Heroes / Low Symphonies Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Heroes / Low Symphonies Mp3, Flac, Wma Bowie Heroes / Low Symphonies mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Heroes / Low Symphonies Country: Europe Released: 2003 Style: Contemporary MP3 version RAR size: 1762 mb FLAC version RAR size: 1736 mb WMA version RAR size: 1677 mb Rating: 4.7 Votes: 492 Other Formats: VQF AUD WAV MP4 FLAC ADX DMF Tracklist Heroes Symphony 1-1 Heroes 5:53 1-2 Abdulmajid 8:53 1-3 Sense Of Doubt 7:21 1-4 Sons Of The Silent Age 8:19 1-5 Neuköln 6:44 1-6 V2 Schneider 6:49 Low Symphony 2-1 Subterraneans 15:11 2-2 Some Are 11:20 2-3 Warszawa 16:01 Companies, etc. Phonographic Copyright (p) – Decca Music Group Limited Copyright (c) – Decca Music Group Limited Record Company – Universal Music Phonographic Copyright (p) – Universal International Music B.V. Credits Composed By – Philip Glass Conductor [Associate Conductor] – Michael Riesman (tracks: 1-1 to 1-6) Conductor [Principal] – Dennis Russell Davies Engineer – Dante DeSole (tracks: 2-1 to 2-3), Rich Costey (tracks: 1-1 to 1-6) Executive-Producer – Kurt Munkacsi, Philip Glass, Rory Johnston Music By [From The Music By] – Brian Eno, David Bowie Orchestra – American Composers Orchestra (tracks: 1-1 to 1-6), The Brooklyn Philharmonic Orchestra Producer – Kurt Munkacsi, Michael Riesman Producer [Associate] – Stephan Farber (tracks: 1-1 to 1-6) Notes This compilation ℗ 2003 Decca Music Group Limited © 2003 Decca Music Group Limited CD 1 ℗ 1997 Universal International Music BV CD 2 ℗ 1993 Universal International Music BV Artists listed as: Bowie & Eno meet Glass on spine; Glass Bowie Eno on front cover; Bowie Eno Glass on both discs. Barcode and Other Identifiers Barcode: 0 28947 50752 9 Other (Catalogue Number CD 1): 475 076-2 Other (Catalogue Number CD 2): 475 077-2 Rights Society: BIEM/MCPS Other versions Category Artist Title (Format) Label Category Country Year Glass*, Bowie*, Eno* - Heroes • Low Symphonies Glass*, (From The Music Of David 475 075-2 Bowie*, Decca 475 075-2 Europe Unknown Bowie & Brian Eno) (CD, Eno* Album, RE + CD, Album, RE + Comp, RE) Glass*, Glass*, Bowie*, Eno* - 475 075-2 Bowie*, Heroes • Low - Symphonies Decca 475 075-2 Europe Unknown Eno* (2xCD, Comp, RP) Bowie* & Bowie* & Eno* Meet Glass* B0000840-02 B0000840-02 Eno* Meet - Heroes / Low Symphonies Philips US 2003 PM2 PM2 Glass* (2xCD, Comp) Glass*, Bowie*, Eno* - Glass*, Heroes / Low Symphonies 475 075-2 Bowie*, From The Music Of David Philips 475 075-2 Europe 2003 Eno* Bowie & Brian Eno (2xCD, Comp) Related Music albums to Heroes / Low Symphonies by Bowie David Bowie - Heroes/V-2 Schneider Philip Glass - Solo Music Philip Glass, Cincinnati Symphony Orchestra - Cello Concerto No.2 "Naqoyqatsi" Philip Glass - Dancepiece David Bowie - "Heroes" Philip Glass - Mishima Adams - Shaker Loops / The Chairman Dances Philip Glass - Songs From The Trilogy Philip Glass - Maki Namekawa | Dennis Russell Davies - Piano Music Philip Glass From The Music Of David Bowie & Brian Eno - "Low" Symphony.
Recommended publications
  • Masayoshi Sukita “40Th Anniversary of David Bowie's Heroes”
    Masayoshi Sukita “40th Anniversary of David Bowie's Heroes” 12. Mai – 12. August 2017 Heroes © 1977 / 1997 Risky Folio, Inc. Courtesy of The David Bowie Archive ™ Preisliste / Pricelist All pictures of the exhibition are titled and signed on the back including local sales tax (19%). galerie hiltawsky Tucholskystraße 41, 10117 Berlin +49 (0)30 285 044 99 | (0)171 81 34 567 Di – Sa 14 – 19 Uhr u.n.V. Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12. Mai – 12. August 2017 Preisliste / Pricelist 01. Masayoshi Sukita, "Heroes" To Come, Japan, 1977 Lambda print on Fuji photographic paper 50,8 cm x 40,6 cm, Edition 10/30, € 1.950 02. Masayoshi Sukita, MY-MY / MY-MY, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 4/30, € 1.950 03. Masayoshi Sukita, 1977 n°1, Japan, 1977 Lambda print on Fuji photographic paper 76,2 cm x 101,6 cm, Edition 1/10, € 3.900 Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12. Mai – 12. August 2017 Preisliste / Pricelist 04. Masayoshi Sukita, 1977 n°2, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 1/30, € 1.950 05. Masayoshi Sukita, "Heroes", Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 18/30, € 29.000 (one of the last 2 available !) 06. Masayoshi Sukita, 1977 n°3, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 1/30, € 1.950 Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12.
    [Show full text]
  • Prohibition Premieres October 2, 3 & 4
    Pl a nnerMichiana’s bi-monthly Guide to WNIT Public Television Issue No. 5 September — October 2011 A FILM BY KEN BURNS AND LYNN NOVICK PROHIBITION PREMIERES OCTOBER 2, 3 & 4 BrainGames continues September 29 and October 20 Board of Directors Mary’s Message Mary Pruess Chairman President and GM, WNIT Public Television Glenn E. Killoren Vice Chairmen David M. Findlay Rodney F. Ganey President Mary Pruess Treasurer Craig D. Sullivan Secretary Ida Reynolds Watson Directors Roger Benko Janet M. Botz WNIT Public Television is at the heart of the Michiana community. We work hard every Kathryn Demarais day to stay connected with the people of our area. One way we do this is to actively engage in Robert G. Douglass Irene E. Eskridge partnerships with businesses, clubs and organizations throughout our region. These groups, David D. Gibson in addition to the hundreds of Michiana businesses that help underwrite our programs, William A. Gitlin provide WNIT with constant and immediate contact to our viewers and to the general Tracy D. Graham Michiana community. Kreg Gruber Larry D. Harding WNIT maintains strong partnerships and active working relationship with, among others, James W. Hillman groups representing the performing arts – Arts Everywhere, Art Beat, the Fischoff National Najeeb A. Khan Chamber Music Association, the Notre Dame Shakespeare Festival, the Krasl Art Center in Evelyn Kirkwood Kevin J. Morrison St. Joseph, the Lubeznik Center for the Arts in Michigan City and the Southwest Michigan John T. Phair Symphony; civic and cultural organizations like the Center for History, Fernwood Botanical Richard J. Rice Garden and Nature Center and the Historic Preservation Commission; educational, social Jill Richardson and healthcare organizations such as WVPE National Public Radio, the St.
    [Show full text]
  • METRO PICTURES Cotter, Holland
    METRO PICTURES Cotter, Holland. “Cindy Sherman’s Divas, Poised for a Final Close-Up,” NYTimes.com (May 26, 2016). Cindy Sherman‘s “Untitled” (2016). In the transgender, avatar-populated present, personal identity feels increasingly like a pliable condition. It’s one that Cindy Sherman has been playing with in her photographs for decades. While still in art school in the early 1970s, she was transforming herself, for the camera, into an epic cast of individual characters — sullen teen queens, nerdy guys, Hollywood vamps — through a use of makeup and costuming so virtuosic and expressive as to rival the brushwork of a master painter. Now, some 40 years on, in a show of new work at Metro Pictures, the virtuosity is greater than ever, or at least subtler, and Ms. Sherman is still sole actor, director and costumer in a continuing drama. But the cast of characters has changed, simplified. Guys are long gone; the teen queens have grown; the vamps remain, all veteran divas poised for a final close-up. With their elegiac tone, the new pictures, Ms. Sherman’s first in five years, seem specifically designed to prompt reflection on the histories she has taken these divas through over time. She introduced them, in 1977, in a now- renowned series of black-and-white photographs called “Untitled Film Stills,” as starlets on the rise. They played ingénues — young housewives, career girls — threatened, in noirish, B-movie solo scenes, by unnamed dangers lurking just out of camera range. 519 W 24TH ST NEW YORK, NY 10011 T 212 206 7100 F 212 337 0070 WWW.METROPICTURES.COM [email protected] When Ms.
    [Show full text]
  • David Bowie a New Career in a New Town [1977-1982] Mp3, Flac, Wma
    David Bowie A New Career In A New Town [1977-1982] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: A New Career In A New Town [1977-1982] Country: UK, Europe & US Released: 2017 Style: Avantgarde, Art Rock, Experimental MP3 version RAR size: 1738 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1377 mb Rating: 4.1 Votes: 572 Other Formats: AIFF AAC MP1 XM VOC MOD VQF Tracklist Hide Credits Low A1 Speed Of Life A2 Breaking Glass What In The World A3 Vocals – Iggy Pop A4 Sound And Vision A5 Always Crashing In The Same Car A6 Be My Wife A7 A New Career In A New Town B1 Warszawa B2 Art Decade B3 Weeping Wall B4 Subterraneans Heroes C1 Beauty And The Beast C2 Joe The Lion C3 “Heroes” C4 Sons Of The Silent Age C5 Blackout D1 V-2 Schneider D2 Sense Of Doubt D3 Moss Garden D4 Neuköln D5 The Secret Life Of Arabia "Heroes" EP E1 “Heroes” / ”Helden” (German Album Version) E2 “Helden” (German Single Version) F1 “Heroes” / ”Héros” (French Album Version) F2 “Héros” (French Single Version) Stage (Original) G1 Hang On To Yourself G2 Ziggy Stardust G3 Five Years G4 Soul Love G5 Star H1 Station To Station H2 Fame H3 TVC 15 I1 Warszawa I2 Speed Of Life I3 Art Decade I4 Sense Of Doubt I5 Breaking Glass J1 “Heroes” J2 What In The World J3 Blackout J4 Beauty And The Beast Stage K1 Warszawa K2 “Heroes” K3 What In The World L1 Be My Wife L2 The Jean Genie L3 Blackout L4 Sense Of Doubt M1 Speed Of Life M2 Breaking Glass M3 Beauty And The Beast M4 Fame N1 Five Years N2 Soul Love N3 Star N4 Hang On To Yourself N5 Ziggy Stardust N6 Suffragette City O1 Art Decade O2 Alabama Song O3 Station To Station P1 Stay P2 TVC 15 Lodger Q1 Fantastic Voyage Q2 African Night Flight Q3 Move On Q4 Yassassin (Turkish For: Long Live) Q5 Red Sails R1 D.J.
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • Polish Journal for American Studies Yearbook of the Polish Association for American Studies
    Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) Warsaw 2020 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Justyna Fruzińska, Izabella Kimak, Mirosław Miernik, Łukasz Muniowski, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Ewa Antoszek, Edyta Frelik, Elżbieta Klimek-Dominiak, Zofia Kolbuszewska, Tadeusz Pióro, Elżbieta Rokosz-Piejko, Małgorzata Rutkowska, Stefan Schubert, Joanna Ziarkowska TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Vegas Options” from the series “Las Vegas.” By permission. www.flickr/photos/jurek_durczak/ ISSN 1733-9154 eISSN 2544-8781 Publisher Polish Association for American Studies Al. Niepodległości 22 02-653 Warsaw paas.org.pl Nakład 110 egz. Wersją pierwotną Czasopisma jest wersja drukowana. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents ARTICLES Justyna Włodarczyk Beyond Bizarre: Nature, Culture and the Spectacular Failure of B.F. Skinner’s Pigeon-Guided Missiles .......................................................................... 5 Małgorzata Olsza Feminist (and/as) Alternative Media Practices in Women’s Underground Comix in the 1970s ................................................................ 19 Arkadiusz Misztal Dream Time, Modality, and Counterfactual Imagination in Thomas Pynchon’s Mason & Dixon ............................................................................... 37 Ewelina Bańka Walking with the Invisible: The Politics of Border Crossing in Luis Alberto Urrea’s The Devil’s Highway: A True Story .............................................
    [Show full text]
  • David Bowie's Urban Landscapes and Nightscapes
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context.
    [Show full text]
  • Rock Harmony Syllabus
    Harmonic and Tonal Systems of Pop/Rock (Muth 5680/6680) David Heetderks ([email protected]) WF 2:00–3:20P.M. Classroom: Musi 322 Office hours: Tu 9:00–11:00A.M., Th 1:00–3:00P.M. Office: Musi 114 Course description “Now it might well be said that popular music has its own set of harmonic conventions, and that we commit an analytic error in construing pop harmony in terms of common-practice chord grammar.” Justin London (1990), p. 112. “Notes and chords don’t mean a thing. Listen to the rhythm, listen to us sing.” Alternative T.V., “Action Time Vision” (1978) Since the 1960s, pop and rock have developed their own systems of harmony and tonality that are related to, but not congruent with, common-practice harmony. These systems stem not only from Tin Pan Alley pop songs from the previous era, but also the blues, the college folk-music scene, guitar voicing, musicians’ experiments with chord substitution and chromaticism, infusions from other styles, and, more recently, manipulation of audio loops with computer software. Recognizing that pop/rock uses a separate system of tonality leads to several questions, such as: is there a pop/rock system of harmony, or are there multiple systems? How can we identify a tonic in a pop/rock song? To what extent are there harmonic functions or goal-seeking behavior in rock’s chord progressions? In what ways do melody, voice leading, and form influence a harmonic progression? How does chromaticism function in pop/rock? In this class, we will introduce ourselves to several recent approaches to analyzing tonality and harmony in rock through reading, discussion, transcription, and analysis.
    [Show full text]
  • A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey J
    Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 8-1994 "The rT iumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey J. Eustis Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Eustis, Jeffrey J., ""The rT iumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac" (1994). Honors Theses. Paper 203. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. -' . "The Triumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey Eustis August 1994 Senior Thesis 2 TABLE OF CONTENTS I. Introduction 3 II . Theories of Writing 7 III. Miller and Kerouac: Misogynists? Sex Fiends? 18 IV. Conclusion 30 V. Bibliography 33 3 I. Introduction Henry Miller and Jack Kerouac had much in common with one another. One of their most unfortunate common traits was their lack of acceptance by the literary establishment. Both of them had unfair one-dimensional reputations which largely have remained intact, years after their deaths. For example, Miller was always seen as a writer of "dirty books," his early master­ pieces such as Tropic of Cancer being regarded by many as little more than the literary equivalent of a raunchy stag film. Kerouac was viewed by many critics, and much of the pUblic, as nothing more than a hard-drinking, hell-raising hoodlum transcribing the "hep" aphorisms of his "beatnik" friends.
    [Show full text]
  • Oral History Interview with Peter Busa, 1965 September 5
    Oral history interview with Peter Busa, 1965 September 5 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview DS: DOROTHY SECKLER PB: PETER BUSA DS: This is Dorothy Seckler interviewing Peter Busa in Provincetown on September 5th, 1965. Peter, I'd like to begin with some discussion of your early background, when and where you were born and the kind of family background it was and anything in your childhood that may have predisposed you to become an artist. PB: Well, my early background was in Pittsburgh, Pennsylvania. I come from a long family of artisans and artists. I think there's been an artist in my family as far back as we can trace. The family is of Sicilian origin. My father was an Italian craftsman who was specialist with religious murals, and he did commercial murals for churches. So my early stimulus was by accompanying my father on Saturdays, helping to wash his brushes and filling areas for him to that art and the craft aspects of art came to me rather naturally through my father's own interest. DS: He continued to do this work in Pittsburgh? PB: Yes, he was one of the outstanding commercial church decorators and muralist. As a matter of fact, he became rather well known at it. He had a large firm that employed about twenty-four people. Most of them were Italian immigrants that used to do very involved gold leaf work on bank buildings as well as churches.
    [Show full text]
  • The Transformation of Doubt (Ŭijŏng 疑情) in Kanhwa Sŏn 看話禪: the Testimony of Gaofeng Yuanmiao 高峰原妙 (1238-1295)
    The Transformation of Doubt (Ŭijŏng 疑情) in Kanhwa Sŏn 看話禪: The Testimony of Gaofeng Yuanmiao 高峰原妙 (1238-1295) Prof. Robert E. Buswell, Jr. University of California, Los Angeles (UCLA) Of those past and present spiritual mentors in India [Western Heaven] and China [This Land] who promoted these teachings, there were none who did anything more than just resolve this one doubt. A thousand doubts or a myriad doubts are just this one doubt. One who resolves this doubt will doubt nothing more. And once one has no further doubts, one will be neither more nor less than Śākyamuni, Maitreya, Vimalakīrti, and Elder Pang, nondual and undifferentiated. 西天此土,古今知識,發揚此段光明,莫不只是一箇決疑而已.千疑萬疑,只是一疑. 決此疑者,更無餘疑. 旣無餘疑,卽與釋迦彌勒淨名龐老,不增不減,無二無別. Gaofeng Yuanmiao 高峰原妙 (1238-1295) One of the more striking transformations that occurred within Buddhism as it adapted to East Asia was the creation of new, uniquely Chinese systems of meditation practice that had few precise analogs in the imported Indian traditions of the religion. The Sinitic system that has attracted the most attention in the West is that of Chan or Sŏn 禪, a school that had always presumed itself to be the repository of contemplative expertise in Chinese Buddhism, as its adoption of the name "Meditation” (Sŏn 禪) suggests. From virtually its inception, Sŏn sought to create forms of meditation that it could claim exclusively as its own. This process involved both critiquing the practices common to other Sino-Indian schools as being ‘gradual,’ while claiming exclusively for itself putatively ‘subitist’ forms of religious training. Sŏn also experimented with forms of rhetoric it considered proleptic and transformative, in order to demonstrate the autonomy of Sŏn from the rest of the Buddhist tradition.
    [Show full text]
  • Spring2020.Pdf
    B A U M A N R A R E B O O K S Spring 2020 BaumanRareBooks.com 1-800-97-bauman (1-800-972-2862) or 212-751-0011 [email protected] New York 535 Madison Avenue (Between 54th & 55th Streets) New York, NY 10022 800-972-2862 or 212-751-0011 Monday - Saturday: 10am to 6pm Las Vegas Grand Canal Shoppes The Venetian | The Palazzo 3327 Las Vegas Blvd., South, Suite 2856 Las Vegas, NV 89109 888-982-2862 or 702-948-1617 Sunday - Thursday: 10am to 11pm Friday - Saturday: 10am to Midnight Philadelphia (by appointmEnt) 1608 Walnut Street Philadelphia, PA 19103 215-546-6466 | (fax) 215-546-9064 Monday - Friday: 9am to 5pm all booKS aRE ShippEd on appRoval and aRE fully guaRantEEd. Any items may be returned within ten days for any reason (please notify us before returning). All reimbursements are limited to original purchase price. We accept all major credit cards. Shipping and insurance charges are additional. Packages will be shipped by UPS or Federal Express unless another carrier is requested. Next-day or second-day air service is available upon request. www.baumanrarebooks.com twitter.com/baumanrarebooks facebook.com/baumanrarebooks On the cover: Item no. 4. On this page: Item no. 79. Table of Contents 16 4 42 100 113 75 A Representative Selection 3 English History, Travel & Thought 20 Literature 38 Children’s Literature, Art & Architecture 58 Science, Economics & Natural History 70 Judaica 81 The American xperienceE 86 93 Index 103 A A Representative Selection R e p r e s e n t a t i v e S e l e c t i o n 4 S “Incomparably The Most Important Work In p The English Language”: The Fourth Folio Of r Shakespeare, 1685, An Exceptionally Lovely Copy i 1.
    [Show full text]