, or here's a keyboard player. We went for so fast.I mean they do their homework. Doing homeworkthis specific keyboard player. they learn the stuff. They come to practice, we work it out, FM: Do you go for personality or intellect as much as you do basicallylearnthe changes, and in another week ormusical ability? so - it'll take about a week to get some sort of tightness. Mitchell: Well, you've got to spend ten months of the year on the road with the guy so it does matter, and ah - it really does. FM: Hcw does a band like Max, who has achieved a fair degree of notoriety now, go about looking for new people? Did you get on the line to people you know, or put an ad in the newspaper, or what? Mitchell: When we were looking for a keyboard player we did pu: an ad in the newspaper. It just said: "Touring rock band looking for keyboard player. Phone this number." And "Max has always when people called up and found out it was for Max it was like, "What?I " And there were a few calls like: "Oh, no. I gone through changes. don't thinkI can handle that yet." You know, like that. Or, "No, Ican't stand those guys." But we've got Greg Ched on

keyboards now, and he's a great. . . greatvocalist, an It's an inspiration amazing singer. Now that Dave's gone, the bass player, it's sort of a little mellower because he was getting heavy to me." pressure from his homelife, you know. And it was turning him into a basket case to be on the road with. FM: You alwcys have visions of that sort of thing going on only with smaller -time musicians; you know, bar musicians out on the road a while. Mitchell: You'd be surprised. Pink Floyd recorded their last alburri, they wouldn't be in the studio at the same time together. That's how much they hate each other. It's sur- prising to know how many people who are very, very

successful end up suing. . . end up, yoeknow, killing FM:And then it's just getting out on the road? people. You know, it's a drag but these guys are really Mitchell: Ya. You have to get out on the road because you known now. can rehearse and rehearse and rehearse and get stuff FM: It's surprising that you get home pressure as well; that tight. .. as soon as you get out on the road is, you know, on guys in a fairly successful band get home pressures. the maniac stage, you know, it takes on a totally.. . Mitchell: Well, he did, and oh, you know. .. what can I say? FM: You can sit at home and play scales until you're blue in You know. We called her the bag dragoon and, you know,

1980 TRANS FM 25 why do you have to do this... why do you have to do that. remain. . . who've got drive and desire." Drive and desire.

Hey, thisiswhat I do, you know. I should have your Drive and desire. blessings. FM: Is that what itis with Max Webster? Drive and desire?

FM: Nobody else in the band had problems like that,I take Mitchell: Yeah. I apply this song to Max Webster. It really it? hits home with me because when you're standin' in line with Mitchell: No. Not at all. What is this divorce court? This isangels, only the giants remain who've got drive and desire, the Max Webster premier here. and Max does have drive and desire, and that's why.. .

FM: Tell me about the album again. Ah. . . do you think your FM: A lot of bands have drive and desire but it seems that stuff's pretty self-explanatory? Max has been able to express it a lot better than almost any Mitchell: It's pretty confusing... at this point, no. other Canadian rock band; what it means to have drive and FM: Is there any of your stuff that.. . it's a question I'vedesire.Butalso you do have your tongue protruding often asked people who write stuff. . . is there any of yourhalfway through your cheek while you're doing it. material that you think people have missed? That you getMitchell: Ya. Coping's a joke sometimes. We're... like you the feeling that... say.. . it's tongue in cheek on life, you know. In the song Mitchell: All of it. Every bit of it. Every bar they've missed. 'Juveniles Don't Stop', you know, who's not into rock energy No. No they've caught a lot, actually... Max Webster fansnerves all your life. You gotta be ready for that ride/ into are a very odd bunch,I would have to say. Ah, a lot of it's another sphere. You know life may just be one day ,lo go. Pye Dubois. Pye Dubois deals in a totally different way ofYou only got yourself to see yourself there. You must,go fast speaking, and lot of people come up to us at concerts using or you'll never know if you never dare. Juveniles don't stop. his stuff just to communicate to us. Like, "I'm higher thanNo harm in leaving your brain wide open, you're not the the Eiffel Tower," you know, " We're here to be reckless",first to get itin therear. You know what I mean? Like, that's "Cocaine -colored computer cards", and on this album, what MAX is.It's.. . hey, life's a joke. So what's this joke we "She's taking a break from my face." You know. Like, "It call coping? Let's just cope. You move along. Rock and roll. burns like the snap of fingers." "Go for magico." "Ya-hoo."Have a good time. Hey, let's go.

What else. . .. "Check, check, check this out. Feel our ears FM: Well you seem to have.. you can do that. Like I say, burn." All that stutt. Ya, even "Juveniles don't stop, man." Max seems to be almost unique in the Canadian rock scene FM:Even "Juveniles don't stop". for being able to do that. At least it.. . to be able to have Mitchell: Yea. 'Battle Scar'is a song from the album wethat come out in the music. recorded with Rush. We got together and recorded with Mitchell: I think it's because of where we were brought up. Rush. . . simultaneously in the studio. We were influenced heavily by Detroit. That was a totally FM: It must have been a hell of a racket. different music scene than I think anybody up here was Mitchell: It was. It was a hell of a racket. We turned all theexposed to or anyone in Toronto is exposed to. technician's hairs grey because there were so many inputs FM: Are you talking of the . . . Seger --Mitch Ryder type and so much technical stuff had to be gotten together, andthing? The bar scene? we floated in and we started drifting, man. And it was Mitchell: Yea, I remember seeing Ted Nugent in a suit. great. FM: You're probably the last person who did. FM: How can you concentrate on music with all that stuffMitchell: Well, ya. It's background what you're brought up going on? on, and there are very weird, weird artistsin our home Mitchell: Well,that's what we are. We're artists. We're just town. And we were always the kind of guys that . . . even concentrating on music, and we just left it to them. But I didGary McCracken, who's stillin the band, and Dave Myles, notice that every time we'd go in for a playback there was theold Max Webster... we were always listening to more... people were growing beards really fast. .. the,different things. We weren't looking for the mainstream ah, engineers' ears were sweating, you know. That kind ofkind of band . . sort of off the wall, left field kind of thing, stuff. and we still are. Although we are more accessible, it's not a FM: How did it turn out? It must have been an awful amount conscious thing.It's more ... Max is coming into . .. the

of fun to go in with some friends of yours like that and.. . time or something. Like,it's the times. The eighties, and Mitchell: It was fun having two bands get together like that some people are realizing that it's the eighties and life. We and play off each other. Two drummers. Two guitar players.definitely have discovered the eighties, thatit'sall a big Two bass players. Anditwas weird.It was great, andjoke. So let's guffaw, guffaw, go along with it. lyricallyit'sreally heavy. . . "Bust the busters. Screw the FM: Indefinitely? feeders. Make the healers feel theway Ifeel. Battle scars,Mitchell:Let's just say indefinitely. Next year. Two years.

man. You get 'em all through your life." You know what I Three years. Four years. We've got seven more albums mean? coming out. So that's what I can tell you now. So unless FM: Beautiful. That's going to be a great track to hear. anything incredibly terrible happens, there'll be seven more Mitchell: Ya, and 'Drive and Desire', another track that albums from Max Webster. And this, me as a creative applies to Max and applies to a lot of... ummm. .bands person, and Pye Dubois as a creative person, and anybody who do sustain themselves. Or it applies to people whoelse who's around Max - it'snot going to dry up.It's really do well for a long time, are very happy, and whendefinitely .. . it's not going to dry up. We've just got too coping is a joke they still put out OK. It's drive and desire. much. It flows out of us like ... you know, we shit tie - dye. The song 'Drive and Desire' on this album. When you're What can I say? standinginline with angels, they're saying to you, you FM: Yes. Thank you very much for coming in. How would know you're up there. I don't know, Stand in Line withyou like to do a quick funding drive endorsement for us? Angels is judgement day. But they're going: "Hey man,Mitchell: Alright. When's the funding drive going on? life's going to burn like the snap of fingers. This ain't going FM: The first to the fifteenth. to be no plain plane. No trips from vinyl heroes . And if youMitchell:CKCU's third annual funding driveis going on can't cut it, here's your crying towels. And because when November first to November fifteenth. This is Kim Mitchell you'restandinginlinewithangelsonlythegiantsfrom Max Webster urging you, support. Thank you..

26 TRANS FM NOVEMBER Shop... wallack's for all your artand d afting Every Friday at 4 pm supplies Record Runner brings to Special Student Discounts you CKCU's weeklyconcert Open- Friday Night until 9 p.m. and all day Saturday We at wallack's have the largest series, 93.LIVE. inventory in Ontario - so try the one stop shop for the materials you require. Record Runner features FINE ART Oils - Acrylics - Water Colours - Gouache Brushes - Canvas - Pencils - Pastels Easels - Sketch Boxes - Papers - Pads a weekly sale,carries the GRAPHIC and DRAFTING Rapidograph Pens - T -Squares - Mayline Parallel Rules Drafting Instruments - Leroy Systems - Set Squares Scales - Pencils - Markers - Tracing Papers latest new releases, plus DRAWING TABLES See Ottawa's most Complete range of popular priced drawing and drafting tables company cutouts, a complete catalogue and imports. wallack's 232-3987 art and drafting supplies 231 Bank Street (Bank and Lisgar) Tel.- 235-4309 - 235-5116 Free Customer Parking - 214 Municipal Lot - Bank and Nepean/ Gloucester and United Parking behind our New Store off Nepean or Lisgar. RIDEAU STREET 1980 TRANS FM 27 More songs about paranoia and madness from FINGERPRINTZ 3RUCE SIV PSO\ Photos by CHRIS JOHNSON

he British group, Fingerprintz, were almost up -writing influences, certainly a unique perspective. setters again on a stage shared with Martha and From Distinguishing Marks there is another successful The Muffins at a recent Salon Room concert at the example of O'Neill's songwriting ability in 'Hide and Seek', civic centre. about a daily incident in the work of detectives, delivered in The group's Ottawa debut was last January, a droll, detached manner with deadpan lyrics verging on opening for XTC at Carleton University, and the consensus the macabre: "The mouth doesn't speak /He hasn't shaved was Fingerprintz outshone the headliners hands down. or brushed his teeth /For at least a week". At this second appearance it was easy to see how that Or the unbalanced madness of the innovative "Jabs", could happen because Fingerprintz,withitscharged, depicting a mental patient who has a complete dependence energetic, rambunctious presentation, can get a crowdon his nurse for life -stupefying shots, with a twisted sexual moving with ease. Its infectious punk pop had many dancing metaphor. or at least moving to the beat. O'Neill said that Dashiell Hammett is a favourite as a Centre stage is lead singer /composer /lead guitaristwriter and Captain Beefheart as a lyricist, although he tries Jimme O'Neill, a Glasgow native, dressed in a purplish to be less ambitious and more specific than the totally plaid ill- fitting suit, his hair roughly shorn to serve as an spaced -out vision of Beefheart. intensely dynamic focal point. While O'Neill may prefer to call the words in his songs TheFingerprintz'secondalbum, Distinguishing "clues", thelyrics are actually filled with puns, double Marks strikes with more polish and power than theirentendresorslightlytwisted meanings.Forexample, debut.Unliketheself - produced FINGERPRINTZ, Nick'Ringing Tone' about waiting to get through to a girl on the Garvey of The Motors produced this one. phone ("Communicationsoverrated /It's cheaprate As O'Neill explained, "What happened was that wetoo /But my call'sunconsummated"), orthe chorus of made demos of the new songs - I wasn't quite happy with'Radiation' ("Ohhh, no more fun /Radiation"), effectively

itbecause I was still reluctant to use a producer. Virgin wry. [their label] had Nick so he was waiting for someone to Distinguishing Marks is a small classic of sorts. record; even thoughI was reluctant we decided to have a go at it.I think it turned out really well." Fingerprintz' show coverssongs from bothofthe Distinguishing Marks has a unity of style in contrast toalbums, of which the poppy songs from the second one are Fingerprintz, which seemed to dabble with various modes. toughened up for the live show. O'Neill said, "Whenever O'Neill said, "On the first album we were trying on different people see us live they think we're much better", an opinion hats, if you like, to see what sits the best, and for the second which Jimmie O'Neill and the rest of the group proved with album we decided to simplify our style down quite a bit andsmashing aplomb. Two of the highlights were "Bulletproof just go for a more basic type sound -- a kinda punk pop." Heart" and "Fingerprince". O'Neill sees Fingerprintz in the same musical league as The band are now a five -piece with the addition of The Undertones and The Skids. While The Undertones havekeyboards, so the sound has an extra dimension and colour, a frivolity to both lyrics and tunes (making fun of their ownbut their energetic rawness has not been sacrificed. limitations with the song 'More Songs About Chocolate and Fingerprintz played for over an hour, and even after Girls'), Fingerprintz, abetted by O'Neill's lyrics, could easilytheir two -song encore -- '2 A.T.' (astute CKCU listeners will do a song called 'More Songs About Paranoia and Madness'. knowitasthe theme music forContrabands) and a Just by goingwiththe titlesfrom the new prototype version of The Damned's 'New Rose' - one album -- 'Criminal Mind', 'Amnesia', 'Remorsewished to even hear more from the band, the level of Code' -- one gets the idea that O'Neill is more concerned energy was so enthusiastically worked up. about themes which transcend pop love lyrics. Itis the paradox that his lyrics run counter to the pop sound of the tunes which makes them all the more ef- The future will be busy for Fingerprintz. After this fective. North American tour, it's back to Britain for more gigs. Then Distinguishing Marks contqins a classic number of theit's work on a new album for scheduled release around type with 'Bulletproof Heart' - itisan accessible popMay, which O'Neill promises willhave yet a different number with a catchy synthesizer line running through it,sound -- rawer, more rock'n roll. yet the lyrics are about the violence and desperation of There's also some live stuff recorded at the London strife -torn Belfast.Itsstrikingly harrowing tone is punc-club, The Hope and Anchor, which might be released. tuated at its conclusion by martial drums into the fadeout. Fingerprintz have a relentless drive along with a well - O'Neill tries to fit a lot of clues and stories into hiscrafted approach to their music. They are the very dab songs. He claims that Sir Alfred Hitchcock is one of his mainindeed!.

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:. 0 : Fingenorintz in concert at the Civic Centre last month 1980a TRANS FM 29 Still making housecallson the road wo ,Robbie Robertson, another ex -Band member, said that my mind zoomed back through the years over Levon Helm's The Band dissolved because they didn't want to ever get to long and productive career; his three-year apprenticeship the point where they would overstay their welcome and be(1959-1962) with Canada's one man rock and roll con- asked to go home at some point. Many of their fans would servatory, Ronnie Hawkins; a couple of years touring with have preferred them to go on for a lot longer than they did, BobDylan;andofcoursethemany yearsmaking but since the demise of The Band, its members have not memorable music with The Band. The music of The Band stopped working. Robbie Robertson isstill writing songswas woven from many different strands - the stories,

30 iPANS FM NOVEMBER myths andlegendsofthe Americanhistoricalland- hillbilly lyrics. It was called rock-a-billyfor a while, then later it was called country rock. We're still calling it music." If I scape - and I felt thatI was about to meet a legendary character who would look like he had emerged from an old wasn't going to get Legion to spill the beans on his old sepia -toned photo. InsteadI was surprised to meet a man partner Ronnie Hawkins, I thought that I might get him to air who looked about fifteen years "younger than I exoected; his feelings on Bob Dylan, who had gone through a few clean-shaven, trim and youthful, Levan greeted my com-changes - notably his recent conversion to Christianity. panion and myself and immediately pressed a glass of sake His comments were the epitome of diplomacy: "Everybody's into our hands. The room was filled with people; The Catereligion is their business. You know I hear it all as music. A Brothers, his band, their wives, girlfriends and Barrymore's lot of people seem to read whatever they feel into Bob's staff who were engaged in serving up an extensive and music. That's theirprivilege. To me it'sallstill music. appetizing dinner which we were invited to share. As weWhatever his private convictions are, they're fine with me. enjoyed the food and exotic sake, we talked with Levan, His music gets better, for sure." who made us feel right at home. He was the perfect host, I didn't query Levan at length about his career with The made sure we were included in the conversation and kept Band, as their accomplishments to me were obvious. Their us supplied with whatever we desired. A more relaxed andevocative, sometimes haunting music, with its patina of genial host I've yet to come across, and as for his band, Theunderstated elegance and its power to recreate the legends Cates, a more laconic and shy group of men I've yet to meet.of early American pioneer days, added to the 70's music After some relaxed conversation, we went outside, pickedscene a refreshing antidote; one that was often flashy and a spot and let the music of Levan and The Cate brothersoverblown with hype. Their music had a spiritual quality, wash over us. The full house at Barrymore's obviously dug and itis this special quality, above all others, that had such what they heard from this small but tough band who rockeda profound effect on so many people. I asked Levan how he and romped southern -stylethrough two setsof foot -felt about his career with The Band and what he felt about stomping material. With both Levan and his nephew playing its demise. drums, there was a lot of punch to the sound - as you can "Naturally, I.hated to see it go that way.I would have imagine. Also, this arrangement enabled Levan to get up preferred to pump it up and keep it going. There were a lot and sing and blow some harp. Their repertoire was mainlyof laughs along the way. -he high points for me have been their own music with a few of The Band's songs thrown in toall the people we've been able to work with. You know, to keep the nostalgia buffs happy. They received a goodplay with Muddy Waters, who is one of my heroes, well that response throughout and were brought back for an encorewas a big day when we recorded with him on the Muddy and sang an acapella treatment of the reggae classic 'By Waters at Woodstock album. I'd still like to play with Bill the Rivers of Babylon'. Monroe and Ray Charles. The game isnot over by any Backstage later, after he had a chance to get another means. I've been able to play with a few of my heroes." glass of his beloved sake, Levan sat down to be interviewed As for his own musical contributions on his solo work, and I started by asking him abouthis choice of un- characteristic encore music. His answer was that it seemedalbum,I thought would serve as vehicle for all of us that to provoke a nice release of tension. He also promised that were involved in it. The second album I don't take credit for. next time he would sing something everyone knew, the I don't like the album.I tied to stop its release until we national anthem perhaps. My first few questions werecould get it to a certain place, but it's all spilled milk now. aimed at getting some information and hopefully someThe last album, The American Son, I'll take credit for that. I stories about his early days with Rompin' Ronnie Hawkins plan on making a lot of albums before I hang it up." who has worked hard to create a legend as a hard -living, Recently, Levan Helm has delved into a new arena, the hard -partying, rock'n roll outlaw. He once was quoted asworld of film.In the film Coal Miner's Daughter, Levan saying that, "I've been to parties that Nero himself wouldplayed the partof Sissy Spacek's father. He recently have been ashamed to attend." I was eager to hear Levancompleted a film in Toronto and Spain called Misdeal, in dig up some juicy stories about his days with Ronniewhich he plays a drug dealer. Levan told me he enjoyed Hawkins, but he adroitly escaped my probing with, "I'd working on these films and that he found the behind -the - rather not tell on anybody, especially myself. Ronnie is a lot scenes people wondertul to work with. He said that it was a better at telling those stories than I am and whatever he'll little disconcerting though to be standing around the set tell you, I'll back him up.It was a great experience andand have somene walk up to you and straighten your hat for Ronnie is certainly a wild and crazy guy. He's like all the rest you or adiust your collar. of us; thisis what we do. We're entertainers. Music is Another recent musical project that he was excited medicine and we're still making house calls!" about was a concept written by Paul McKinnerly who took Ronnie Hawkins has, among many other things, beenthe Jesse and Frank James story and set it to music. In this credited with bringing rock -a -billy music to Canada, andeffort, different characters sing the songs which make up since I wasn't going to get any gossip I decided to ask Levanthe story. Emmylou Harris sings the part of Jessie's wife; about the story that he and Ronnie came up to Canada in aLevan sings Jessie's part; Charlie Daniels sings Coleman Cadillac in 1958, bearing the seeds of rock -a -billy music. His Younger's part, Albert Lee does Jim Younger and Johnny answer somewhat diminished the myth, "Well, that's partlyCash is Frank James. The backing musicians are of an true.Itwas a 1958 Chevrolet. We followed our friendequally fine calibre. According to Levan, when a tape of the Conway Twitty who turned us on to Canada and told usalbum was played at Barrymore's, it received an impressive what a good place for music it was. At that time in music in response and, as Levan phrosed it, "Emmylou's singing put a our area, our particular brand of music, drums were newchill on 'em, I tell you." Levan promised to bring CKCU into it. Up until that point, anything that was quick or had acopy whenitwas released. This generous and warm fast tempo usually didn't have drums, so all of a sudden response was typical of the man. As we left he cautioned us when Carl Perkins, Billy Lee Riley, Conway Twitty and allto be sure to pass along our comments on that evening's these people started adding drums to it, they started calling performance to the Cate Brothers who were sitting outside itrock -a -billy. These people put the rock'n roll into thehis room. We did.

1980 TRANS FM 31 FICTION I'll Meet You by the Two-->' Thousand Seas With acknowledgements to the dream life of Derek Diorio ot

KE \ ROSS Painting by STEVE ANDERSON

utside, the sea kept a gentle vigil on the night picked up a rag. There were three full ashtrays on the table winds, its subdued power wove a background alone, several surfaces to be wiped clean, and seven, no for their words, and like their words, it did not eight beer bottles. Jesus - They'd played around with thot falter. Around the edge of the table, on the bottle of scotch too. No wonder he was in a mood. He couch, and atop the kitchen counter were empty started toclean,considered for a moment, sighed loudly and beer bottles and full ashtrays; over the room a walked to his bedroom, dropping the rag on the floor haze of cigarette smoke hung in phantom layers. They'd behind him. talked a lot, Alan and he. No topic was a surprise to either, Moonlight flowed through his curtained window and neither were resolutions to their old differences expected. diffusedthrough the room. Softly. He undressed These discussions were good for them though, therapeutic, mechanically, shirt, then shoes, then pants anc socks inone and both were ever reluctant to end them. Inevitablydrunken motion; everything left in a pile on he floor. His eyelids began toleaden and shoulders tostiffen;un- beds heets were cool and pleasant against the warm,muggy willingly their words fell away to be supplanted by a silent air. Wendy's image returned and was banished. Did he feel goodwill. a breeze? Had his windowopened? -lewas so The topic they had ended upon, again no surprise, wastired... anyway, he'd locked the window. He'd locked am

prayer;its power, its poison. Alan the theist, Peter thewindell . . . agnostic --it was a game between the two and they were Peter looked at the ocean, the wind was strong and the both played out. Peter smiled as Alan gulped down the restsalt air stung his eyes. "There," the old man pointed. "In the of his drink, drew on his cigarette, rose, smoke streamingfield before the forest lie the plantsyou require. Itis their out of his mouth and nose, and pulled on his jacket. Theyroots you must explore and then only with your hands. You said goodbye. are not permitted to look at them. Is that clear?" The old Petersat.Prayer. He shookhis head firstathisfellow smiled, his perfect white teeth contrasting oddly with departed friend and then at the living room in general. Ithis age -beaten features.

was. . . well. .. there wasn'tmuch of a mess, and he "It's clear," said Peter, turning his back on the old could getitin the morning. Lazy, lazy, lazy. Wendy would fellow and staring out at the field. The old mon nodded to have killed him. himself, turned, and walked slowly back to his hut. Shit. He'd been free of her image the entire day; The flowers, he noted on close inspecticn, hod bright

why do this to himself now? She. . . he stopped the thoughtpurple petals which extended in a broken pentangle from a forcibly; his stomach was not ready for this onslaught. Hered circular centre. Crystal water droplets formed diamonds

32 TRANS FM NOVEMBER S. A ',JD! ItSowl

Q around the rim of each petal. SurveyiQthe plants -- therewas a muffled cry of pain He started forward, afraid for a were thousands -- he awaited inspiration.Itcame, andmoment to grasp the weapon, unsure of what it had stuck. presently he knelt before the flower he knew to be his andWhat had the old man said about the knife? That it was all pushed his hands into the soft loam around its root. he would need? The blade was being pushed up through the Carefully, making certain he didnot disturb theirsurface, red blood clinging to its shiny chrome. Peter took natural position, he felt his way around the tentacles andhold of the grip loosely at first and then more firmly as etched, in his mind, a corresponding map. When all waswhatever it wos began tc strucgle. Turning the blade to a clear to him he withdrew. As he stood, the flower droopea,forty-five degree angle he pulled, the stone crumpled and lost its purple colour and disintegrated into the rich soil likeup came a pulsating moss of flesh the size of a small a staked vampire. He stared at the ground for a long whilegroundhog, squealing and quivering for a few moments, considering what had happened, until he became aware ofand then hanging limply from the blade. a voice calling to him from behind. He turned to see the old Suddenly the blade grew so hot he had to drop it for man approaching. He was out of breath when he arrived atfear of burning himself. The smell of cooking flesh filled the Peter's side, and somewhat red in the face. In his hands heair and he started to salivate. Two minutes later he reached held a waterskin and a knife. outtentativelytotouchtheknife -- ithad grown -These are all you will need," he said, offering the gifts. cool - and he pulledit fromhe creature. It gave, but a The blade was an ordinary sheath knife, sharp (he tested it slab of meat came withitleaving the guts of the thing withhisfingers) and likely deadly under the rightcir- behind on the ground. He moved a short distance away, for cumstances. The waterskin for its part was full. He acceptedit was not an appetizing sight, and ate the flesh. Sated, a the old man's offerings gratefully and bade him farewell, pull at the wineskin quenched the post -prandial thirst and embarking on the journey the root had mapped. out in his he lay back against the rock to rest his eyes. mind. Layers feI away like skins from an onion. He travelled He travelled for some time without rest, but one cannot further into the realm. Further layers and further layers. go on indefinitely without refreshment, not if one is truly Was he moving or was tnis a vision? Without opening his loyal to one's cause. So it was that after many hours Peter eyes he could see her far away, braced against the winds, stopped at the base of a rock face where it was flat ana cracking like o whip with each pirouette, holding her arms there were odd rocks upon which to sit. He looked down at out to him and embracing him, filling him with the power of his waist and pulled the knife from its sheath, tossing it idly her love. She danced above the seas, she danced upon into stony ground beneath him. It sank to the hilt and here them, she danced within them, she was of them and they

1980 TRANS FM 33 were of her. breathed in the water and it felt good. They letgo of each Peter closed his eyes harder, the better to see, but other for a moment, Peter opened his mouthto speak, succeeded only in losing the image. He awoke. though of what he had no idea. She held herfinger to her A rub of the eyes, a drink of water from the skin, and lips and shook her head. His mouth layopen for a few awk- the journey continued. He had been at the base of a ward seconds and then reluctantly closed.Wendy was his mountainous region and now climbed the rock face itself. guide here; she knew best. She turnedand walked into the At the top was a plateau, at its for end stood a small hump darkness of the water. of rock, the entrance to a cave. Above the entrance, etched Peter watched for a few moments, admiringas he hod in the stone, two hands clasped together pointed to the sky. so often in their earlier days the form with which shewas Inside all was dark but his knife glowed brightly and blessed. Her movements, sensual and intellinpnt served, when his eyes had adjusted to the light, as a lan- accented and enhanced by the water which surrounded her; tern. The ceiling of the cave was either black or too high to her dress, white, long, and flowing, trailed behindher like a see. Its walls, scarred and pocked, were forty feet apart at huge flag unfurlingin the wind, slowly and with much their widest point and about ten where they narrowed. He importance. He followedinher wake. Inthe distance could not tell how deeply into the mountain it bore. The something was glinting. It had to be bright forit seemed far floor was slime and grease: he stepped gingerly to avoid away. slipping. He proceededintotheblackness. The walls It was the headlight of a car, a headlight whichbecame narrowed:thirty, twenty, twelve, ten, eight feet at their familiar as he approached, itwas the headlight of the car widest point. He turned- behind him the entrance was no which Wendy had insisted on driving. Itwas the first thing longer visible. he'd seen upon regaining consciousnessthat day. A wild Abruptly there was nowhere to go. The way ahead was panic gripped him and he thrashed at the water aroundhim. blocked by what appeared to be o lectern, lit ash -white by He could seeitnow -- inside thecarat the crushed the flow of his knife; behind, there was only the defeat of a steering wheel lay the remains of his wife in exactlythe life spent on the plateau. Holding his knife in front of his position he had seen them the first time. He triedto call out, downward gaze he proceeded toward the lectern.It rose but no sound escaped hislips. The Wendy in whitewas from the cave floor to the height of his solar plexus. He there too. She motioned him forward. Heswam, slowly. reached out to touch it,it felt cool and smooth like soap- Everything was as he remembered; the Ford's frontend stone. Wearied and assured of its safety, he folded his arms brutally smashed, the windshield blownopen, Wendy's over the object's top and lay his head to rest. There was head, half -severed, lying to the side of therest of her something else. In the centre of the lectern's top was a slit. corpse. Most of her lay on the hood, her twistedarms, It was cold and unyielding to his probing fingers, hard and bleeding, her hands, so elegant,now crushed, swollen and stiff to the touch. He brought the knife closer, noting as he blue. The awful blue. The red blood he could havecleaned did that its blade would fit inside the slit as a key into a lock. away, but the blue of her skin, the look of death.. Itdid. Before him the wall behind the lectern came open. He glanced up from the macabre scene to see Wendy in Coned sides slid around each other like a widening iris and her prime, as she had come to him at the cave mouth, whole lightpoured through the increasing aperture untilthe and with her arms extended once more. His pain led him to corridor was drenched with sunlight. Peter's hands had her and she pressed him firmly to her breasts. Thus en- gone to shield his eyes, his knees buckled and, leaning twined, the couple began to rise through the water. Peter against the lectern once more, he squinted, trying to see watched the surface approach, arrive, and disappear as beyond the open passage. their bodies broke through the layer. They hung suspended "Peter." The voice was Wendy's, therewas no mistaking between two surfaces. The roar of the mists had returned. it. He stored, trying to adjust hiseyes to the light, to pair the "Above me," she shouted against the din, "lies the next face and body to the voice.It was Wendy. And Wendy was sea." He looked into the sky above. A huge roaring mirror dead. looked down. "Come to me." The words uncurled like an opening "Above it the next. Above it the next. Someday we will blossom. Through the light he could barely distinguish her traverse them and all the ones that lie beyond. I need your outstretched arms. strength, Peter. I have missed you."

"Wendy?" It was a whisper of incredulity and wonder. "Wendy . . . " There was no more for him to say. He The image grew clearer but the face was backlit and watched as she rose into the sea above. He wanted to remained in shadow. Peter felt dizzy, his breathing was follow. He wanted to follow. deep and uncontrolled. Wendy reached out for him, took his hands in her own and led him over the lip of the cave. The light was painful, but after a few moments he could see. eter was wet inhis sheets. The smell of his Behind him was the cave, to either side were mountains sweat recalled a breaking fever. He pulled back which stood as borders to the layers of mist into which he the covers and walked to the open window. and Wendy flew, her hand holding his gently and firmly. Outside, the sea kept watch on the shoreline. It She gestured forward to the bottommost layer of mist. was cold now, but naked he had left his bed and "We haven't much time this time, but we'll do our best." She naked he climbed through the window and smiled. He saw her face clearly now and she was smiling. walked to the beach. The moon was bright, it glowed like For that smile Peter would have gladly stayed suspended his knife in the night. He began to laugh at that;it started above the earth for an eternity. Her grip tightened and they slowly and grew and grew. At the waterfront he dropped to drew close to the mists. A roar began to build, a roar likehis knees, helpless with laughter, tears rolling down his the heaving of the seas; it came from the mists, there could cheeks. He tried to speak but his body convulsed all the be no doubt of that.It grew to a crescendo as she ap-more; he shook his head and raised his hands, clasped proached. together, knuckles whitening, to the moon. Silence. They were submerged in water. Wendy clung On his knees he crawled forward. She waited beneath to him, held him, kissed him. He kissed her, held her. He the surface. He would not keep her long..

34 TRANS FM NOVEMBER, 1980 ll

V

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2.25 3.20 V Served with french fries a la carte BUSINESS PERSON'S LUNCHEON SERVED MONDAY TO FRIDAY Paddock Cut (8 oz) N.V. Cut (8 oz) 3.95 4.95 Rib Steak (8 oz) Our Daily Special 4.30 2.75 C Includes salad potato, roll and butter V V

0 C/N WE SUGGEST GROUPS ell IRESERVE AHEAD BY DIALING 776-4444 tA P5 7//R5 - coqey- Earlybird specials from 4 pm to 8 pm PE7-e.6 Cf/Ri s a 35 /y 73 Record TheatreRecord Theatre Great Overstocks &Cutouts Pz BEST WISHES TO CKCU fora Happy Fifth Anniversary and the Best ofLuck With Their Third AnnualFunding Drive !mg Two Locations To Serve You Better With Our Regular low priceson all LP's zw" In WESTGATE MALL: CARLETON UNIVERSITY: 4th Floor Unicentre Mon - Wed: 10:00- 5:30 pm Mon - Wed: 10:00- 5:30 DM Thurs: 11:00- 5:30 pm emla Thurs/Fri: 10:00- 9:00 pm imq Fri: 10:00- 5:00 pm Sat: 9:30 - 6:30 pm Sat: Closed e'D Record Theatre RecordTheatre

rDinc<,L 'Dear cc Fe

696oronson icLefia-1 OW/938405 I 31LL WHITE

The 1980 World Film Festival an international triumph Barbara Hershey of the award -winning film STUNTMAN

he World Film Festival. Stuntman was being delayed for a spectacular premiere n A ten -straight -day feast of contemporary cinema Toronto in late October by Twentieth - Century, the other that wound up on Labour Day. Over 100,000 people co - winrer of the Festival's Grand Prix des Americas, Carlo passed through the turnstiles, much to the delight Lizzani's Fontamara, was into its sixth week in Montreal. ofthePresidentandDirector -General,Serge There were lots of press conferences and officialir - Losique. While the audience watched 106 entries in the troductions for shows in the main theatre of the Cinema beautiful new Cinema Parisien, distributors and agents in Parisien, but most of the energy was reflected off the the Marche inthe Windsor Hotel were wheeling out a moviescreens throughout.It was a great experience to number of deals: films were added to the schedule from cut get such exposure to a truly international line-up of films of the blue - notably Emerson, Lake and Palmer in Concert Criticism the media .was aroused early on when it at the Olympic Stadium and Hal Ashby'slatesteffort became apparent that the "stars" were not going to arrive starring Robert Blake, Second Hand Hearts. When it was all in droves, butitdidn't halt the momentum of this year's over, more than a quarter of the entries in the Official Festival. Instead, a small army of producers, directors and Competition, and four of the best films in other categories, stars from less well-known countries had the full attention were lined up to open commercially. Not to mention the of the press. dozens of productions that nailed down contracts with In any case, the 1980 World Film Festival featured a major distribution companies. So, while Richard Rush's pitched battle between the European and American con -

NOVEMBER, 1980 TRANS FM 37 MEDICAL BOOKS A MEDICAL BOOKSTORE IN OTTAWA From now on, you will no longer have to go to Montreal or Toronto to get nursing or medical books. You willfindall you need at the University of THE REWARD OF A Ottawa Bookstore. We hold as permanent stock THING WELL DONE, about 800 medical books on allsubjects.Also, following agreements with the main publishers,we IS TO HAVE DONE IT can now providethe latest publications in the Ralph Waldo Emerson nursingandmedicalfields... thisisagreat opportunity for you to keep abreast with the latest medical theories and discoveries. OUR VERY FIRST MEDICAL BOOK CATALOGUE.. . After several months of planning, indexing and compiling, we are proud to offer you our first medical book catalogue. Name: Address: City; Postal Code: Please send me acopy of your catalogue of Medical Books. la Centre Universitaire librairie University Centre 85, AV. HASTEY AVE. the Imperial Oil Limited bookstore Ottawa - 1880-1980

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38 TRANS FM NOVEMBER, a..00:VA tinents.Two sections - LatinAmerican Cinema and It was a fantastic Festival that had a bit of everything, from electric multi-screenbd rock movies( Le telephone public, starring the French power - pop group, Telephone) to a three - filmretrospectiveofAlfredHitencock's work - a cinephile's dream, because the prints, from the Cinernatheque Francaise, hadn't been shown to the public intwenty years. And President Losique's pre - Festival Presence of American Cinema - were stacked against a mile - high deck consisting of Hors Concours entries and retrospectives from the "Hommages: Cinema of Today, Yesterday and Tomorrow" category. New West German films were most prominent of all, with Werner Schroeter's Palermo Or Wolfsburg, Sohrib Saless' Ordnung and Wilma Pregnant... Kottusch's Under Lock and Key leading the way. French and Italian films - particularly the French co - and don't know what to do? productions - were not far behind the Germans in terms of overall quality. Infact, the best film of all was the Swiss - French CALL BIRTHRIGHT production, directed by Jean - Luc Godard. It made its North Americandebut inMontreal - andplayedlaterat Toronto'sFestivalofFestivalsunderthetitle Slow They'l help you make the decisions you will have :o make. Help that isfree, confidential Motion -- butcouldn'tbe enteredinthe competition, having already appeared at the Cannes Film Festivaland at Help that is as close as your phone. Call any- Belgium's L'Oge d'or, where Sauve qui peut ( la vie) was time. awardedthePalmed'or. TheHeiresses, a French - Hungarian collaboration directed by the most important feminist filmmaker of our time - Marta Meszaros - was another brilliant highlight. As was Alain( Hiroshima mon TELEPHONE: 236-7213 amour) Resnais' latest feature, Mon oncle d'Arnerique. Thus, besides Stuntman and The Great Santini. which earned Robert Duvall the prize for best actor, American films were blown over by the winds from the East. Hcwever, Free pregnancy teat Canadian productions were well worth catching. As well as a numberof Quebecois movies, there were excellent animated short - subjects, like Paul Mason's Dragoncastle M.S. BABA and two CBC presentations by Harry Rasky: The Man Who Hid Anne Frank (to be broadcast on December 17th) and the definitive Leonard Cohen documentary, Song of Leonard General Insurance Cohen (November 5th). Suite 2, 1312 Bank Street Life, Auto, Home, Commercial Packages, Accidents & Sickness 523-6413 Sandy Hill Preschool Centre Ages: 2 to 5 HRS: 7:30 am to 6:30 pm SNACKS PROVIDED - ALSO HOT DINNERS PART TIME $2.00 PER HOUR $75.00 A WEEK FULL TIME BIAGlidJAGNS 425-427 Nelson Street RECORDS STEREOS TELEVISIONS 237-5232 250 GREENBANK RD.,GREENBANK SO. CENTRE, (613)820-5725 Pre -registration necessary - Medical Required 1980 TRANS FM 39 --TECORDSOITIEViEW Springsteen was one of those kids; held down by afailed,oppressive father, the parochial Catholic school system and a longing to be anything other than what he was, Bruce ran from Freehold to the noise of New York City and the comradeship of Asbury Park. He was one of many who "broke all the rules, strafed (their) old high schoolBack in 1975, on his first major tour, Springsteen drew cheers when he told of rebelling against his parents, and, by 1977, the patricidal introduction to 'It's My Life' was the highlight of his stage show. But somewhere in the course of his legal battle with former manager Mike Appell, his artistic drought of the past 28 months, or in the process of turning 30, Springsteen reached a peace with hispast. Seeing alarge partof his fatherinhimself, he wrote 'Indepen- dence Day' for the elder Springsteen in 1978, and itis this statement that sets the tone for The River. The Wild, The Innocent & The E Street Shuffle and Born To Run were recklessly determined shouts of freedom, with Bruce as thejubilant Huck F inn lighting out for the territory without much thoughtof failure. Darkness On The Edge Of Town was the bitter howl that followed the removal of that freedom (by court injuctions, moss recognition, business pressures or whatever hidden forces drive him). On The River Springsteenhas finally achieved a comfortable balance between his emotions. 'Crush On You' and 'Sherry Darling' are more raucous than anything he's done since 'Rosalita', but the title track, 'Point Blank' and 'The Ties That Bind' are as serious aslife Springsteen reaches a comfortable gets. This may have something to do balance between emotions with the fact that most of the life - and- death sagas were written for the 1978 tour,intendedfortheill-fated Ties that Bind LP and included here to round 11 -it RIVER - Bruce Springstcen- (CBS) out the double set. But that's probably too simplistic. More than any other of his albums, The Riverreflects new Jersey's Rte. No. 9 winds shoppingmallsof thelate'50'ssit Springsteen's complex stage shows. through the woods fromdecaying, replaced by a new indoor His 1977 Ottawa visitis a perfect Lakewood headedforthe plaza located midway between Asbury,example of the dichotomy that existed seaside and Asbury Park.Sprinkled Freehold and Ocean. The kids who can't between his live performances and his with run-down houses, service stationsmake it to the shore hang out at the 7 - recordings.Bruce came on obscure and fast food joints,itnarrows from Eleven or one of the many grease pits.behind shadeswith'Rendezvous',a four to two lanes and widens out againAnd, dissimilar to tourist centers like light rocker he subsequently disposed at the outskirts of Freehold. Asbury Park, Freehold is a town where of,delved deeplyinto drama with The hometown of Bruce the owners of a deli remember your'Backstreets' and the devastating 'It's Springsteen, Freehold is the epitome offace after only one visit and the kidsMy Life' and then went into his familiar small town America. The first,basic look bored and restless. rockers.Theaudiencecame away

40 TRANS FM NOVEMBER, 4444. .4.4,4444,44,4.56,44444 4 reeling from the roller coaster ride. one of his most powerful moments. Fanatics kept repeating to cynical Based on the dusty chestnut 'I Met friends that "you have to see him live".A Young Cowpoke', and appropriately There was no way you could understand tinged with a country sound, the song Bruce Springsteen from any one record. finds Springsteen encountering a young The River changes that, not just inhighwayvictim,imagining a state terms of the breadth of material, but in trooper breaking the news to a woman, the way it's played. Born to Run andand concludes with the singer finding . The E Street Shufflecould never.shelter with his own lady. This is the be matchedsonicallyonstage, and type of soapy stuff that Red Sovine used although Darkness was recorded live in to break hearts with, but Bruce makes it the studio,itrequired Springsteen towork because it's so completely out of shelve much of his stage dramatics tocharacter for him to fear anything so concentrate on his guitar. mundane as a traffic accident; not the Now he has a band that can match man who authored 'Thunder Road.' any in the history of rock 8 roll; he and It is thisconnectionwiththe co -producer Jon Landau have turnedeveryday fears and defeats that all of them loose to show the goods. Danny us face that is his biggest victory on The Federici and Professor Roy Bittan fill up River. He touches everyone who has spaces with their keyboards that before been a child or a parent on 'Indepen- were filledwithguitarorClarence dence Day', and sets up common bonds Clemons' bombastic saxophone, and with the working class on 'Out In The what guitar there is can be copied live Street', 'Hungry Heart' and 'Point Blank'; by Miami Steve Van Zandt. Early shows but it remains for the title song to make from the current tour have seen Bruce the strongest statement. eschewing his Fender to act out his In 'The River' he portrays succinctly songs again. a couple trapped by their environment, And the musical development has society and themselves. Its per- been matched by Bruce's return to theformance in No Nukes was the most roots of Freehold. After the release ofmoving cinematic moment of the past Darkness he claimed he was beginningyear, with Bruce dedicatingitto his to writemoreaboutsmalltownsister and brother-in-law and characters, but that has proven to beblinking intensely through the stinging onlyatentativefirststep towards verses; that performance is equalled on Battling scary where he is now. thealbum. His pictureofthe His references to Burt Reynolds,protagonistriding with his teenaged internal ghosts stockcarracerJunior Johnson and Maryishismost achingly beautiful James Bond gimmickery reflect his love writing and singing yet and the song's for junky movies and television over thefinal question frames the album and, interest in classic American literatureultimately, Bruce's whole career: "Is a SCARY MONSTERS his early critics presumed. But the thingdream a lie if it don't come true?" That's David Bowie - (RCA) that keeps me marvelling about Brucea questior he's trying desperately to Springsteen ishis ability to be human.answer, not only for Mary. Wendy in IN t'sappropriatethatDavid Bowie

Backin 1975 I wrote thathis major'Born to Run', Sandy from Asbury Park, Ishould dress in mime for the cover downfall might be the fact that he wasSonny in 'Racing In The Streets', but for of his latest album, Scary Monsters portraying a lifestyle he couldn't himself and for all of us. The answer is, (And SuperCreeps).Bowie was a possibly maintain when fameperhaps, one that everyone is afraid to student of the subject under Lindsay arrived, but he has neatly sidestepped hear and most are afraid to seek. Kemp in the days when his rock career that open manhole. Beyond hisbrilliantrockers(in- was at its beginning, and he has just On Darkness he used characters to cluding the new 'Cadillac Ranch' and resurrectedhis training and craft to avoid the trap and now he has revealed'Ramrod'), the lovable characters, the appear in the lead role in the play The a vulnerability that no other rocker stage presence and the blazing E Street Elephant Man. shares. It was easy, exciting and fun to Band, Sprngsteen's greatest strength Such an artistic throwback to his follow Bruce's example when he sang has turned out to be his ability to stay past becomes all the more symbolic and of escape on 'Born to Run' or 'Night', but truetohimself. You could imagine relevantafter the songs have been the other side of that escape, the fear Bruce moving back to his family's old listened to on the new album. that accompaniues such abandon, was house on South StreetinFreehold, Bowie'scharacteristicfluidityin never mentioned. having lunch at The Deli and fitting right adopting af1dadapting images and 'Wreck On The Highway' at first in. Not only couldn't you say that ofroles has been the central motivator seems anticlimatic, coming as it does onmost other successful performers, you throughout his career. While he has the heels of the epic hymn 'Drive All couldn't say it about many small town managed to collect a whole closet full Night', butit combines all the themes kids who find success in the big city. of character, he has refined his sense of Springsteen mines best - driving, Papa, go to bed now, your son has come being a master stylist, often to the point nighttime, love as salvation - and thehome.0 of shadowing his role as a shrewdly added element of fear crystalizes it into James Halesly borrower of other people's material.

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Bowiehasalways managed toguitar. Fripp makes another visit onjuxtaposed with the lyrics "We know revitalize his borrowings to make themguitar; Roy Bittan (E Street Band) on Major Tom's a junky /Sitting in uniquely his own. It is proof of his depth pianoandAndyClark (ex -Be -Bop heaven's high /Hitting an all-time low." of talent and adaptability that he hasDeluxe) on synthesizer. Peter Town-Even with the pessimistic tones of the notended up making a parody ofshend makes a guest appeorance on song,ithas that uniquely British pop himself yearsagoasmany Bowieone track. The album is Eno -less. sound with an obscure throwback to acolytes have done. The opening track, 'It's No Game' Hunky Dory (its 'Life on Mars' being the ThestrikingthingaboutScary ('Joe the Lion' slowed down) has Bowieclosest approximation). Monsters is that Bowie has taken his approaching the vocals asasort of Andy Clark's thoroughly engaging light-fingered handand plundered kamikazie attack, literally shr 'eking thesynthesizer made it sound modern, yet himself both lyrically and stylisticallywords while a woman provides an themelancholy and hidden despair with an unnerving approach. There is unsettling casual counterpoint by speakof more promises and hopes an overriding derivation which is un-speaking thelyricsin Japanese. The gone sour. settling and initially makes one wonder:lyrics reveal an isolated and superficial The onenon -originalfitsthe What is this game which Bowie has seen view of life's value ("Put a bullet in mythematic concerns of the album per- fit to perpetrate? brain /And it makes all the papers"). fectly. Tom Verlaine's "Kingdom Come" Even the cover is full of clues to the 'UptheHillBackwards' is a is a brutal, barren picture of life (Myth personal history of Bowie. The picturedissection of pop psychology (You'reof Sisyphus revisited) with a buried ofhis posed shadow recalls that of Fucked, I'm Fantastic) which doesn't go optimismwhichlooksonlyforan Heroes and the curling cigarette smoke anywhere until a fearful climax when escape from life's burdens on the day of suggests the starry-eyed soul gaze ofFripp's guitar goes into overdrive andredemption. Bowie uses hisleast af- Young Americans. On the back cover, Davis drums on the off -beat accenting fected vocals performing the song in a three previous album covers from the the divergent forces within the song clear -throated style suggestive of his Berlin trilogy are semi -erased. The two (similar in effect to Bowie's version of1966 days when he was David Bowie instamatic pix of Bowie in mime are'Alabama Song'). and the Lower Third. The innocence is strikinglysimilarto ones which ap- laced with a desperation. peared in a paperback biography taken ' It's No Game' reprises as a more when he studied under Kemp. sedated, resigned version to close the So where does all this introspection "If ever there was a album. It's almost anti -climactic - as if lead? All of this analysis would be of to say,"I give up" - and provides a superficialinterestif Bowie didnot perfect album to serve sombre end to a complex, confusing maintain the same piercing look into his as Bowie's swan song, album. past on the record itself.Its tone is is farfroma sombre,depressingandreveals a Scary Monsters fills frivolous pop album, but there are too certain stagnation of what has rightfully all the criteria." many loose ends surrounding it. There been called a dread (an existential is a self-defeatingcoldnesswhich termtodescribethedilemmaof lessens thealbum'sstrength. It's modern man as expostulated by depressing as all hell. Kierkegaard). Yet other artists who have dealt Bowie seems to be battling some The anthem -like 'Because You'rewith the same thematic concerns that internal ghosts which, at the time of this Young' brims with a bitterness Bowieentertainshave managed to album, are alarmingly defeating him. reflectingbackupon aninnocence reach a greater depth of expression Unlikethetensefrustration most which was once protective, but is how(Joy Davidson's Closer) or in terms of evident on Low, which he masterfullygone ("Amillion dreams /A million personal dissonance (Talking Heads' put to his own use so that the follow-up, scars. . . These pieces are Fear of M us ic). Heroes, brimmed witha newfound broken /Hope I'm wrong butknow"). If ever there was a perfect album energy and confidence,thisalbum Bowiedoessuccumbtosometo serve as Bowie's swan song from suggests a stalemate out of which there artistic drivel, the worst offender beingrock (life?), Scary Monsters fills all the is no escape. "Scream Like a Baby". It's a narrative criteria. He has wrapped up his career Musically there is a flatness to the about a nonconformist who jumps into a with a mood of pessimism and a tone of album which does not grab the ears. A furnace like Daniel, but Bowie is unablefailure. In contrast to the coy posturing gnawing repetition suggests a going - to fit his words in a singable 'ine so thatwhich Bowie artistically presented in through -the -motions tone which he has had to use tape speed fluc- hisbleak,despairingvisionofthe defeated Lodger. Two adjectives croptuations, a failed experiment. future, Diamond Dogs, this album is the up - lacklustre andplain - not The titletrackcont,nuesthe real thing. ScaryMonsters is a previously used with any frequency to paranoia trip of doom and fear ("Shemicrocosm whose inwardness has not describe Bowie's work. asked for my love and I gave her a beenperfectlyexpressed,yetthe The album has had a mellowingdangerous mind") the drift of runningchilling sense of shambles and defeat is effect over the month it has been out. scared, the expedient theme behind the tooobvioustodiscreditBowie too Some of the coldness has dissipated but song. "Scary Monsters" and "Ashes toswiftly. It's no game. there remains an uneasy curiousityAshes" are the two tracks which are about what Bowie is saying on Scary most memorable on the album. Bruce Simpson Monsters. In "Ashes to Ashes" an early Bowie Bowie continues with the loyal triopersona crops up - Major Tom from of Dennis Davis, drums, George 'Space Oddity'. A nuclear wasteland is Murray, bass and Carlos A lomar,rhythmallthatisleftof Major Tom's earth

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Nash the Slash,after relationship. lecving FM (the band), has emerged as Producers Glen Tommey and Tony one of Canada's most creative Hatch have done a superb job on Acting musicians, yet seems to fall in that area My Age. Not only do the band mem- of ''no commercial potential". His sound bers, performances gel perfectly, but is compelling, driving and yet far more it's one of those rare discs where the ominous and terrorizing than we would music virtually leaps outatthe ear-term haunting. His presence or "air" s -razor sharp, crisp and clean -- the seems to evoke a feeling of cautious cymbals, forinstance, do not merely intrigue. With the man's image and snap or crcsh, but virtually sizzle. style in mind itisn't all that surprising Where Graduate tend to get a little Nash has done a cover version of 'Dead off -base is toward the middle of side Man's Cuiv two, where they self-consciously seem Nai thSlash's version doesn't ACTING MY AGE- to lean more towards their punk roots. actually s y that far from the original Graduate - (Pye/Phondisc) Some of tie songs in this half-baked where the vocals are concerned.I was center come off as uninspired, locking very intrigued with the idea of Nash Out of nowhere comes one of conviction, because the band is trying to doing this song, and awestruck at his those magical pop bands that force a made thatisn'treally them. knack for putting the vocals to the array just grab me and refuse to let My very favouritetrackon the of sounds that compromise the music. go. Not only are Graduate tightin- album skirts any of these difficulties by Although the song has been put into a strumentalists, but they have a healthy perfectly combining punk anger with a spacier context, the tune maintains a sense of humour as well, as evidenced new wave anthem -type song and their subliminal R & R overtone. Nash's by their soon -to -be -overplayed novelty art -rockinfluences.'Sickandtired' version of 'Dead Man's Curve' takes an tune 'Elvis Should Play Ska'. The song describesoneof those days when interesting curve all its own; the sounds takes the riff from Costello's'IDon't everything hot can go wrone does, and crecting theimagesof an accident Want to Go to Chelsea' at twice the life is a minestronerigh in your scene. Theviolinadds anauraof speed, and revolves around the idea face thechoruscompelsyou to urgencytothenumberthatreally thatElviscould one-uphisslew ofscream alorg with it. brings out the "danger" in 'Dead Man's imitatorsby jumping on the latest sko Acting My Age passes with flyingCurve'. Where the Jan and Dean tune bandwagon himself. colours... it'stime forthisband to wasa R & Rsongtalkingabouta Judging from the cover of Actinggraduate to the big leagues. subject, Nash's versiontakesthe My Age, you would expect Graduate to Roch Parisien subject and buildsa complimenting be your typical second company new - atmospherearound it: Fear and wave band; sixties haircuts and suits Loathing on 'Dead Man's Curve'. with skinny ties and Beatle Another song 'Swing Shift poses -- but the grooves prove quite (Soixante - Neuf)' has a feverish beat different from these initial ap- or pace much like that in 'Million Year pearances. The band in fact synthesizes Picnic'. One of the standout features on mid -seventies hard rockwiththe this ,rack is the layering. Nash has an energy, economy, and spirit of uncannyearforlayeringdifferent legitimate new wave. Lots of keyboard tracks over, under, and into each other. frills, even flutein places, but allin- The vocal style on 'Swing Shift corporated to pop perfection. (Soixante - Neuf)' is very "British new The space age cover of the new wave" influenced, sounding very Jethro Tull album A shows the band in similartoUltravox:'SwingShift / theirflightsuitsgazingoutatthe Sleepwalk'. This could easily be horizon asif looking to a new future, attributed to Nash's tours with Gary but the music contained within is the Numan,inCanadalastspring and same oldploddingTullwe've been presently in England. This number also subjectedtothese many years. The gives a great deal of insight into Nash's Graduate song 'Ever Met a Day' can be sound: He is maturing as he progresses. listened to asifit was a rejuvenated The rew Nash the Slash sound is very Jethro Tull of the eighties; the band is full and solid with a great deal of at- really looking towards a new, fresh DEAD MAN'S CURVE - (Single) mosphere and background. With a new musical future. It has a boun- - Nash TheSlash - (Cutthroat) release scheduled for early 1981, we cy /Celtic /Horselips feel to it and was shouldexpectNash'sbesttodate wisely chosen as the single in England. Out o' a Fever Dream comes a sounc. This is perfect morning music, the kind new Masquerade. Could this be 'The Swing Shift (Soixante - Neuf)' could be the sign of a swing to maturity ofhappy-go-luckytunethat I love thedrive toanothe.-Million waking up to. Other highlights include Year Picnic?It might well be, judging 1981 .10 thelittletrack where your average from Dead Man's Curve. Brent Craig

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David Bowie's Scary Monstersis No. 1 this month and some are callingithis best album ever. I.SCARY MONSTERS - David Bowl. - (RCA) Several tracks harken back to Bowie's early 2. VIENNA- Ultrovox - (Chrysalis /Capitol - EMI) career with references to Major Tom in 'Ashes to 3.BILLS, BILLS, BILLS I- Bill and the Bills - (El Mocambo- Ashes', a song similar to 'Heroes' with 'TeenageWildlife' A&M) 4.ALTERNATIVE USE OF SOAP and 'Fashion'isa funk -inspired tune similar to 'Go den Years'. To be noted:guest musician Robert Fripp plays - Magazine - (Virgin /PolyGram) 5.WILD PLANET- B 52's (Warner Bros. /WEA) some of his best guitar ever on several tracks . . . Following their recent CKCU benefit concert at the Main Hall, Ultrovox 6.TRUE COLOURS- Split Enz - (A&M) 7.FOREIGN EXCHANGE is No. 2 with Vienna , . . Aneclectic pop - rock album by Canada'sBill and The Bills, Bills,Bills,Bills! is No. 3. A - Ben Mink - (Passport /Capitol - EMI) 8.I JUST CAN'T STOP IT - English Beat- (Sire /Wea) healthy sense of humour prevails throughout . . . Alter- 9.TRAVELOGUE- The Human League native Use of Soap by Magazine is No. 4 this month.. . (Virgin /PolyGram) . . . Thosesouthern crazies, The B - 52's, continue to explore their alternative lifestyle with their second album 10.TERRAFORM - Randy Vanwarmer - (Bearsville /WEA) WildPlanet,No. 5 . . . SplitEnz'recentconcert at Barrymore's was an eye - opener! Their new material is 11. SHADOWS AND LIGHT- Joni Mitchell (Asylum /WEA) hook -laden and memorable. True Colours is No. 6 . . . Ben Mink's solo album Foreign Exchange, No. 7, continues to 12.FLESH AND BLOOD - Roxy Music (Atco /WEA) 13. COMMON ONE- Van Morrison climb . . . One of thisyear's finest ska albums has just been released in Canada by the English Beat. I Just Can't Stop It is (Warner Bros. /WEA) 14.THERE AND BACK - Jeff Beck - (Epic /CBS) No. 8 . . . The Human League are anelectronic band from the UK. Travelogue, No. 9,is their first album released in 15. ENTERTAINMENT- Gang of Four this country. - (Warner Bros. /WEA) 16. HAVE A GOOD TIME [BUT GET OUT ALIVE] - Iron City Houserockers --(MCA) 17.DEFECTOR - Steve Hackett - (Charisma /PolyGram) 18.TAKING LIBERTIES - Elvis Costello - (Columbia /CBS) 19.THE FLYS- The Flys (Harvest /Capitol - EMI) 20. CROCODILES- Echo and The Bunnymen (Sire /WEA) 21. UNIVERSAL JUVENILES- Max Webster

- (Anthem /Capital - EMI) 22. HOT ON THE ONE - LIVEI - James Brown (Polydor /PolyGram) 23.PETER GABRIEL- Peter Gabriel - (Charisma /PolyGram) 24. EMOTIONAL RESCUE- The Rolling Stones - (Rolling Stones /WEA)

25. HUMANS - Bruce Cockburn - (True North /CBS) SINGLES AND EP's 1. SIMON TEMPLAR ( EP) - Splodgenessabourds - (Deram /PolyGram) 2. THE WANDERER b /w STOP ME - Donna Summer - (Geffen /WEA) 3. BLUE NORTHERN (EP) Blue Northern - (Quirtessence /PolyGram) 4. EINDRINGLING - Peter Gabriel - (Charisma /PolyGram) 5. CROSS-EYED AND PAINLESS - Talking Heads - (Sire /WEA) Alternative Record Chart is compiled by Alywn Ross. Itis Joni Mitchell's SHADOWS AND LIGHT is number 11 based on the frequency of airplay, the number of requests They have also been known to record under and the preferences of announcers at CKCU-FM during the month of October, 1980. the name "The Men" . . . American popsterRandy Van -

. . warmer's Terraform is No. 10 . Shadows and Light, No. 11,

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I More George Thorogood and the is a double - record offering of Joni Mitchellin concert. It features an impressive array ofmusicians associated with Destroyers the jazz - rock fusion movement... Bryon Ferry's tales of woe and lost love continue in Roxy Music's Flesh and Blood, No. 12 ... Common One, No. 13,isa new - phase Van Morrison album. There's almostan hour's worth of music on this single disc which isvery jazz - influenced. There are many quietpassages and referencestohisChristian lifestyle . .. One of this year's most influential instrumental albums is Jeff Beck's There and Back is No. 14 . Gang of Four's unique point of view, Entertainment is No. 15 . . . The Iron City Houserockers' Have A GoodTime [But Get Out Alive], No. 17, is a hard- rocking profile on working - class America . . . Defector, No. 16,is a change of pace from Steve Hackett who has expanded his vision ofthe Genesis sound . . Yet another 20 - track album by Elvis Costello, Taking Liberties No. 18, is a compilation ofmany singles, B - sides and other rarities which odds up to his most diverse selection ofassortedtunes so far.Highlyrecom- mended . . . The Fly; No. 19, are a high-energy bandfrom MORE GEORGE THOROGOOD & THEDESTROYERS - the UK. This album is culled from recordings between 1977 Georae Thorogood / The Destroyers- (Attic) and 1980, showing a marked resemblanceto Nine Nine Nine . . . Are you ready for thenew psychedelic movement?Ifso, then you're ready for Echo and The he title of the new Thorogood albumsays it:It's Bunnymen with Crocodiles, No. 20 . . . Max Webster are Lmore George Thorogood and theDestroyers. now a hard - rocking 5 piece band with theirnew album Although he may be running out of classic old Universal Juveniles, No. 21. The album's special - surprise is a boogie -blues favorites to track which features all3 members of label -mates Rush cover, Thorogood makes no effort duelling with Max.. to branch out, preferring to plow righton with what he and . James Brown has always been a the band have been doing all along: prime live soul act. This is documentedon his latest double - Straight ahead, good time rock and roll, as authenticas you can get it these days. hive Hot on the One, No. 22,which was recordedin In spite of an attempt to smooth Japan . . . Probably the most highly- praised album of the out the sound on this latest release, Thorogood's exuberance shinesthrough and seems year is Peter Gabriel, his third album, No. 23 after 5 months in no danger of fading. onourchart! . . Veteran rockers The Rolling Stones' Sax has been added to Emotional Rescue, No. 24, is prdof that their unique brandof many of the tracks and all around it's not as raw as thetwo earlier albums. As usual rock 'n roll will never die . . . Bruce Cockburn's Humans, No. George does nottry to copy the tunes exactly, but by 25, is his first album in a year. It's alreadyreceiving rave reviews in the USA where he's considered tapping into the feeling of the music the bandstill manages a "new" artist to jump right out of the record and it's like from Canada! . sitting back in the local bar on a Friday night. Thenew album is also similar to previous offerings in that thereare some slower tunes with a country flavoring. But until Thorogoodmakes his month's top 5 singles include good on an earlier threat to deliveran album of acoustic Splodgenessabounds with their 3-track E.P. Simon music, his forte remains good old three -chordget -drunk boogie. LTemplarwhich went up to No. 7in the UK charts a couple of monthsago. Donna Summmer's first When Thorogood was last intown in February of last singlefor David Geffen's year, he put on what must have been a typical performance, prestigious superstar and labelGeffen Records, anE.P.from Vancouver's Blue the crowd was rightwith himallthe way. The Northern, a German version of 'TheIntruder' by Peter Destroyers play good time music and judgingfrom this Gabriel and Talking Heads'progressive and very funky latest album have lost none of theirparty -time appeal. In 'Cross -Eyed and Painless' from theirsoon -to -be -released spite of th'6 material wearing a bit thin, theintensity of LP . . . Other albums due for release soon - Utopia, John George Thorogood and the Destroyerspromises to carry through fortheir return engagement this month Lennon, Donna Summer, and the already-released -but -too- in the salons of the Civic Centre.. early -for -the -chart The River by BruceSpringsteen. See you next month. Terry Martin

NOVEMBER, 1980 TRANS FM ---SinGLED0111E.. R03 STEWART

bond's usually solid repertoire. Yet,'I Ionathan (El Mocambo) Don't Want the Night to End' is a song 'DiamondWorld'findsthister- that cries out for a lead break, a drum minally battered wife taking on the roll, anything to relieve the monotony. I attitude of a Canadian Sham '69 in a doubt if anything could be done to save vainglorious call -to -arms. Thesong

the B-side. A momentary lapse, I trust. itself is not so terrible,butthe Come back Bob Andrews, all is productionissloppy, the instruments forgiven! plod and the vocal lacks conviction. Ditto for the B-side, except this time the backingtrackavalanchesintosonic debris. Three questions must be asked: I) Isthis supposed to be a pop record? 2)If "Rule Number One" is "You gotta have fun", why does Toby sound so dour? 3) Could this be Toby's swan song? One redeeming factor:the pic-sleeve TRUE CONFESSIONS - Mating Games has a peachy snap of Shirley Temple. b/w Smokey's Gonna Twist( Bomb) Another good pop song, "Mating Games" guaranteesits absence from the charts by lyric alone.It'sa song SEX PISTOLS - SteppingStoneb /w about the difficulty of playing sex -role Pistols Propaganda (UK-Virgin) games, an alternative love song, if you The Great Rock & Roll Swindle lives like. on and with this new single,ithas STRAIGHT EIGHT - I'm Sorry b/w reached its crassest point. Thus far the "I've got a burning, a burning in my bellySatisfied (El Mocambo) movie hasspawned a two -record Concentration's shaking, shaking into Excuse me a moment while I check soundtrack, featuring an equal division jelly" the charts. No, it's not an AM hit. Wait, between some classic rock and roll Great guitar, synthi-Farfisa and strident it's not an FM hit either! Oh, I get it; the histo-y and some of the most insipid female vocalsall say"hit",but theAmericantipsheets haven trecom- garbage fillerofalltime. Recently a content may be too strong even for themendedit,so why should Canadian single -album version of the soundtrack eighties. The B-side is well performedradio play it? Quite simply because this was released (paring away much of the and isa good song, but nonethelessis one of the finest pop singles to come garbage) completewith newspaper - styled photo booklet. This latest single lacks hooks. Maybe next time, kiddies. outina lorg time. Fluid guitar, fine vocal harmonies and an evocation of shows the boys out at sea indulging in a the sixties make either side worthy of little "friggin' in the riggin", and takes a hitdom.Producedby Mike Howlett, side directlyfrom thesoundtrack fresh from his success with Martha & album. It's a cover of the 60's classic 21121intil the Muffins, this record is the best fun '(I'm Not .Your) Stepping Stone':live, DONT since Split Enz"I Got You'. Buy it now! raw, vintage 76 Pistols. The song is WAN I HE perfectly tailored to the punk ethic, and NIGHT TO the bond infuses it with the urgency and ENO menace that the Monkees could never have aspired to. Side B,'Pistols Propaganda' isa must for garbage collectors everywhere. The song isjust that: a five-minute propaganda commercial for the movie. Tacky, tasteless, sen- sational, and loads of laughs. The whole message of the Pistols was to do your own thing because there are no heroes, but the press and public insisted on THE RUMOUR I Don't Want the Night idolizing them anyway. Well, this single to End b/w Pyramids (UK-St iff) tells you you're being ripped off:the A curiously lethargic version of a joke's on you, bud.II Nick Lowe song backed with a moody Roch Parisien and somewhat sluggish Rumour tune is not my idea of a classic moment in thisTOBY SWANN - Diamond World b /w

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-Zee Jackson is one of the many reggaeartistswhohaveleft Jamaica for greener pastures in Toronto. Born inChappleton,Clarendon, he spent most of his life in Kingstonsinging on street corners and at church. But how does itfeel to go to church? Says the Rastafarian, "It'snot a matter of belief in the church. Church is something you walkaroundwith everyday.It'sthe actuallivingas a Rastaman. Rasta isnot a religion or a cult, it's day to day living." Day to day living can be tough. It has taken the twenty -six -year -old Jackson overa yearto releasehis second single,'Hammer' (Tosh original).In factitis the Ital Groove band featuring R -Zee on vocals. The members: BerniePitters,keyboards, Jah T (Anthony Hibbert),bass,Jeff Clarke, guitar, Mikey Edwards, rhythm and Tony Creary (Benbow), drums. R -Zee Jackson has now released his first album Seat Up on RIO Records inToronto.Thisseven -trackalbum, 'Play On','Folly Tricks', 'When H.I.M. Come', 'Wall of Babylon' on side one,thing as compared with the past but you the group initspresent composition. Last month Marley cancelled his dates, 'Ras-Prince-TafarI','Wonderland' andhave to give thanks and praise. It helps 'Seat Up' on the other, is constructed onNorth Americans to accept he music. in at least the eastern segment of his the basis of the Rastafarian message. Reggae is the first and last music of this Canadiantour,duetoillness. But creation," says R -Zee. through the grapevine, internal ". . . Babylon you are guilty... Wanna go home (to discontent is setting in. Earl 'Wire' Undo, Africa)... Ras -PrinceTafari,Kingof keyboardist (the other is Tyrone Dow ie) has left and has been replaced Kings, Lord of Lords. . . . Children of Judah let's trod on, don't let the Ku Klux (thinthemusicbusiness, by Touter (formerly with Inner Circle Klan standin your way..." The title most, if notall,artists and the early Wailers). This may be a track features a talkative lead guitar hunger for success but not short termobstaclesince Marley throughout and should do well in the many obtainitfor any considerable always survives. He says, "I could have dominant rock market. period.Like rock, reggae music has charged the Wailers but the Wailers is Is my latter conjecture a suggestion beenaroundfortwo and a half always there andwillalways have towards the commerciality of reggae? decades,its precursorbeingblack something to do." "How you play the music is how you live American music. Like theRolling This is the time of survival, nuh true it, right? Our lead guitarist is very much Stones, Bob Marley has endured the Bob. influenced by rock music although he sixties, seventies and now looks for- plays reggae. Reggae is the only musicward to the eighties (you may want to that beats with the heart. You can play agree with me that the Stones will not During CKCU's FUNDING DRIVE 80 almost anything on top of reggae, rock, last another five years.) be listening fcr The History of Reggae. calypso, funk, jazz and disco. You name Bob Marley and the Waders have Thiswillbe a three-part, two-hour them, they can be played. For examplesurvived the lost two decades but oneseries beginning Saturday, November the ska revival. Thatisnot the real should be skeptical about the future of 1st at 3 pm.111

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T.C.L. CAR WASH SYSTEMS LTD. ST. ALBERT BAR -B -Q 45 church street 191 Mcntcalm Street Stittsville - 836-3832 Hull, P.Q. - 776-3163 PINE TREE VILLAGE RESTAURANT R. DE REPENTIGNY LTD (St. Laurent shell) 354 Elgin St. 2232 St. Laurent Blvd. - 731-1576 Ottawa, 232-6126 WHEEL -A -WAY TRANSPORT LTD. QUALITY FOOD MARKET - Meat 17 Burland Street Cut Daily From Canada Grade "A" Ottawa- 828-4881 1101 Wellington St. 725-3707 BEL-AIR AUTOMOBILES K.S. RESTAURANT 450 McArthur Avenue 2525Bank St. (Corner of Albion Rd.) Ottawa, 741-3270 Ottawa - 521-0498 CARLETON BUS LINES (ANTRIM) LTD. KHALIL FOODLINER R.R.1, Kinburn Ontario 355 St. Laurent Blvd. Telephone 832-2812 Ottawa, Ont. 746-8491 OMER'S AUTO WRECKER & USED PARTS BRONSON BAKERY LTD. Boundary Road - Navan 15 Grenfell Crescent Omer Serrurier - 824-1174 Nepean, Ontario 225-0740 SOFT SPRAY CAR WASH THE BLUE GARDENIA DINING LOUNGE 111 Ogilvie Road 345 Laurier West Ottawa, 741-2173 Ottawa, 236-3994

NOVEMBER, 1980 TRANS FM 55 SDLIT 1\7 TAB= OV-R T 'L/8\\. --T ROB STEWART Photo by JAY HARRISON

or the better part of a decade now, Split Enz have beenattemptingtoconquertheworld.As keyboardist Eddie Rayner explainsit,the problems of a band from New Zealand are almost insurmountable. First it isnecessary to gain acceptance at home in the limited 0 market of the pubs of Auckland and Christchurch. Then comes the assault of Australia, the "land of milk and honey" for New Zealand bands, where the population is larger, the venues more numerous and the financial rewards greater. While the British Empire has faded, the influence of England on the rock world remains unchallenged. England, ofcourse,becomesthetargetonce"down -under" popularity has been cemented. From the British Isles, a band has ready access to the North American audience, the ultimate target for rock and roll stardom. The story of Sprit Enz follows the above scenario, but with a few character -building obstacles appearing from time to time. Split Enz were formed by Tim Finn and Phil Judd in 1971, with a changeable lineup that included, at various points, a string section and brass. After roughly five years of roadworkin New Zealand and Australia, the band released theirfirstLP, Mental Notes. During a stint as support act to Roxy Music on an Australian tour, Split Enz were "discovered" by Phil Manzanera who sponsored an

Tim Finn at Barrymores last month.

72,41Maninfall, Ade>

English recording session and produced their second Mental Notes LP (called Second Thoughts in Australia). Critical acclaim and a cult following resulted from this initialin- ternational exposure. Certainly the world had never before experienced a group quite like Split Enz. Their image was one of glorious excess and unrestrained oddity. Percussionist Noel Crombie undertook the task of outfitting the group in his own fantasy costumes,oftenconstructedfromdraperymaterials. Combined with their shocking hairstyles and makeup and lead vocalist Tim Finn's penchant for speaking only in rhyming couplets, Split Enz clearly had no peer. The music was equally eccentric, a curious amalgam of layered and hypnotic instrumentation, English music hall attitude, quirky wit and dark humour. By the time of 1977'sDizrhythmia, the group had undergone apersonnel change. Gone were Jonathan Chunn (bass), Robert Gillies (brass) and drummer Emlyn Crowther, to be replaced by Englishmen Malcolm Green on drums and Nigel Griggs on bass. Tim Finn's younger brother Neil,in England on a visit, was pressed into service as guitarist, his first taste of the electric guitar. Produced by Geoff Emerick, who had done work *ith Paul McCartney and the Strawbs, Dizrhythmia sold even less than Mental Notes, causing the band to reorganize their thoughts and to retreat from England back to Australia in January, 1979. Neil Finn at Barrymores last month. Photo by JAY HARRISON Back in Australia, Split Enz returned to the pub circuit, for the dual purpose of replenishing their dwindling bank the best pop releases of the year. As anyone who has fallen accountandrethinkingtheirmusicalapproachandunder its spell can attest, the album isfull of instantly- strategy. According to Rayner, the band members werehummable tracks, one of which, 'I Got You', has already working at cross-purposes, and the group had little sense ofreached the AM airwaves. Like an '80s Stackridge, Split Enz direction. It was at this time that prolific lyricist and originalmove from humourous pop songs such as 'Shark Attack' to member Phil Judd decided to leave the band, as he felt he ballads like I'll Never' without no longer belonged, and Split Enz began to curtail theirlosing sight of their unique personalities. rather outlandish stage show. Record company hassles Split Enz credit as influences any music they hear meant that the next album, Frenzy, was released only in whose melody strikes their fancy; in Eddie Rayner's case Australia. anything from Tangerine Dream to XTC to Frank Sinatra. With a renewed vigour and a more energetic approach,Their new pop sound can be linked to their original in- unconsciously influenced by the arrival of the new wave,fluences as youngsters in 'sixties Australia, where only the Split Enz released a hit single in Australia and England, 'I cream of the international bands hitthe airwaves; the See Red. The recording of the single marked thein- Move, the Kinks and the Beatles are mentioned as being troduction to the band of David Tickle, 19 year old chiefperhaps the most important. Rather than cashing in on the engineer of Ringo Starr's Startling Studios who had workedcurrent pop revival, Split Enz are making better use of those with the Knack and Blondie. Finally, Split Enz had a producerelements that have always been hidden away in their who was able to fully realize the group's ideas on vinyl,music. acting as a "seventh member of the band". In person, the new Split Enz appear as six friendly lads Now armed with a new recording contract with A & M,having fun playing happy music. Feeling that at one time Enz and Tickle entered the recording studios this year tothe visuals tended to overshadow the music, they have produce their most accomplished record to date,True trimmed their wardrobe to suits of varying colours, all Colours. Though Split Enz have been sloggingitout formodifications of the same basic design. The suits range years, they see nothing wrong with their new audienceTim Finn's short -jacketed bellhop's uniform to Nigel Grigg's viewing them as a new band and True Colours as their violet drape jacket. As in the past, all outfits are made by debut album: "That's the way itis really. The other two Noel Crombie, who dismissed as "rubbish" claims that the albums we've done as this band haven't really amounted to band have costumes in storage valued in the six figures. anything that can be considered a start. They've beenThe lighting, in combinations of ultraviolet, coloured spots groundwork, Ithink. We've done True Colours and we feel and brilliant white strobes, is perfectly synchronized with like that's our first album; we've been in the studio and we the music and compliments the new image. felt we were in control of what was going on for the first Gone now are Tjm Finn's rhyming couplets and the time." meandering compositions, replaced with snappy stage As a marketing ploy, A & M records deigned to release patter and hook -filled pop. Judging by the enthusiasm of True Colours in a special laser -etched edition, with graphicthe Barrymore's audience, this change is more than merely designs appearing on the vinyl itself. It's a clever gimmick, accepted: Stripped of their excesses, Split Enz are a truly but serves its purpose well. With the glut of new bands and refreshing and exciting live band. their "product" arriving on the scene, it was felt that Split Malcolm Green commented, "Ifthis album doesn't Enz' music was important enough to warrant a special become successful, however one compares success, that's attention -getting device. The album is, put simply, one of it, we're going to call it a day." Little chance of that.

58 TRANS FM NOVEMBER THE ABLE TRAVEL AGENCY LTD. ,Sentinel - UVRESOEWAXTSILLUIPRIBI 111. )1A. V. 11 - POUR TOLISIESAGES LITTMAN"' ARMCO JOSEPH YAPP (gleaners OPRAMENNE TRAVEL COM., TTTTT MUNE FRANCAJSE SAME DAY ONE HOUR SHIRT BEACON HILL SHOPPING CENTRE CLEANING Cented'achats SERVICE EardwiewNenisr, 2339 Ogilvie Road 619 Somerset St. W SUEDE A /IAMBI Ontario KIL6N1 OTTAWA, ONT. K1) 8M6 OTTAWA, ONT. GIANNI 225-5868 Y3131745.3747 Tel: (613) 741-6121 Tel: (613) 233-1156 RIDEAUGEW ANORAK MINE ALTER/1E1NC aBOARS/4

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VENDEUR ePP:er.; 769 MALONEY BLVD. Tel. 663-1001 Tony Frogiskos TEL.: 824-4002 SALESMAN RESTAURANT - 360 Elgin Street

S*12.1c Compliments of... 04610m. Compliments of.. . DESIGNERS AND SUPPLIERS THE SUNSHINE OF TRADING CO. TOMMY'S PIZZA & TAVERN COMMERCIAL INTERIORS 590 Bank Street Manotick Mens 275 Slater St. (Ground Floor) Manotick - 692-2002 237-3996 Ottawa - 238-4020

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Stephen P. Markey, Compliments of.. . Vice -President EXECUTIVE CONSULTANTS LIMITED DOCTOR VINYL CO. SUITE 205,151 SLATER ST. 826 churchill Ave. OTTAWA, ONT. K1P 5H3 Ottawa, 725-3033

Fida's Pizza CONSULTING ENGINEERING SERVICES PIZZA SUBS ITALIAN FOOD Howe International Limited 0. SPEARMAN'S BAR -B -Q CHICKEN CANADIAN FOOD GARAGE 77Metcalfe Street Special Ottawa, Ontario 3270 Carling Avenue. Buy any 2 pizzas and get 1 small FREE K1P 5L6 Suite310 828-8376 Sunday to Wednesday 10% DISCOUNT OFF PICK-UP Gloucester Boarding Kennels Compliments of.. . FREE DELIVERY ON ORDERS OVER $3.50 TONY'S DONAIR AND FOR DOGS AND CATS Delivery to: SUBS MODERN HEATED, AIR 329 Bank Street Russel House Lanark House Grenville House CONDITIONED KENNEL Glengarry House Renfrew House - Grenville House LARGE INDMDUAL RUNS Ottawa, Ontario 235-0020 BUSINESS HOURS HOURS: 8 am - 6pm 4:00 P.M. to 1:30 A.M... Monday to Wednesday SUN. 7 8:30 pm 3:00 P.M. to 2:30 A.M. ...Thursday to Saturday closed 3:00 P.M. to 11:00P.M. Sunday WED. Please 232-6800 For ReservationsC Support Our 232-0818 822-1393 Sunnyside and Seneca R.R. No. 6, Ottawa Advertisers (two blocks from Carleton) SWISS PASTRIES & DELICATESSEN Carlingwood Plaza Plo.Y@M©ncil Ottawa, 728-5166 EXTENDICARE New Orchard Lodge MEADOW'S LUNCH 99 New Orchard Ave. Groceteria & Snack Bar 455 Preston St.- 238.9240 Ottawa, Ontario Compliments of... YAGHI'S FOOD MARKET DR. GOODWILL ARAFI 186 5th Avenue Dentist Ottawa - 234-7801 SPEED-O-MATIC RESTAURANT PERLEY-ROBERTSON, PANET, HILL & McDOUGALL 255 Montreal Road 99 Rue Bank Street Vanier - 745-2544 Ottawa - KIP 6C1 ECONOMY HERBS & SPICES UNIVERSAL SERVICE LOCAL ENGR. Spices and Cosmetics Nettoyage General - Immeubles 48 Byward Market - 234-0405 Service de Concierge ' jours par semaine LAUZON MEATS & GROCERIES DR. W.D. McDADE 207 Guigues Avenue 1200 St. Laurent Blvd. Ottawa - 238-1811 Ottawa - 745-2228 THE HOUSE OF CHEESE DR. JAMES MULLIN 34 Byward Market 214 - 2249 Carling Ave. Ottawa, 233-4853 Ottawa, 829-4096 RACINE, ROBERT, GAUTHIER MARSH McLENNAN LTD. Funeral Directors 1785 Woodward Drive Ottawa, 237-3680 Ottawa - 225-2260 WALKLEY MEAT MARKET LTD. 1416 Walkley Road Y.C. LEE ARCHITECT Ottawa - 733-2271 100 Sparks St. Suite 401 Ottawa - 238-6701-2 EXPERT CATERING 19-9 Grenfell Crescent GLEN F. SCHRUDER BARR. Nepean, 224-9584 100 Sparks St. 2nd Floor Ottawa - 237.2222 CHEZ LOUISELLE 19 Chemin de la Savane ROBERT T. PRICE, Q.C. Pte. Gatineau, 561-1163 28 Driveway Suite 1801 Ottawa, 238-8976 THE DONUT SHOP Merivale Mall KENT DENTAL MANAGEMENT CORPORATION Nepean - 224-3741 381 Kent St. Suite 501 Ottawa - 237-7711 cicero'S PIZZA & SUBS 683 Bank Street DR. M. GUILMEE Ottawa - 233-5818 2555 Blvd. St. Joseph Orleans - 824-1552 CAFE BOHEMIAN 89 Clarence Street GEO-ANALYSIS LTD. Engineering/ Geology Ottawa - 238-7182 Box 1753 Station "A", Ottawa Ontario Telephone 523-7600 HOPEWELL CONFECTIONARY RAYMOND STELL LTD. 70-A Leonard Street 2280 Stevenage Drive Ottawa, 233-9462 Ottawa - 521-8644

WALKLEY RESTAURANT & TAVERN SAMPSON AND McNAUGHTON LTD 1436 Walkley Road 350 Sparks St.,Suite 402 Ottawa, 731.4944 Ottawa, 237-2607

60 TRANS FM NOVEMBER WALLEY BECKER & SON SYSTEMHOUSE LTD. 1000 Wellington Street 99 Bank St., 3rd Floor Ottawa, 729-6327 Ottawa, 236-9734

ABBATEC LTD. TORSA CORPORATION 2615 Blackwell Ave. Suite 1083A 130 Slater St. Suite 22 Ottawa, 741-3372 Ottawa, 238-4492 OTTAWA CRIPPLED CHILDREN'S CENTRE HONEY,PASCOE & GARAY 395 Smyth Road Barristers, Solicitors & Notaries Ottawa - 737-0871 1355 Bank St. No. 703, 523-1200-9100 REV.PAUL BUSING RIOPELLE AND BUNCE LIMITED St. Johns Anglican church 100 Argyle Avenue Somerset & Elgin- 232-4500 Ottawa, K2P 1B6, 233-4277 SUTHERLAND & PARKINS DISPENSING OPTICIANS SEQUIN, MAHEAU, NOISEAUX & ROY 267 O'Connor Street 233 Gilmour St. Suite 601 Ottawa - 263-2379 Chartered Accountants, 236-0881 MacDONALD, AFFLECK (Barrs.) 100 Sparks Street A.A. ACTION CRESTMARK Ottawa - 236-9521 AND DESIGNS LTD. 370 Montford, Vanier, 749-7222 DEREK CRAIN ARCHITECT & CITY PLANNER P. GHATTAS MANAGEMENT CO. LTD. 555 Cambridge St. South 48 Colonnade Road Ottawa - 232-1305 Nepean, 226-6464 STUDIO PASSEPORTE INC. 205 Rue Notre -Dame MacDONALD & BRISSON Hull - 771-3933 75 Albert Street, Suite "7 Ottawa, KIP 5E7, 233-4055 POPULAR PRINTING 155 Loretta St. North DR. R.R. BEGG Ottawa 722-8586 381 Kent St. Suite 326 Ottawa, 232-5319 SANDY HILL HEALTH CENTRE 250 Somerset, Ottawa, 232-7154 DR.W.J. KEON Physicians winces. Call to. an appointment 737 Parkdale Ave., 1st Floor FORHAN'S PHARMACY LTD. Ottawa, 725-4794 769 Bank Street at Second DR. H. MOHAMDEE Ottawa - 235-4377 507-381 Kent St. Ottawa, 234-8308 DR. NICHOLAS WARD 150 Metcalfe Street Ottawa - 232-0951 PRINT -O -GRAPHICS LTD. 270 Durocher Street FATHER DENIS FORTIN Vanier, K1 L 7S6 St. Bonaventure Church, Ottawa ALBERT OPTICIANS 1359 Chatelain St., 722-8040 151 Sparks St.2nd Floor Ottawa, 563-1805(1806)

DR. PETER TELTELBAUM 2211 Riverside Drive WOODVALE DAY CARE CENTRE Ottawa - 733-5553 205 Greenbank Road Ottawa,K2H 8K9 DK. BARWIN SCHAFER'S CLOCK SHOP 501 Smyth Rd. (General Hospital) 2525 Carling Ave. (Lincoln Fields Plaza) Ottawa, 737-8555 Ottawa - 828-8382

1980 TRANS FM 61 BCM ANIMAL LABORATORY SERVICES LTD. RADIONICS LIMITED 1396 Jamison Avenue 2487 Kaladar Ave. Suite 205/206 Orleans, Ontario 824-3577 Ottawa, K1V 8B9, 521-8251 BEAULAC ENTERPRISES LTD. Compliments of... C.P. Box 235 DONALD E. NOLMES, CMM, CD Orleans, Ontario K1C 1S7 Brigadier General (Retired) MANOIR LAURIER MANOR 1715 Montreal Road SUPER LOTO Vanier, 741-5122 Helping Ontario Hospitals Win Got Your Ticket? OFFICE EQUIPMENT CO. OF CANADA LTD. APOLLO CYCLE SPORTS 920 Belfast Road Raleigh - C.C.M.- Peugeot Ottawa, 236.7287 2582 Innes Road, 824-1266 PARCHMENT & QUILL SHOPPE LTD. BOYCE TRAVEL AGENCY 1516 Merivale Road 1025 Richmond Road Nepean - 234-4747 Ottawa - 829-9460

THE ROYAL BANK OF CANADA MUSIC CENTRE DE MUSIQUE Billings Bridge Plaza 45 William St. (Byward Market) Ottawa, 737-0290 Ottawa, 234-0291 CANADIAN COUNCIL OF HEALTH EDUCATION CAPITAL BOX OF OTTAWA Jean Masse Building 4 th Floor 1475 Star Top Road Tunny's Pasture - 99b-1513 Ottawa, 746-8171

UKRANIAN CATHOLIC CHURCH ADELPHA BEARING AND 991 Carling Avenue ENGINEERING PRODUCTS LTD. Ottawa, Father Shewchuk, 729-0164 203 Catherine St.563-4971 HADWEN GRAPHICS LTD. JOE'S IRONWORKS 695 Industrial Ave. 24 Bentley Avenue Ottawa, 523-6560 Nepean - 225-4898 Compliments of... GLOBAL TV NEWS Othw Saivk@o, Ottawa, 237-2023 CLASSICAL BALLET SCHOOL ELMVALE PHARMACY LTD. 1910 St. Laurent Blvd. 111 - A Rideau St. Ottawa, 733-4571 Ottawa, 233-5724

CALLIGRAMMES GALLERY ANN -PAUL DECORS 205 Rideau Street 338 St. Andre St. Ottawa, 235-3802 Gatineau, P.Q.663-3984

MODERN LEATHER GOODS LTD. MARIE -FRANCE - Hairstylist WESTGATE SHOPPING CENTRE -729-6966 251 Rue St. Jacques Ottawa - Prop. Alan Gilbert Vanier, 741-0034 MEDIFACTS LIMITED JUBILEE JEWELLERS 153 Rideau St. (at Dalhousie) 475 Richmond Road Ottawa - 238-1886 Ottawa, 728-4655

BELISLE ALUMINUM INC. CAPITAL CUTLERY SERVICES LTD. Klock Road 72 Norman Street Aylmer, Quebec Ottawa, 235-0855

62 TRANS FM NOVEMBER BLUE CARE PET, PLANT AND CHARLIE'S BARBER SHOP HOMESITTING LTD. 2604 Innes Road 2020 Jasmine Cr. 741-1159 Blackburn Hamlet - 824-9484 john p. GREEN INSURANCE OLYMPIC DRILLING CO. LTD. (Ottawa) 112 Kent St. 10th Flr. Ste. 1008 Box 9180 Terminal 1 Ottawa - 237-7550 Ottawa, K1G 3T9, 822-0395 MULLALLY INSURANCE AND CREATIVE ARTISTS OF CANADA ANNUITY AGENCY LTD. 25 Montreal Rd., 2nd Floor 30 Leaver Ave. Vanier, 745-0004 Nepean - 224-7682 JACKSON & CHURCH ELECTRONICS CAMBRIDGE BABY ACADEMY Video Sales WITH Service Bilingual Child Care Facilities From 0-3'/: Yrs. (613) 229100 Cambridge St. South, 234-3291 U.I.P. answering service 150- 409 Metcalfe Street CENTRE BETTY FARHOOD CLINIQUE Ottawa - 236-7026 77 Metcalfe St. Suite 208 Ottawa - 237-9922 J.R. NOEL PLASTERING LTD. Repair of All Kinds BARRHAVEN BEAUTY SALON 2220 Prescott Hwy - 226-5935 808 Greenbank Road ALLAN MANN INSURANCE Ottawa, 825-4213 118 Perth St. richmond 838-2626 A.V.'s BUILDING Cleaners QUEBEC HARDWARE CONSULTANTS Ottawa - 236-4342 1093 Parisien Street - 745-0307 AVENUE LOCK 738 Bank Street SALON KRISITNE Ottawa - 236-2888 43 Boul. Montclair Hull, Quebec- 777-1107

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GEORGE H. PLETTENBERG INSURANCE AGENCY JUNG PARK'S TAI KWON DO SCHOOL 1441 Woodroffe Avenue, Ottawa Ont. 200-177 Nepean Street We Sell All Lines Of Insurance Ottawa - 235-5627 PHOTO FEATURES L'ARTISAN DU MEUBLE 344 O'Connor St. 3rd Floor 552 Cheval-Blanc Ottawa - 238-3296 Templeton, PQ - 563-1110

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1980 TRANS FM 63 I am very discriminating and expect a lot.

And that I have finally found a record store that I could whole heartedly recommend to my peers.

. Imagine my surprise to find that we were talking about the same thing: Treble Clef I am simply overjoyed to The people who bring you all the have found you. You're SUPER. music you want. Super Clef138232C6-13y1d1e0Ave