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Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
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Oid ‰ ‰ † ‰ K Oid ‰ ‰ † ‰ Oid ‰ ‰ † ‰ M Oid ‰ ‰ † ‰ C
OID‰‰†‰KOID‰‰†‰OID‰‰†‰MOID‰‰†‰C 2 Saturday,January 11, 2003 Entertainm ent: Best of Delhi T imes The Times of India, New Delhi Manoj Kesharwani Phir bhi dil hai Hindustani... To chat on SMS send 'cchat' <your question> to 8888 “Spiritual means the way you handle the within” They might be branched out across the globe, but NRI delegates attending — SADHGURU JAGGI VASUDEV, Founder, Isha Foundation the Pravasi Bharatiya Divas still root for India Q: How can one within the room we can strike a balance create a comfortable By Arun Kumar Das our doors are always open.’’ So, apart from aam ki mithi between spiritual climate. Yoga is a TIMES NEWS NETWORK When Atal Behari Vajpayee chutney, Vajpayee’s poetry, and material life? technology of creating inner welcomed the Indian diaspo- and a jugalbandi by Ravi Twenty-million -Sdf03 climate as you would know ra in this warm-hearted man- Shankar and Bismillah A: There is no need to strike all human experiences like strong. Spre- ner, he wasn’t just being poet- Khan, pravasi delegates are ad across 110 any balance because, in no joy or misery, peace or ic — the PM meant business upbeat about the Indian PM’s where they are in conflict. turmoil, all of it has a countries. too: ‘‘The country which had offer of dual citizenship. Material means the way you chemical base in you. Earning an to mortgage its gold to tide ‘‘The NRI business communi- handle the world. Spiritual With yoga, you can create estimated $ over its balance of payments ty should benefit the most means the way you handle a chemistry of blissfulness.
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Transnational Audiences for Indian Films
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Non-resident cinema: transnational audiences for Indian ﬁlms Adrian Mabbott Athique University of Wollongong Athique, Adrian Mabbott, Non-resident cinema: transnational audiences for Indian ﬁlms, PhD thesis, Faculty of Arts, University of Wollongong, 2005. http://ro.uow.edu.au/theses/473 This paper is posted at Research Online. http://ro.uow.edu.au/theses/473 NOTE This online version of the thesis may have different page formatting and pagination from the paper copy held in the University of Wollongong Library. UNIVERSITY OF WOLLONGONG COPYRIGHT WARNING You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Non-Resident Cinema: Transnational Audiences for Indian Films A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy from UNIVERSITY OF WOLLONGONG by Adrian Mabbott Athique, BA (Hons) Communications and Cultural Studies Faculty of Arts 2005 CERTIFICATION I, Adrian Mabbott Athique, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged.
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Analyzing South Asian Public Culture
AGAINST FUNDAMENTALISMS: ANALYZING SOUTH ASIAN PUBLIC CULTURE By RENUKA BISHT A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2006 Copyright 2006 by Renuka Bisht This document is dedicated to my parents: Satya and Dhirendra Bisht ACKNOWLEDGMENTS I would like to begin by thanking all the friends that have facilitated my survival during the long haul of the Ph. D. Especially, I would like to thank Rebecca Dettorre who has provided me a home away from home in Gainesville, Sangeeta Mediratta who has graciously taken my calls at all times of the day and Franklin Cason for always stopping by when I needed support. In the academic universe, Professor Maureen Turim has been an incredibly supportive dissertation director. And while all the lessons I have learnt from her may not be reflected in the text of my dissertation, they have been wide-ranging and life- changing. My committee members, Professors Swapna Banerjee, Scott Nygren and Malini Johar Schueller have also provided extensive intellectual support. I need to put in a special note of gratitude to Professor Nygren for introducing me to digital video, which I will hopefully channel into my professional future. In the academic space of Delhi, I am indebted to many teachers but want to mention some by name here: Professors Manju Jain, Malashri Lal, Badri Raina, Harish Trivedi. Their distinct ideological, methodological and humanitarian approaches have been powerful in ways that have stood the test of time. To my family too I have to acknowledge an enormous debt: my loving parents, my wise brother Ajay, my wonderful sister-in-law Shalini and my little nephew Aadi who have made the decision to return to India both exciting and straightforward.
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From the Bollywood Film
Editor’ zzz We perceive that every root is the cause behind gigantic trees, but in fact every tree is brought to TH RE E us by a little seed. TGM – The Great Media News is Con tent also playing a role of seed in the media promoting ventures. Initially we target the readers belong to KAF 2010-11 Launching 05 the field of advertising, marketing and media as KAF Day One Workshop 08 well by providing them the most happening news KAF Day Two Workshop 09 and events. KAF Memento Announce 12 Festive Media Recognition 13 In your first issue … I prefer to say ‘your’, usually When Guru Says 14 editor writes ‘In OUR first issue’ but here by Man Behind Festival 17 following the YOU philosophy, I feel comfortable to Two Days Ad School 18 say “In your first issue”, you will find KARACHI Brand Walk 2011 19 ADVERTISING FESTIVAL as a COVER STORY. KAF Global Innovative Ad Award 20 is the first ever festival launched in Pakistan for the PAPC – Ad Excellence 21 Advertising Industry. The festival is comprises War of Anchorship ! 22 over three months duration, including Training Pak Presence in Indian Shows 24 Workshops, Brand Walks and Pakistan’s first ever Veena for Sure 26 st Advertising Awards by a neutral body i.e. “1 TGM Leaks 28 Global Innovative Advertising Awards”. Karachi Becomes 3D 30 This issues’ media recognition will be rendered by Calls of Pakistani Munnis 30 DAWN News TV and Radio One FM 91, along with Slaves of Katrina Kaif 31 emerging digital media i.e.
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Bollywood Cinema: a Critical Genealogy
Bollywood Cinema: A Critical Genealogy Vijay Mishra Asian Studies Institute Vijay Mishra is Professor of English Literature at Murdoch University, Perth. Born in Fiji, he graduated from Victoria University of Wellington in 1967. This was followed, via Christchurch Teachers’ College, Macquarie and Sydney, by doctorates from ANU and Oxford. Among his publications are: Dark Side of the Dream: Australian Literature and the Postcolonial Mind (with Bob Hodge) (1991), The Gothic Sublime (1994), Devotional Poetics and the Indian Sublime (1998), Bollywood Cinema: Temples of Desire (2002). His next book (entitled The Literature of the Indian Diaspora: Theorizing the Diasporic Imaginary) will be published by Routledge (London) in March 2007. He plays the Indian harmonium, is a Beatles fan, and reads Sanskrit. ISSN: 1174-9551 ISBN-10: 0-473-11621-9 ISBN-13: 978-0-473-11621-7 ISBN (PDF): 978-1-877446-11-5 Series editor Stephen Epstein Desktop publisher Laila Faisal Printed October 2006 PDF Printed February 2008 Asian Studies Institute Victoria University of Wellington PO Box 600 Wellington, New Zealand Telephone +64 4 4635098 Fax +64 4 463 5291 Email [email protected] Web www.vuw.ac.nz/asianstudies Vijay Mishra Bollywood Cinema: A Critical Genealogy Vijay Mishra “Bollywood” has finally made it to the Oxford English Dictionary. The 2005 edition defines it as: “a name for the Indian popular film industry, based in Bombay. Origin 1970s. Blend of Bombay and Hollywood.” The incorporation of the word in the OED acknowledges the strength of a film industry which, with the coming of sound in 1931, has produced some 9,000 films.
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Executive Summary
EXECUTIVE SUMMARY The study on “In Film Advertising” has been undertaken as part of a project in lieu of the 5th Semester University exam. It provides an insight into the twin worlds of magic realism – advertising and movies – and seeks to establish a cross-functional link between the two. The study covers the gamut of product placements across movies, TV, books, etc., their benefits and risks and focuses on the various product placements in movies over the years. It details the process of In Film Advertising and evaluates its ethical aspect product as a commonly used, and increasingly resorted to, means of advertising. Today advertising plays a very important role in the growth and survival of many businesses in India and all over the world. However growing competition and need for innovation has given rise to a more creative form of advertising- In Film Advertising. In Film Advertising has been a concept popular in the West for a long time now. However its wide presence in the Indian context is has been relatively new. The project also seeks to understand product placement in the Indian perspective as this means of IMC (Integrated Marketing Communication) has gained immense popularity in the past decade and is an important source of financing Hindi movies given the much plagued financial condition of Bollywood and also its growing presence in South Indian commercial cinema. This project also seeks the advantages and disadvantages of In Film Advertising and identifies the impact of the same on the viewer. 1 INTRODUCTION It’s probably the biggest invasion of our times.
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Reconnecting to the NRI Through Popular Hindi Cinema
BOLLYWOODIZING DIASPORAS: Reconnecting to the NRI through Popular Hindi Cinema A thesis submitted to the Miami University Honors Program in partial fulfillment of the requirements for University Honors with Distinction. and Submitted to the School of Interdisciplinary Studies (Western College Program) in partial fulfillment of the requirements for the degree of Bachelor of Philosophy in Interdisciplinary Studies. By Pulkit Datta Miami University Oxford, Ohio 2008 2 ABSTRACT _____________________________ This project explores the recent shift in focus of popular Hindi (Bollywood) films from domestic characters encountering social issues, to members of the South Asian diaspora (primarily in the West) negotiating their ethnic identities. This project offers insights into the evolution of the Bollywood narrative where identities are being renegotiated and connections with traditional Indian culture are being challenged. Acknowledging the economic liberalization of India as catalyst, this paper examines the representation of the Non-Resident Indians (NRIs) and their connectedness with the diasporic reality in which they live. The representation is discussed in terms of the impact that religion, gender, sexuality, and regional/national politics have on the creation of a hybridized ethnic identity. Moreover, recent NRI-centric films are openly utilizing the diasporic characters as a safer experimental platform to negotiate these complex issues. The 2003 release of Kal Ho Naa Ho acts as the central example of a film that follows all the Bollywood conventions, yet due to its complete focus on the diaspora, can also be seen as non-Bollywood. The film's multiple subplots, tackling a wide range of issues among the diaspora, offer an engaging explanation of India's portrayal of its expatriates as a socially liberal, affluent, culturally liminal, and hybridized ethnic population within their host societies.
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164 26 September -2 October 2003 16 Pages Rs 25 Shah Also Worried About the Psycho- Logical Impact on Children of Having to Watch Animal Decapitation
www.nepalitimes.com #164 26 September -2 October 2003 16 pages Rs 25 Shah also worried about the psycho- logical impact on children of having to watch animal decapitation. Children are As our rulers hibernate for Dasai, it looks either traumatised, or they enjoy it. Politicallike the political limbo willlimbo linger. Neither is good for them, he told us. Despite pressure from peace groups for a Steeped in rituals, Nir Shahs family is Dasai-Tihar ceasefire and Maoist hints required to carry out a sacrifice at Dasai. that they may consider it, the army Instead of a goat, this year he will bring doesn’t seem to be in the mood. Giving up meat has health benefits, and may A vegetarian Dasai home a gourd. Government spokesman Kamal Thapa’s SRADDHA○○○○○○○○○○○○○○○○○○○○ BASNYAT even make us less violent. “we will agree to a ceasefire if the Maoists Organisations like the Society for the disarm,” was a flat no. However, many s khukuris are sharpened in Prevention of Cruelty to Animals Nepal expect an informal reduction in violence anticipation of Dasai, goats, (SPCAN) are also worried about the over Dasai. “There may be internal buffaloes, chickens and ducks are cruelty to animals in the name of instructions to lessen activities,” a source not looking forward to Nepals great religionespecially big sacrificial rituals close to the Maoists told us, “But a joint annual massacre. like Dasai and Gadimai Mela in Bara ceasefire declaration is unlikely.” AThis year, as the country plunges into district every five years. Violence is However, the tacit ceasefire between a spiral of unprecedented violence, there learned, it could start by beating a dog, the king and political leaders seems to be are concerns about animal sacrifices.
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05Entsept23.Qxd
DLD‰‹‰†‰KDLD‰‹‰†‰DLD‰‹‰†‰MDLD‰‹‰†‰C TUESDAY 23 SEPTEMBER 2003 DELHI TIMES, THE TIMES OF INDIA ENTERTAINMENT 5 better actors than the regular some of our politicians will SUBHASH K. JHA A giant of a time Why is stars,’’ he said, referring to beat him hollow in his pro- lease stop looking at Gulshan Grover. ‘‘However, I fession.’’ Chief Guest CM You’re being honoured Rani Mukherji and lis- have a piece of advice for Sushil Kumar shinde was in again at Marrakech this P ten to the speakers,’’ joked Gulshan, to remember that splits. year? Kylie Nana Chudasama. It was The Marrakech festival is the Giants Day Celebrations from October 2-9. I’m being and Awards Function in honoured along with eight or fuming? Mumbai. The awardees this nine other film personalities, year were Rani, Habil including French actor Khorakiwala, Dr Sitara Devi, Alain Delon and the M S Valiathan, Nanji Kimji American director Oliver Thakkar, Gulshan Grover, Stone. I’ve been asked to se- Bharat Kumar Raut, Dr Kulin lect four of my favourite films and I’ve chosen Guru Dutt’s Kaagaz Ke Phool, Satyajit Ray’s Jalasagar, Govind Nihalani’s Ardh RAP Satya and Ram Gopal Varma’s Satya. In fact Jalasaghar was Jaya’s choice. Morocco keeps beckoning WORLD you? If you want to know op kitten Kylie Minogue is on November 3. Also featuring how popular he is Phissing with anger over on City Games will be a track the world over, ask the leaking onto the internet of co-written with Dannii How Kothari and K M Beenamol AMITABH: details of her new album.
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Introduction 1 the Postcolonial Cultural Industry: Notes on Theory
Notes Introduction 1. The list could be endless with titles such as Goddess for Hire (Sonia Singh 2004), Imaginary Men (Anjali Banerjee 2005), Bindis and Brides (Nisha Minhas 2005), Bollywood Confidential (Sonia Singh 2005), Trust Me (Rajashree 2006), The Hindi-Bindi Club (Monica Pradhan 2007) and the Zoya Factor (Anuja Chauhan 2008), which connects chick lit with cricket and is defined as the Ladki lit for the new millennium. 1 The Postcolonial Cultural Industry: Notes on Theory and Practice 1. Adorno was associated with the Institute for Social Research at the Frankfurt School, a social science and cultural intellectual hub for promot- ing socialism and overthrowing capitalism. It was responsible for creat- ing the philosophical practice referred to as ‘critical theory’, which takes the stand that oppression is created through politics, economics, culture and materialism, but is maintained most significantly through conscious- ness. He was among the first philosophers and intellectuals to recognize the potential social, political and economic power of the entertainment industry. 2. Adorno used The Dialectic of Enlightenment to summarize the theory on which he had been working for many years. Adorno had identified the theme of the cultural industry in the 1920s (although he did not use it until later), analysing the use of light music and jazz as commodified forms of music. All these things were written in Europe before Adorno had become famil- iar with the cultural situation in the US. After 1938, Adorno’s experience of US culture only reinforced his conviction. Later on, the cultural industry references not only the industrialization of production but also fields such as radio, film, music hall, fairgrounds, astronomy, newspapers and so on.
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