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Heroes / Low Symphonies Mp3, Flac, Wma
Bowie Heroes / Low Symphonies mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Heroes / Low Symphonies Country: Europe Released: 2003 Style: Contemporary MP3 version RAR size: 1762 mb FLAC version RAR size: 1736 mb WMA version RAR size: 1677 mb Rating: 4.7 Votes: 492 Other Formats: VQF AUD WAV MP4 FLAC ADX DMF Tracklist Heroes Symphony 1-1 Heroes 5:53 1-2 Abdulmajid 8:53 1-3 Sense Of Doubt 7:21 1-4 Sons Of The Silent Age 8:19 1-5 Neuköln 6:44 1-6 V2 Schneider 6:49 Low Symphony 2-1 Subterraneans 15:11 2-2 Some Are 11:20 2-3 Warszawa 16:01 Companies, etc. Phonographic Copyright (p) – Decca Music Group Limited Copyright (c) – Decca Music Group Limited Record Company – Universal Music Phonographic Copyright (p) – Universal International Music B.V. Credits Composed By – Philip Glass Conductor [Associate Conductor] – Michael Riesman (tracks: 1-1 to 1-6) Conductor [Principal] – Dennis Russell Davies Engineer – Dante DeSole (tracks: 2-1 to 2-3), Rich Costey (tracks: 1-1 to 1-6) Executive-Producer – Kurt Munkacsi, Philip Glass, Rory Johnston Music By [From The Music By] – Brian Eno, David Bowie Orchestra – American Composers Orchestra (tracks: 1-1 to 1-6), The Brooklyn Philharmonic Orchestra Producer – Kurt Munkacsi, Michael Riesman Producer [Associate] – Stephan Farber (tracks: 1-1 to 1-6) Notes This compilation ℗ 2003 Decca Music Group Limited © 2003 Decca Music Group Limited CD 1 ℗ 1997 Universal International Music BV CD 2 ℗ 1993 Universal International Music BV Artists listed as: Bowie & Eno meet Glass on spine; Glass Bowie Eno on front cover; Bowie Eno Glass on both discs. -
Masayoshi Sukita “40Th Anniversary of David Bowie's Heroes”
Masayoshi Sukita “40th Anniversary of David Bowie's Heroes” 12. Mai – 12. August 2017 Heroes © 1977 / 1997 Risky Folio, Inc. Courtesy of The David Bowie Archive ™ Preisliste / Pricelist All pictures of the exhibition are titled and signed on the back including local sales tax (19%). galerie hiltawsky Tucholskystraße 41, 10117 Berlin +49 (0)30 285 044 99 | (0)171 81 34 567 Di – Sa 14 – 19 Uhr u.n.V. Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12. Mai – 12. August 2017 Preisliste / Pricelist 01. Masayoshi Sukita, "Heroes" To Come, Japan, 1977 Lambda print on Fuji photographic paper 50,8 cm x 40,6 cm, Edition 10/30, € 1.950 02. Masayoshi Sukita, MY-MY / MY-MY, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 4/30, € 1.950 03. Masayoshi Sukita, 1977 n°1, Japan, 1977 Lambda print on Fuji photographic paper 76,2 cm x 101,6 cm, Edition 1/10, € 3.900 Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12. Mai – 12. August 2017 Preisliste / Pricelist 04. Masayoshi Sukita, 1977 n°2, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 1/30, € 1.950 05. Masayoshi Sukita, "Heroes", Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 18/30, € 29.000 (one of the last 2 available !) 06. Masayoshi Sukita, 1977 n°3, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 1/30, € 1.950 Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12. -
METRO PICTURES Cotter, Holland
METRO PICTURES Cotter, Holland. “Cindy Sherman’s Divas, Poised for a Final Close-Up,” NYTimes.com (May 26, 2016). Cindy Sherman‘s “Untitled” (2016). In the transgender, avatar-populated present, personal identity feels increasingly like a pliable condition. It’s one that Cindy Sherman has been playing with in her photographs for decades. While still in art school in the early 1970s, she was transforming herself, for the camera, into an epic cast of individual characters — sullen teen queens, nerdy guys, Hollywood vamps — through a use of makeup and costuming so virtuosic and expressive as to rival the brushwork of a master painter. Now, some 40 years on, in a show of new work at Metro Pictures, the virtuosity is greater than ever, or at least subtler, and Ms. Sherman is still sole actor, director and costumer in a continuing drama. But the cast of characters has changed, simplified. Guys are long gone; the teen queens have grown; the vamps remain, all veteran divas poised for a final close-up. With their elegiac tone, the new pictures, Ms. Sherman’s first in five years, seem specifically designed to prompt reflection on the histories she has taken these divas through over time. She introduced them, in 1977, in a now- renowned series of black-and-white photographs called “Untitled Film Stills,” as starlets on the rise. They played ingénues — young housewives, career girls — threatened, in noirish, B-movie solo scenes, by unnamed dangers lurking just out of camera range. 519 W 24TH ST NEW YORK, NY 10011 T 212 206 7100 F 212 337 0070 WWW.METROPICTURES.COM [email protected] When Ms. -
David Bowie a New Career in a New Town [1977-1982] Mp3, Flac, Wma
David Bowie A New Career In A New Town [1977-1982] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: A New Career In A New Town [1977-1982] Country: UK, Europe & US Released: 2017 Style: Avantgarde, Art Rock, Experimental MP3 version RAR size: 1738 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1377 mb Rating: 4.1 Votes: 572 Other Formats: AIFF AAC MP1 XM VOC MOD VQF Tracklist Hide Credits Low A1 Speed Of Life A2 Breaking Glass What In The World A3 Vocals – Iggy Pop A4 Sound And Vision A5 Always Crashing In The Same Car A6 Be My Wife A7 A New Career In A New Town B1 Warszawa B2 Art Decade B3 Weeping Wall B4 Subterraneans Heroes C1 Beauty And The Beast C2 Joe The Lion C3 “Heroes” C4 Sons Of The Silent Age C5 Blackout D1 V-2 Schneider D2 Sense Of Doubt D3 Moss Garden D4 Neuköln D5 The Secret Life Of Arabia "Heroes" EP E1 “Heroes” / ”Helden” (German Album Version) E2 “Helden” (German Single Version) F1 “Heroes” / ”Héros” (French Album Version) F2 “Héros” (French Single Version) Stage (Original) G1 Hang On To Yourself G2 Ziggy Stardust G3 Five Years G4 Soul Love G5 Star H1 Station To Station H2 Fame H3 TVC 15 I1 Warszawa I2 Speed Of Life I3 Art Decade I4 Sense Of Doubt I5 Breaking Glass J1 “Heroes” J2 What In The World J3 Blackout J4 Beauty And The Beast Stage K1 Warszawa K2 “Heroes” K3 What In The World L1 Be My Wife L2 The Jean Genie L3 Blackout L4 Sense Of Doubt M1 Speed Of Life M2 Breaking Glass M3 Beauty And The Beast M4 Fame N1 Five Years N2 Soul Love N3 Star N4 Hang On To Yourself N5 Ziggy Stardust N6 Suffragette City O1 Art Decade O2 Alabama Song O3 Station To Station P1 Stay P2 TVC 15 Lodger Q1 Fantastic Voyage Q2 African Night Flight Q3 Move On Q4 Yassassin (Turkish For: Long Live) Q5 Red Sails R1 D.J. -
Special Issue 4 April 2018 E-ISSN: 2456-5571
BODHI International Journal of Research in Humanities, Arts and Science An Online, Peer reviewed, Refereed and Quarterly Journal Vol: 2 Special Issue: 4 April 2018 E-ISSN: 2456-5571 UGC approved Journal (J. No. 44274) CENTRE FOR RESOURCE, RESEARCH & PUBLICATION SERVICES (CRRPS) www.crrps.in | www.bodhijournals.com BODHI BODHI International Journal of Research in Humanities, Arts and Science (ISSN: 2456-5571) is online, peer reviewed, Refereed and Quarterly Journal, which is powered & published by Center for Resource, Research and Publication Services, (CRRPS) India. It is committed to bring together academicians, research scholars and students from all over the world who work professionally to upgrade status of academic career and society by their ideas and aims to promote interdisciplinary studies in the fields of humanities, arts and science. The journal welcomes publications of quality papers on research in humanities, arts, science. agriculture, anthropology, education, geography, advertising, botany, business studies, chemistry, commerce, computer science, communication studies, criminology, cross cultural studies, demography, development studies, geography, library science, methodology, management studies, earth sciences, economics, bioscience, entrepreneurship, fisheries, history, information science & technology, law, life sciences, logistics and performing arts (music, theatre & dance), religious studies, visual arts, women studies, physics, fine art, microbiology, physical education, public administration, philosophy, political sciences, psychology, population studies, social science, sociology, social welfare, linguistics, literature and so on. Research should be at the core and must be instrumental in generating a major interface with the academic world. It must provide a new theoretical frame work that enable reassessment and refinement of current practices and thinking. This may result in a fundamental discovery and an extension of the knowledge acquired. -
Polish Journal for American Studies Yearbook of the Polish Association for American Studies
Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) Warsaw 2020 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Justyna Fruzińska, Izabella Kimak, Mirosław Miernik, Łukasz Muniowski, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Ewa Antoszek, Edyta Frelik, Elżbieta Klimek-Dominiak, Zofia Kolbuszewska, Tadeusz Pióro, Elżbieta Rokosz-Piejko, Małgorzata Rutkowska, Stefan Schubert, Joanna Ziarkowska TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Vegas Options” from the series “Las Vegas.” By permission. www.flickr/photos/jurek_durczak/ ISSN 1733-9154 eISSN 2544-8781 Publisher Polish Association for American Studies Al. Niepodległości 22 02-653 Warsaw paas.org.pl Nakład 110 egz. Wersją pierwotną Czasopisma jest wersja drukowana. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents ARTICLES Justyna Włodarczyk Beyond Bizarre: Nature, Culture and the Spectacular Failure of B.F. Skinner’s Pigeon-Guided Missiles .......................................................................... 5 Małgorzata Olsza Feminist (and/as) Alternative Media Practices in Women’s Underground Comix in the 1970s ................................................................ 19 Arkadiusz Misztal Dream Time, Modality, and Counterfactual Imagination in Thomas Pynchon’s Mason & Dixon ............................................................................... 37 Ewelina Bańka Walking with the Invisible: The Politics of Border Crossing in Luis Alberto Urrea’s The Devil’s Highway: A True Story ............................................. -
Oral History Interview with Peter Busa, 1965 September 5
Oral history interview with Peter Busa, 1965 September 5 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview DS: DOROTHY SECKLER PB: PETER BUSA DS: This is Dorothy Seckler interviewing Peter Busa in Provincetown on September 5th, 1965. Peter, I'd like to begin with some discussion of your early background, when and where you were born and the kind of family background it was and anything in your childhood that may have predisposed you to become an artist. PB: Well, my early background was in Pittsburgh, Pennsylvania. I come from a long family of artisans and artists. I think there's been an artist in my family as far back as we can trace. The family is of Sicilian origin. My father was an Italian craftsman who was specialist with religious murals, and he did commercial murals for churches. So my early stimulus was by accompanying my father on Saturdays, helping to wash his brushes and filling areas for him to that art and the craft aspects of art came to me rather naturally through my father's own interest. DS: He continued to do this work in Pittsburgh? PB: Yes, he was one of the outstanding commercial church decorators and muralist. As a matter of fact, he became rather well known at it. He had a large firm that employed about twenty-four people. Most of them were Italian immigrants that used to do very involved gold leaf work on bank buildings as well as churches. -
Here May Is Not Rap Be Music D in Almost Every Major Language,Excerpted Including Pages Mandarin
ENCYCLOPEDIA OF THE BLACK ARTS MOVEMENT ed or printed. Edited by istribut Verner D. Mitchell Cynthia Davis an uncorrected page proof and may not be d Excerpted pages for advance review purposes only. All rights reserved. This is ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 18_985_Mitchell.indb 3 2/25/19 2:34 PM ed or printed. Published by Rowman & Littlefield An imprint of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 istribut www.rowman.com 6 Tinworth Street, London, SE11 5AL, United Kingdom Copyright © 2019 by The Rowman & Littlefield Publishing Group Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Names: Mitchell, Verner D., 1957– author. | Davis, Cynthia, 1946– author. Title: Encyclopedia of the Black Arts Movement / Verner D. Mitchell, Cynthia Davis. Description: Lanhaman : uncorrectedRowman & Littlefield, page proof [2019] and | Includes may not bibliographical be d references and index. Identifiers:Excerpted LCCN 2018053986pages for advance(print) | LCCN review 2018058007 purposes (ebook) only. | AllISBN rights reserved. 9781538101469This is (electronic) | ISBN 9781538101452 | ISBN 9781538101452 (cloth : alk. paper) Subjects: LCSH: Black Arts movement—Encyclopedias. Classification: LCC NX512.3.A35 (ebook) | LCC NX512.3.A35 M58 2019 (print) | DDC 700.89/96073—dc23 LC record available at https://lccn.loc.gov/2018053986 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
The Transformation of Doubt (Ŭijŏng 疑情) in Kanhwa Sŏn 看話禪: the Testimony of Gaofeng Yuanmiao 高峰原妙 (1238-1295)
The Transformation of Doubt (Ŭijŏng 疑情) in Kanhwa Sŏn 看話禪: The Testimony of Gaofeng Yuanmiao 高峰原妙 (1238-1295) Prof. Robert E. Buswell, Jr. University of California, Los Angeles (UCLA) Of those past and present spiritual mentors in India [Western Heaven] and China [This Land] who promoted these teachings, there were none who did anything more than just resolve this one doubt. A thousand doubts or a myriad doubts are just this one doubt. One who resolves this doubt will doubt nothing more. And once one has no further doubts, one will be neither more nor less than Śākyamuni, Maitreya, Vimalakīrti, and Elder Pang, nondual and undifferentiated. 西天此土,古今知識,發揚此段光明,莫不只是一箇決疑而已.千疑萬疑,只是一疑. 決此疑者,更無餘疑. 旣無餘疑,卽與釋迦彌勒淨名龐老,不增不減,無二無別. Gaofeng Yuanmiao 高峰原妙 (1238-1295) One of the more striking transformations that occurred within Buddhism as it adapted to East Asia was the creation of new, uniquely Chinese systems of meditation practice that had few precise analogs in the imported Indian traditions of the religion. The Sinitic system that has attracted the most attention in the West is that of Chan or Sŏn 禪, a school that had always presumed itself to be the repository of contemplative expertise in Chinese Buddhism, as its adoption of the name "Meditation” (Sŏn 禪) suggests. From virtually its inception, Sŏn sought to create forms of meditation that it could claim exclusively as its own. This process involved both critiquing the practices common to other Sino-Indian schools as being ‘gradual,’ while claiming exclusively for itself putatively ‘subitist’ forms of religious training. Sŏn also experimented with forms of rhetoric it considered proleptic and transformative, in order to demonstrate the autonomy of Sŏn from the rest of the Buddhist tradition. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Strawson's Method In
Strawson’s Method in ‘Freedom and Resentment’ (This is the accepted manuscript version, the published version can be found under the following link: https://doi.org/10.1007/s10892-019-09302-5. Please use the published version for references.) Introduction While P.F. Strawson’s essay ‘Freedom and Resentment’ has had many commentators, discussions of it can be roughly divided into two categories. A first group has dealt with the essay as something that stands by itself in order to analyse Strawson’s main arguments and to expose its weaknesses (see for example Watson 1987; Russell 1992; Fischer 2014). A second group of commentators has looked beyond ‘Freedom and Resentment’ by emphasizing its Humean, Kantian or Wittgensteinian elements (some recent examples include Campbell 2017; Coates 2017; De Mesel 2018; Bengtson 2019). Although both approaches have their own merits, it is too often forgotten that Strawson was an original thinker with his own views on the nature of philosophical problems and how to appropriately deal with them. The aim of this article is to remedy this forgetfulness and to make sense of ‘Freedom and Resentment’ from a Strawsonian perspective, by looking at Strawson’s own views on philosophical methodology. It is a peculiar fact about the secondary literature on Strawson that there is such a sharp division between discussions of his work on Kant, metaphysics and the philosophy of language and the reception of his ‘Freedom and Resentment’, which has given rise to a specialized field in the literature all on its own. While this may be partially explained by the special status of ‘Freedom and Resentment’ itself, the present article is motivated by (and aims to justify) the idea that a better understanding of Strawson’s 1962 essay can be achieved by analysing it in the 1 light of his broader philosophical project. -
Anthologies of African American Women's Writing And
Reading Democracy: Anthologies of African American Women’s Writing and the Legacy of Black Feminist Criticism, 1970-1990 by Aisha Peay Department of English Duke University Date: __________________ Approved: ______________________________ Priscilla Wald, Chair ______________________________ Thomas J. Ferraro ______________________________ Ranjana Khanna ______________________________ Kathy Psomiades Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2009 ABSTRACT Reading Democracy: Anthologies of African American Women’s Writing and the Legacy of Black Feminist Criticism, 1970-1990 by Aisha Peay Department of English Duke University Date: __________________ Approved: ______________________________ Priscilla Wald, Chair ______________________________ Thomas J. Ferraro ______________________________ Ranjana Khanna ______________________________ Kathy Psomiades An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2009 Copyright by Aisha Peay 2009 ABSTRACT Taking as its pretext the contemporary moment of self-reflexive critique on the part of interdisciplinary programs like Women’s Studies and American Studies, Reading Democracy historicizes a black feminist literary critical practice and movement that developed alongside black feminist activism beginning in the 1970s. This dissertation