Carmel Pine Cone, September 19, 2008
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(At) Miracosta
The Creative Music Recording Magazine Jeff Tweedy Wilco, The Loft, Producing, creating w/ Tom Schick Engineer at The Loft, Sear Sound Spencer Tweedy Playing drums with Mavis Staples & Tweedy Low at The Loft Alan Sparhawk on Jeff’s Production Holly Herndon AI + Choir + Process Ryan Bingham Crazy Heart, Acting, Singing Avedis Kifedjian of Avedis Audio in Behind the Gear Dave Cook King Crimson, Amy Helm, Ravi Shankar Mitch Dane Sputnik Sound, Jars of Clay, Nashville Gear Reviews $5.99 No. 132 Aug/Sept 2019 christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu Hello and welcome to Tape Op 10 Letters 14 Holly Herndon 20 Jeff Tweedy 32 Tom Schick # 40 Spencer Tweedy 44 Gear Reviews ! 66 Larry’s End Rant 132 70 Behind the Gear with Avedis Kifedjian 74 Mitch Dane 77 Dave Cook Extra special thanks to Zoran Orlic for providing more 80 Ryan Bingham amazing photos from The Loft than we could possibly run. Here’s one more of Jeff Tweedy and Nels Cline talking shop. 83 page Bonus Gear Reviews Interview with Jeff starts on page 20. <www.zoranorlic.com> “How do we stay interested in the art of recording?” It’s a question I was considering recently, and I feel fortunate that I remain excited about mixing songs, producing records, running a studio, interviewing recordists, and editing this magazine after twenty-plus years. But how do I keep a positive outlook on something that has consumed a fair chunk of my life, and continues to take up so much of my time? I believe my brain loves the intersection of art, craft, and technology. -
MUSICAL INTERLUDE: the PLOT of the PLAY THROUGH POP CULTURE (Page 1 of 2)
MUSICAL INTERLUDE: THE PLOT OF THE PLAY THROUGH POP CULTURE (Page 1 of 2) Overview: Write the story of Romeo and Juliet through song titles. Grade: 6-12 Goal: To use contextual clues to relate the Shakespeare text and current songs. State Standards: English Writing Applications §2; Theater Arts §1 Outcomes: Students will research the play for clues to the characters, fully describe the arc of the play through modern lyrics and mood of the music played, and engage critical thinking skills to determine their choices. Activity: 1. Students will research current music to find connections of meaning through lyrics and musical expression to the plot of the play 2. Students will create a list of song that accurately describes the arc of the plot of the play, paying attention to particular words and moods that connect the song and the original text. 3. Have students share their lists, playing a few selections in class as time permits. Reflection: • What difficulty did you have finding the right songs, if any? • Were certain points of the play harder than others for which to find a current expression? • Does your soundtrack point to a certain interpretation of the story as you see it? • Were there certain characters you chose to highlight? Why? See example on the next page. - 30 - MUSICAL INTERLUDE (Page 2 of 2) By Daniel Moattar, from Urban High School, Cathleen Sheehan’s English class, April 2009 ------------------------- Act I: 1. Unnecessary Trouble (Hard-Fi, Stars of CCTV) 2. Older Guys (Teenage Fanclub, Thirteen) 3. The Wrong Girl (Belle and Sebastian, Fold Your Hands Child You Walk Like a Peasant) 4. -
Nora Guthrie Graduated from NYU Tisch School of the Arts in 1971
WOODY GUTHRIE PUBLICATIONS, INC. 125-131 E. Main Street, Suite #200, Mt. Kisco, NY 10549 (914) 241-3844 | www.WoodyGuthrie.org N O R A G U T H R I E PRESIDENT, Woody Guthrie Publications, Inc. PRESIDENT | Woody Guthrie Foundation FOUNDER & DIRECTOR | Woody Guthrie Archives (1992-2013) Nora Guthrie graduated from NYU Tisch School of the Arts in 1971. Following a successful career in modern dance Nora began working with her father’s materials in 1992. Based on her intimate connection to her father’s ideas and ideals, Nora brings a refreshing interpretation of his work and a new understanding of his legacy. Her first project, in 1992, was the publication of a lost songbook of Woody’s original lyrics and illustrations, Woody’s 20 Grow Big Songs. Nora co-produced the accompanying album with her brother Arlo Guthrie, which received a Grammy nomination in the Best Children’s Album category. In 1994, Nora co-founded the Woody Guthrie Archives with Harold Leventhal and archivist Jorge Arevalo. In addition to managing the Archives and preserving her father’s personal materials and original creative works, Ms. Guthrie develops and produces new projects which continue to expand Woody Guthrie's cultural legacy. In 1996, the Woody Guthrie Archives was open for free research to scholars and students, making Woody Guthrie’s personal & professional collection available for the first time to the public. In 1996, Ms. Guthrie co-produced the first ever Rock and Roll Hall of Fame Museum Tribute series honoring Woody Guthrie. Main events consisted of a scholarly symposium held at Case Western Reserve University and a tribute concert in Cleveland’s famed Severance Hall. -
Wilco Will Rock the University of Montana
University of Montana ScholarWorks at University of Montana University of Montana News Releases, 1928, 1956-present University Relations 11-21-2001 Wilco will rock The University of Montana University of Montana--Missoula. Office of University Relations Follow this and additional works at: https://scholarworks.umt.edu/newsreleases Let us know how access to this document benefits ou.y Recommended Citation University of Montana--Missoula. Office of University Relations, "Wilco will rock The University of Montana" (2001). University of Montana News Releases, 1928, 1956-present. 17575. https://scholarworks.umt.edu/newsreleases/17575 This News Article is brought to you for free and open access by the University Relations at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana News Releases, 1928, 1956-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. The University of Montana UNIVERSITY RELATIONS • MISSOULA, MT 59812 • 406-243-2522 • FAX: 406-243-4520 Nov. 21,2001 Contact: Lindsey Holst, advertising coordinator, UM Productions, 243-6661. WILCO WILL ROCK THE UNIVERSITY OF MONTANA MISSOULA— Alternative country band Wilco will bring its distinctive rhythms to Missoula on Tuesday, Nov. 27, for a concert at The University of Montana. The show kicks off at 7:30 p.m. with opening act Mercury Rev in the University Center Ballroom. Tickets are $15 for students and $17 general admission. They are available at all Tic- It-E-Z locations or by calling (888) MONTANA. Formed in 1994, Wilco has become one of rock's least categorizable entities. -
Song List by Member
song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S. -
Wilco Bio 2011
After a busy 2010, Wilco is already putting its mark on 2011. The Chicago rock band founded in the mid-’90s by singer, guitarist and songwriter Jeff Tweedy last year launched and headlined the inaugural Solid Sound Festival, while Tweedy produced and wrote two songs for the Grammy- winning release by soul legend Mavis Staples, You Are Not Alone, which won Best Americana Album at the 53rd Annual Grammy Awards in February. Staples joined Wilco, Avi Buffalo, Vetiver, the Baseball Project and more to perform at the first Solid Sound Festival, held Aug. 13-15, 2010, on the grounds of MASS MoCA (the Massachusetts Museum of Contemporary Art), a converted textile mill in North Adams, tucked away in the scenic Berkshire Mountains of western Massachusetts. Wilco has already announced the second incarnation of Solid Sound June 24-26. Along with a pair of headline performances by Wilco, this year’s version features the Levon Helm Band, Sonic Youth guitarist Thurston Moore, New Zealand rocker Liam Finn, alt-country duo The Handsome Family and folk couple Sarah Lee Guthrie & Johnny Irion. Also performing are soul singer Syl Johnson, jazz trumpeter Dave Douglas and Chicago retro-soul band JC Brooks & The Uptown Sound, plus indie-rockers Here We Go Magic, Sic Alps, Purling Hiss and a rare live set by Pillow Wand, a collaboration between Moore and Wilco guitarist Nels Cline. Comedian John Hodgman hosts this year’s Comedy Cabaret, featuring Daily Show correspondent Wyatt Cenac and comics Eugene Mirman and Morgan Murphy. Tickets are available via solidsoundfestival.com. Also, Wilco this winter founded dBpm Records, headquartered in Easthampton, MA, to release future Wilco albums. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Way Over Yonder in the Minor Key Words: Woody Guthrie (1946) Music: Billy Bragg (1997) from Wilco's Album " Mermaid Avenue" (1998)
Way Over Yonder In The Minor Key Words: Woody Guthrie (1946) Music: Billy Bragg (1997) From Wilco's album " Mermaid Avenue" (1998) Notes from Shawn Morton's site (www.web.net/~smorton/): "The first two verses of this song come to me on the 9th of September while I was doing KP out in Scott Field, Illinois. I hummed it over to myself for a couple of months, or seven, and then took a notion today that I would finish it up. This song made up by Woody Guthrie 3520 Mermaid Avenue, Brooklyn, 24, NY. ? March the Fifth, wife in Town working, Daughter in nursery school, jug dry, temperature warmer. A March wind is marching down along the ocean looking at the wreckage that washed in last night - Woody Guthrie". "Okfuskee" refers to Okemah, Okfuskee County, Oklahoma. Intro: [capo 4] G C G G C CM9 G I lived in a place called Okfuskee & I had a little girl in a holler tree. G C I said, "Little girl, it's plain to see, C CM9 G D Em There ain't nobody that can sing like me, ain't nobody that can sing like me." She said, "It's hard for me to see how one little boy got so ugly." "Yes, my little girly, that might be, But, there ain't nobody that can sing like me, ain't nobody that can sing like me. CHORUS: C G D Em 'Way over yonder in the minor key, 'way over yonder in the minor key, D Em There ain't nobody that can sing like me. -
Woody Guthrie Woody’S Daughter, Nora Guthrie, Recounts the Story of a Self-Educated Artist, Musician and Writer
Woody Guthrie Woody’s daughter, Nora Guthrie, recounts the story of a self-educated artist, musician and writer. Chapter 1 — 1:20 Introduction Announcer: One of Oklahoma’s most creative native sons is Woodrow Wilson “Woody” Guthrie. Born in Okemah, Oklahoma July 14th, 1912, he became an American singer, songwriter and folk musician. He wrote more than 1,000 songs. This Land Is Your Land is his best-known song. He was also a writer of numerous essays, articles, poems and hundreds of letters. He also wrote two autobiographical novels. Many of his songs are about his experiences in the Dust Bowl era, earning him the nickname the Dust Bowl Troubadour. He traveled with migrant workers from Oklahoma to California and learned traditional folk and blues songs. Oklahoma’s state fold song is Oklahoma Hills, written by Woody Guthrie. Many books and papers have been written about Woody Guthrie’s life, but now you will be given a view of Woody Guthrie through the eyes of his daughter Nora as she talks about her famous father. We would like to thank our Founding Sponsors for making this oral history story available on VoicesofOklahoma.com. Chapter 2 — 3:46 Huntington’s Disease John Erling: My name is John Erling and today’s date is October 7th, 2010. Nora Guthrie: My name is Nora Guthrie. My birthday is January 2, 1950. I am 60 years old. I was born in Brooklyn, New York. JE: Let’s name your brothers and sisters. NG: I have two older brothers, Arlo Guthrie and Jody Guthrie. -
Wilco: Sunken Treasure Online
Fnel9 [FREE] Wilco: Sunken Treasure Online [Fnel9.ebook] Wilco: Sunken Treasure Pdf Free Tim Grierson ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #1031276 in eBooks 2011-01-01 2013-06-14File Name: B00DQCLDJ6 | File size: 64.Mb Tim Grierson : Wilco: Sunken Treasure before purchasing it in order to gage whether or not it would be worth my time, and all praised Wilco: Sunken Treasure: 8 of 8 people found the following review helpful. An Excellent Wilco OverviewBy CustomerThis book deserves more attention from Wilco fans. Tim Grierson provides an excellent overview of Wilco's career from A.M. to The Whole Love. Greg Kot's Wilco: Learning How To Die has more in-depth information on Jeff Tweedy's time in Uncle Tupelo and the struggles to complete and release Wilco's Yankee Hotel Foxtrot CD. However, Wilco: Sunken Treasure has the advantage of covering all of Wilco's career up to 2013 and features comments from a number of Wilco insiders (especially various studio engineers and producers) not included in Kot's book. And although Jeff Tweedy and other Wilco members were interviewed by Kot and not by Grierson, Wilco: Sunken Treasure appears to be better balanced. Grierson clearly admires Wilco's music but also provides space for various critics who have not been as enamored by all of Wilco's discography, particularly the tepid Sky Blue Sky and Wilco (the Album) releases. The author also provides a fair account of Jay Bennett's split with the band, his solo work, and untimely death without resorting to the sad caricature portrayed by Sam Jones' I Am Trying to Break Your Heart documentary and Kot's book. -
Woody Guthrie and the the Christian Left:Jesus and •Œcommonism╊
Briley: Woody Guthrie and the the Christian Left Woody Guthrie and the Christian Left: Jesus and “Commonism” Ron Briley ProducedWoody Guthrie, by The March Berkeley 8, 1943, Electronic Courtesy Press, of the 2007 Repository: Library of Congress Prints and Photographs Division. 1 Journal of Texas Music History, Vol. 7 [2007], Iss. 1, Art. 3 Woody Guthrie and the Christian Left: Jesus and “Commonism” Following the re-election of President George W. Bush in 2004, political pundits were quick to credit Christian evangelicals with providing the margin of victory over Democratic challenger John Kerry. An article in The New York Times touted presidential adviser Karl Rove as a genius for focusing the attention of his boss upon such “moral” issues as same-sex marriage and abortion, thereby attracting four million evangelicals to the polls who had sat out the 2000 election.1 The emphasis of the Democratic Party upon such matters as jobs in the economically-depressed state of 9a Ohio apparently was trumped by the emotionally-charged issues of gay marriage and abortion, which evangelicals perceived as more threatening to their way of life than an economy in decline. This reading of the election resulted in a series of jeremiads from the political left bemoaning the influence of Christians upon Woody Guthrie and the Christian Left: American politics. In an opinion piece for The New York Times, Jesus and “Commonism” liberal economist Paul Krugman termed President Bush a radical who “wants to break down barriers between church and state.” Ron Briley In his influential book What’s The Matter with Kansas?, Thomas Frank speculated as to why working-class people in Kansas, a state with a progressive tradition, would allow themselves to be manipulated by evangelists and the Republican Party into voting against their own economic interests. -
3. Allen, Holy Ground
Woody Guthrie Annual, 1 (2015): Allen, “Holy Ground” Holy Ground: The Klezmatics Channel Woody Guthrie1 ! !Ray Allen ! When Lorin Sklamberg sang “Come When I Call You” at the Brooklyn College Guthrie Centennial Conference the audience sat spellbound. The lyrics, Woody Guthrie’s 1949 reflections on the ravages of war, were set to a haunting modal melody composed by Skalmberg. As the song ended and the audience erupted in applause, I experienced one of those miraculous musical moments when the dots connected. Here was one of New York’s foremost interpreters of Jewish/Yiddish music, singing a contemporary song with sixty-year-old lyrics written by America’s iconic Okie troubadour, who in turn had structured the piece after an African American spiritual (“Children Go Where I Send Thee”). Sklamberg, along with his band mates, the Klezmatics, had added a fresh twist to the age-old folk process of forging new sounds from old traditions — in this case the seemingly unlikely merger of Eastern European Jewish music with an Anglo-prairie folk song via a nineteenth century black spiritual. So how did a nice Jewish band from New York City get caught up in Goyim folk music? The story began in 1997 at a Tanglewood concert that featured the renowned classical violinist Itzhak Perlman performing with the Klezmatics and three other klezmer bands.2 Woody Guthrie’s daughter, Nora, made her way backstage after the show and was surprised to learn that the lyrics to one of the Klezmatics’ songs, “Fisherlid” (“Fisherman’s Song”), had been written by her grandmother, the Yiddish poet Aliza Greenblatt.3 “I almost fell through the floor,” she recalled.