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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Hindi Song Book
1 Hindi Text Listing 33 Movie/singer order NO. TITLE MOVIE/SINGER COMPOSED BY 206 EK LADKI KO DEKHA TO AISA LAGA 1942 A LOVE STORY KUMAR SANU 521 PYAR HUA CHUPKE SE 1942 A LOVE STORY KAVITA KRISHNAMURTHY 539 RIMJHIM RIMJHIM 1942 A LOVE STORY KUMAR SANU , KAVITA K. 544 ROOTH NA JANA 1942 A LOVE STORY KUMAR SANU 677 YE SAFAR BAHUT HAI KATHIN MAGAR 1942 A LOVE STORY SHIVAJI CHATOPADHYAYA 421 MERA DIL TERA DIWAANA AA AB LAUT CHALEN ALKA UDIT 6038 KILIYE KILIYE AA RATHRI S. JANAKI 399 MAI GAREEBON KA DIL HOON AABE HYAAT HEMANT KUMAR 9 AAJ MERE YAAR KI SHAADI HAI AADMI SADAK KA MOHD.RAFI 11 AAJ PURANI RAAHON SE AADMI MOHD. RAFI 452 NA AADMI KA KOI BHAROSA AADMI MO. RAFI 13 AAJA RE AAH LATA MANGESHKAR & MUKESH 284 JAANE NA NAZAR AAH LATA MANGESHKAR, MUKESH 533 RAJA KI AAYEGI BARAT AAH LATA MANGESHKAR 222 GORIYA RE GORIYA RE AAINA LATA, JOLLY MUKHARJEE 43 ACHHA TO HUM CHALTE HAI AAN MILO SAJANA LATA, KISHORE KUMAR 19 AAN MILO SAJNA AAN MILO SAJNA LATA MANGESHKAR, MOHD.RAFI 661 YAHAAN WAHAAN SAARE AAN MILO SAJNA KISHORE KUMAR 8 AAJ MERE MANN MEIN SAKHI AAN LATA MANGESHKAR 105 BUS MERI JAAN BUS AANCHAL LATA, KISHORE KUMAR 275 IS MOD SE JAATE HAI AANDHI LATA MANGESHKAR 215 GAYA BACHPAN AANKHON ANKHON MEIN LATA MANGESHKAR 434 MERI AANKHON MEIN TUM HO AANKHON MEIN TUM HO ALKA, UDIT NARAYAN 227 GUNI JANO BHAKT JANO AANSOON AUR MUSKAAN KISHORE KUMAR 22 AAP AAYE BAHAAR AAYI AAP AAYE BAHAAR AAYI MOHD. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Pop Compact Disc Releases - Updated 08/29/21
2011 UNIVERSITY AVENUE BERKELEY, CA 94704, USA TEL: 510.548.6220 www.shrimatis.com FAX: 510.548.1838 PRICES & TERMS SUBJECT TO CHANGE WITHOUT NOTICE INTERNATIONAL ORDERS ARE NOW ACCEPTED INTERNATIONAL ORDERS ARE GENERALLY SHIPPED THRU THE U.S. POSTAL SERVICE. CHARGES VARY BY COUNTRY. WE WILL ALWAYS COMPARE VARIOUS METHODS OF SHIPMENT TO KEEP THE SHIPPING COST AS LOW AS POSSIBLE PAYMENT FOR ORDERS MUST BE MADE BY CREDIT CARD PLEASE NOTE - ALL ITEMS ARE LIMITED TO STOCK ON HAND POP COMPACT DISC RELEASES - UPDATED 08/29/21 Pop LABEL: AAROHI PRODUCTIONS $7.66 APCD 001 Rawals (Hitesh, Paras & Rupesh) "Pehli Nazar" / Pehli Nazar, Meri Nigahon Me, Aaja Aaja, Me Dil Hu, Tujhko Banaya, Tujhko Banaya (Sad), Humne Tumko, Oh Hasina, Me Tera Hu Diwana (ADD) LABEL: AUDIOREC $6.99 ARCD 2017 Shreeti "Mere Sapano Mein" (Music: Rajesh Tailor) Mere Sapano Mein, Jatey Jatey, Ek Khat, Teri Dosti, Jaan E Jaan, Tumhara Dil - 2 Versions, Shehenayi Ke Soor, Chalte Chalte, Instrumental (ADD) $6.99 ARCD 2082 Bali Brahmbhatt "Sparks of Love" / Karle Tu Reggae Reggae, O Sanam, Just Between You N Me, Mere Humdum, Jaana O Meri Jaana, Disco Ho Ya Reggae, Jhoom Jhoom Chak Chak, Pyar Ke Rang, Aag Ke Bina Dhuan Nahin, Ja Rahe Ho / Introducing Jayshree Gohil (ADD) LABEL: AVS MUSIC $3.99 AVS 001 Anamika "Kamaal Ho Gaya" / Kamaal Ho Gaya, Nach Lain De, Dhola Dhol, Badhai Ho Badhai, Beetiyan Kahaniyan, Aa Bhi Ja, Kahaan Le Gayee, You & Me LABEL: BMG CRESCENDO (BUDGET) $6.99 CD 40139 Keh Diya Pyar Se / Lucky Ali - O Sanam / Vikas Bhalla - Dhuan, Keh Diya Pyar Se / Anaida - -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
10122003 Dt Mpr 04 D C
DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C DELHI TIMES, THE TIMES OF INDIA, WEDNESDAY 10 DECEMBER 2003 DAILY CROSSWORD DENNIS THE MENACE HEALTH CAPSULE GRAFFITI BELIEVE IT OR NOT TELEVISION tvguide.indiatimes.com CINEMA DD I 1200 CSI: Miami 0900 51st All India 2200 Aankhon Dekhi ENGLISH FILMS (Shahrukh, Preity Zinta, Saif Ali Khan, Jaya Bachchan) BOL TARA BOL 1300 AXN Extreme Police Game 2230 Aaj Ki Baat Amba (11.45 a.m., 3, 6.30 & 9.45 p.m.), Batra (Mukh’- 0900 Crime, Criminal & Intolerable Cruelty (A): (George Clooney, Catherine Zeta Dhamaka 0930 3rd One Day Inter’l Aap Ke Saath nagar) (12 noon, 3.15, 6.15 & 9.15 p.m.), 3 C’s (11.30 Shelly von Strunckel Police Dog Jones & Geoffrey Rush) DT Cinemas (11.45 a.m., 2.45 & 1330 Hollywood’s Great- b/w India & NZ 2300 Headlines a.m., 3, 6.30 & 10 p.m.), Chanakya (11 a.m., 2.30, 6.15 0930 Kashmir Nama 10.20 p.m.), PVR Naraina (11.15 a.m., 6.20 & 8.20 p.m.), est Stunts Ep 2 (Banglore) LIVE 2303 Current Affairs - & 9.45 p.m.), DT Cinemas (11.45 a.m., 3.20, 6.55 & ARIES (March 21 - April 19) Eager as you are to pro- 1000 News in Sankrit PVR Saket (10.30 a.m., 12.45, 3, 5.15 & 11.10 p.m.); 10.30 p.m.), Golcha, Liberty, PVR Gurgaon (11.40 a.m., ceed with plans, you’d regret hurrying things. Before 1005 Rainbow Quiz 1700 CSI: Miami 1630 ITF Circuit Tennis Issue of the Day Finding Nemo : (Lee Unkrich, Andrew Stanton, Albert 12.50, 3.20, 4.30, 6.25, 7, 8.30, 10.15 & 10.40 p.m.), the week’s close, what seem little more than minor 1030 ETV Prog. -
Amir Conveys Eid Greetings As Millions of Pilgrims Begin Hajj Dedicated Team of Interpreters Provides 24/7 Translation Services
THULHIJJA 9, 1439 AH MONDAY, AUGUST 20, 2018 Max 46º 28 Pages Min 29º 150 Fils Established 1961 ISSUE NO: 17613 The First Daily in the Arabian Gulf www.kuwaittimes.net Developer defends caller ID China shows off automated In one Philly garage, women Brighton pile the misery on 5 app, vows to launch new one 15 doctors, teachers, combat stars 21 using their own elbow grease 28 Mourinho’s woeful Man Utd Amir conveys Eid greetings as millions of pilgrims begin hajj Dedicated team of interpreters provides 24/7 translation services KUWAIT/MAKKAH: The Amiri Diwan launched a “smart hajj” initiative, with yesterday conveyed greetings from HH apps to help pilgrims with everything the Amir Sheikh Sabah Al-Ahmad Al- from travel plans to medical care. Jaber Al-Sabah to the people of Kuwait The interior ministry said on Saturday on the upcoming occasion of Eid Al- that the number of pilgrims arriving in Adha. According to a Diwan statement, Makkah had already surpassed the two HH the Amir also congratulated Arab and million mark, mostly from abroad includ- Islamic nations on the advent of Eid Al- ing large contingents from Egypt, India, Adha, praying to Allah Almighty for its Pakistan and Bangladesh. Wearing the happy return with Kuwait and the rest of simple white garb of the pilgrim, most of the world enjoying peace and security. the faithful began moving yesterday More than two million Muslims from from Makkah to the nearby Mina valley. around the globe started the hajj pil- They were to spend the night there in grimage yesterday in Saudi Arabia, one fire-resistant tents in the desert, where of the world’s largest annual gatherings temperatures top 40 degrees Celsius. -
Mathematical Analysis of Money in the Scope of Austerity
Mathematical Analysis of Money in the Scope of Austerity Peter Stallinga University of The Algarve e-mail: [email protected] October 15, 2018 Abstract This summarizes the study of the financial and economic crisis in Europe. The starting questions were 1) Why do we have a crisis? Unde venis? 2) What will be the outcome? Quo vadis? Here is the reasoning which touches many areas, ranging from financial to politics and from psychology and economy. arXiv:1305.5373v3 [q-fin.GN] 10 Jun 2013 1 1 Political The political idea and the political measures, ’austerity’, are based on a simple and single myth. Namely that economic growth is stopped when the national debt reaches a critical limit of 90% of the GDP. This comes from a single scientific article published by two economists, Reinhart & Rogoff. In the meantime this article has been debunked as being scientific crap [see Krugman]. Very few economists agree with the ideas. Nearly no economists think that Austerity is the answer to the crisis. In the meantime – you cannot stop a running train – austerity will continue. Austerity is ruinous for our society, as will be shown here. It is unnecessary and ruinous. 2 Economy pseudo science The article that proved that a 90% debt is fatal is wrong for three reasons: 1. They inverted cause-and effect. While (marginally) proving that ”slow economic growth” and ”a debt of more than 90%” are related, the cause and effect were inverted. In fact, a debt of more than 90% is caused by a slow growth and not the other way around. -
Urmila Matondkar Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Urmila Matondkar 电影 串行 (大全) Mere Sapno Ki https://zh.listvote.com/lists/film/movies/mere-sapno-ki-rani-13564977/actors Rani Kanoon https://zh.listvote.com/lists/film/movies/kanoon-11268981/actors Aflatoon https://zh.listvote.com/lists/film/movies/aflatoon-4689279/actors Mast https://zh.listvote.com/lists/film/movies/mast-6784853/actors Antham https://zh.listvote.com/lists/film/movies/antham-4771454/actors Pyaar Tune Kya https://zh.listvote.com/lists/film/movies/pyaar-tune-kya-kiya-3411165/actors Kiya Ek Hasina Thi https://zh.listvote.com/lists/film/movies/ek-hasina-thi-629745/actors Daud https://zh.listvote.com/lists/film/movies/daud-5227836/actors Chamatkar https://zh.listvote.com/lists/film/movies/chamatkar-1060540/actors Bedardi https://zh.listvote.com/lists/film/movies/bedardi-2893530/actors Shreemaan https://zh.listvote.com/lists/film/movies/shreemaan-aashique-12944232/actors Aashique Ajoba https://zh.listvote.com/lists/film/movies/ajoba-16246522/actors Banaras https://zh.listvote.com/lists/film/movies/banaras-944949/actors My Dear https://zh.listvote.com/lists/film/movies/my-dear-kuttichathan-13114252/actors Kuttichathan Rangeela https://zh.listvote.com/lists/film/movies/rangeela-1587154/actors Karzzzz https://zh.listvote.com/lists/film/movies/karzzzz-3141215/actors Bas Ek Pal https://zh.listvote.com/lists/film/movies/bas-ek-pal-376531/actors Chanakyan https://zh.listvote.com/lists/film/movies/chanakyan-5070664/actors Narsimha https://zh.listvote.com/lists/film/movies/narsimha-6966377/actors Judaai https://zh.listvote.com/lists/film/movies/judaai-3187923/actors -
Channel Nine Entertainment Limited
DRAFT PROSPECTUS Fixed Price Issue Please read Section 60B of the Companies Act, 1956 Dated 21st January, 2013 CHANNEL NINE ENTERTAINMENT LIMITED Our Company was originally incorporated in New Delhi as “Channel Nine Entertainment Limited” on 25th July, 2002 under the Companies Act, 1956 vide certificate of incorporation issued by the Registrar of Companies National Capital Territory of Delhi & Haryana. For further details, please refer to the section titled “Our History and Corporate Structure” beginning on page 78 of this Draft Prospectus. Registered Office & Corporate Office: 3/12, Ground Floor, Asaf Ali Road, New Delhi-110002; Tel: 91-11-32315575, Fax: 91-11-32315575 E-Mail: [email protected]; Website: www.channelnineentertainment.com Contact Person & Compliance Officer: Mr. Gagan Goel, Company Secretary & Compliance Officer PROMOTERS OF THE COMPANY: MR. GAJ RAJ SINGH & MRS. KIRTI PUBLIC ISSUE OF 46,68,000 EQUITY SHARES OF RS. 10/- EACH (“EQUITY SHARES”) OF CHANNEL NINE ENTERTAINMENT LIMITED (“CNEL” OR THE “COMPANY” OR THE “ISSUER”) FOR CASH AT A PRICE OF RS. 25/- PER SHARE (THE “ISSUE PRICE”), AGGREGATING TO RS. 1167.00 LACS (“THE ISSUE”), OF WHICH, 2,40,000 EQUITY SHARES OF RS. 10 EACH WILL BE RESERVED FOR SUBSCRIPTION BY MARKET MAKERS TO THE ISSUE (AS DEFINED IN THE SECTION “DEFINITIONS AND ABBREVIATIONS”) (THE “MARKET MAKER RESERVATION PORTION”). THE ISSUE LESS THE MARKET MAKER RESERVATION PORTION i.e. ISSUE OF 44,28,000 EQUITY SHARES OF RS. 10 EACH IS HEREINAFTER REFERRED TO AS THE “NET ISSUE”. THE ISSUE AND THE NET ISSUE WILL CONSTITUTE 30.10% AND 28.55%, RESPECTIVELY OF THE POST ISSUE PAID UP EQUITY SHARE CAPITAL OF THE COMPANY. -
The Sayings of Ganesh Baba
ULTRACULTURE JOURNAL ONE ERA VULGARIS 2007 EDITED BY JASON LOUV THIS JOURNAL IS PROVIDED IN ELECTRONIC FORM AS SHARE- WARE. ITS CONTINUED PRODUCTION DEPENDS COMPLETELY ON THE RESPONSIBLE GENEROSITY OF ITS READERS. IF YOU ENJOY THIS JOURNAL AND WOULD LIKE TO SEE FUTURE ISSUES, PLEASE DONATE AT LEAST TEN DOLLARS VIA PAYPAL TO [email protected] OR THROUGH WWW.ULTRACULTURE.ORG. HARD COPIES OF THIS BOOK AND ADDITIONAL ULTRACULTURE PRODUCTS CAN BE PURCHASED AT WWW.ULTRACULTURE.ORG. WORD. This collection Copyright © 2007 Jason Louv. All of the articles in this book are Copyright © by their respective authors and/or original publishers, except as specified herein, and we note and thank them for their kind permission. This work is licensed under the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by- nc-nd/3.0/ or send a letter to Creative Commons, 543 Howard Street, 5th Floor, San Francisco, California, 94105, USA. Published by Ultraculture International www.ultraculture.org [email protected] Cover Image by Nelson Evergreen. http://www.nelson-evergreen.com Library of Congress Control Number: TBA ISBN-13: 10 9 8 7 6 5 4 3 2 1 Ultraculture is a trademark of Jason Louv. The opinions and statements made in this book are those of the authors concerned. Ultraculture has not verified and neither confirms nor denies any of the foregoing and no warranty or fitness is implied. Engage with the contents herein At Your Own Risk. In Memoriam -
Transnational Audiences for Indian Films
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Non-resident cinema: transnational audiences for Indian films Adrian Mabbott Athique University of Wollongong Athique, Adrian Mabbott, Non-resident cinema: transnational audiences for Indian films, PhD thesis, Faculty of Arts, University of Wollongong, 2005. http://ro.uow.edu.au/theses/473 This paper is posted at Research Online. http://ro.uow.edu.au/theses/473 NOTE This online version of the thesis may have different page formatting and pagination from the paper copy held in the University of Wollongong Library. UNIVERSITY OF WOLLONGONG COPYRIGHT WARNING You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Non-Resident Cinema: Transnational Audiences for Indian Films A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy from UNIVERSITY OF WOLLONGONG by Adrian Mabbott Athique, BA (Hons) Communications and Cultural Studies Faculty of Arts 2005 CERTIFICATION I, Adrian Mabbott Athique, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged.