02 CHAPUL-REFORMA If

Total Page:16

File Type:pdf, Size:1020Kb

02 CHAPUL-REFORMA If ANZURES CUAUHTÉMOC ZONA JUÁREZ ROSA BOSQUE DE CHAPULTEPEC (1.a SECCIÓN) ROMA BOSQUE DE CHAPULTEPEC (2.a SECCIÓN) CONDESA ChapultepecChapultepec (”Grasshopper (”Grasshopper Hill” in Náhuatl). Hill” PLACES OF INTEREST One of of the the city´s city´s major major thoroughfares thoroughfares and most and most PLACES OF INTEREST Chapultepecin Náhuatl). Forest Chapultepec is one of the world´s Forest largest, is one 1. Museo Nacional de beautifulbeautiful boulevards, boulevards, it dates from it dates the era from of the the era 11. Fuente de la Diana Cazadora mostof the beautiful world´s and largest, most visited most city beautiful parks. It´s and Antropología emperorof the Maximilian emperor of Maximilian Habsburg, whoof Habsburg, built it to link who 12. Ángel de la Independencia dividedmost into visited three citysections parks. and It´s contains divided into 2. Museo Tamayo Chapultepecbuilt it Castle to link with Chapultepec the National PalaceCastle in with the the 13. Zona Rosa museums, restaurants, green areas, children´s Zócalo. Reforma features traic circles with statues and three sections and contains museums, 3. Museo de Arte Moderno National Palace in the Zócalo. Reforma features 14. Museo de Cera playgrounds,restaurants, a zoo and green forums areas, for cultural children´s monumentes;trac circles temporary with exhibitions,statues and fairs monumentes; and diverse events and shows, such as the Auditorio 4. Museo Nacional de Historia cultural events are held on the broad and leafy 15. Museo de Ripley playgrounds, a zoo and forums for cultural temporary exhibitions, fairs and diverse cultural Nacional, the Centro Cultural de Bosque and (Castillo de Chapultepec) sidewalks. 16. Monumento a Cuauhtémoc events and shows, such as the Auditorio events are held on the broad the Casa del Lago. Its beauty is enhanced by 5. Museo del Caracol 17. Jardín del Arte Nacional, the Centro Cultural de Bosque and leafy sidewalks. a man-made lake where you can rent boats. 6. Zoológico de Chapultepec 18. Monumento a Colón and the Casa del Lago. Its beauty 7. Museo Tecnológico de la 19. Museo Objeto del Objeto is enhanced by a man-made lake where 8. Cárcamo de Dolores you can rent boats. 9. Papalote, Museo del niño 10. Torre Mayor @TurismoCDMX turismocdmx cdmxtraveloficial.
Recommended publications
  • Gallery of Mexican Art
    V oices ofMerico /January • March, 1995 41 Gallery of Mexican Art n the early the 1930s, Carolina and Inés Amor decided to give Mexico City an indispensable tool for promoting the fine arts in whatI was, at that time, an unusual way. They created a space where artists not only showed their art, but could also sell directly to people who liked their work. It was a place which gave Mexico City a modem, cosmopolitan air, offering domestic and international collectors the work of Mexico's artistic vanguard. The Gallery of Mexican Art was founded in 1935 by Carolina Amor, who worked for the publicity department at the Palace of Fine Arts before opening the gallery. That job had allowed her to form close ties with the artists of the day and to learn about their needs. In an interview, "Carito" —as she was called by her friends— recalled a statement by the then director of the Palace of Fine Arts, dismissing young artists who did not follow prevailing trends: "Experimental theater is a diversion for a small minority, chamber music a product of the court and easel painting a decoration for the salons of the rich." At that point Carolina felt her work in that institution had come to an end, and she decided to resign. She decided to open a gallery, based on a broader vision, in the basement of her own house, which her father had used as his studio. At that time, the concept of the gallery per se did not exist. The only thing approaching it was Alberto Misrachi's bookstore, which had an The gallery has a beautiful patio.
    [Show full text]
  • The Mexican General Officer Corps in the US
    University of New Mexico UNM Digital Repository Latin American Studies ETDs Electronic Theses and Dissertations 12-1-2011 Valor Wrought Asunder: The exM ican General Officer Corps in the U.S.-Mexican War, 1846-1847. Javier Ernesto Sanchez Follow this and additional works at: https://digitalrepository.unm.edu/ltam_etds Recommended Citation Sanchez, Javier Ernesto. "Valor Wrought Asunder: The exM ican General Officer Corps in the U.S.-Mexican War, 1846-1847.." (2011). https://digitalrepository.unm.edu/ltam_etds/3 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Latin American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Javier E. Sánchez Candidate Latin-American Studies Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: L.M. García y Griego, Chairperson Teresa Córdova Barbara Reyes i VALOR WROUGHT ASUNDER: THE MEXICAN GENERAL OFFICER CORPS IN THE U.S.-MEXICAN WAR, 1846 -1847 by JAVIER E. SANCHEZ B.B.A., BUSINESS ADMINISTRATION, UNIVERSITY OF NEW MEXICO 2009 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS LATIN AMERICAN STUDIES The University of New Mexico Albuquerque, New Mexico December 2011 ii VALOR WROUGHT ASUNDER: THE MEXICAN GENERAL OFFICER CORPS IN THE U.S.-MEXICAN WAR, 1846-1847 By Javier E. Sánchez B.A., Business Administration, University of New Mexico, 2008 ABSTRACT This thesis presents a reappraisal of the performance of the Mexican general officer corps during the U.S.-Mexican War, 1846-1847.
    [Show full text]
  • Magazines, Tourism, and Nation-Building in Mexico
    STUDIES OF THE AMERICAS Series Editor: Maxine Molyneux MAGAZINES, TOURISM, AND NATION-BUILDING IN MEXICO Claire Lindsay Studies of the Americas Series Editor Maxine Molyneux Institute of the Americas University College London London, UK The Studies of the Americas Series includes country specifc, cross- disciplinary and comparative research on the United States, Latin America, the Caribbean, and Canada, particularly in the areas of Politics, Economics, History, Anthropology, Sociology, Anthropology, Development, Gender, Social Policy and the Environment. The series publishes monographs, readers on specifc themes and also welcomes proposals for edited collections, that allow exploration of a topic from several different disciplinary angles. This series is published in conjunc- tion with University College London’s Institute of the Americas under the editorship of Professor Maxine Molyneux. More information about this series at http://www.palgrave.com/gp/series/14462 Claire Lindsay Magazines, Tourism, and Nation-Building in Mexico Claire Lindsay Department of Spanish, Portuguese, and Latin American Studies University College London London, UK Studies of the Americas ISBN 978-3-030-01002-7 ISBN 978-3-030-01003-4 (eBook) https://doi.org/10.1007/978-3-030-01003-4 Library of Congress Control Number: 2018957069 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
    [Show full text]
  • III Conference Brochure Mexico City 2014
    International Insolvency Institute INTERNATIONAL INSOLVENCY INSTITUTE’S 14TH ANNUAL CONFERENCE June 9–10, 2014 Four Seasons Hotel Mexico, Mexico City Conference Co-Chairs E. Bruce Leonard CASSelS BROCK & BLACKWell LLP TORONTO John A. Barrett NORTON ROSE FUlbRIGHT HOUSTON Agustín Berdeja-Prieto BERDEJA Y ASOCIADOS, S.C. MEXICO City The International Insolvency Institute presents its 14th Annual Conference at the Four Seasons Hotel Mexico in Mexico City The International Insolvency Institute will present its Fourteenth Annual Conference in Mexico City on June 9 and 10, 2014. The III Mexico City Conference will feature reports and analyses of the most important current international insolvency issues and controversies described by speakers who are recognized as pre-eminent in their field from countries around the world. MEXICO CITY Mexico City has been described as an amazing urban playground with blockbuster attractions, stellar restaurants, museums, art exhibits and elegant hotels. Forbes Magazine has ranked Mexico City’s culinary scene Castillo de Chapultepec as fourth best in the world (after Paris, Rome and Tokyo). The III’s famous Legendary Dinner will be held at the renowned Franz Mayer Museum III NEXTGEN (CLASS III) (www.franzmayer.org.mx). The Conference will conclude with a glittering reception in the Castillo de Chapultepec, an enormous castle, full of INDUCTION CEREMONY history, that dominates the skyline of Mexico City and which has seen SUNDAY, JUNE 8, 2014 memorable battles and many significant events in the history of Mexico. 5:00 – 6:00 P.M. Marquis Reforma Hotel & Spa: CONFERENCE HOTELS Paseo de la Reforma 465, Col. The Conference hotel will be the Five Star Four Seasons Hotel Mexico Cuauhtemoc, México, D.F.
    [Show full text]
  • Best Parks in Mexico City"
    "Best Parks in Mexico City" Erstellt von : Cityseeker 5 Vorgemerkte Orte Alameda Central "The Central Park of Mexico City" A pleasant respite from the hustle and bustle of the city, this charming green park has sparkling fountains, shady trees and interesting sculptures such as 'Malgre Tout' and 'Despoire', by Jesús Contreras. The park also has a monument dedicated to Beethoven in commemoration of the centenary of the Ninth Symphony, which was donated by the German by Bodhisattwa community. This recreation space for the local populace was created in 1592 and few city parks guard such hidden history in its landscape, such as being the former site of the Inquisition's burning of heretics. A typical Mexican Sunday can be enjoyed at the Alameda Central, which often has live music, along with markets and food stalls. +52 55 5278 4200 (Tourist Information) Avenida Hidalgo y Avenida Juárez, Mexiko-Stadt Parque Zoológico de Chapultepec "Famous For Pandas" The pre-Hispanic origins of this zoo date back to when the Aztec Nezahualcóyotl created this area for the population to enjoy the flora and fauna. It was meant not only for entertainment but also for medicinal, artistry, food provision and religious purposes. Today around 2,000 animals of some 260 species consider these 17 hectares (42 acres) their by ProtoplasmaKid natural habitat. Different biospheres have been recreated to make these guests feel more at home. Temperate woods of conifer trees shield the bears, deer and wolves; there are pastures for herbivores and deserts of arid and semiarid regions for other creatures; the Arctic tundra for the polar bears and even a coastal shore for sea lions.
    [Show full text]
  • M U R a L I S M Identity & Revolution January 30 - February 29, 2020
    M U R A L I S M Identity & Revolution January 30 - February 29, 2020 1.XXX Tina Modotti XXX Diego Rivera Mural, "The World Today and Tomorrow", Palacio Nacional, Mexico City 1929-1935 Gelatin Silver Print 7 3/8 x 9 1/2 in. n.s (Inv# 73859) 2.XXX Tina Modotti XXX "Sickle, Bandolier & Guitar" ca. 1927 Platinum print 6 7/8 in. x 8 3/4 in. 5/30 Signed, titled and dated on recto and verso (Inv# 64908) 3.XXX Edward Weston XXX Tina Reciting 1926 Gelatin silver print, printed later 9 1/2 x 7 1/4 in. Printed by Cole Weston (Inv# 32799) 4.XXX Florence Arquin XXX Frida Kahlo with Corset Painted with Fetus and Hammer & Sickle. 1951 Gelatin silver print 10 x 8 in. n.s (Inv# 60897) 5.XXX Lucienne Bloch XXX Frida in Front of Proletarian Unity from the mural "Portrait of America" for the New Workers School, NY 1933 Gelatin Silver Print 11 1/2 x 7 1/2 in. Signed in pencil on recto (Inv# 76522) 6.XXX Anonymous XXX Mural by David Alfaro Siqueiros, De Porfirismo a la Revolucion (From the Dictatorship of Porfirio Díaz to the Revolution) Chapultepec Castle, Chapultepec Park, Mexico City 1944 Gelatin silver print 8 x 10 in. Labeled on verso (Inv# 60001) 7.XXX Guillermo Zamora XXX David Alfaro Siqueiros 1946 Gelatin silver print 13 1/2 x 10 1/2 in. n.s (Inv# 100769) 8.XXX Héctor García XXX José Clemente Orozco 1945 Gelatin silver print, printed 1996 14 x 11 in.
    [Show full text]
  • Mexico City: Art, Culture & Cuisine!
    Mexico City: Art, Culture & Cuisine! Art History of Mexico Available Anytime! Cultural Journeys Mexico | Colombia | Guatemala www.tiastephanietours.com | (734) 769 7839 Mexico City: Art, Culture & Cuisine! Art History of Mexico On this journey of learning and discovery, we explore the history and expressions of Art in Mexico. In order to understand the vision and temperament of Diego and Frida, we will learn of History and Politics of Mexico, that is the only way to contextualize their art and lives. While Diego’s Art was overtly political, Frida’s was more personal, as we will see. The Mexican Muralism Movement will also be explored. If you are interested in Art, His- tory, Culture, Muralism, Diego and Frida, this trip is for you! Join us to explore art in Mexico City! Program Highlights • Explore the Zocalo • Visit Templo Mayor, Ceremonial Center of the Aztecs • Learn of Mexican History & Indigenous LOCATION Past at the National Palace Murals, painted by Diego Rivera • Ocotlan and the Southern Craft Route. • Visit the Palacio de Bellas Artes • Museum of Modern Art • Rufino Tamayo Museum • Frida Kahlo Museum • Dolores Olmedo Museum • UNAM Campus Itinerary Day 1: and the Cathedral of the Assumption of mural iconography and techniques of the Arrive Mexico City, Transfer to our Mary, constructed in a medley of Ba- ancient civilizations of Mexico. Diego Rivera Centrally Located Hotel and explore the roque, Neoclassical, and Mexican chur- studied the Prehispanic fresco technique to Historic Center! rigueresque architectural styles. Then we apply to his own work. (B, L) Enjoy a Light Lunch move to the National Palace to view Diego Explore the Zocalo, the Largest Square in Rivera’s mural masterpiece The Epic of the Day 3: the Americas! Mexican People, where he depicted major Today we explore the Antiguo Colegio San Visit Templo Mayor, Ceremonial Center of events in Mexico’s history, and the indig- Idelfonso, home to the first mural painted the Aztecs enous cultures of Mexico.
    [Show full text]
  • Day 1, Friday January 10, 2020
    Mexico City Sample Journy Day 1, Friday January 10, 2020 1: Browse Books, Caffeine Up, and Relax in a Beautiful Multi-Level Bookstore/Cafe - Cafebrería El Péndulo (Cafe) Address: Av. Álvaro Obregón 86, Cuauhtémoc, Roma Nte., 06140 Ciudad de México, D.F., Mexico About: Sure, there are plenty of coffeehouses with library elements or bookstores with cafes, but Cafebrería El Péndulo-Roma in Roma Norte is special. The library/bookstore component is spectacular with its walls and floors of books (a bookworm’s paradise), and the café serves delicious breakfasts (nighttime breakfasts, too!) and coffee. There is also a theater space on the third floor for small concerts and poetry readings. Did we mention there is also a bar? Pancakes, mezcal, and a good book sound like a great afternoon to us. Opening hours Sunday 9AM-10PM Monday 8AM-10PM Tuesday 8AM-10PM Wednesday 8AM-10PM Thursday 8AM-10PM Friday 8AM-10PM Saturday 8AM-10PM Phone number: +52 55 5574 7034 Website: http://pendulo.com Reviews http://www.yelp.com/biz/cafebrer%C3%ADa-el-p%C3%A9ndulo-m%C3%A9xico-2 https://www.tripadvisor.com/Restaurant_Review-g150800-d9703178-Reviews-Cafebreria_El_Pendulo- Mexico_City_Central_Mexico_and_Gulf_Coast.html 2: Mexico City's Most Beautiful Building at Palacio de Bellas Artes (Ballet Folklorico on Wednesdays and Sundays) (Activity) Address: Av. Juárez, Centro Histórico, 06050 Ciudad de México, D.F., Mexico Lázaro Cárdenas About: Considered one of the world's most beautiful buildings, the Mexico City Palace of Fine Arts - or Palacio de Bellas Artes - is a harmonious synthesis of Art Nouveau, Art Deco, and Baroque styles, a style sometimes called "Porfiriano," after architecture-obsessed Mexican President Porfirio Díaz, who commissioned the project.
    [Show full text]
  • The Work of Jorge González Camarena, the History Of
    University of New Mexico UNM Digital Repository Art & Art History ETDs Electronic Theses and Dissertations 12-1-2015 Narratives of Violence and Tales of Power: The Work of Jorge González Camarena, the History of the Castillo de Chapultepec, and the Establishment of the National Museums in the Project of Mexican Nationalism Rebekah Bellum Follow this and additional works at: https://digitalrepository.unm.edu/arth_etds Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Bellum, Rebekah. "Narratives of Violence and Tales of Power: The orkW of Jorge González Camarena, the History of the Castillo de Chapultepec, and the Establishment of the National Museums in the Project of Mexican Nationalism." (2015). https://digitalrepository.unm.edu/arth_etds/28 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Art & Art History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Narratives of Violence and Tales of Power: The Work of Jorge González Camarena, the History of the Castillo de Chapultepec, and the Establishment of the National Museums in the Project of Mexican Nationalism Rebekah C. Bellum December 2015 Jorge González Camarena, La Fusión de Dos Culturas, 1963, National Museum of History, Mexico City Rebekah Carmen Bellum Candidate Art and Art History Department This thesis is approved, and it is acceptable in quality and form for publication:
    [Show full text]
  • Performing the Mexican Revolution in Neoliberal Times
    ABSTRACT Since the time of the Mexican Revolution of 1910, images associated with this nation-defining event have been presented in an array of media and cultural productions. Within the past two decades these images have been re-imagined, re-coded and re/de- constructed in reaction to social and cultural changes associated with a crisis of political legitimation and the demise of hegemonic revolutionary ideology, as espoused by the long-ruling Party of the Institionalized Revolution (PRI), amid the generalized implementation of neoliberal policies in the county. My dissertation argues that the ascendance of neoliberalism, with the opening of Mexican economic and political systems, has resulted in changes in the socio-cultural work performed by the Revolution- Nation-Gender triad. This trinity, solidified in the post-Revolutionary national imaginary, weaves the three notions together such that as hegemonic discourses of Revolutionary nationalism enter in crisis, discourses of gender are also destabilized. The dissertation consists of three main sub-arguments. First, I argue that the discourse(s) surrounding Revolutionary heroes has been integral to the (re)definition of the Mexican nation and that analyzing recodings of this discourse through the example of Emiliano Zapata reveals a destabilization of hegemonic nationalism. These changes have allowed alternatives to surface both in Mexico and across the border as part of a recoded ii transnational Revolutionary nationalism. As cracks opened in the Revolutionary edifice allowing alternatives to emerge, they have also opened space for alternative gender discourses. I next argue that a close analysis of representations of masculine gender roles as manifested in a variety of cultural texts, specifically through Revolutionary icons Pancho Villa and Emiliano Zapata, reveals a crisis of the macho archetype in the contemporary Mexican nation.
    [Show full text]
  • Mexican Mural Movement
    he Mexican Mural ovement E .'v1EXICAN muralists produced the greatest public revolutionary of this century, and their influence throughout Latin America - t recently in the wall paintings in Nicaragua - has been far­ hing and continuous. There was a time, during the 1930s; when . as also felt in Britain, and in the USA, but since then they have -ely entered artistic discourse.1 ,\ major difficulty is that of adequately presenting the murals ~~mselves, for although portable murals were produced, they can- give a sense of the work in its setting. Murals were painted all ·er M exico in different kinds of sites: gracefu l colonial church .d palaces, the patios of ministerial buildings, schools, town halls d museums, in positions ranging from dark and awkward stair­ es to the prominent fo;:ades of modern buildings. The muralists were the most vigorous and creative of the cultural anguard of revolutionary Mexico, with a powerful sense of the cial value of their art. The violent revolt in 1910 against the regime f Porfirio Dfaz had blazed on and off for ten years, during which me the President's chair in Mexico was often vacant. A cataclys­ -1ic event, never full y harnessed to any single programme or set of Jlterests- though Zapata's struggle for agrarian reform in Morelos was and remained a fundamental issue - the Revolution brought a new consciousness to Mexico. 2 The inauguration of the former revolutionary leader Alvaro Obregon as President, in 1920, in­ tia ted a period of hope and optimism in which the mural move­ ment was born.
    [Show full text]
  • Newell, Carl W. Mexico City Photograph Albums, Ca
    ARIZONA HISTORICAL SOCIETY 949 East Second Street Library and Archives Tucson, AZ 85719 (520) 617-1157 [email protected] PC 092 Newell, Carl W. Mexico City photograph albums, ca. 1910-1915 DESCRIPTION Photographs, glued into a paper scrapbook, primarily of streets, statues, buildings, and parades in Mexico City. There are also harbor views of Havana, Cuba, Guadalajara, Mexico and pyramids in Mexico. A few images are present of General Francisco Villa and of President Porfirio Diaz. A series of images show Mexico City buildings damaged by shelling of troops of General Victoriano Huerta by the artillery commanded by General Felipe Angeles on February 22, 1913 during the overthrow of President Francisco I. Madero. There are two views of the destruction of Madero's home and the building occupied by his family. 2 boxes, 3 linear ft. BIOGRAPHICAL NOTE Notes in the collection suggest that Carl Newell was an employee of the Packard Motor Car Company. He seems to have been in Mexico between 1910 and 1913 and also lived in Coville, Kentucky. ACQUISITION Unknown. ACCESS There are no restrictions on access to this collection. COPYRIGHT Requests for permission to publish material from this collection should be addressed to the Arizona Historical Society - Tucson, Archives Department. PROCESSING The finding aid was prepared by Kim Frontz, July 2000. BOX AND FOLDER LIST Box 1 Album 1: Includes Havana, Cuba, Mexico City, Guadalajar, general Mexico scenes and pyramids Album 2: Includes Durango, Mexico, General Francisco Villa (#30), Cuernavaca Cathedral, and Porfirio Diaz (#99-100) Box 2 Album 3: Includes Mexico, Chapultepec Castle, the Capitol Building at Washington, D.C., and American soldiers Album 4: Includes photographs of Mexico City buildings damaged from shelling during overthrow of Madero .
    [Show full text]