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A Gutetc CKCU 93.1 FN/ SOUVE\ IR EDITV ACT CKCU Celebrates 5 Years of Frequency Modulation Vrk.. \hi- PLUS: An interview with KimVitcholl Dcvid 30wie_ Fincerorintz-Levon He m-Fictionoy Ken Ric5;77), -Solit Enz-Conacicn Film FesfivcIs- onc more... ATTENTION STUDENTS! MILLION DOLLAR GOLD BUY CASH-CASH-CASH YES DIAMONDS WE BUY STERLING SILVER GOLD You Can Get Gold Jewellery -10K -14K -18K -22K E Jewellery Dental Gold Bangles Gold Coins Scrap Gold Bracelets Gold Wafers Chains Charms Placer Gold PHOTOCOPIES Rings Pocket Watches Platinum `Pendants Wrist Watches Silver Coins I 24 Hours A Day CASH FOR GOLD `r,u mu/ ,ap o,Kok Cal we pay cask r ;won, 000 5rr,rre r.n9. 5,2 no to 5,35 00 weareep ook ST 00 to SOO 00 Ir+Ore for Monday to Saturday darnOnC161 pocket *atones 565 00 to $250 00 y,u nol Sure v... vdr test rt t,re anti Make you an one, You .01 Irks CASH FOR STERLING CASH FOR DIAMONDS forks 11.91 SIZE GOOD EIETIERBEST Sorloott 33 Gloat530 $105 5200 Enron 4 84 CaratS70 $220 1450 Sofro. 50.00 s op I. Corot$125 $400 MOO Too Soto 25000 up Carol$200 $550 $1400 10% 2 CaratSSW $1200 S2850 Our Ottawa West Buying Office is now open Monday through Saturday Discount With This Ad 10:00 a.m.-7:00 p.m. penunays oontil 4PM MOW IT N... ITwow PARKING FACILITIES AVAILABLE 1I0041 VOLUAIKE CAMPBELL ELECTRONIC fist p 0,,r °ratedo ver rroorr YOU 'IOW Halklort Howe PRINTING SYSTEMS MI poops sublet -I to osorkot oottellitorto 6 orloo 2249 Carling A.m.., Soho 224 171 Slater Street, Ottawa INTERNATIONAL WE RESERVE THE RIGHT TO REFUtE ANY PURCHASE GOLD&DIAMOND INC. PRICE9 RAPIDLY CHANGING 234-9222 TOP DOLLARS PAID NOW Securrs Guavas on premises 5 . -row Ors, remorrm . "serif, 1/40- cre,4 111+1'.1%,&44(Pfrir,dickc6. 6:41' e eep 64,4r1 1.> 4';'64 A 's.* & $, ,1* ,"4 #5141 0 Second Level ..9" (,. '' AP 4,6sv" 09'erc;',-** Unicentre 0400.-99s5..gy-.. Ns .4t 5, cP rep ob Carleton". C> 'dis $'.*s- ad.' (5, Ace , .zb e University o";,,t cPPgjbeNC" The Pepper ON- Mill ,20 .eibfradve,$. cP SP"),65-11%, ",e5, Monday to Thursday ei ZO'°' 'VP _of> sC 8:00 am to 7:00 pm Friday S >PsocrsO " '4\ e5) Od%- 8:00 am to 3:30 pm e;6 .L6 ?. e °511N CPP s> Saturday e 4P ed 08. 0. ef-, bed 11:30 am to 2:30 pm ill OS' ,cC5\e5, :te $fr c5' cr? ,,,cp"..1. -?0.k SP1/4'cv. \epCP ,P(Kse/ elf? . ,c%*,6b,O, e" ttt cP. & s,o°r1 ,,g.9,17 ISS. ,o ..' 1/4, a\d s 41* Ao ,N,..:' (9 ,,-*.,, ad's' 4_6> ,,S 4.0- - -- ', 51/4. gpz,p;s.l.v. 0'.'c ctic Or qd4,a' V (5) 6;>4., roc O' .. ezpita/b se Ot .. .. o c, '1/4- `.. Food 4`Yeilc N64, . -, c-V-' ..\".... SCSVICCS ''' ''e, v - . 2 TRANS FM NOVEMBER rfiliWay A Guide toCKCU 93.1 FM FEATJRES VOLUME 2, NUMBER 3 RADIO ACTIVE CRAIG MACKIE A celebration of five years of alternative radio 8 THE KIM MITCHELL INTERVIEW GEOFF CURRIER Max Webster has plans for a long time to come 24 FINGERPRINTZ BRUCE SIN/PSON More songs about songs dealing with paranoia 28 LEVON HELM WORKMAN JOHN On the road with the Cate Brothers and a gallon of sake 30 I'LL MEET YOU BY THE TWO THOUSAND SEAS KEN ROSS From the dream life of Derek D SPLIT ENZ ROB STEWART Conquering the Northern Hemisphere by laser 56 REGU_ARS UNCONTROLLED FEEDBACK 4 PRINTED CIRCUITS ....RAY NOYES 6 PROGRAM SCHEDULE 12 93. HIGHLIGHTS 15 CINEMA BILL WHITE 36 RECORDS ON REVIEW 40 ALTERNATIVE RECORD CHART ALWYN ROSS ...47 COVER ART: RADIO ACTIVE by Robie SINGLED OUT ROB STEWART .51 Hai. 7. original painting is DREADTALKS....JUNIOR SMITH 53 available as 'a full -colour glos.sy TRANS FM CLASSIFIEDS 55 poster. Call CKCU for details. 1980 TRANS FM 3, riansFrauncomoum-- Editor. STEVE MORETTI What's wrong with and I want to be sure you will still be on Copy the air when I return. Especially No RAY NOYES all you Ottawa people? Future Now and Meantown Blues and Layout ArkansasTraveller. I missSneezy Dear TRANS FM, DALE DREWERY Waters and Molson Stock Ale, a tall Re: Joe Jackson review, page 15, STEVE MORETTI one, at the Lafayette Hotel. Keep up the Photography. Vo. 2 no. 1 good work. I was very disappointea with Steve DANNY PATTERSON Moretti's review of Joe's show at Camp Bob Feindel JAY HARRISON Fortune. Maybe he was one of the many New South Wales CHRISTINE JOHNSON "hippies" that frustrated him Australia. throughouttheshow. Coming from ROBIE HARTLING Montreal, after the drive to Gatineau STEVEN ANDERSON Pork, after parking in the primitive lotAn important alternative and after hiking the final 3,000 meters, I stillenjoyed a great show. What'sfor Ottawa Adver. j wrongwithall you peoplefrom (Copy of a letter sent to tne (..1<tC,) Ottawa? Sitting on yourblankets of HOWARD BLOOM smoking pot and drinking beer, not a Mr. Chairman andMembers Ad Lcwout single body grooving to the rhythms of the Commission, LINDA KARDOS I am writinginsupportof the CHRISTINE JOHNSON his great band, how do you think Joe felt? His music is there for groovin' andapplication from CKCU - FM, for a five BRENT CRAIG heandhisbandliveduptothe year renewal of their broadcast license. energetic end that is expected from him Over the years, CKCU has provided but the audience didn't live up to their animportantalternativeto Ottawa endofshowingtheirappreciation.audiences as it offers coverage of local Good old Joe even called them hippiesand regional issues which ore often and they just sat there, smok in' their ignored by other broadcast media. The pot and drinking their beers with smiles stationhasreached far beyond the on their faces after spending 8 bucks abounds of theuniversity to serve a pop to see him. variety of interests, presenting tenant I thought that his new material was andcommunityassociations,ethnic very exciting and am anxiously waitinggroups and others with little access to the airways. forhisnext album. I have a funny feelingthatthe audience were the Both as to quality and quantity, the Greek sheep herders stoned on Ouzopublic affairs programming of CKCU is TRANS FM is published monthly by that Moretti mentioned. most impressive, as the station con- Radio Carleton Incorporated. Thank you and I dare you to print tinuesto reach out to meet the needs . of new audiences. Contents are copyright 1980 All this one. rights reserved. ISSN 0704-478X. I would hope that in your Monthly circulation, 15,000 Jeanne Cari3oneau deliberationsyouwillconsiderthis copies. Montreal, Quebec record andtheopportunitieswhich present themselves for the future and Typeset by The Charlatan . YVETTE Well, we printed it. So what? give thisapplication your favourable DIEPENBROCK ANL, SUSAN Ed. consideration. AYSCOUGH ypesetters. Printed by Marion Dewar, Performance Printing Mayor, Ottawa Colour separations by Hadwen Nothing like Molson Stock Graphics Ltd and Meantown Blues ve, Dear Radio Carleton, Address letters to: I have been working for the past Pd rates available on request 41/2 months down here in Australia so TRANS FM (613) 231-7477 unfortunately I haven't heard many of your broadcasts. I do, at least, get my Room 517, Unicentre SUBSCRIPTIONS: S25 a year. (Used copies of TRANS FM sent down. to support CKCU-FM, a non-profit Anyway,since yourlicence is Carleton University community radio station Donors coming up for renewal,I am writing a Ottawa, Ontario become members of Radio letter of support for your radio station Carleton Inc ) because you were the only radio station K1S 5B6 in Ottawa worth listening to when Ileft 4 TRANS FM NOVEMBER, Reserve NOW through Canadian Universities Travel Service CHRISTMATERSS C.U.ESCHAR TORONTO TO VANCOUVER from $259 TORONTO TO LONDON $569 MANCHESTER BRITAIN PRESTWICK - Edmonton 60Laurier Ave. E. Vancouver 238-8222 Carleton University $239 238- 5493 ----THE MONKS-- S'Ot.+Hd) $4.99 Peter Gabriel (WEA) The Monks (Capitol) Max uebst er (Anthem) wow RECORDS ON WHEELS Validpresentationonlywi th o this ad 1980 TRANS FM 5 -PcSIMD CAGES . ____, tipus soiiimi flit, , _ 1 , 1 , ! ,- 0000 000 d 000Q8000882,888888838it HO 08888888gi22:igi88g8 :882Ast:::::::::::i0, ;.,;...,. ..0.0. **********..... ,..***** ..::......... ::::::11!11:iiIN6 t, 41.431._..... :*.F..A7.. :2::::::i!::::411dmimmle to:::n:t ::::::::::2,::: t1 * 00 0 ...":? :::S:* ::30553313::: IIII MI OOOOOO1011111 111. e0oee2: 000lbig;H!iiiiiii870 The large plastic box told Alpha, Beta and Gamma all they needed to know about the creatures RAY NOYES he structure was composed mainly of cylindrical colleague, Gamma, infrontoftheverticle "opaque Lstems from some of the larger, firmer vegetationopening" which Beta had discovered. nearby. These stems had been cleaned and stacked Instruments beyond my understanding were employed to form a cube with a cover of some other materialto destroy the simple metal latch and open the door so that inthe shape of two rectangular panels, whichthe tiny explorers could enter. Within they founda very overhung slightly all round the cube;, the panelssimple scene - buta wealth of information fortheir came together in a ridge above the middle of the structure.acutely developed senses and theirunimaginablein- Itwas evidently undamaged, but there were openings;struments. around these the explorers noticed transparent, gleaming A creature, as massive as Alpha's whole party com- fragmentsregularly sprayed upon the ground. Brokenbined, lay still on a piece of furniture which was Beta's glass. height from the dirtfloor and justlong enough' to ac- The first explorer, whom Imight as well call Alpha,commodate thecreature's frame. The party began to began to enter the structure through one of the openings, measure, probe, examine.
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    Journal on the Art of Record Production » Artist Co-Management for th... http://arpjournal.com/886/artist-co-management-for-the-world-building-a... Issues Content Search About Contact Contribute ISSN: 1754-989 Guy Morrow Issue 5 | Conference Papers | July, 2011 Introduction This article draws an analogy between open-source software development and artist co-management networks, networks that form a platform for the facilitation of artists’ song writing and record production efforts. In the international popular music industry, the online environment is leading to more pressure being placed on artists and managers, rather than record labels, due to the fragmentation of the media landscape and the downsizing of recording labels. This is affecting the way in which song writing and record production are facilitated. In order for artist managers to help their clients to build and maximize their recording careers, the volatile environment that record labels are in means that artist managers must engineer new methods to effectively resource their clients’ album production. As the artist management role becomes even more central it brings extra overheads and responsibilities. An international network of co-managers is a possible solution for increasing management service provision for artists in this context. This is a context in which there is a lot more work for artist managers to do that perhaps requires expertise that artist managers do not necessarily have individually. This will arguably lead to the need for greater scale, particularly when artist managers are dealing internationally in order to assist their client’s song writing and record production efforts. This could lead to artist management becoming corporatized, or to the development of an extensive international co-management network (or both).
  • Mcgarry Terrace & Longfields Drive

    Mcgarry Terrace & Longfields Drive

    DEVELOPMENT LAND FOR SALE MCGARRY TERRACE & LONGFIELDS DRIVE OTTAWA, ONTARIO STRANDHERD DRIVE GREENBANK ROAD 1034 MCGARRY TERRACE & 1117 LONGFIELDS DRIVE MCGARRY TERRACE & LONGFIELDS DRIVE | OTTAWA, ONTARIO DRIVE | OTTAWA, & LONGFIELDS TERRACE MCGARRY CBRE | MARKETING FLYER THE OPPORTUNITY CBRE Limited (“CBRE” or the “Advisor”) has been retained by the Vendor to act as its exclusive advisor to AREA CONTEXT facilitate the sale of 1034 McGarry Terrace and 1117 Longfields Drive (the “Property or Properties”), The Subject Properties are located in Ottawa’s southwest, in the community of Barrhaven. The surrounding area development land located in Ottawa, Ontario. Situated in the suburb of Ottawa’s Barrhaven neighbourhood, is predominantly made up of large format commercial/retail and restaurant uses, a range of residential dwelling the Property occupies a prominent position on the corner of Marketplace Avenue and Longfields Drive. types, and institutional uses that primarily serve members of the local community. The site is being sold on an as is where is basis on behalf of Cameron Stephens Financial Corporation in its The following identifies the land uses that surround the site: capacity as court ordered receiver for 1897365 Ontario Inc. NORTH: The 3.2 acre site is currently vacant. The Property is approved for a high mixed-use designation which allows The lands directly to the north of the Subject Properties consist of vacant lots that are zoned Mixed-Use Centre for apartments, retail, office and service commercial activities. The Property is designated for development to (heading towards Strandherd Drive) and a senior living residence at the corner of Strandherd Drive and Longfields a maximum of 16 storeys and the net density target for residential uses is 250 units per hectare.
  • THIRTY YEARS 1990-Present It Is Nearly Impossible To

    THIRTY YEARS 1990-Present It Is Nearly Impossible To

    OREO BLUE – THIRTY YEARS 1990-Present It is nearly impossible to sum up thirty years of Oreo Blue in one statement. However, one word comes to mind: Perseverance. In 1990, Brian Crowne had a vision to form a relevant blues-rooted band and he had the work ethic to drive the band through a multitude of personnel changes and musical market fluctuations to reach that goal. Hailing from the industrial- manufacturing city of Fort Smith, Arkansas, Brian had been influenced early on by The Blues Brothers following their hit movie in 1980. “I saw the Blues Brothers in the early 80s and the music really intrigued me and I liked the horns in the band,” Crowne says. He quickly took to the saxophone, learning to play, without any musical training. “I had to go back and teach myself how to read music. What I would do is read it and remember it and I had it memorized and faked my way into being in a big band.” Brian teamed up with local Brian Crowne University of Arkansas African- American vocal music major, Billy Rigsby, schoolmate and bassist, Rod Williamson and guitarist friend, Bryan Martin. The mix of black and white players in the band formed a visual for what they believed to be the coming together of African-American blues Rod Williamson rooted music and "blue-eyed" soul music that was being leveraged by white rock and blues bands such as the Rolling Stones, Led Zeppelin and, of course, The Blues Brothers more specifically. The name of the band might have started as a tongue-and-cheek pun on the blended genre, but Oreo (like the cookie...black and white together) and Blue (like the color, but more so, the genre of the Blues) stuck together as Oreo Blue and helped summarize a racial harmony in music celebrating all contributions.