Black/Out Is a Magazine By, for and —Ann Chapman; P
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. MAKING COMMUNITY: THE PLACES AND15 SPACES OF LGBTQ COLLECTIVE IDENTITY FORMATION Christina B. Hanhardt Introduction In the summer of 2012, posters reading "MORE GRINDR=FEWER GAY BARS” appeared taped to signposts in numerous gay neighborhoods in North America—from Greenwich Village in New York City to Davie Village in Vancouver, Canada.1 The signs expressed a brewing fear: that the popularity of online lesbian, gay, bisexual, transgender, and queer (LGBTQ) social media—like Grindr, which connects gay men based on proximate location—would soon replace the bricks-and-mortar institutions that had long facilitated LGBTQ community building. -
The Jays Jay Brown NATION BUILDER
The Jays Jay Brown NATION BUILDER oc Nation co-founder of the arts, having joined the and CEO Jay Brown Hammer Museum’s board of R has succeeded beyond directors in 2018, as well as his wildest dreams. He’s part of a champion of philanthropic Jay-Z’s inner circle, along with causes. In short, this avid fish- longtime righthand man Tyran erman keeps reeling in the big “Tata” Smith, Roc Nation ones. Brown is making his COO Desiree Perez and her mark, indelibly and with a deep- husband, Roc Nation Sports seated sense of purpose. President “OG” Juan Perez. “I think the legacy you He’s a dedicated supporter create…is built on the people RAINMAKERS TWO 71 you help,” Brown told CEO.com in “Pon de Replay,” L.A. told Jay-Z not to Tevin Campbell, The Winans, Patti 2018. “It’s not in how much money you let Rihanna leave the building until the Austin, Tamia, Tata Vega and Quincy make or what you buy or anything like contract was signed. Jay-Z and his team himself—when he was 19. “He mentored that. It’s about how many people you closed a seven-album deal, and since then, me and taught me the business,” Brown touch. It’s in how many jobs you help she’s sold nearly 25 million albums in the says of Quincy. “He made sure if I was people get and how many dreams you U.S. alone, while the biggest of her seven going to be in the business, I was going to help them achieve.” tours, 2013’s Diamonds World Tour, learn every part of the business.” By this definition, Brown’s legacy is grossed nearly $142 million on 90 dates. -
Tata Vega Miss Celie's Blues (Sister) Mp3, Flac, Wma
Tata Vega Miss Celie's Blues (Sister) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Miss Celie's Blues (Sister) Country: US Released: 1986 MP3 version RAR size: 1643 mb FLAC version RAR size: 1575 mb WMA version RAR size: 1860 mb Rating: 4.6 Votes: 836 Other Formats: VOC AAC RA ADX MOD AHX VOX Tracklist A Miss Celie's Blues (Sister) 2:30 B Miss Celie's Blues (Sister) 2:30 Companies, etc. Phonographic Copyright (p) – Warner Bros. Inc. Published By – Wb Music Corp. Published By – Rodsongs Published By – Brockman Music Produced For – Quincy Jones Productions Manufactured By – Warner Bros. Records Inc. Distributed By – Warner Bros. Records Inc. Credits Mastered By [Runout Etching ⁀⁀ ⁀⁀] – Brian Gardner Producer – Quincy Jones Written-By – L. Ritchie*, Q. Jones*, R. Temperton* Notes Promotion Not For Sale Both Sides Identical From The Warner Bros Motion Picture The Color Purple From The QWest Original Motion Picture Soundtrack THE COLOR PURPLE (i-25389) Barcode and Other Identifiers Matrix / Runout (A and B Labels Identical ): 7-28754-A Matrix / Runout (A and B Runouts Identical): 7-28754-A SH1 ⁀⁀ ⁀⁀ O R-15331-SH1 △ 11573 1—1 Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year W8754, 928 Miss Celie's Blues Qwest Records, W8754, 928 Tata Vega UK 1986 754-7 (Sister) (7") Qwest Records 754-7 Miss Celie's Blues 9 28754-7 Tata Vega Qwest Records 9 28754-7 US 1986 (Sister) (7") Miss Celie's Blues 928 754-7 Tata Vega Qwest Records 928 754-7 Germany 1986 (Sister) (7", Single) Miss Celie's Blues Warner Bros. -
Basilica Mass Held in Remembrance of Valero Craig, Harris Debate Nature
the Observer The Independent Newspaper Serving Notre Dame and Saint Mary’s Volume 44 : Issue 118 FRIDAY, APRIL 8, 2011 ndsmcobserver.com Basilica Mass held in remembrance of Valero Students fill church to commemorate life of Keenan sophomore; Fr. Tom Doyle delivers homily to congregation brought them together and By MEGAN DOYLE and SAM delivered them to the Lord,” STRYKER Doyle said. “That’s what it News Editors means to be a family. That’s what it means to be Notre Rain fell and the Basilica’s Dame.” bells chimed as hundreds filed Students filled the Basilica out of the Basilica of the Sacred pews during the memorial Heart Thursday evening after a Mass for Valero less than one Mass of Remembrance in honor week after campus learned of of Sean Valero. his death. During the Mass, Fr. Tom Fr. Joseph Carey, interim Doyle recounted the sopho- director of Campus Ministry, more’s funeral, held only 12 presided over the Mass, and hours earlier. Doyle, vice president of Student At the request of the Valero Affairs, delivered the homily to family, four of his friends from the standing room only congre- Keenan walked in the funeral gation. procession alongside his par- The men of Keenan Hall filled ents and sister as the casket the first six rows, dressed in was carried down the aisle of blazers, and Keenan rector Fr. St. Helen’s Church in Dan Nolan was among the cele- Niskayuna, N.Y. brants on the altar. The image of Valero’s friends Luke’s gospel about the heal- and family illustrated the ing of a paralytic highlighted Doyle’s message in the homily: the need to be humble in diffi- Our brokenness can bring us cult times, Doyle said. -
LEA-V6-N1.Pdf
/ ____ / / /\ / /-- /__\ /______/____ / \ ============================================================= Leonardo Electronic Almanac Volume 6, No. 1 1998 Craig Harris, Executive Editor Patrick Maun, Gallery Editor/Curator Craig Arko, LEA Coordinating Editor Roger Malina, LDR Editor Kasey Asberry, LDR Coordinating Editor Editorial Advisory Board Roy Ascott, Michael Naimark, Simon Penny, Greg Garvey, Joan Truckenbrod ISSN #1071-4391 ============================================================= ____________ | | | CONTENTS | |____________| ============================================================= INTRODUCTION < This Issue > Craig Harris FEATURE ARTICLE < Blinded... and the new LEA Gallery > Carl DiSalvo and Patrick Maun PROFILE < CAIIA+STAR > Roy Ascott LEONARDO DIGITAL REVIEWS Roger Malina et al < Audio CD Review: Mouse Trap Music by Mark Applebaum > Reviewed by Axel Mulder < Book Review: Painting the Heavens by Eileen Reeves > Reviewed by David Topper < Book Review: Le Ton bon de Marot by Douglas R. Hofstadter > Reviewed by Richard Kade < Book Review: Microcosmos by Margulis & Sagan > Reviewed by Kasey Asberry < Conference Review: The Artist and Philosophy of Colour > Reviewed by Mikhail S. Zalivadny < Book Review: Design Literacy > Reviewed by Roy Behrens < Digital Review Notes > OPPORTUNITIES < Dartmouth College - Bregman Electronic Music Studio > < Brown University Department of Music > < University of Wisconsin-Milwaukee School of Fine Arts > < Pratt Institute, Brooklyn - Computer Graphics Faculty Positions > ANNOUNCEMENTS < Scripted -
The Comment, January 23, 1986
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1986 The ommeC nt, January 23, 1986 Bridgewater State College Volume 61 Number 1 Recommended Citation Bridgewater State College. (1986). The Comment, January 23, 1986. 61(1). Retrieved from: http://vc.bridgew.edu/comment/518 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. WhOGPI• Goldbtlrg thlnH p.7 Bridgewater State College m nt Janmry 23, 1_111 Vol XXXI _no 1 BS C's Pres.. Rondlleau resigns By Rondileau•s resignation was voted on Brent Rossi and and accepted by the Board of Trustees Roger Spring and the establishment of a screening and search committee will begin shortly. This After 24 years as President of the col committee, which will be chosen by the lege, Dr. Adrian Rondileau announced Board, will include members of the his ·resignation to the Board of Trustees administration, faculty, student body, on January IS. His resignation is effective alumni, and trustees. They will interview as of September l, 1986. all applicants. After they make their In his letter of resignation, Rondileau recommendations to _the Board, the promised to "do everything possible so Board, in turn, will make their recom that there may be a smooth transition n of mendations to the Massachusetts Board power. He also stated that "'in the of Regents. monthes ahead, we will all work together The president, who has been in office to foster and increase the forward during -what has been a period of great momentum of the College." diversification and enrichment of the col. -
For Love and for Justice: Narratives of Lesbian Activism
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional, -
The Cambridge Companion to Queer Studies Edited by Siobhan B
Cambridge University Press 978-1-108-48204-2 — The Cambridge Companion to Queer Studies Edited by Siobhan B. Somerville Index More Information Index 2 Spirit Introductory Special $19.99 (Cuthand), Belcourt, Billy-Ray (Cree), 88 83, 86–87 Belser, Julia Watts, 103 Bendorf, Oliver Baez, 115–17 Abbey, Edward, 113–15 Benjamin, Harry, 144 ACT UP, 41 Bennett, Jane, 112 ad lib, 127 Berlant, Lauren, 6 aesthetics, ecological, 109 Bersani, Leo, 22 Afrofuturism, 190–91 Bibler, Michael, 229 Afro-pessimism, 26 bildungsroman, 145, 146 ahkamêyimowak, 80 Binnie, Imogen, 145 Ahmed, Sara, 151 biopolitics, 20–21, 111, 144 Ahuja, Neel, 111 Bird, Charlie, 150 AIDS. See HIV/AIDS Black, Christian, 127 All My Children, 174, 176 black antihumanism, 25–26 Althusser, Louis, 135 black feminist thought, 112 anal eroticism, female, 132, 133, 134 Black Panthers, 38 Anderson, Warwick, 143 Blackheart Collective, 36 androgyny, 114, 204 #BlackLivesMatter, 178, 195 Angel, Rev. Charles, 37 blackness, 25–26 Anohni, 109 Blanco, Mykki, 165–67 anticapitalist critique, 52 body Anti-Racism Network Ireland, 152 black female, 159 Anzaldúa, Gloria, 3, 4, 25, 32, 34, 35, 38, 95, 147, 231 black or brown, 159 area studies, 22–23 disabled, 99 Arenas, Reinaldo, 125 intersex, 70–71 Arons, Wendy, 109, 112 trans*, 74 asylum, 151 transgender, 70–71 Auerbach, David, 186 transsexual, 74 Austin, J. L., 158 Boi Oh Boi (Cuthand), 84–86 authorship, transgender, 73 Bold and The Beautiful, The, 173–81 autobiography Book of Salt, The (Truong), 202–11 transgender, 68, 70, 145 Bornstein, Kate, 190 transition, -
Triptych Eyes of One on Another
Saturday, September 28, 2019, 8pm Zellerbach Hall Triptych Eyes of One on Another A Cal Performances Co-commission Produced by ArKtype/omas O. Kriegsmann in cooperation with e Robert Mapplethorpe Foundation Composed by Bryce Dessner Libretto by korde arrington tuttle Featuring words by Essex Hemphill and Patti Smith Directed by Kaneza Schaal Featuring Roomful of Teeth with Alicia Hall Moran and Isaiah Robinson Jennifer H. Newman, associate director/touring Lilleth Glimcher, associate director/development Brad Wells, music director and conductor Martell Ruffin, contributing choreographer and performer Carlos Soto, set and costume design Yuki Nakase, lighting design Simon Harding, video Dylan Goodhue/nomadsound.net, sound design William Knapp, production management Talvin Wilks and Christopher Myers, dramaturgy ArKtype/J.J. El-Far, managing producer William Brittelle, associate music director Kathrine R. Mitchell, lighting supervisor Moe Shahrooz, associate video designer Megan Schwarz Dickert, production stage manager Aren Carpenter, technical director Iyvon Edebiri, company manager Dominic Mekky, session copyist and score manager Gill Graham, consulting producer Carla Parisi/Kid Logic Media, public relations Cal Performances’ 2019 –20 season is sponsored by Wells Fargo. ROOMFUL OF TEETH Estelí Gomez, Martha Cluver, Augusta Caso, Virginia Kelsey, omas McCargar, ann Scoggin, Cameron Beauchamp, Eric Dudley SAN FRANCISCO CONTEMPORARY MUSIC PLAYERS Lisa Oman, executive director ; Eric Dudley, artistic director Susan Freier, violin ; Christina Simpson, viola ; Stephen Harrison, cello ; Alicia Telford, French horn ; Jeff Anderle, clarinet/bass clarinet ; Kate Campbell, piano/harmonium ; Michael Downing and Divesh Karamchandani, percussion ; David Tanenbaum, guitar Music by Bryce Dessner is used with permission of Chester Music Ltd. “e Perfect Moment, For Robert Mapplethorpe” by Essex Hemphill, 1988. -
Media Ecologies: Materialist Energies in Art and Technoculture, Matthew Fuller, 2005 Media Ecologies
M796883front.qxd 8/1/05 11:15 AM Page 1 Media Ecologies Media Ecologies Materialist Energies in Art and Technoculture Matthew Fuller In Media Ecologies, Matthew Fuller asks what happens when media systems interact. Complex objects such as media systems—understood here as processes, or ele- ments in a composition as much as “things”—have become informational as much as physical, but without losing any of their fundamental materiality. Fuller looks at this multi- plicitous materiality—how it can be sensed, made use of, and how it makes other possibilities tangible. He investi- gates the ways the different qualities in media systems can be said to mix and interrelate, and, as he writes, “to produce patterns, dangers, and potentials.” Fuller draws on texts by Félix Guattari and Gilles Deleuze, as well as writings by Friedrich Nietzsche, Marshall McLuhan, Donna Haraway, Friedrich Kittler, and others, to define and extend the idea of “media ecology.” Arguing that the only way to find out about what happens new media/technology when media systems interact is to carry out such interac- tions, Fuller traces a series of media ecologies—“taking every path in a labyrinth simultaneously,” as he describes one chapter. He looks at contemporary London-based pirate radio and its interweaving of high- and low-tech “Media Ecologies offers an exciting first map of the mutational body of media systems; the “medial will to power” illustrated by analog and digital media technologies. Fuller rethinks the generation and “the camera that ate itself”; how, as seen in a range of interaction of media by connecting the ethical and aesthetic dimensions compelling interpretations of new media works, the capac- of perception.” ities and behaviors of media objects are affected when —Luciana Parisi, Leader, MA Program in Cybernetic Culture, University of they are in “abnormal” relationships with other objects; East London and each step in a sequence of Web pages, Cctv—world wide watch, that encourages viewers to report crimes seen Media Ecologies via webcams. -
Jordan-T-Camp Christina Heatherton Policing-The-Planet-Why-The
3. BROKEN WINDOWS AT BLUE’S: A QUEER HISTORY OF GENTRIFICATION AND POLICING Christina B. Hanhardt On September 29, 1982, over thirty New York City police officers raided Blue’s, a bar in Manhattan’s Times Square. The following year, activist James Credle testified at congressional hearings on police misconduct, describing the brutal beatings of the Black and Latino gay men, and trans people who made up the bar’s main clientele.1 The event galvanized lesbian, gay, bisexual, and transgender (LGBT) activists for whom police violence was a primary concern. Although one mention of a rally made it into the New York Times, Credle noted in his testimony that the incident itself had been ignored by major media outlets, an insult certainly made worse by the fact that the bar sat across the street from the Times’s own headquarters.2 Gay activist and journalist Arthur Bell wrote a front-page story about the raid for the alternative weekly the Village Voice. In it, he quoted Inspector John J. Martin, commanding officer of the Midtown South Precinct, who described Blue’s as “a very troublesome bar” with “a lot of undesirables” and “a place that transvestites are drawn to … probably for narcotics use.” Bell also noted the striking contrast between the raid and another press-worthy event held that same night: a black tie dinner, $150 a plate, sponsored by the Human Rights Campaign Fund (HRCF), a gay and lesbian political action committee, at the Waldorf Astoria Hotel with a keynote by former vice president Walter Mondale.3 Years earlier, Bell had written about a much more famous police raid and response, which had taken place at the Stonewall Inn bar on June 28, 1969. -
Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin
Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin Rogers WORLD PREMIERE U.S. DOCUMENTARY COMPETITION SUNDANCE FILM FESTIVAL 2013 Running Time: 90 minutes | Language: English SYNOPSIS Millions know their voices, but no one knows their names. In his compelling new film TWENTY FEET FROM STARDOM, award-winning director Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century. Triumphant and heartbreaking in equal measure, the film is both a tribute to the unsung voices who brought shape and style to popular music and a reflection on the conflicts, sacrifices and rewards of a career spent harmonizing with others. These gifted artists span a range of styles, genres and eras of popular music, but each has a uniquely fascinating and personal story to share of life spent in the shadows of superstardom. Along with rare archival footage and a peerless soundtrack, TWENTY FEET FROM STARDOM boasts intimate interviews with Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting to name just a few. However, these world-famous figures take a backseat to the diverse array of backup singers whose lives and stories take center stage in the film. DIRECTOR’S STATEMENT About two years ago, I sat down with Gil Friesen, a longtime music industry veteran from A&M Records, whom I only knew by reputation. He told me he wanted to make a film about backup singers. He didn’t know what the film was going to be, but he knew there was something intriguing in there.