Spirituality of Imperfection Rev
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Triptych Eyes of One on Another
Saturday, September 28, 2019, 8pm Zellerbach Hall Triptych Eyes of One on Another A Cal Performances Co-commission Produced by ArKtype/omas O. Kriegsmann in cooperation with e Robert Mapplethorpe Foundation Composed by Bryce Dessner Libretto by korde arrington tuttle Featuring words by Essex Hemphill and Patti Smith Directed by Kaneza Schaal Featuring Roomful of Teeth with Alicia Hall Moran and Isaiah Robinson Jennifer H. Newman, associate director/touring Lilleth Glimcher, associate director/development Brad Wells, music director and conductor Martell Ruffin, contributing choreographer and performer Carlos Soto, set and costume design Yuki Nakase, lighting design Simon Harding, video Dylan Goodhue/nomadsound.net, sound design William Knapp, production management Talvin Wilks and Christopher Myers, dramaturgy ArKtype/J.J. El-Far, managing producer William Brittelle, associate music director Kathrine R. Mitchell, lighting supervisor Moe Shahrooz, associate video designer Megan Schwarz Dickert, production stage manager Aren Carpenter, technical director Iyvon Edebiri, company manager Dominic Mekky, session copyist and score manager Gill Graham, consulting producer Carla Parisi/Kid Logic Media, public relations Cal Performances’ 2019 –20 season is sponsored by Wells Fargo. ROOMFUL OF TEETH Estelí Gomez, Martha Cluver, Augusta Caso, Virginia Kelsey, omas McCargar, ann Scoggin, Cameron Beauchamp, Eric Dudley SAN FRANCISCO CONTEMPORARY MUSIC PLAYERS Lisa Oman, executive director ; Eric Dudley, artistic director Susan Freier, violin ; Christina Simpson, viola ; Stephen Harrison, cello ; Alicia Telford, French horn ; Jeff Anderle, clarinet/bass clarinet ; Kate Campbell, piano/harmonium ; Michael Downing and Divesh Karamchandani, percussion ; David Tanenbaum, guitar Music by Bryce Dessner is used with permission of Chester Music Ltd. “e Perfect Moment, For Robert Mapplethorpe” by Essex Hemphill, 1988. -
Journal of Haitian Studies, Volume 19, Number 1, Spring 2013, Pp
7KH/HJDF\RI$VVRWWR6DLQW7UDFLQJ7UDQVQDWLRQDO +LVWRU\IURPWKH*D\+DLWLDQ'LDVSRUD Erin Durban-Albrecht Journal of Haitian Studies, Volume 19, Number 1, Spring 2013, pp. 235-256 (Article) 3XEOLVKHGE\&HQWHUIRU%ODFN6WXGLHV8QLYHUVLW\RI&DOLIRUQLD 6DQWD%DUEDUD DOI: 10.1353/jhs.2013.0013 For additional information about this article http://muse.jhu.edu/journals/jhs/summary/v019/19.1.durban-albrecht.html Access provided by Illinois State University (29 Mar 2016 16:46 GMT) The Journal of Haitian Studies, Volume 19 No. 1 © 2013 THE LEGACY OF ASSOTTO SAINT: TRACING TRANSNATIONAL HISTORY FROM THE GAY HAITIAN DIASPORA Erin Durban-Albrecht University of Arizona INTRODUCTION This essay uses Michel-Rolph Trouillot’s notion of power and the production of history as a starting point to explore the ways that Assotto Saint (1957-1994), a gay Haitian American who was once a well-known player in the Black gay and AIDS activist cultural movements in the United States, is remembered and written about in contemporary venues.1 I argue that the politics of remembrance pertaining to Saint’s cultural work and activism has significant consequences for our understanding of late twentieth century social and cultural movements in the United States as well as gay Haitian history. I explore the fact that Saint’s work has fallen out of popularity since his death in 1994, except in limited identitarian, mostly literary venues. The silences surrounding his work that I describe in this essay are peculiar considering that Saint not only had important social connections with artists who are well-known today, but also, unlike artists with less access to financial resources, he left behind a huge archive of materials housed in the Black Gay and Lesbian Collections at the Schomburg Center for Research in Black Culture as well as a rich and prolific corpus of published work. -
Black/Out Is a Magazine By, for and —Ann Chapman; P
B LACK/OUT The Magazine of the National Coalition of Black Lesbians and Gays Volume 1 Number 1 Summer 1986 $3 Simon Nkodi: On Trial for Treason by James Charles Roberts page 6 Working for Liberation and Having a Damn Good Time! by Barbara Smith page 13 Poetry: Julie Blackwomon Dan Garrett Stephen F. Langley Sonia Sanchez page 18 v-lisi: $ i^K" CONTENTS BLACK/OUT NEWS Publisher NCBLG National Conference on AIDS Among Blacks National Coalition of Black Lesbians and Gays, Inc., a non-profit organization that provides advocacy on by Craig G. Harris 4 issues affecting Black Lesbians and Gays. Simon Nkodi: On Trial for Treason by James Charles Roberts 6 Board of Directors Timothy Lee: Murder or Suicide? Michelle Parkerson, Co-chair by James Charles Roberts Louis Hughes, Jr., Co-chair 6 Gwendolyn Rogers, Secretary Clifton A. Roberson, Treasurer Joseph F. Beam NEWS BRIEFS Angela Bowen Gays, Lesbians and bisexuals of color convene; Hemphill receives Audre Lorde NEA grant; Bowen at NOW march; Parkerson, Hemphill and Jones Marietta G. Mason receive Residency for New Works grant ••. 5 Luvenia Pinson Betty Powell Barbara Smith Lawrence Washington FEATURES Charles Williams The NCBLG Family Gathers: A Conference Report Dan Weddo by Craig G. Harris 10 Executive Director Working for Liberation and Having a Damn Good Time! by Barbara Smith 13 Gil Gerald Two Views on The Color Purple Publications Committee It's Not for Me to Say by Angela Bowen 15 Editor All in the Family by R. Harris 15 Joseph F. Beam Associate Editors Angela Bowen DEPARTMENTS Barbara Smith OUT/LOOK "Black Pride and Solidarity: The New Movement Dan Weddo of Black Lesbians and Gays" by Gil Gerald 3 News Correspondents James Charles Roberts, Philadelphia OUT/POSTS News from the Chapters 7 Colin Robinson, New York OUT/LET "Caring for Each Other" by Joseph Beam 9 Typesetting/Design Essex Hemphill COMING OUT by Angela Bowen 12 Cover Art POETRY Sonia Sanchez, Dan Garrett, Stephen F. -
Love, Liberation, and the Rise of Black Lesbian and Gay Cultural Politics in Late Twentieth Century America
“Out of This Confusion I Bring My Heart” Love, Liberation, and the Rise of Black Lesbian and Gay Cultural Politics in Late Twentieth Century America by David B. Green Jr. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in The University of Michigan 2015 Doctoral Committee: Associate Professor Maria E. Cotera, Chair Professor Frieda Ekottto Assistant Professor Brandi S. Hughes Assistant Professor Victor R. Mendoza When you love as we did you will know There is no life but this And history will not be kind Melvin Dixon (I)Eye dedicate this work to My Brother O.B. Green Who was taken too soon from this earth ii Acknowledgements I believe…no—wait—I remember. Yes. I remember the exact moment when I received a call from Jesse Huffnung-Garskof. Jesse called to inform me that I had been admitted into the Program in American Culture here at the University of Michigan. I was in Der Rathskeller, the main lunch drag at the University of Wisconsin’s student union. In the middle of grabbing one of their delicious cheeseburgers, I struggled to retrieve my cell phone. “Hello?...hello yes, this is David.” Moments later I was screaming. “Really?!” Yes, I was admitted into a doctoral program at the University of Michigan— one of two programs that accepted me. I knew nothing about this university. To tell the truth, I had never heard of the University of Michigan. Seriously. When I was completing my Master’s thesis and applying to doctoral programs, a colleague, Eric Darnell Pritchard—who had completed his Master’s degree in African American Studies and Doctoral degree in English Rhetoric at Wisconsin and now works as an Assistant Professor at the University of Texas at Austin—encouraged me to apply to Michigan. -
ITL Frontmatter
thein A BLACK GAY ANTHOLOGY thein A BLACK GAY ANTHOLOGY edited by Joseph Beam New Introduction by James Earl Hardy WASHINGTON, DC www.redbonepress.com In the Life: A Black Gay Anthology Copyright © 1986 by Joseph Beam; © 2008 by Estate of Joseph Beam New Introduction, “And We Continue to Go the Way Our Blood Beats...” copyright © 2008 by James Earl Hardy Individual selections copyright © by their respective author(s) Published by: RedBone Press P.O. Box 15571 Washington, DC 20003 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means without permission in writing from the publisher, except in the case of reviews. 08 09 10 11 12 10 9 8 7 6 5 4 3 2 1 Second edition Cover design by Eunice Corbin Logo design by Mignon Goode Joseph Beam cover photo copyright © 1985 by Sharon Farmer Permissions acknowledgments appear on pp. 219. Artwork on p. 1 by Deryl Mackie; photograph on p. 23 by Joseph Beam; artwork on p. 45 by Don Reid; artwork on p. 69 by Vega; artwork on p. 115 by Tawa; photograph on p. 173 by Joseph Beam. Printed in the United States of America ISBN-13: 978-0-9786251-2-2 ISBN-10: 0-9786251-2-9 www.redbonepress.com for my parents, Dorothy and Sun F. Beam for loving for Kenyatta Ombaka Baki for believing for Addie and Charles for our future Contents And We Continue to Go the Way Our Blood Beats..., by James Earl Hardy / ix Acknowledgments / xv Introduction / xix Coming of Age, Brad Johnson / xxv Stepping Out The Boy with Beer, Melvin Dixon / 2 With My Head Held Up High, Gilberto Gerald / 14 Cut Off from Among Their People On Not Being White, Reginald Shepherd / 24 Beautiful Blackman, Blackberri / 35 Don’t Turn Your Back on Me, Stephan Lee Dais / 37 Cut Off from Among Their People, Craig G. -
PDF Download Hold Tight Gently Michael Callen, Essex Hemphill
HOLD TIGHT GENTLY MICHAEL CALLEN, ESSEX HEMPHILL, AND THE BATTLEFIELD OF AIDS 1ST EDITION PDF, EPUB, EBOOK Martin B Duberman | 9781595589453 | | | | | Hold Tight Gently Michael Callen, Essex Hemphill, and the Battlefield of AIDS 1st edition PDF Book Views Read Edit View history. By: Matt Richards , and others. Most Helpful Most Recent. Every reader contribution, whatever the amount, makes a tremendous difference. In its most recent May report, with data through , the Centers for Disease Control CDC shows a vast disparity of new infections among racial-ethnic groups in the United States. Thanks for shopping indie! The author points out that these two men were very different and never met. Reviews - Please select the tabs below to change the source of reviews. Great Indian Festival. Copy link. It is not case- sensitive. Back to top. In Hemphill's poetry, he portrays loneliness as a collective feeling. Daringly imagined and beautifully written, Hold Tight Gently is a major work of modern history that chills us to the bone even as it moves us to tears. Details Look Inside Customer Reviews. This is despite the fact that young gay black men have fewer partners, less unprotected sex, and lower rates of recreational drug use than other gay men. Get to Know Us. Report typos and corrections to: feedback alternet. The biographer renders Hemphill and Callen with respect and grace—just the way they should be. Poetry Foundation. Medical Apartheid is the first and only comprehensive history of medical experimentation on African Americans. The New Press is a nonprofit public-interest book publisher. Follow us:. -
AIDS in Cultural Bodies
AIDS in Cultural Bodies AIDS in Cultural Bodies: Scripting the Absent Subject (1980-2010) By Sathyaraj Venkatesan and Gokulnath Ammanathil AIDS in Cultural Bodies: Scripting the Absent Subject (1980-2010) By Sathyaraj Venkatesan and Gokulnath Ammanathil This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Sathyaraj Venkatesan and Gokulnath Ammanathil All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8915-6 ISBN (13): 978-1-4438-8915-5 Dedicated to The people living with HIV/AIDS CONTENTS List of Abbreviations .................................................................................. ix Chapter One ................................................................................................. 1 Introduction Chapter Two .............................................................................................. 11 Plotting the Crisis: HIV/AIDS and African American Response Chapter Three ............................................................................................ 27 HIV/AIDS, Abjection and Social Death Chapter Four ............................................................................................. -
Aradicalhistory & Legacy
A R A D I C A L H I S T O R Y & L E G A C Y l e a h d t i n r n o i P o t M o v e D This Pride Month Devotional: Radical History & Legacy is meant to be a resource for you to think through different topics and remember the people and efforts in radical LGBTQ+ history. This devotional covers many difficult topics, so take the time you need. Each topic or person has an experpt from an article with questions to help you think through the information. Please use this devotional to write, draw, or think through any or all of the questions. Ask questions that come up for you that we didn't write down. This is not all encompassing, so view this as a jumping off point into learning about radical LGBTQ+ history and legacy. We would also love to see what you created in response to the questions or information that you think is important for others to know! If you want to share, tag @jcpride2020. We hope everyone comes away having more carefully examined their own lives, values, and worldview and how we fit into the legacy created by the people before us. Terms & Definitions Abolition the practice or ideology of abolishing a system, practice, or institution (like police, prisons, ICE, etc.) AIDS Epidemic a public health crisis where many people were getting HIV/AIDS with little care for people affected, mostly because it heavily effected LGBTQ+ and Black people Anti-capitalism political ideology and movement that wants to replace capitalism with another economic system that brings liberation and justice anti-Queer/anti-LGBTQ against or opposed to -
Young at Heart
Recent Decline in Student Population Forces Faculty Cuts By KIMBERLY TAYLOR because we decided to get smaller ence is to protect people that are its hard to even see that cuts News Editor to maintain quality and partly be- currently in their positions Were happen because as the number of cause the number of high school not at this point talking about and students drop so does the number In an attempt to maintain a kids going to private colleges has I dont think well ever have to be of courses you need to offer It steady studentfaculty ratio gone down So were hoping that in a point of talking about elimi- really hasnt had any strong effect Denison will be bidding a farewell were not going to get any smaller nating tenured faculty from posi- upon the academic program to several faculty positions on cam- In fact our goal is to get bigger tions he said Morris said pus We try to have a 121 stu- Morris said Weve made about nine cuts The economics department dentfaculty ratio which is a good Professor of History Don at this point starting next year The has had two people resign and I J ratio explained Provost Charlie Schilling said I think the univer- goal is to get to around 12 but that believe we have authorization to Morris sity does have to be concerned again will depend in part on our add one of those back Lucier i Head of Faculty and Professor about its financial health It has to enrollment picture over the next said Provost Charlie Morris discussed of Economics Richard Lucier ex- meet its obligations We have to couple years Its nothing -
Thinking Otherwise: the Politics of Black Queer Filmmaking
THINKING OTHERWISE: THE POLITICS OF BLACK QUEER FILMMAKING CHRISTOPHER G. SMITH A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER'S OF ARTS GRADUATE PROGRAM IN INTERDISCIPLINARY STUDIES YORK UNIVERSITY, TORONTO, ONTARIO DECEMBER 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de Pedition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-62424-1 Our file Notre reference ISBN: 978-0-494-62424-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduce, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Performative Remnants: Re-Reading the Black Male Body in Mapplethorpe╎s Black Book
University of Pennsylvania ScholarlyCommons Undergraduate Humanities Forum 2015-2016: Penn Humanities Forum Undergraduate Sex Research Fellows 5-2016 Performative Remnants: Re-reading the Black Male Body in Mapplethorpe’s Black Book Erich Kessel University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/uhf_2016 Part of the English Language and Literature Commons Kessel, Erich, "Performative Remnants: Re-reading the Black Male Body in Mapplethorpe’s Black Book" (2016). Undergraduate Humanities Forum 2015-2016: Sex. 3. https://repository.upenn.edu/uhf_2016/3 This paper was part of the 2015-2016 Penn Humanities Forum on Sex. Find out more at http://www.phf.upenn.edu/ annual-topics/sex. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/uhf_2016/3 For more information, please contact [email protected]. Performative Remnants: Re-reading the Black Male Body in Mapplethorpe’s Black Book Abstract Robert Mapplethorpe’s 1986 Black Book was subject of much political controversy in the years following its release. In the drama of this controversy, Mapplethorpe’s figure—as an Artist and an Author—grew more dominant in discourse at the same time that it was battered by right-wing attacks. The growth of his figure cast a dark shadow over the other bodies implicated in his project: those of the black men he photographed. How might a history of their place in this books creation be written, given an archival silence? This project will engage the model’s pose as a performance that resists Mapplethorpe’s gaze and the many imperatives that structure his photobook as a consumable object of racial fascination. -
African American LGBT Writing, 1982-1991
Black Shamelessness: African American LGBT Writing, 1982-1991 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Christopher S. Lewis, M.A. Graduate Program in English The Ohio State University 2012 Dissertation Committee: Valerie Lee, Ph.D., Advisor Koritha Mitchell, Ph.D. Debra Moddelmog, Ph.D. Copyright by Christopher S. Lewis 2012 Abstract For most of the twentieth century, black writers represented African Americans as sexually proper in realist forms as a means of combating racist discourse that considers all black sexuality depraved. In the 1960s and 1970s, black literary realism became explicitly associated with the Black Arts Movement’s heteronormative politics of black authenticity and pride. During the 1980s, however, many African American writers openly identifying as lesbian, gay, bisexual, and/or transgender (LGBT) explored black queer experiences in a range of literary forms, including performance poetry, realist fiction, and speculative fiction. Black Shamelessness considers this range of forms, finding literary genre to be critical terrain for the exploration of black queer politics. 1980s black LGBT writers like Alice Walker, Essex Hemphill, and Assotto Saint challenged the expectations of black literature by queering the archives of black realism with realist celebrations of queer sexualities. Meanwhile, writers like Audre Lorde, Samuel Delany, and Jewelle Gomez composed non-realist texts that question the value of queer subjects being folded into black literary realism. Black Shamelessness thus finds that black LGBT writers can be categorized in part by their relationship to realism and their responses to the politics of black authenticity.