DOCSLIB.ORG

From the Bollywood Film

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
From the Bollywood Film Editor’ zzz We perceive that every root is the cause behind gigantic trees, but in fact every tree is brought to TH RE E us by a little seed. TGM – The Great Media News is Con tent also playing a role of seed in the media promoting ventures. Initially we target the readers belong to KAF 2010-11 Launching 05 the field of advertising, marketing and media as KAF Day One Workshop 08 well by providing them the most happening news KAF Day Two Workshop 09 and events. KAF Memento Announce 12 Festive Media Recognition 13 In your first issue … I prefer to say ‘your’, usually When Guru Says 14 editor writes ‘In OUR first issue’ but here by Man Behind Festival 17 following the YOU philosophy, I feel comfortable to Two Days Ad School 18 say “In your first issue”, you will find KARACHI Brand Walk 2011 19 ADVERTISING FESTIVAL as a COVER STORY. KAF Global Innovative Ad Award 20 is the first ever festival launched in Pakistan for the PAPC – Ad Excellence 21 Advertising Industry. The festival is comprises War of Anchorship ! 22 over three months duration, including Training Pak Presence in Indian Shows 24 Workshops, Brand Walks and Pakistan’s first ever Veena for Sure 26 st Advertising Awards by a neutral body i.e. “1 TGM Leaks 28 Global Innovative Advertising Awards”. Karachi Becomes 3D 30 This issues’ media recognition will be rendered by Calls of Pakistani Munnis 30 DAWN News TV and Radio One FM 91, along with Slaves of Katrina Kaif 31 emerging digital media i.e. 24 World Online. Your Lollypops in Kids’ Hands 33 first issue’s personality is Mr. Kamran Jawaid, a Media Icon of Aaj K… 34 man behind Karachi Advertising Festival. With Blood on Dance Floor 35 whom we discussed the challenging and Rahat Rules Bollywood 36 promising aspects behind the festival. Bigg Boss Quotes to Remember 37 Twitter Connects Big Names 38 After walking on few pages, you will find the real Mr. Malik … Ad Film to Film ! 39 world behind the Indian Reality Shows. This will also going to reveal the current perspectives behind their intended propaganda as well as our eye of critics instead of adopting the approach of Email Your Comments and appreciation for to trigger off our paki celebs to Contributions at: prohibit such a manner which goes against our cultural heritage globally. Simultaneously, this year [email protected] Pakistan also made their presence in various Indian Reality Shows like Voice of India - Chotay Ustad & Bigg Boss 4. In addition of the dazzler happenings and the glimpse of hoops of the Indian Telervision Shows, you will also going to discover the virtual as well as genuine facts behind the Morning Shows. You will also ascertain about he interesting aspects regarding the War for Anchorship among the leading Pakistani Morning Shows Anchors. What's is a product of more!! the issue contains intact details & particulars regarding the upcoming events & proceedings of the Karachi Advertising Festival 2010-11. We hope that you will hit upon pleasure in and eager about this first issue of The Great Media News ! Explaining KAF in one sentence can be in the sense that “If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them & TGM is an Online Newsletter KAF is the foundation for the Advertising industry & Available at: in Pakistan”. www.karachiadfest.co.nr KAMZKIRZ MEDIA MARKETING GROUP Karishma Jawaid www.kamzkirz.co.nr Call: +92-332-3515450, +92-21-32016367 TGM Creative Director – The Great Media News Mail: [email protected], [email protected]. Kiran Jawaid FOR SPONSORSHIP AT Box: P.O.Box 13626, Karachi, Pakistan TGM Content Director – – The Great Media News Add: D-40, Zahid Square, Block 16, PRINT EDITION F.B.Area, Karach Pakistani CALL: +92-332-3515450 Web: www.karachiadfest.co.nr A Floor to Prove ! FI VE Look at a day when you are supremely satisfied at the end. It's not a day when you lounge around doing nothing; it's when you've had everything to do, and you've done it. That’s really true! First Day of KARACHI ADVERTISING FESTIVAL made the first move with One Hour Screening of "Pakistani Classic Television Commercials of 70s-80s-90s”. At the completion of the Screening session, the Inaugurating Ceremony had been commenced. KARACHI ADVERTISING FESTIVAL 2010-11 had been inaugurating by our honorable chief guest, Jehan Ara Hai (VP Education, APWA) along with Dr. Nadira Jawaid (Chairperson, KamzKirz Media Marketing Group), Dr. Jawaid Aziz (Co-Chairman, KamzKirz Media Marketing Group), Kiran Jawaid (Marketing Director, KamzKirz Media Marketing Group), Kirishma Jawaid (Creative Director, KamzKirz Media Marketing Group) and Kamran Jawaid (Event Director, KARACHI ADVERTISING FESTIVAL 2010-11). It is a fact that in the right formation, the lifting power of many wings can achieve twice the distance of any bird flying Left Main: Dr. Nadira Jawaid (Chairperson) is enlightening Traditional Chiragh alone, in the same way our team efforts will make this event done. (Lamp) to launch the Festival along with Kiran Jawaid (Director Marketing) & Kirishma Jawaid (Creative Director); Right Top: Dr. Jawaid Aziz (Co-Chairman) A flame ignited, the day delighted with light & energy, is addressing the Guests ; Right Bottom : Jehan Ara Hai (Chief Guest) we start the fight for something more than before. On the stage, Jehan Ara Hai and Dr. Nadira Jawaid were KARACHI ADVERTISING FESTIVAL 2010-11 was successfully launched via its first in enlightened the Traditional Chiragh (Lamp) and then series of events i.e. 2-Days Inaugurating Training Workshops on "Media Expertise in Jehan Ara Hai stated that, "I Declared that KARACHI Advertising" dated 27-28 November, 2010 at Royal Rodale Club, DHA, Karachi along with ADVERTISING FESTIVAL 2010-11 is OPEN". Dr. Fatima Surriya Bajiya, Jehan Ara Hai, Dr. Nadira Jawaid, Jamil Syed, Moen Qureshi, Neil Jawaid Aziz articulated about the vision of the Christy, Imran Ashraf and Irfan Iftikhar from India. Media Partners of KARACHI KARACHI ADVERTISING FESTIVAL in the sense that ADVERTISING FESTIVAL 2010-11 are Dawn News TV, Radio One FM 91 and 24 World KAF intent ‘To Coach, Encourage and Appreciate’ the Online. The Strategic Partner of KARACHI ADVERTISING FESTIVAL 2010-11 is "PAPC - Industry of ADVERTISING in Pakistan. He further Pakistan Advertising Practitioners Club" (The Sole Event Partner of ABBY added that "KARACHI ADVERTISING FESTIVAL 2010- INTERNATIONAL ADVERTISING AWARDS, INDIA). 11 is comprises over the series of events in relation with it's vision. In coaching, we are conducting training workshops, In encouraging we will be launching the event of "Brand Walk" in the month of May 2011 and In appreciating we will be inducing the "1st Global Innovative Advertising Awards" in the month of June 2011“ Afterward, Jehan Ara Hai expressed that "It's quite an appreciating step put forward by Kamran Jawaid (Event Director) for the feeble and meager industry of Advertising." She further said "I've been in the association of Advertising Industry via On-Screen appearance in several TV Commercials for last 3 decades and I've experienced a big change, however Left: Kamran Jawaid (Event Director) Inviting the Chief Guest ; some positive and some negative in the creations of Right: Dr. Nadira Jawaid (Chairperson) is presenting Special Memento to advertisement. Positive in terms of TVC's quality enhancement according to International Standards Jehan Ara Hai (VP APWA) and negative in terms of Concepts and Idea. Our Old Attendees of 2-Days Inaugurating Training Workshops on "Media Expertise in Classic Pakistani Advertisements with a jingles of Advertising" in KARACHI ADVERTISING FESTIVAL 2010-11 are from City District City Aye Khuda Meray Abu Salamat Raheen, Ama Tallu Government - CDGK, Ministry of Information & Broadcasting, Dawn Media Group, Radio Mein Pakao and Bhol Na Jana Phir Papa still in our One FM 91, 24 World Online, Prestige Advertising, Sundial Advertising, Imagine One, minds but what about any new jingle, is they have any Epoche Creations, National Academy of Performing Arts - NAPA, Infinite Productions, strong impact & essence of persuasion in the mind of Gallery 2000, Szabist, Awaz TV, Red Communications, Fecto Group of Companies, viewers?". In addition she solicited to provide Pakistan Deaf Association (with interpretor), Hamdard University and Institute of Business support to the platform of KARACHI ADVERTISING Administration - IBA, Karachi. Apart of such corporate presentation, several freelance FESTIVAL because KARACHI ADVERTISING advertising producers, directors and creative personnel also made there presence. FESTIVAL is the only strongest stand for Advertising Industry with exceptional and workable strategies. ASK +92-332-3515450 SEND [email protected] CLICK www.kamzkirz.co.nr Work shop - Day 1 High light EIGH T At the end of magnificent Inauguration, Mr. Jamil Syed (Former Executive Director, Pakistan Broadcast Association - PBA) was invited to deliver the Module One on "Introduction to Pakistani Advertising". He has discussed the different aspects of Ups and Downs in the Advertising Industry of Pakistan. He presented the complete timeline of industry, phases of its development and the basics of advertising". Advertising isn't a science. It's persuasion. And persuasion is an art. Then after Module One, Mr. Moin Qureshi (CEO, Creative Head Quarter - CHQ) stand up to convey the following Module Two on "Anatomy of Big Idea". He has conferred the different levels of Creativity embedded and the Concepts behind successful campaigns. He created a vigorous & dynamic atmosphere with his open criticism on bad and open appreciation on high-quality campaigns in his own outlook. Next Module i.e. Module Three bestowed an awe-inspiring lecture by Mr. Kamran Jawaid (Managing Director, KamzKirz Media Marketing Group & Event Director, Karachi Advertising Festival) on "Production Sequence behind a creation of TVC".
Load more

Recommended publications
  • 'The Soundtrack of Call for Fun Exudes Youthful Energy'
    *BTM51017/ /05/K/1*/05/Y/1*/05/M/1*/05/C/1* THURSDAY 5 OCTOBER 2017 ENTERTAINMENT/VARIETY BOMBAY TIMES, THE TIMES OF INDIA 5 he season of love and ding an unforgettable experi- weddings is upon us. As ence. With performances at ‘The soundtrack of Call For T you plan your important over 350 weddings across 15 Adding a special events like the afterparty, countries for a culturally sangeet or mehendi for your diverse clientele, and with some wedding, make sure you don’t of the biggest global names as Fun exudes youthful energy’ miss out on planning the actual his clients, Ameya has become musical touch wedding ceremony rituals. Plan a renowned names in weddings Tejas Kudtarkar the music for your wedding ceremonies globally! Ameya pheras with The Signature renders sufi, ghazals and even Wedding Chants with The Bollywood songs to add a spe- to wedding Blissful Entertainer- Ameya cial touch to your celebrations. Dabli. His music is blissful, Call: +91 99203 27826. divine and yet entertaining E-mail: [email protected] enough to enthral your family YouTube: Ameya Dabli Ameya and friends to make your wed- www.ameyadabli.com ceremonies Dabli Lalit Pandit CONTINUED FROM PAGE 1 Salman (Khan) ko maine O O Jaane Jaana, mein dia- logues bulwaye thay and Shah Rukh Khan ko bhi Phir Bhi Dil Hai Hindustani mein dialogues bulwaye thay. Rani and Saif contributed in the track Ladki Kyun Najane Kyun from Hum Tum. Earlier, Amitabh Bachchan had sung in some movies, but we restarted the trend in the newer generation.
    [Show full text]
  • Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
    [Show full text]
  • Dr Anila Kausar- Geography University of Karachi MEMBERSHIPS and OFFICES HELD in COMMITTEE, BOARDS and PROFESSIONAL ORGANIZATION
    DR. ANILA KAUSAR Assistant Professor Department of Geography University of Karachi Karachi – 75270, Pakistan. Phone Office: +92-21- 99261300-6 Ext.2292 Mobile: +92-331-3721941 E-mail: [email protected] [email protected] TEACHING EXPERIENCE AT UNIVERSITY OF KARACHI 13 Years 10 Months (till date) Assistant Professor 10.07.2015 till date) Lecturer 14-09-2006 to 09-07.2015, 8 years 9 months) Full Time Cooperative Teacher July 2003 to 13-09-2006 QUALIFICATION M. Phil /Ph.D. University of Karachi, Pakistan. (Degree Awarded on 10.07.2015) Dissertation: Spatial Assessment of Truck Farming and its Potential in Karachi through SRS/GIS techniques. M.Sc. Department of Geography, University of Karachi, Pakistan. Gold Medalist (1st Class 1st Position in 2002) B.Sc. (Hons.) University of Karachi, Pakistan 2001 Subjects: Geography, Mathematics and Physics H.S. C. Government Science Collage Malir Cantt. Karachi 1996 Subjects: Mathematics, Physics and Chemistry S.S.C. Government Girls Secondary School, Malir Cantt. Karachi. 1994 Subject: Mathematics, Physics, and Chemistry. Page 1 of 13 Dr Anila Kausar- Geography University of Karachi MEMBERSHIPS AND OFFICES HELD IN COMMITTEE, BOARDS AND PROFESSIONAL ORGANIZATION 1. Member Board of Faculty Department of Geography, University of Karachi 2. Member Board of Faculty of Science, University of Karachi 3. Member Board of Faculty of Arts, University of Karachi 4. Member National Curriculum Revision Committee of Remote Sensing and GIS 5. Focal Person of ORIC 6. Member SURE PAPERS PRESENTED Presented a Paper titled “ The Impact of Water Resources on Agriculture: An Integrated Approach- The Case Study of Gadap, Karachi” in First International conference on Modern Trends in Science, Engineering and Technology, Road Map for Sustainable and Collaborative Development held April 27th ,28th , 2017 organized by MTSET at Pearl Continental Hotel.
    [Show full text]
  • Copyright by Gwendolyn Sarah Kirk 2016
    Copyright by Gwendolyn Sarah Kirk 2016 The Dissertation committee for Gwendolyn Sarah Kirk certifies that this is the approved version of the following dissertation: Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan Committee: _____________________________ Craig Campbell, Co-Supervisor _____________________________ Elizabeth Keating, Co-Supervisor _____________________________ Kamran Ali _____________________________ Patience Epps _____________________________ Ali Khan _____________________________ Kathleen Stewart _____________________________ Anthony Webster Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan by Gwendolyn Sarah Kirk, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2016 To my parents Acknowledgements This dissertation would not have been possible first and foremost without the kindness and generosity of the filmmakers I worked with at Evernew Studio. Parvez Rana, Hassan Askari, Z.A. Zulfi, Pappu Samrat, Syed Noor, Babar Butt, and literally everyone else I met in the film industry were welcoming and hospitable beyond what I ever could have hoped or imagined. The cast and crew of Sharabi, in particular, went above and beyond to facilitate my research and make sure I was at all times comfortable and safe and had answers to whatever stupid questions I was asking that day! Along with their kindness, I was privileged to witness their industry, creativity, and perseverance, and I will be eternally inspired by and grateful to them. My committee might seem large at seven members, but all of them have been incredibly helpful and supportive throughout my time in graduate school, and each of them have helped develop different dimensions of this work.
    [Show full text]
  • Manora Field Notes Naiza Khan
    MANORA FIELD NOTES NAIZA KHAN PAVILION OF PAKISTAN CURATED BY ZAHRA KHAN MANORA FIELD NOTES NAIZA KHAN PAVILION OF PAKISTAN CURATED BY ZAHRA KHAN w CONTENTS FOREWORD – Jamal Shah 8 INTRODUCTION – Asma Rashid Khan 10 ESSAYS MANORA FIELD NOTES – Zahra Khan 15 NAIZA KHAN’S ENGAGEMENT WITH MANORA – Iftikhar Dadi 21 HUNDREDS OF BIRDS KILLED – Emilia Terracciano 27 THE TIDE MARKS A SHIFTING BOUNDARY – Aamir R. Mufti 33 MAP-MAKING PROCESS MAP-MAKING: SLOW AND FAST TECHNOLOGIES – Naiza Khan, Patrick Harvey and Arsalan Nasir 44 CONVERSATIONS WITH THE ARTIST – Naiza Khan 56 MANORA FIELD NOTES, PAVILION OF PAKISTAN 73 BIOGRAPHIES & CREDITS 125 bridge to cross the distance between ideas and artistic production, which need to be FOREWORD exchanged between artists around the world. The Ministry of Information and Broadcasting, Government of Pakistan, under its former minister Mr Fawad Chaudhry was very supportive of granting approval for the idea of this undertaking. The Pavilion of Pakistan thus garnered a great deal of attention and support from the art community as well as the entire country. Pakistan’s participation in this prestigious international art event has provided a global audience with an unforgettable introduction to Pakistani art. I congratulate Zahra Khan, for her commitment and hard work, and Naiza Khan, for being the first significant Pakistani artist to represent the country, along with everyone who played a part in this initiative’s success. I particularly thank Asma Rashid Khan, Director of Foundation Art Divvy, for partnering with the project, in addition to all our generous sponsors for their valuable support in the execution of our first-ever national pavilion.
    [Show full text]
  • 19.05.21 Notable Industry Recognition Awards List • ADC Advertising
    19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio
    [Show full text]
  • A-Level-Prospectus-2018-ROC.Pdf
    Welcome Note by Kasim Kasuri It gives me great pleasure to welcome you to the Beaconhouse family. The information in this prospectus will guide you about the diverse opportunities available to you as an A Level student at Beaconhouse. Since the inception of our A Level programme in September 1992, our students have maintained a tradition of being the highest scorers in A Level subjects across Pakistan and the world. In fact, the most recent statistics from CIE indicate that the most ‘top achievers’ in Pakistan are from Beaconhouse. A wide range of science, business and liberal arts subjects are being offered at our A Level campuses to support your academic growth. Based on your interests and aptitude, you will be able to choose a balanced and personalised curriculum. A dedicated tutor/career counsellor will also be available to assist with current and future planning as well as to discuss any other concerns. As a Beaconhouse A Level student, you will get the opportunity to develop new interests, learn new skills and be involved with the school and local community. Each of our A Level campuses offers diverse co- and extracurricular activities including the performing arts, sports and debating. In conjunction with an excellent college placement programme, this will ensure that you are prepared for independent academic and social life as you progress to the university level. To help you with your decision to join our school, do visit one of our campuses and talk to our students as they are undoubtedly our best ambassadors. If you do choose Beaconhouse for your A Level, we can confidently predict that your experience will be a rewarding and enriching one.
    [Show full text]
  • Use and Abuse of Female Body in Popular Hindi Films: a Semiotic Analysis of Item Songs
    Use and Abuse of Female Body in Popular Hindi Films: A Semiotic analysis of Item Songs *Dr. G. K. Sahu Assistant Professor Dept. of Mass Communication Aligarh Muslim University Aligarh- 202002 & **Sana Abbas Research Scholar Dept. of Mass Communication Aligarh Muslim University Aligarh-202002 India Abstract The item songs have become an important element of Bollywood movies. Women are featured as a commodity, only to satisfy male urge and their bodies are featured in a way as if they are meant for male consumption. In an environment where a plethora of movies are releasing every year, putting a peppy item song in a movie, is a good trick to gain the attention of viewers . Brazen lyrics are used to enhance the popularity of these songs. Many established film makers in the industry are using this trick to gain huge financial returns. They are attracting and engaging audiences by using as well as abusing female body in their films. The paper makes an attempt to analyze the item songs by employing semiotic method to examine the use and abuse of female body in Hindi films. Key Words: Hindi Films, Item Songs, Female Body, Use & Abuse, Portrayal, Commoditization. www.ijellh.com 14 Introduction Cinema and dance have had a long history of engagement. Cinema enlisted dance from its very beginnings – the spectacular display of movement. The shared investment in movement ensured a spontaneous intermediality (transgression of boundaries) between early cinema and dance. Songs with dance have always played a crucial role in Hindi movies. The role of song and its demand changed with the entry of „item songs‟.
    [Show full text]
  • High-Level Nuclear Wastes and the Environment: Analyses of Challenges and Engineering Strategies
    World Journal of Nuclear Science and Technology, 2012, 2, 89-105 http://dx.doi.org/10.4236/wjnst.2012.23015 Published Online July 2012 (http://www.SciRP.org/journal/wjnst) High-Level Nuclear Wastes and the Environment: Analyses of Challenges and Engineering Strategies Mukhtar Ahmed Rana Physics Division, Directorate of Science, PINSTECH, Islamabad, Pakistan Email: [email protected], [email protected] Received February 11, 2012; revised April 2, 2012; accepted April 19, 2012 ABSTRACT The main objective of this paper is to analyze the current status of high-level nuclear waste disposal along with presen- tation of practical perspectives about the environmental issues involved. Present disposal designs and concepts are ana- lyzed on a scientific basis and modifications to existing designs are proposed from the perspective of environmental safety. A new concept of a chemical heat sink is introduced for the removal of heat emitted due to radioactive decay in the spent nuclear fuel or high-level radioactive waste, and thermal spikes produced by radiation in containment materi- als. Mainly, UO2 and metallic U are used as fuels in nuclear reactors. Spent nuclear fuel contains fission products and transuranium elements which would remain radioactive for 104 to 108 years. Essential concepts and engineering strate- gies for spent nuclear fuel disposal are described. Conceptual designs are described and discussed considering the long-term radiation and thermal activity of spent nuclear fuel. Notions of physical and chemical barriers to contain nu- clear waste are highlighted. A timeframe for nuclear waste disposal is proposed and time-line nuclear waste disposal plan or policy is described and discussed.
    [Show full text]
  • University Law College University of the Punjab, Lahore
    1 University Law College University of the Punjab, Lahore. Result of Entry Test of LL.B 03 Years Morning/Afternoon Program Session (2018-2019) (Annual System) held on 12-08-2018* Total Marks: 80 Roll No. Name of Candidate Father's Name Marks 1 Nusrat Mushtaq Mushtaq Ahmed 16 2 Usman Waqas Mohammad Raouf 44 3 Ali Hassan Fayyaz Akhtar 25 4 Muneeb Ahmad Saeed Ahmad 44 5 Sajid Ali Muhammad Aslam 30 6 Muhammad Iqbal Irshad Hussain 23 7 Ameen Babar Abid Hussain Babar Absent 8 Mohsin Jamil Muhammad Jamil 24 9 Syeda Dur e Najaf Bukhari Muhammad Noor ul Ain Bukhari Absent 10 Ihtisham Haider Haji Muhammad Afzal 20 11 Muhammad Nazim Saeed Ahmad 30 12 Muhammad Wajid Abdul Waheed 22 13 Ashiq Hussain Ghulam Hussain 14 14 Abdullah Muzafar Ali 35 15 Naoman Khan Muhammad Ramzan 33 16 Abdullah Masaud Masaud Ahmad Yazdani 30 17 Muhammad Hashim Nadeem Mirza Nadeem Akhtar 39 18 Muhammad Afzaal Muhammad Arshad 13 19 Muhammad Hamza Tahir Nazeer Absent 20 Abdul Ghaffar Muhammad Majeed 19 21 Adeel Jan Ashfaq Muhammad Ashfaq 24 22 Rashid Bashir Bashir Ahmad 35 23 Touseef Akhtar Khursheed Muhammad Akhtar 42 24 Usama Nisar Nisar Ahmad 17 25 Haider Ali Zulfiqar Ali 26 26 Zeeshan Ahmed Sultan Ahmed 28 27 Hafiz Muhammad Asim Muhammad Hanif 32 28 Fatima Maqsood Maqsood Ahmad 12 29 Abdul Waheed Haji Musa Khan 16 30 Simran Shakeel Ahmad 28 31 Muhammad Sami Ullah Muhammad Shoaib 35 32 Muhammad Sajjad Shoukat Ali 27 33 Muhammad Usman Iqbal Allah Ditta Urf M. Iqbal 27 34 Noreen Shahzadi Muhammad Ramzan 19 35 Salman Younas Muhammad Younas Malik 25 36 Zain Ul Abidin Muhammad Aslam 21 37 Muhammad Zaigham Faheem Muhammad Arif 32 38 Shahid Ali Asghar Ali 37 39 Abu Bakar Jameel M.
    [Show full text]
  • Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod Ified Date
    Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Play Count Last Played Skip Cou nt Last Skipped My Rating Location Kun Faya Kun www.Songs.PK A.R Rahman, Javed Ali, Mohit Chauhan Music: A .R Rahman Rockstar www.Songs.PK Bollywood Music 9718690 472 4 2011 10/2/2011 3:25 PM 11/16/2012 9:13 PM 160 44100 MPEG audio file www.Songs.PK D:\Music\rockstar\rockstar04(www.songs.pk).mp3 Thayn Thayn www.Songs.PK Abhishek Bachchan, Ayush Phukan and Earl www.Songs.PK Dum Maaro Dum www.Songs.PK Bollywood Music 4637567 204 5 2011 3/17/2011 4:19 AM 11/16/2012 9:13 PM 174 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\dummaardum05(www.songs.pk).mp3 Kaun Hai Ajnabi www.Songs.PK Aditi Singh Sharma & K.K Shankar Ehsan Lo y Game www.Songs.PK Bollywood Music 5461864 238 4 2011 3/27/2011 4:08 AM 11/16/2012 9:13 PM 173 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\game04(www.songs.pk).mp3 Yahaan Roadies 8 MyDiddle.com Airport MyDiddle.com Roadies 8 MyDiddle.com MyDiddle.com 3758166 232 12/12/2010 10:29 AM 11/16/2012 9:13 PM 128 44100 MPEG aud io file MyDiddle.com D:\Music \mm\MTV Roadies 8 Yahaan (Theme Song).mp3 Deva Shree Ganesha www.Songs.PK Ajay Gogavale Music: AjayAtul | Lyric s: Amitabh Bhattacharya Agneepath www.Songs.PK Bollywood Music 7287918 356 6 2011 4/17/2012 8:40 PM 11/16/20 12 9:13 PM 161 44100 MPEG audio file www.Songs.PK D:\Music\agneepath\agneepath06(www.songs.pk).mp3 That's My Name
    [Show full text]
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]