MASARYK UNIVERSITY Berlin Wall and Pop Culture

Total Page:16

File Type:pdf, Size:1020Kb

MASARYK UNIVERSITY Berlin Wall and Pop Culture MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Berlin Wall and Pop Culture Bachelor Thesis Brno 2018 Supervisor: Michael George, M.A. Author: Pavel Fuka Declaration I hereby declare that I worked on this bachelor thesis independetly and that I used only the sources listed in the list of references. Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně, s použitím pouze literatury uvedené v bibliografii. …………………………………….. Pavel Fuka, Brno 2018 Acknowledgements I would like to thank my supervisor Michael George, M.A. for the help with supervising this thesis, for patience and advice he provided Abstract The topic of the bachelor thesis is Berlin Wall and Pop Culture. The thesis focuses on the cultural environment in Berlin from the 1970s till the 2000s (i.e. the period after the fall of the Berlin Wall). In each chapter it briefly discusses a significant cultural topic relevant to a particular period. Documentary analysis serves as an applied method. The thesis is divided into four chapters, each chapter covers three subchapters. Apart from these twelve chapters, the first chapter is listed in the beginning of the thesis. Various books and internet sources are used as a researched material. The main aim of the thesis is to make readers familiar with cultural aspects related to Berlin in the 1970s, 1980s, 1990s and 2000s. Key words Music, film, David Bowie, Pink Floyd, Berlin Wall, director, author, book, concert, West Berlin, East Berlin. Abstrakt Tématem bakalářské práce je Berlínská Zeď a Populární kultura. Bakalářské práce se zaměřuje na kulturní prostředí v Berlíně od 70. let až po rok 2009 (tzn. období po pádu Berlínské Zdi). Každá kapitola se věnuje významnému kulturnímu aspektu, který se vztahuje k určitému období. Dokumentární analýza zde slouží jako aplikovaná metoda. Bakalářská práce je rozdělena do 4 kapitol, každá kapitola zahrnuje 3 podkapitoly. Kromě těchto 12 kapitol, je na začátku bakalářské práce uvedena první kapitola. Různé knihy a internetové zdroje jsou použity jako výzkumný materiál. Hlavním cílem bakalářské práce je, aby se čtenáři seznámili s kulturními aspekty, které se vztahují k Berlínu v 70. letech, 80. letech, 90. letech a letech po roce 2000. Klíčová slova Hudba, film, David Bowie, Pink Floyd, Berlínská zeď, režisér, spisovatel, kniha, koncert, Západní Berlín, Východní Berlín. Table of Contents Introduction ......................................................................................................................................... 7 Hansa Studios by The Wall in Berlin .................................................................................................... 9 1. Berlin Wall and Pop Culture in the 1970s .................................................. 13 1.1 David Bowie- Low, Heroes, Lodger and How David Bowie helped to bring down the Berlin Wall ........................................................................................................................................................... 13 1.2 Zoo Station- The story of Christiane F. (1978) ............................................................................. 17 1.3 Pink Floyd- The Wall (1979) ......................................................................................................... 20 2. Berlin Wall and Pop Culture in the 1980s .................................................. 23 2.1 Christiane F.- We Children from Bahnhof Zoo (1981) ................................................................. 23 2.2 Pink Floyd- The Wall -Film (1982) ................................................................................................ 26 2.3 Wim Wenders- Wings of Desire (1987) ....................................................................................... 29 3. Berlin Wall and Pop Culture in the 1990s .................................................. 33 3.1 The Scorpions-Wind of Change (1990) ........................................................................................ 33 3.2 Pink Floyd-Live in Berlin (1990) ................................................................................................... 36 3.3 Pink Floyd- A Great Day For Freedom (1994) .............................................................................. 39 4. Berlin Wall and Pop Culture in the 2000s ................................................. 42 4.1 Tunnel film (2001) and Some Remarkable Escapes Across The Berlin Wall ............................... 42 4.2 Good Bye, Lenin! (2003) .............................................................................................................. 46 4.3 Rabbit a la Berlin (2009) .............................................................................................................. 49 Conclusion .................................................................................................... 53 List of References: ......................................................................................... 55 6 Introduction The Berlin Wall was a guarded barrier that divided Berlin into two separate cities, West Berlin and East Berlin. The Wall was constructed in 1961 and it was torn down in 1989. Fall of the Berlin Wall is right after the end of the World War II the most significant historical event for German people. In Germany, this event has such a huge meaning that it can be compared to J.F. Kennedy´s assassination or 9/11 in New York. Everybody knows what they did and where they were when it happened. Fall of the Berlin Wall brought sudden and unexpected changes to East Berlin, however, it is necessary to say that after 29 years on, not everyone agrees with reunification of Berlin. (See, 2018). Construction of the wall, its existence and its fall was a big topic for many books, films, songs and other artistic forms. Turbulent events of 1989 in Germany inspired lots of artists in various cultural fields. The importance of these works of art was to reflect the events related to the Cold War. The Berlin Wall was constructed in order to eliminate the increasing number of citizens from East Germany who were escaping to West Berlin after the World War II. From June 1961 till July 1961 the number of those who escaped was almost doubled. So the East German government did not have any other possiblity than to block it by building the Wall. John Fitzgerald Kennedy in June 1963 addressed his very famous speech in Berlin where he stated: „Ich bin ein Berliner“. During the first year when the Berlin Wall was put up (1963, 1964, 1965 and 1966) the limitations were not strict and families in West Berlin could visit families in East Berlin. Willy Brandt, the former ruling mayor of West Berlin received in 1971 The Nobel Prize for Peace for his policy which was based upon rapprochement with East Germany, Poland and Soviet Union. When the city of Berlin was celebrating its 750 anniversary, there were a great number of celebrations both in West Berlin and in East Berlin. Ronald Reagan who arrived to Berlin on 12 June 1987, declared his famous speech to Mr. Gorbachev: „Mr. Gorbachev, open this gate! Mr. Gorbachev, tear down this wall!“ „Concert for Berlin“ which was in fact Concert for unification of Berlin took place on June 6 and June 8. Even there the concertgoers cried: „The Wall must go!“ 40th anniversary of founding of the East Germany was linked with demonstrations which can be compared to „Perestroika“ and „Glasnost“ in Soviet Union. Ruling government in East Germany was increasingly unstable and this fact led to the fall of the Berlin Wall in November 9, 1989. (The Berlin Wall and the „Cold War“, n.d.) 7 Culture can be defined as traditions, customs and trends which are common for a particular group. It is a general knowledge that a certain kind of culture existed long time ago, in prehistorical times. Popular culture is a kind of culture which requires people, that means us as human beings. As stated above, in general, popular culture has its origin in prehistorical times, however, William Shakespeare was the first pop culture „superstar“. It is taken for granted that Shakespeare wrote his timeless classical plays for enjoyment of his audience. (Wertz, 2010) „The Kiss“ is perhaps the most famous picture which can be seen on the remaining part of the Berlin Wall-East Side Gallery. Connection of politics and art is evident on this image. At first, some people might think it is a joke, but this is for real. This image was taken in 1979 when Brezhnev and Honecker on this occassion were celebrating 13th anniversary of German Democratic Republic. „The Kiss“ is one of the 100 paintings which appears on the East Side Gallery. (Peterson, 2012) 8 Hansa Studios by The Wall in Berlin Hansa Studios are one of the most important studios in the history of music. It is located in the centre of the city of Berlin, very close to the Potsdamer Platz. Part of the city where the studios were before the fall of the Berlin Wall was called West Berlin. In the building which was constructed in the year of 1912 lots of wonderful recordings by amazing artists were made. Hansa Studios started to be famous all over the world particularly thanks to David Bowie who recorded Low and Heroes in the 1970s together with Iggy Pop. Other artists who made Hansa Studios well-known are for instance Depeche Mode, Nick Cave, REM or U2. Nowadays, The Hansa Studios are located on Kothener Strasse and it is considered to be „the most creative music house“ in Berlin. As a matter of fact, all genres of music are produced here-rock,
Recommended publications
  • Hugo Hamilton's Berlin Trilogy
    Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "Struck with Ireland fever": Hugo Hamilton's Berlin trilogy Author(s) Schrage-Frueh, Michaela Publication Date 2019 Schrage-Frueh, Michaela. (2019). "Struck with Ireland fever": Publication Hugo Hamilton's Berlin trilogy. In Deirdre Byrnes, Jean Information Conacher, & Gisela Holfter (Eds.), Perceptions and perspectives: Exploring connections between Ireland and the GDR. Trier: Wissenschaftlicher Verlag Trier. Publisher Wissenschaftlicher Verlag Trier Link to publisher's http://www.wvttrier.de/top/beschreibungen/ID1666.html version Item record http://hdl.handle.net/10379/16391 Downloaded 2021-09-25T05:41:27Z Some rights reserved. For more information, please see the item record link above. “Struck by Ireland-Fever”: Hugo Hamilton's Berlin Trilogy Michaela Schrage-Früh Hugo Hamilton is an Irish-German writer best known for his memoir The Speckled People, published in 2003, which offered a poignant account of his own difficult childhood as son of a German mother and Irish father in Dublin in the 1950s and 1960s. However, Hamilton also spent one year living in Berlin in the mid-1970s and many of his observations in his debut novel Surrogate City, published in 1990, shortly after the fall of the Berlin Wall, have been based on his experiences during that sojourn and subsequent visits.1 While Surrogate City is set in an unspecified time in pre-unification West Berlin2, with the reality of the Wall and the world beyond it lingering like a shadow in the fringes of the characters’ consciousness, his third novel The Love Test, published in 1995, takes place right after the collapse of the GDR.
    [Show full text]
  • Heroes / Low Symphonies Mp3, Flac, Wma
    Bowie Heroes / Low Symphonies mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Heroes / Low Symphonies Country: Europe Released: 2003 Style: Contemporary MP3 version RAR size: 1762 mb FLAC version RAR size: 1736 mb WMA version RAR size: 1677 mb Rating: 4.7 Votes: 492 Other Formats: VQF AUD WAV MP4 FLAC ADX DMF Tracklist Heroes Symphony 1-1 Heroes 5:53 1-2 Abdulmajid 8:53 1-3 Sense Of Doubt 7:21 1-4 Sons Of The Silent Age 8:19 1-5 Neuköln 6:44 1-6 V2 Schneider 6:49 Low Symphony 2-1 Subterraneans 15:11 2-2 Some Are 11:20 2-3 Warszawa 16:01 Companies, etc. Phonographic Copyright (p) – Decca Music Group Limited Copyright (c) – Decca Music Group Limited Record Company – Universal Music Phonographic Copyright (p) – Universal International Music B.V. Credits Composed By – Philip Glass Conductor [Associate Conductor] – Michael Riesman (tracks: 1-1 to 1-6) Conductor [Principal] – Dennis Russell Davies Engineer – Dante DeSole (tracks: 2-1 to 2-3), Rich Costey (tracks: 1-1 to 1-6) Executive-Producer – Kurt Munkacsi, Philip Glass, Rory Johnston Music By [From The Music By] – Brian Eno, David Bowie Orchestra – American Composers Orchestra (tracks: 1-1 to 1-6), The Brooklyn Philharmonic Orchestra Producer – Kurt Munkacsi, Michael Riesman Producer [Associate] – Stephan Farber (tracks: 1-1 to 1-6) Notes This compilation ℗ 2003 Decca Music Group Limited © 2003 Decca Music Group Limited CD 1 ℗ 1997 Universal International Music BV CD 2 ℗ 1993 Universal International Music BV Artists listed as: Bowie & Eno meet Glass on spine; Glass Bowie Eno on front cover; Bowie Eno Glass on both discs.
    [Show full text]
  • Masayoshi Sukita “40Th Anniversary of David Bowie's Heroes”
    Masayoshi Sukita “40th Anniversary of David Bowie's Heroes” 12. Mai – 12. August 2017 Heroes © 1977 / 1997 Risky Folio, Inc. Courtesy of The David Bowie Archive ™ Preisliste / Pricelist All pictures of the exhibition are titled and signed on the back including local sales tax (19%). galerie hiltawsky Tucholskystraße 41, 10117 Berlin +49 (0)30 285 044 99 | (0)171 81 34 567 Di – Sa 14 – 19 Uhr u.n.V. Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12. Mai – 12. August 2017 Preisliste / Pricelist 01. Masayoshi Sukita, "Heroes" To Come, Japan, 1977 Lambda print on Fuji photographic paper 50,8 cm x 40,6 cm, Edition 10/30, € 1.950 02. Masayoshi Sukita, MY-MY / MY-MY, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 4/30, € 1.950 03. Masayoshi Sukita, 1977 n°1, Japan, 1977 Lambda print on Fuji photographic paper 76,2 cm x 101,6 cm, Edition 1/10, € 3.900 Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12. Mai – 12. August 2017 Preisliste / Pricelist 04. Masayoshi Sukita, 1977 n°2, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 1/30, € 1.950 05. Masayoshi Sukita, "Heroes", Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 18/30, € 29.000 (one of the last 2 available !) 06. Masayoshi Sukita, 1977 n°3, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 1/30, € 1.950 Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12.
    [Show full text]
  • Prohibition Premieres October 2, 3 & 4
    Pl a nnerMichiana’s bi-monthly Guide to WNIT Public Television Issue No. 5 September — October 2011 A FILM BY KEN BURNS AND LYNN NOVICK PROHIBITION PREMIERES OCTOBER 2, 3 & 4 BrainGames continues September 29 and October 20 Board of Directors Mary’s Message Mary Pruess Chairman President and GM, WNIT Public Television Glenn E. Killoren Vice Chairmen David M. Findlay Rodney F. Ganey President Mary Pruess Treasurer Craig D. Sullivan Secretary Ida Reynolds Watson Directors Roger Benko Janet M. Botz WNIT Public Television is at the heart of the Michiana community. We work hard every Kathryn Demarais day to stay connected with the people of our area. One way we do this is to actively engage in Robert G. Douglass Irene E. Eskridge partnerships with businesses, clubs and organizations throughout our region. These groups, David D. Gibson in addition to the hundreds of Michiana businesses that help underwrite our programs, William A. Gitlin provide WNIT with constant and immediate contact to our viewers and to the general Tracy D. Graham Michiana community. Kreg Gruber Larry D. Harding WNIT maintains strong partnerships and active working relationship with, among others, James W. Hillman groups representing the performing arts – Arts Everywhere, Art Beat, the Fischoff National Najeeb A. Khan Chamber Music Association, the Notre Dame Shakespeare Festival, the Krasl Art Center in Evelyn Kirkwood Kevin J. Morrison St. Joseph, the Lubeznik Center for the Arts in Michigan City and the Southwest Michigan John T. Phair Symphony; civic and cultural organizations like the Center for History, Fernwood Botanical Richard J. Rice Garden and Nature Center and the Historic Preservation Commission; educational, social Jill Richardson and healthcare organizations such as WVPE National Public Radio, the St.
    [Show full text]
  • Classic Albums: the Berlin/Germany Edition
    Course Title Classic Albums: The Berlin/Germany Edition Course Number REMU-UT 9817 D01 Spring 2019 Syllabus last updated on: 2​3-Dec-2018 Lecturer Contact Information Course Details Wednesdays, 6:15pm to 7:30pm (14 weeks) Location NYU Berlin Academic Center, Room BLAC 101 Prerequisites No pre-requisites Units earned 2 credits Course Description A classic album is one that has been deemed by many —or even just a select influential few — as a standard bearer within or without its genre. In this class—a companion to the Classic Albums class offered in New York—we will look and listen at a selection of classic albums recorded in Berlin, or recorded in Germany more broadly, and how the city/country shaped them – from David Bowie's famous Berlin trilogy from 1977 – 79 to Ricardo Villalobos' minimal house masterpiece Alcachofa. We will deconstruct the music and production of these albums, ​ ​ putting them in full social and political context and exploring the range of reasons why they have garnered classic status. Artists, producers and engineers involved in the making of these albums will be invited to discuss their seminal works with the students. Along the way we will also consider the history of German electronic music. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s as well as the arrival of Techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall in 1989, up to the present.
    [Show full text]
  • WATCHMOJO – the Life and Career of David Bowie (1947-2016)
    WATCHMOJO – The life and career of David Bowie (1947-2016) https://www.youtube.com/watch?v=Lan_wotkon0 [Fashion] Welcome to watchmojo.com and today we're taking a look at the life and career of David Bowie. [Queen Bitch] David Robert Jones was born on January 8 1947 in Brixton London England. Though he showed musical interest at a young age it was only in the early 60s that he really pursued the art. He started by joining several blues bands but branched off on his own when they had little success. Renaming himself David Bowie he released his self-titled debut in 1967. [Who's that hiding in the apple tree clinging to a branch] Its lack of success led Bowie to participate in a promotional film called Love you till Tuesday which showcased several of his songs. A particular interest was Space Oddity : that track became a hit after it was released at the same time as the first moon landing. [Ground control to Major Tom] His sophomore effort of the same name however was another commercial disappointment. [The man who sold the world] To promote his third album The man who sold the world, Bowie was put in a dress to capitalize on his androgynous look. [Life on mars] [Ziggy Stardust] In 1971 a pop influenced record called Hunky-Dory came out and was followed by the creation of his flamboyant Ziggy Stardust persona and stage show with backing band The Spiders from Mars. Then came his breakthrough record The rise and fall of Ziggy Stardust and the Spiders from Mars which climbed the charts thanks to his performance of the single Star Man on Top of the Pops.
    [Show full text]
  • Autobituary: the Life And/As Death of David Bowie & the Specters From
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing.
    [Show full text]
  • TECHNICAL REPORT DOCUMENTATION PAGE Formats
    STATE OF CALIFORNIA • DEPARTMENT OF TRANSPORTATION ADA Notice For individuals with sensory disabilities, this document is available in alternate TECHNICAL REPORT DOCUMENTATION PAGE formats. For alternate format information, contact the Forms Management Unit TR0003 (REV 10/98) at (916) 445-1233, TTY 711, or write to Records and Forms Management, 1120 N Street, MS-89, Sacramento, CA 95814. 1. REPORT NUMBER 2. GOVERNMENT ASSOCIATION NUMBER 3. RECIPIENT'S CATALOG NUMBER CA-17-2969 4. TITLE AND SUBTITLE 5. REPORT DATE A Comparative Analysis of High Speed Rail Station Development into Destination and/or Multi-use Facilities: The Case of San Jose Diridon February 2017 6. PERFORMING ORGANIZATION CODE 7. AUTHOR 8. PERFORMING ORGANIZATION REPORT NO. Anastasia Loukaitou-Sideris Ph.D. / Deike Peters, Ph.D. MTI Report 12-75 9. PERFORMING ORGANIZATION NAME AND ADDRESS 10. WORK UNIT NUMBER Mineta Transportation Institute College of Business 3762 San José State University 11. CONTRACT OR GRANT NUMBER San José, CA 95192-0219 65A0499 12. SPONSORING AGENCY AND ADDRESS 13. TYPE OF REPORT AND PERIOD COVERED California Department of Transportation Final Report Division of Research, Innovation and Systems Information MS-42, PO Box 942873 14. SPONSORING AGENCY CODE Sacramento, CA 94273-0001 15. SUPPLEMENTARY NOTES 16. ABSTRACT As a burgeoning literature on high-speed rail development indicates, good station-area planning is a very important prerequisite for the eventual successful operation of a high-speed rail station; it can also trigger opportunities for economic development in the station area and the station-city. At the same time, “on the ground” experiences from international examples of high-speed rail stations can provide valuable lessons for the California high-speed rail system in general, and the San Jose Diridon station in particular.
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
    [Show full text]
  • David Bowie a New Career in a New Town [1977-1982] Mp3, Flac, Wma
    David Bowie A New Career In A New Town [1977-1982] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: A New Career In A New Town [1977-1982] Country: UK, Europe & US Released: 2017 Style: Avantgarde, Art Rock, Experimental MP3 version RAR size: 1738 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1377 mb Rating: 4.1 Votes: 572 Other Formats: AIFF AAC MP1 XM VOC MOD VQF Tracklist Hide Credits Low A1 Speed Of Life A2 Breaking Glass What In The World A3 Vocals – Iggy Pop A4 Sound And Vision A5 Always Crashing In The Same Car A6 Be My Wife A7 A New Career In A New Town B1 Warszawa B2 Art Decade B3 Weeping Wall B4 Subterraneans Heroes C1 Beauty And The Beast C2 Joe The Lion C3 “Heroes” C4 Sons Of The Silent Age C5 Blackout D1 V-2 Schneider D2 Sense Of Doubt D3 Moss Garden D4 Neuköln D5 The Secret Life Of Arabia "Heroes" EP E1 “Heroes” / ”Helden” (German Album Version) E2 “Helden” (German Single Version) F1 “Heroes” / ”Héros” (French Album Version) F2 “Héros” (French Single Version) Stage (Original) G1 Hang On To Yourself G2 Ziggy Stardust G3 Five Years G4 Soul Love G5 Star H1 Station To Station H2 Fame H3 TVC 15 I1 Warszawa I2 Speed Of Life I3 Art Decade I4 Sense Of Doubt I5 Breaking Glass J1 “Heroes” J2 What In The World J3 Blackout J4 Beauty And The Beast Stage K1 Warszawa K2 “Heroes” K3 What In The World L1 Be My Wife L2 The Jean Genie L3 Blackout L4 Sense Of Doubt M1 Speed Of Life M2 Breaking Glass M3 Beauty And The Beast M4 Fame N1 Five Years N2 Soul Love N3 Star N4 Hang On To Yourself N5 Ziggy Stardust N6 Suffragette City O1 Art Decade O2 Alabama Song O3 Station To Station P1 Stay P2 TVC 15 Lodger Q1 Fantastic Voyage Q2 African Night Flight Q3 Move On Q4 Yassassin (Turkish For: Long Live) Q5 Red Sails R1 D.J.
    [Show full text]
  • A Study of the Space That Shaped Weimar Berlin Carrie Grace Latimer Scripps College
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2014 The lotP s of Alexanderplatz: A Study of the Space that Shaped Weimar Berlin Carrie Grace Latimer Scripps College Recommended Citation Latimer, Carrie Grace, "The lotsP of Alexanderplatz: A Study of the Space that Shaped Weimar Berlin" (2014). Scripps Senior Theses. Paper 430. http://scholarship.claremont.edu/scripps_theses/430 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. THE PLOTS OF ALEXANDERPLATZ: A STUDY OF THE SPACE THAT SHAPED WEIMAR BERLIN by CARRIE GRACE LATIMER SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR MARC KATZ PROFESSOR DAVID ROSELLI APRIL 25 2014 Latimer 2 TABLE OF CONTENTS Acknowledgements 3 Introduction 4 Chapter One: Berlin Alexanderplatz: The Making of the Central Transit Hub 8 The Design Behind Alexanderplatz The Spaces of Alexanderplatz Chapter Two: Creative Space: Alfred Döblin’s Berlin Alexanderplatz 23 All-Consuming Trauma Biberkopf’s Relationship with the Built Environment Döblin’s Literary Metropolis Chapter Three: Alexanderplatz Exposed: Rainer Werner Fassbinder’s Film 39 Berlin from Biberkopf’s Perspective Exposing the Subterranean Trauma Conclusion 53 References 55 Latimer 3 Acknowledgements I wish to thank all the people who contributed to this project. Firstly, to Professor Marc Katz and Professor David Roselli, my thesis readers, for their patient guidance, enthusiastic encouragement and thoughtful critiques.
    [Show full text]
  • The Cultural Memory of German Victimhood in Post-1990 Popular German Literature and Television
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons@Wayne State University Wayne State University Wayne State University Dissertations 1-1-2010 The ulturC al Memory Of German Victimhood In Post-1990 Popular German Literature And Television Pauline Ebert Wayne State University Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the European History Commons, European Languages and Societies Commons, and the German Literature Commons Recommended Citation Ebert, Pauline, "The ulturC al Memory Of German Victimhood In Post-1990 Popular German Literature And Television" (2010). Wayne State University Dissertations. Paper 12. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE CULTURAL MEMORY OF GERMAN VICTIMHOOD IN POST-1990 POPULAR GERMAN LITERATURE AND TELEVISION by ANJA PAULINE EBERT DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2010 MAJOR: MODERN LANGUAGES Approved by: ________________________________________ Advisor Date ________________________________________ ________________________________________ ________________________________________ ________________________________________ © COPYRIGHT BY ANJA PAULINE EBERT 2010 All Rights Reserved Dedication I dedicate this dissertation … to Axel for his support, patience and understanding; to my parents for their help in financial straits; to Tanja and Vera for listening; to my Omalin, Hilla Ebert, whom I love deeply. ii Acknowledgements In the first place I would like to express my deepest gratitude to my advisor, Professor Anne Rothe.
    [Show full text]