Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley, California 9472O

Total Page:16

File Type:pdf, Size:1020Kb

Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley, California 9472O BANCROFTIANA PUBLISHED OCCASIONALLY BY THE FRIENDS OF THE BANCROFT LIBRARY UNIVERSITY OF CALIFORNIA, BERKELEY, CALIFORNIA 9472O No. 104 June 1992 Samuel H. and Eveline Auerbach (center) with their children. Photo by van Bosch, Weisbaden, ca. 1900. New Manuscript manuscripts, maps, and pictures of the Old West he had amassed over the years. The cat­ Acquisitions from the alog of that 1947-1948 sale, annotated by Dale L. Morgan, reveals The Bancroft Library's in­ Auerbach Collection terest. One of the treasures acquired was a vari­ Son and nephew of the founders of the Auer­ ant copy of Book of Mormon, printed by E. B. bach Company, one of the great mercantile Grandin, Palmyra, New York, for Joseph companies of Salt Lake City and the far West, Smith, Jr., in 1830. and grandson of Jewish immigrants who Seventy manuscript lots were included in crossed the Plains in 1853, Herbert S. Auerbach this early sale and two sales in the 1960s offered was fascinated by pioneer lore and the history five additional manuscript lots. Now, in 1992, of the American west. After his death in 1945, the remaining manuscript materials held back the Parke-Bernet Galleries in New York of­ by the family all these years have come on the fered for sale the great collection of books, market. [1] Bancroft Library staff avidly read through fornia, where they tried various dry goods the world, including New York, Havana, Program at The Bancroft Library has recently the advance copy of the catalog listing 282 businesses in San Francisco and several smaller Gibraltar, Acapulco, Rio de Janeiro, and San received an important collection of papers of Auerbach lots of manuscripts, photographs, gold rush towns, including Timbuctoo where Francisco. Written between 4 July 1839 and 18 laser pioneer, Nobel laureate, and University songsheets, theater programs, broadsides, Eveline was born in 1859. During her early life, December 1861 (as he was leaving for the voy­ Professor Charles H. Townes. A native of mining reports, rare printed items, and other the family's business ventures took them to age to China on which he died), the letters to South Carolina, Townes earned baccalaureate materials relating to California, Utah, New Portland, Boise, New York City, and finally, in his wife are concentrated during the years degrees in both modern languages and physics Mexico, and other western states; the Mor­ 1864,to Salt Lake City. Throughout her nar­ shortly before their marriage and until she and at the age of 19, then concentarted his efforts mons; Native Americans; railroads; and other rative, Eveline is most concerned with how her their children joined him in California in 1852. on the "beautifully logical structure" of western topics. Attention focused particularly family carved out a living on the frontier and Of particular note are the series of fifteen let­ physics. He took an MA in the subject at Duke on manuscripts directly related to the Auer­ how they developed friendships with members ters written on his 1849 voyage to California. University in 1936 and followed with a PIID at bach family; those concerning La Porte, Cali­ of all the religious communities of Salt Lake Starting in Philadelphia in April and ending California Institute of Technology on the eve fornia, the Sierra mining town where the City. Her memoir includes background on with his first letter from San Francisco in De­ ofWorldWarn. Auerbachs established their first store; and historical events and the Mormon Church, cember, the letters are a chronicle of life sailing Wartime found Townes, together with other California items. By acting quickly, Ban­ with specific anecdotes highlighting political, around the Horn. Particularly during the first many other American physicists, occupied croft was able to secure all of its choices. social, and economic interaction between half of the voyage, his letters home are almost with the development of microwave radar. As Again, there were treasures. For the Auer­ Mormons and gentiles (i.e. all non-Mormons, a dailyjournal. In San Francisco, Sam Brannan a member of the technical staff of the Bell Lab­ bach family, there were the unpublished auto­ including Jews). It recounts, with an eye for bought his brother a ship for $14,000. For a oratories from 1939 to 1947, Townes designed graph memoirs of both Samuel H. Auerbach detail, specific events such as the visit of the while John worked the coast, then, finding radar bombing systems and subsequently ap­ and his wife Eveline Brooks Auerbach. P. T. Barnum circus in 1870 and Brigham business less profitable than anticipated, he re­ plied the microwave technology derived from Samuel Auerbachs memoir of his life in the Young's funeral in 1877; meetings with the fa­ turned to the east. But in 1852 he was back in radar research to questions of spectroscopy. He West, especially in La Porte, California, and mous; humorous stories; and the incidents and San Francisco, this time working in his broth­ continued to investigate microwave physics af­ Salt Lake City, Utah, revolves around the fam­ environment of everyday family life. It is a er's office, writing back instructions to his fam­ ter his appointment to the physics faculty at ily mercantile business. Samuel Auerbach was thoroughly interesting, entertaining, and in­ ily on how to make the trip west. Columbia University in 1948, and also retained born in Germany in 1847. He emigrated to the formative memoir, valuable particularly for its With these are thirty letters to Mary from ties to Bell Labs as a consultant. United States in 1862 to join his older brothers, woman's perspective on the Jewish community other family members, including four letters of It was with colleagues at Columbia that Frederick and Theodore, in their dry goods of Salt Lake City. condolence on news of John's death in 1862, Townes built the first maser. In 1958 he and his business in La Porte. After spending four years Eveline and Samuel Auerbach's memoirs family photographs, and ephemeral material brother-in-law Arthur L. Schawlow laid the there, Samuel joined his brothers once more, exist both as autograph manuscripts and in relating to the Brannan family. theoretical foundation for the laser; the first this time in Salt Lake City where they had multiple drafts, some showing the editing Acquisition of these fine manuscript groups operating system of the laser type was accom­ opened another store. There he would spend hand of Herbert as he contemplated their pub­ was made possible through the Peter and plished in i960 by T. H. Maiman. The studies the next forty years helping his brother Fred­ lication. Accompanying them are an array of Rosell Harvey Memorial Fund. of the Laser History Project have recently ex­ erick transform a small tent and storefront photographs of both sides of the family. There Bonn ie Hardw ick amined the complicated history of masers and business into one of the most prosperous firms are also family letters, notably a group of early lasers and the contributions of Townes, in Salt Lake City. Samuel's narrative describes letters from Samuel to his teenage son, Her­ Schawlow, and many other scientific and tech­ his life from the time of his birth until shortly bert. Lasers All Around nical personnel at various universities and pub­ after he purchased control of the Auerbach Among the La Porte manuscripts collected In the thirty years since the development of the lic and private research laboratories. Company from the heirs of Frederick in 1904. by Herbert S. Auerbach and acquired from laser, its applications have come to surround While on leave from Columbia (and on the The memoir is rich in the detail of business this sale are several of particular interest. There us. Bar codes on nearly every product we buy, eve of practical development of the laser), practices on the frontier and chronicles the are reminiscences by early residents of Rabbit as well as on more and more of the books in the Townes' interest in military applications of sci­ problems of obtaining goods, pricing, barter­ Creek, as it was first called, as well as Herbert campus library system, take advantage of the ence and technology and in Department of ing, securing credit, and dealing with the en­ S. Auerbach's notes based on his interviews high-speed controllability of a laser beam. Defense funding for scientific research and de­ trenched power of local religion. This first­ with pioneers still living in the 1920s. The min­ Communications in a variety of forms, from velopment took him to Washington DC, where hand account is important not only for the pi­ ing history of the area is represented in mining fiber-optic telephone systems to laser printer he assumed the post of Vice President and Di­ oneer life it records, but also for its account of reports, an 1872 bill of sale for tools and a min­ output of personal computers, exploit the high rector of Research for the Institute for Defense the Salt Lake City Jewish community in the ing claim, and a handwritten contract selling, frequencies and programmable control of the Analysis. Townes would later serve on the nineteenth century and of frontier business for $1000, the right to work mine tailings for beam. Video disks apply the technology to in­ influential President's Scientific Advisory practices and development. two months in 1869 to a Chinese miner, Hop formation storage and entertainment; self- Committee, and would chair the Science and Eveline Auerbach's narrative is much more Seng, of La Porte. cauterizing surgery reconnects detached reti­ Technology Advisory Committee for the personal, recounting her family life, up A final surprise appeared in a group of Bran­ nas.
Recommended publications
  • Heroes / Low Symphonies Mp3, Flac, Wma
    Bowie Heroes / Low Symphonies mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Heroes / Low Symphonies Country: Europe Released: 2003 Style: Contemporary MP3 version RAR size: 1762 mb FLAC version RAR size: 1736 mb WMA version RAR size: 1677 mb Rating: 4.7 Votes: 492 Other Formats: VQF AUD WAV MP4 FLAC ADX DMF Tracklist Heroes Symphony 1-1 Heroes 5:53 1-2 Abdulmajid 8:53 1-3 Sense Of Doubt 7:21 1-4 Sons Of The Silent Age 8:19 1-5 Neuköln 6:44 1-6 V2 Schneider 6:49 Low Symphony 2-1 Subterraneans 15:11 2-2 Some Are 11:20 2-3 Warszawa 16:01 Companies, etc. Phonographic Copyright (p) – Decca Music Group Limited Copyright (c) – Decca Music Group Limited Record Company – Universal Music Phonographic Copyright (p) – Universal International Music B.V. Credits Composed By – Philip Glass Conductor [Associate Conductor] – Michael Riesman (tracks: 1-1 to 1-6) Conductor [Principal] – Dennis Russell Davies Engineer – Dante DeSole (tracks: 2-1 to 2-3), Rich Costey (tracks: 1-1 to 1-6) Executive-Producer – Kurt Munkacsi, Philip Glass, Rory Johnston Music By [From The Music By] – Brian Eno, David Bowie Orchestra – American Composers Orchestra (tracks: 1-1 to 1-6), The Brooklyn Philharmonic Orchestra Producer – Kurt Munkacsi, Michael Riesman Producer [Associate] – Stephan Farber (tracks: 1-1 to 1-6) Notes This compilation ℗ 2003 Decca Music Group Limited © 2003 Decca Music Group Limited CD 1 ℗ 1997 Universal International Music BV CD 2 ℗ 1993 Universal International Music BV Artists listed as: Bowie & Eno meet Glass on spine; Glass Bowie Eno on front cover; Bowie Eno Glass on both discs.
    [Show full text]
  • Prohibition Premieres October 2, 3 & 4
    Pl a nnerMichiana’s bi-monthly Guide to WNIT Public Television Issue No. 5 September — October 2011 A FILM BY KEN BURNS AND LYNN NOVICK PROHIBITION PREMIERES OCTOBER 2, 3 & 4 BrainGames continues September 29 and October 20 Board of Directors Mary’s Message Mary Pruess Chairman President and GM, WNIT Public Television Glenn E. Killoren Vice Chairmen David M. Findlay Rodney F. Ganey President Mary Pruess Treasurer Craig D. Sullivan Secretary Ida Reynolds Watson Directors Roger Benko Janet M. Botz WNIT Public Television is at the heart of the Michiana community. We work hard every Kathryn Demarais day to stay connected with the people of our area. One way we do this is to actively engage in Robert G. Douglass Irene E. Eskridge partnerships with businesses, clubs and organizations throughout our region. These groups, David D. Gibson in addition to the hundreds of Michiana businesses that help underwrite our programs, William A. Gitlin provide WNIT with constant and immediate contact to our viewers and to the general Tracy D. Graham Michiana community. Kreg Gruber Larry D. Harding WNIT maintains strong partnerships and active working relationship with, among others, James W. Hillman groups representing the performing arts – Arts Everywhere, Art Beat, the Fischoff National Najeeb A. Khan Chamber Music Association, the Notre Dame Shakespeare Festival, the Krasl Art Center in Evelyn Kirkwood Kevin J. Morrison St. Joseph, the Lubeznik Center for the Arts in Michigan City and the Southwest Michigan John T. Phair Symphony; civic and cultural organizations like the Center for History, Fernwood Botanical Richard J. Rice Garden and Nature Center and the Historic Preservation Commission; educational, social Jill Richardson and healthcare organizations such as WVPE National Public Radio, the St.
    [Show full text]
  • David Bowie a New Career in a New Town [1977-1982] Mp3, Flac, Wma
    David Bowie A New Career In A New Town [1977-1982] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: A New Career In A New Town [1977-1982] Country: UK, Europe & US Released: 2017 Style: Avantgarde, Art Rock, Experimental MP3 version RAR size: 1738 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1377 mb Rating: 4.1 Votes: 572 Other Formats: AIFF AAC MP1 XM VOC MOD VQF Tracklist Hide Credits Low A1 Speed Of Life A2 Breaking Glass What In The World A3 Vocals – Iggy Pop A4 Sound And Vision A5 Always Crashing In The Same Car A6 Be My Wife A7 A New Career In A New Town B1 Warszawa B2 Art Decade B3 Weeping Wall B4 Subterraneans Heroes C1 Beauty And The Beast C2 Joe The Lion C3 “Heroes” C4 Sons Of The Silent Age C5 Blackout D1 V-2 Schneider D2 Sense Of Doubt D3 Moss Garden D4 Neuköln D5 The Secret Life Of Arabia "Heroes" EP E1 “Heroes” / ”Helden” (German Album Version) E2 “Helden” (German Single Version) F1 “Heroes” / ”Héros” (French Album Version) F2 “Héros” (French Single Version) Stage (Original) G1 Hang On To Yourself G2 Ziggy Stardust G3 Five Years G4 Soul Love G5 Star H1 Station To Station H2 Fame H3 TVC 15 I1 Warszawa I2 Speed Of Life I3 Art Decade I4 Sense Of Doubt I5 Breaking Glass J1 “Heroes” J2 What In The World J3 Blackout J4 Beauty And The Beast Stage K1 Warszawa K2 “Heroes” K3 What In The World L1 Be My Wife L2 The Jean Genie L3 Blackout L4 Sense Of Doubt M1 Speed Of Life M2 Breaking Glass M3 Beauty And The Beast M4 Fame N1 Five Years N2 Soul Love N3 Star N4 Hang On To Yourself N5 Ziggy Stardust N6 Suffragette City O1 Art Decade O2 Alabama Song O3 Station To Station P1 Stay P2 TVC 15 Lodger Q1 Fantastic Voyage Q2 African Night Flight Q3 Move On Q4 Yassassin (Turkish For: Long Live) Q5 Red Sails R1 D.J.
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey J
    Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 8-1994 "The rT iumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey J. Eustis Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Eustis, Jeffrey J., ""The rT iumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac" (1994). Honors Theses. Paper 203. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. -' . "The Triumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey Eustis August 1994 Senior Thesis 2 TABLE OF CONTENTS I. Introduction 3 II . Theories of Writing 7 III. Miller and Kerouac: Misogynists? Sex Fiends? 18 IV. Conclusion 30 V. Bibliography 33 3 I. Introduction Henry Miller and Jack Kerouac had much in common with one another. One of their most unfortunate common traits was their lack of acceptance by the literary establishment. Both of them had unfair one-dimensional reputations which largely have remained intact, years after their deaths. For example, Miller was always seen as a writer of "dirty books," his early master­ pieces such as Tropic of Cancer being regarded by many as little more than the literary equivalent of a raunchy stag film. Kerouac was viewed by many critics, and much of the pUblic, as nothing more than a hard-drinking, hell-raising hoodlum transcribing the "hep" aphorisms of his "beatnik" friends.
    [Show full text]
  • Spring2020.Pdf
    B A U M A N R A R E B O O K S Spring 2020 BaumanRareBooks.com 1-800-97-bauman (1-800-972-2862) or 212-751-0011 [email protected] New York 535 Madison Avenue (Between 54th & 55th Streets) New York, NY 10022 800-972-2862 or 212-751-0011 Monday - Saturday: 10am to 6pm Las Vegas Grand Canal Shoppes The Venetian | The Palazzo 3327 Las Vegas Blvd., South, Suite 2856 Las Vegas, NV 89109 888-982-2862 or 702-948-1617 Sunday - Thursday: 10am to 11pm Friday - Saturday: 10am to Midnight Philadelphia (by appointmEnt) 1608 Walnut Street Philadelphia, PA 19103 215-546-6466 | (fax) 215-546-9064 Monday - Friday: 9am to 5pm all booKS aRE ShippEd on appRoval and aRE fully guaRantEEd. Any items may be returned within ten days for any reason (please notify us before returning). All reimbursements are limited to original purchase price. We accept all major credit cards. Shipping and insurance charges are additional. Packages will be shipped by UPS or Federal Express unless another carrier is requested. Next-day or second-day air service is available upon request. www.baumanrarebooks.com twitter.com/baumanrarebooks facebook.com/baumanrarebooks On the cover: Item no. 4. On this page: Item no. 79. Table of Contents 16 4 42 100 113 75 A Representative Selection 3 English History, Travel & Thought 20 Literature 38 Children’s Literature, Art & Architecture 58 Science, Economics & Natural History 70 Judaica 81 The American xperienceE 86 93 Index 103 A A Representative Selection R e p r e s e n t a t i v e S e l e c t i o n 4 S “Incomparably The Most Important Work In p The English Language”: The Fourth Folio Of r Shakespeare, 1685, An Exceptionally Lovely Copy i 1.
    [Show full text]
  • Residential Rehabilitation Inspection Guideline
    U.S. DEPARTMENT OF HOUSING AND URBAN DEVELOPMENT Re s i d e n t i a l Rehabilitation Inspection Guide U.S. Department of Housing Office of Policy Development and Urban Development and Research Residential Inspection Residential Rehabilitation Inspection Guideline Prepared for the U.S. Department of Housing and Urban Development Office of Policy Development and Research by the National Institute of Building Sciences, Washington, D.C. under Contract C-OPC-21204 February 2000 Residential Inspection PATH (Partnership for Advancing Technology in Housing) is a new private/public effort to develop, demonstrate, and gain widespread acceptance for the "Next Generation" of American housing. Through the use of new and innovative technologies the goal of PATH is to improve the quality, durability, environmental efficiency, and affordability of tomorrow's houses. Initiated at the request of the White House, PATH is managed and supported by the U.S. Department of Housing and Urban Development. In addition, all Federal Agencies that engage in housing research and technology development are PATH part- ners, including the Department of Energy, the Department of Commerce, the Environmental Protection Agency, and the Federal Emergency Management Agency. State and local govern- ments and other participants in the public sector also are part- ners in PATH. Product manufacturers, home builders, insurance companies, and lenders represent private industry in the PATH partnership. To learn more, please contact: PATH, Suite B133, 451 Seventh Street, S.W., Washington, D.C. 20410; fax 202-708-4250; e-mail [email protected]. The statements and conclusions contained in this publication are those of the National Institute of Building Sciences and do not necessarily reflect the view of the Department of Housing and Urban Development.
    [Show full text]
  • RCA Consolidated Series, Continued
    RCA Discography Part 18 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Consolidated Series, Continued 2500 RCA Red Seal ARL 1 2501 – The Romantic Flute Volume 2 – Jean-Pierre Rampal [1977] (Doppler) Concerto In D Minor For 2 Flutes And Orchestra (With Andraìs Adorjaìn, Flute)/(Romberg) Concerto For Flute And Orchestra, Op. 17 2502 CPL 1 2503 – Chet Atkins Volume 1, A Legendary Performer – Chet Atkins [1977] Ain’tcha Tired of Makin’ Me Blue/I’ve Been Working on the Guitar/Barber Shop Rag/Chinatown, My Chinatown/Oh! By Jingo! Oh! By Gee!/Tiger Rag//Jitterbug Waltz/A Little Bit of Blues/How’s the World Treating You/Medley: In the Pines, Wildwood Flower, On Top of Old Smokey/Michelle/Chet’s Tune APL 1 2504 – A Legendary Performer – Jimmie Rodgers [1977] Sleep Baby Sleep/Blue Yodel #1 ("T" For Texas)/In The Jailhouse Now #2/Ben Dewberry's Final Run/You And My Old Guitar/Whippin' That Old T.B./T.B. Blues/Mule Skinner Blues (Blue Yodel #8)/Old Love Letters (Bring Memories Of You)/Home Call 2505-2509 (no information) APL 1 2510 – No Place to Fall – Steve Young [1978] No Place To Fall/Montgomery In The Rain/Dreamer/Always Loving You/Drift Away/Seven Bridges Road/I Closed My Heart's Door/Don't Think Twice, It's All Right/I Can't Sleep/I've Got The Same Old Blues 2511-2514 (no information) Grunt DXL 1 2515 – Earth – Jefferson Starship [1978] Love Too Good/Count On Me/Take Your Time/Crazy Feelin'/Crazy Feeling/Skateboard/Fire/Show Yourself/Runaway/All Nite Long/All Night Long APL 1 2516 – East Bound and Down – Jerry
    [Show full text]
  • The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
    (Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're
    [Show full text]
  • About the Conductor the Orchestra
    THE ORCHESTRA NOW THE PERFORMING ARTS CENTER AT PURCHASE COLLEGE Concert Hall Saturday, April 1, 2017, at 8 PM Performance #50: Season 2, Concert 21 James Bagwell, conductor Bernard Herrmann (1911–75) North by Northwest Overture (1959) Roy Harris (1898–1979) Symphony No. 3 (1938) Intermission Philip Glass (b. 1937) Symphony No. 1, Low (1992) Subterraneans Some Are Warszawa The concert will run approximately 1 hour and 45 minutes, including one 20-minute intermission. VIII CAMPFIRE TO CABARET THE ORCHESTRA NOW HYPNOTIC BRASS ENSEMBLE IX ABOUT THE CONDUCTOR THE ORCHESTRA NOW Leon Botstein, Music Director JAMES BAGWELL conductor James Bagwell maintains an active international VIOLIN I BASS TROMBONE schedule as a conductor of choral, operatic, and Amos C. Fayette, Paul Nemeth, Principal Matt Walley orchestral music. He was most recently named Concertmaster Milad Daniari Principal (Herrmann, Glass) associate conductor of The Orchestra Now (TO¯ N) and Diego Gabete William McPeters Gabe Cruz in 2009 was appointed principal guest conductor of Clara Engen Michael Franz Principal (Harris) the American Symphony Orchestra. From 2009–15 Leonardo Pineda Zhenyuan Yao Federico Ramos, he served as music director of The Collegiate Chorale. Lili Sarayrah Julian Lampert Bass Trombone Since 2011 he has collaborated with singer and Jiyoung Moon composer Natalie Merchant, conducting a number Andrés Rivas FLUTE TUBA of major orchestras across the country, including the Grace Choi Thomas J. Wible, Principal Dan Honaker {Photo by Kristin Hoeberman} by Kristin {Photo San Francisco and Seattle Symphonies. Mr. Bagwell Fangxi Liu Sasha Haft has trained choruses for numerous American and international orchestras, including the Kurt Munstedt TIMPANI Mostly Mozart Festival Orchestra, New York Philharmonic, Boston Symphony Orchestra, Drew Youmans OBOE Jonathan Wisner Los Angeles Philharmonic, Budapest Festival Orchestra, and American Symphony Orchestra.
    [Show full text]
  • The Theme of Suffering in • the Novels of Jack Kerouac , Leonard Cohen, and William Burroughs
    THE THEME OF SUFFERING IN • THE NOVELS OF JACK KEROUAC , LEONARD COHEN, AND WILLIAM BURROUGHS by JEAN MARIE CLIFFORD B.A., University of British Columbia, 1968 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of. English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1970 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of {g'-v^&iAh The University of British Columbia Vancouver 8, Canada Date <_c_X. ±\ 1*1 70 ABSTRACT This thesis considers the theme of suffering and its reso• lution in the novels of Jack Kerouac, Leonard Cohen, and William Burroughs, three avant-garde contemporary'' writers. It discusses most of their work in a general way, with reference to the theme of suffering; and it also analyses in a much more detailed man• ner The Subterraneans by Kerouac, The Favorite Game and Beautiful Losers by Cohen, and Naked Lunch by Burroughs. Cohen envisions man as a suffering being who experiences his pain in many different ways. He criticizes the old ritual patterns in which suffering once took its form - the pattern of religion which teaches man that suffering is good, and.
    [Show full text]
  • David Bowie: a Case Study of Authenticity in the Multifaceted Artist
    David Bowie: A Case Study of Authenticity in the Multifaceted Artist Candidate Number: 1601748 Supervisor: Dr. Geoff Baker Royal Holloway, University of London BMus (Hons) MU3391 Special Study: Dissertation 2016 Turnitin Number: 56606277 Word Count: 10, 963 2016 David Bowie: A Case Study of Authenticity in the Multifaceted Artist Abstract This dissertation draws attention to a central issue: There are limits in the applicability of “traditional” definitions of authenticity from popular music discourse. In defining authentic artists as those displaying a true sense of themselves, others and their culture, multifaceted artists, who rarely boast these qualities, are at once dismissed. Yet to one’s mind, these sorts of artists are authentic and these definitions fail to do them justice. To tackle this issue, using David Bowie, a widely acclaimed multifaceted artist, as its case study, first the “traditional” definitions are introduced and applied. Through this it is concluded that they are applicable only in part, and so not applicable consistently enough to be deemed good definitions for multifaceted artists. Following this, the characteristics of the multifaceted artist that make it difficult to apply “traditional” definitions are identified, and alternative definitions of authenticity that complement these characteristics are brought in and applied. These approaches beg the question that perhaps the issue lies not in the multifaceted nature of some artists, but with authenticity itself. Subsequently, it is submitted that authenticity itself is a limiting concept, because of its polysemous nature, and that the definitions are problematic and subjective, because they are based on the self (including the other) and culture, both subjective concepts.
    [Show full text]