Enslaved Yggdrasill Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Enslaved Yggdrasill mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Yggdrasill Country: UK Released: 2012 Style: Viking Metal, Black Metal MP3 version RAR size: 1686 mb FLAC version RAR size: 1837 mb WMA version RAR size: 1792 mb Rating: 4.7 Votes: 826 Other Formats: MP4 VOC MOD MP3 ADX MMF AA Tracklist 1 Heimdallr 6:41 2 Allfǫðr Oðinn 7:51 3 Hal Valr 9:00 4 Niunda Heim 7:39 5 Resound Of Gjallarhorn 3:14 6 Enslaved (Bonus Track) 6:08 Companies, etc. Manufactured By – Optimal Media GmbH – AB60069 Phonographic Copyright (p) – Peaceville Records Copyright (c) – Peaceville Records Recorded At – Micro Music Credits Artwork [Update Artwork], Layout – Matthew Vickerstaff Bass [Vulcanizing], Vocals [Vox] – Earl Grutle* Drums [Apocalypse], Percussion [Perc.] – Trym, Lord Of Mayhem* Engineer [Engineered By] – S. Sjøen* Guitar [Chainsaw], Voice, Synthesizer [Synthetics] – H.M Daimonion* Lyrics By [All Lyrics By] – Daimonion Mixed By – Daimonion , S. Sjøen* Producer [Produced By] – Enslaved, S. Sjøen* Sleeve Notes – Grutle Kjellson, Ivar Bjørnson Notes Recorded & mixed at Micro Music 28./29.06.1992. ℗ 2011 Peaceville Records © 2011 Peaceville Records Barcode and Other Identifiers Barcode: 8 01056 73562 1 Matrix / Runout: manufactured by optimal media GmbH AB60069-01 Mastering SID Code: ifpi L574 Mould SID Code: IFPI 9709 Label Code: LC 01702 Other versions Category Artist Title (Format) Label Category Country Year Not On Label (Enslaved none Enslaved Yggdrasill (Cass) none Norway 1992 Self-released) Yggdrasill (Cass, Ltd, DP 11 Enslaved Diabolicurst Productions DP 11 Malaysia 2016 RE) Yggdrasill (LP, Ltd, VILELP353 Enslaved Peaceville VILELP353 UK 2011 RE) Yggdrasill (LP, Ltd, none Enslaved Blut & Eisen Productions none Germany 2009 Pic, RE) Related Music albums to Yggdrasill by Enslaved Enslaved - Eld Enslaved - Mardraum -Beyond The Within- Enslaved - Blodhemn Enslaved - E Scum Guilt - Enslaved Steel Attack - Enslaved Nipps - Galaxy Pimp 3000 Enslaved - Monumension Enslaved - Vertebrae Satyricon / Enslaved - The Forest Is My Throne / Yggdrasill.

Copy Link

Recommended publications

Les Archives Du Sombre Et De L'expérimental
Guts Of Darkness Les archives du sombre et de l'expérimental avril 2006 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2008 Un sommaire de ce document est disponible à la fin. Page 2/249 Les chroniques Page 3/249 ENSLAVED : Frost Chronique réalisée par Iormungand Thrazar Premier album du groupe norvégien chz le label français Osmose Productions, ce "Frost" fait suite au début du groupe avec "Vikingligr Veldi". Il s'agit de mon album favori d'Enslaved suivi de près par "Eld", on ressent une envie et une virulence incroyables dans cette oeuvre. Enslaved pratique un black metal rageur et inspiré, globalement plus violent et ténébreux que sur "Eld". Il n'y a rien à jeter sur cet album, aucune piste de remplissage. On commence après une intro aux claviers avec un "Loke" ravageur et un "Fenris" magnifique avec son riff à la Satyricon et son break ultra mélodique. Enslaved impose sa patte dès 1994, avec la très bonne performance de Trym Torson à la batterie sur cet album, qui s'en ira rejoindre Emperor par la suite. "Svarte vidder" est un grand morceau doté d'une intro symphonique, le développement est excellent, 9 minutes de bonheur musical et auditif. "Yggdrasill" se pose en interlude de ce disque, un titre calme avec voix grave, guimbarde, choeurs et l'utilisation d'une basse fretless jouée par Eirik "Pytten", le producteur de l'album: un intemrède magnifique et judicieux car l'album gagne en aération. Le disque enchaîne sur un "Jotu249lod" destructeur et un Gylfaginning" accrocheur.
[Show full text]
Folkmetal Extract.Pdf
Questo libro contiene QR Codes: per goderti la multimedialità del volume che stai leggendo inquadra con il tuo smartphone i codici che troverai nelle pagine del libro e goditi lo spettacolo! Le app gratuite per scansionare i QR Codes si scaricano gratuitamente da AppStore e PlayStore. © crac 2013 edizionicrac@gmail. com www. edizionicrac. blogspot. com www.facebook.com/crac.edizioni edizionicrac.tumblr.com edizioni crac è un marchio di Studio Graffa Formazione e ricerca di Refe Marco & C. s. n. c. via Leopardi, 72 60015 – Falconara Marittima – AN P. IVA 02439020427 www. studiograffa. it info@studiograffa. it direzione editoriale: Marco Refe e Mattia Montanari copertina e photo editing: Roberto Marinelli impaginazione: Daniele Cardinali finito di stampare nel mese di ottobre 2013 presso Digital Team – Fano (PU) proteggere la foresta significa proteggere anche una parte di noi stessi, la più profonda e preziosa, ricorda. G. Festa, I Boschi della Luna Prefazione Infradito, capelli corti e bicchiere di latte, ho conosciuto Fabrizio Giosuè – non proprio l’immagine del perfetto vi- chingo! – qualche giorno prima dell’uscita di Redemption At The Puritan’s Hand dei Primordial. All’epoca scriveva- mo entrambi per la stessa webzine e l’improvvisa parten- za del nostro caporedattore per un viaggio negli States ci diede l’opportunità di lavorare insieme per qualche tem- po. Responsabile della sezione folk, il nostro F.G. – meglio noto come Fabriziomagno o, da ultimo, Mister Folk – era invischiato in quel periodo in un delirante guazzabuglio esoterico
[Show full text]
Enslaved Frost Mp3, Flac, Wma
Enslaved Frost mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Frost Released: 1994 Style: Black Metal, Viking Metal MP3 version RAR size: 1887 mb FLAC version RAR size: 1754 mb WMA version RAR size: 1902 mb Rating: 4.7 Votes: 193 Other Formats: AHX MP2 VQF DXD AUD MP1 AA Tracklist Hide Credits 1 Frost 2:52 2 Loke 4:21 3 Fenris 7:16 4 Svarte Vidder 8:43 Yggdrasil 5 5:23 Bass [Fretless] – Pytten 6 Jotunblod 4:07 7 Gylfaginning 5:31 8 Wotan 4:12 9 Isöders Dronning 7:45 Companies, etc. Distributed By – SPV – 84-20392 Distributed By – Pias Distributed By – Plastic Head Distributed By – Média 7 Distributed By – Donosti Distributed By – Audioglobe Distributed By – Rock City Distributed By – House Of Kicks Distributed By – Spinefarm Distributed By – Valentine Distributed By – Hellion Distributed By – Cogumelo Distributed By – Pingo Distributed By – Warmaster Distributed By – Howling Bull Distributed By – Modern Invasion Distributed By – Oz Productions Distributed By – Witchhunt Distributed By – Relapse Phonographic Copyright (p) – Osmose Productions Copyright (c) – Osmose Productions Pressed By – DADC Austria Recorded At – Grieghallen Studio Mixed At – Grieghallen Studio Credits Cover [Concept] – Grutle Kjellson, Ivar Bjørnson Drums, Percussion – Trym Torson Engineer – David*, Pytten Executive-Producer – Osmose Productions Guitar, Electronics – Ivar Bjørnson Layout – Robin Malmberg Photography By [Front Cover Photo] – Svein Grønvold Producer, Mixed By – Enslaved, Pytten Vocals, Bass, Jew's Harp – Grutle Kjellson Notes Original first pressing on black disc in embossed jewel case with printed band logo and title. Only this version has no IFPI codes unlike all subsequent re-presses Recorded between June and July 1994 at Grieghallen Studio, Bergen, Norway.
[Show full text]
Enslaved Monumension Mp3, Flac, Wma
Enslaved Monumension mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Monumension Country: France Released: 2001 Style: Viking Metal, Black Metal, Psychedelic Rock, Prog Rock MP3 version RAR size: 1472 mb FLAC version RAR size: 1487 mb WMA version RAR size: 1675 mb Rating: 4.4 Votes: 759 Other Formats: MP1 DXD AC3 AC3 MMF DTS MP4 Tracklist Hide Credits Convoys To Nothingness 1 –Enslaved 7:58 Music By, Lyrics By – I. Bjørnson* The Voices 2 –Enslaved 6:07 Music By, Lyrics By – I. Bjørnson* Vision: Sphere Of The Elements - A Monument Part II 3 –Enslaved 4:59 Backing Vocals – Trond VelandMusic By, Lyrics By – R. Kronheim* Hollow Inside 4 –Enslaved Lead Vocals – Trygve MathiesenLyrics By – Trygve MathiesenMusic 5:38 By – I. Bjørnson* The Cromlech Gate 5 –Enslaved 6:55 Music By, Lyrics By – G. Kjellson* Enemy I 6 –Enslaved 5:17 Music By, Lyrics By – I. Bjørnson* Smirr 7 –Enslaved 4:26 Music By, Lyrics By – I. Bjørnson* The Sleep: Floating Diversity - A Monument Part III 8 –Enslaved 8:13 Music By, Lyrics By – R. Kronheim* Outro: Self - Zero 9 –Enslaved 3:08 Music By – I. Bjørnson* Sigmundskvadet –HOV Featuring 10 Choir [Tribal] – Dirge Rep, Grutle Kjellson, Ivar Bjørnson, Kai 6:57 Trygve Mathiesen "Skjegg" Lie*, R. Kronheim*Lead Vocals – Trygve Mathiesen Companies, etc. Distributed By – SPV GmbH – SPV 085-08512 CD Phonographic Copyright (p) – Osmose Productions Copyright (c) – Osmose Productions Pressed By – Sony DADC Published By – Les Editions Hurlantes Recorded At – Grieghallen Studio Mixed At – Duper Studio Credits Artwork [Booklet & Ed.] – I. Bjørnson* Artwork [Rite, Diagram & Portraits Background] – Dirge Rep Cover [Front & Back Cover] – Truls Espedal Engineer [Engineered By] – Davide Bertolini, Herbrand Larsen, Pytten Guitar, Synthesizer [Synths], Organ [Hammond], Piano, Effects – Ivar Bjørnson Illustration [Outro - Self Zero Illustration] – Fredrik Saroea Mixed By – Enslaved, Jørgen Træen Percussion [Perc.], Effects – Dirge Rep Photography By [Booklet Photos] – Gøran F.
[Show full text]
La Olla 46 06.FH11
Nº 46. ENE. 2013 ROCK ARENA, LEYENDAS DEL ROCK, RIPOLLET ROCK, ENTREVISTA BILLETES LARGOS... Y ADEMAS... ARÁBIGA, INFAMIA, LEITHIAN, ENTROPIA, ELDORADO, MEDINA AZAHARA, ENRAGER En tiempos de crisis es cuando se les ve más claramente las entidades culturales no reciben apenas subvenciones el plumero a esos estafadores que se autodenominan de de las administraciones públicas y los patrocinadores bri- primera categoría. Nos estamos refiriendo a banqueros, llan por su ausencia actualmente, no es la mejor manera políticos, empresarios, etc. de potenciar el siempre difícil mundillo cultural. Mira que Cambian leyes para autoprotegerse y cargan la respon- hemos tenido años de bonanza económica y nadie se sabilidad de su mala gestión en el pueblo llano y raso. Aun acordó de este plan. Y ahora que se están haciendo mi- sabiendo que no llegamos a final de mes, nos cargan de lagros para poder mantener unas pocas de las muchas impuestos nuevos y normativas que fomenten los ingresos actividades que se hacían antes, resulta que deciden apro- en sus suculentas cuentas. Nos piden que nos apretemos bar este plan. Con el acabaran matando muchas iniciativas el cinturón, pero ellos no están dispuestos a ceder ni un culturales, pero ellos seguirán con sus sueldazos. Y de pa- céntimo de sus ingresos. Tienen unos sueldos astronómicos so ayudan a algunas empresas que trabajan en este sector y además se aprueban ellos mismos unos derechos como y que, en la mayoría de los casos, están dirigidas por fami dietas brutales, colegios privados, comedores gratuitos, co- liares o amigos de quienes han tomado esta decisión. ches oficiales, etc.
[Show full text]
Satanisk Symbolbruk I Norsk Black Metal-Kultur
Satanisk symbolbruk i norsk Black metal-kultur Kim Forsberg Masteroppgave i religionsvitenskap Fakultet for humaniora, samfunnsvitenskap og lærerutdanning Institutt for historie og religionsvitenskap Universitetet i Tromsø Våren 2010 Satanisk symbolbruk i norsk Black metal-kultur Kim Forsberg Masteroppgave i religionsvitenskap Fakultet for humaniora, samfunnsvitenskap og lærerutdanning Institutt for historie og religionsvitenskap Universitetet i Tromsø Våren 2010 FORORD Å arbeide med en avhandling av en slik størrelse er uten tvil en tøff oppgave. I lys av mine erfaringer er jeg av den oppfatning at det ikke bare handler om å unngå å miste oversikt i andres landskap, være seg teori, metode eller empiriske størrelser. Det handler like mye om å ikke miste oversikt i eget landskap. I løpet av prosessen har jeg støtt på en mengde solide hindringer. Og mange av dem har jeg selv skapt. Men det er disse som har brakt meg videre og gitt meg grunnlag og motivasjon til å utfordre min egen forforståelse, erkjenne at enkelte valg ikke har vært de beste, forkaste mine konklusjoner og la kildematerialet snakke for seg selv. Noe som forhåpentligvis har resultert i bedre innsikt og forståelse. I etterpåklokskapens sursøte refleksjon innser man at all selvkritikk – og kritikk fra kollegaer og veileder(e) – til syvende og sist har endt i et produkt som er særdeles mye bedre enn det eventuelle resultatet av å støtte seg på startfasens umiddelbare intuisjoner og ambisjoner. Denne avhandlingen har ikke bare vært en dannelsesreise i den akademiske kunsten, men også en reise der personlig refleksjon og kritisk sans har eskalert betraktelig! Gjennom arbeidet med denne avhandlingen har jeg fått god hjelp av flere personer.
[Show full text]
I Am the Black Wizards: Multiplicity, Mysticism and Identity in Black Metal Music and Culture
I AM THE BLACK WIZARDS: MULTIPLICITY, MYSTICISM AND IDENTITY IN BLACK METAL MUSIC AND CULTURE Benjamin Hedge Olson A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Committee: Esther Clinton, Advisor Jeremy Wallach Marilyn Motz ii ABSTRACT Esther Clinton, Advisor Black metal represents one of the most dramatic, violent and obscure representations of contemporary international popular culture; it is an extremist sect of an extremist sect. An understanding of popular culture’s most extreme polarities is imperative to an understanding of its range and general character. I will argue that black metal culture is radically different from all other forms of metal and must be understood as a unique form of cultural expression that signifies a dramatic break from both traditional metal and secular modernism. Although black metal has proliferated across the world, taking up certain indigenous variations in its various locations, it has retained three basic characteristics that make it exceptional and significant: 1.) Black Metal is characterized by a conflict between radical individualism and group identity and by an attempt to accept both polarities simultaneously. 2.) Black metal is centered on an extravagantly romantic view of nature and an idealized past, both of these concepts being very much intertwined. 3.) Black metal celebrates the irrational and primal; it is a critique of modern rationalism and secularism. iii TABLE OF CONTENTS Page INTRODUCTION. Enter the Moonlit Gate ................................................................................1 CHAPTER I. Cosmic Keys to My Creations and Times: the Birth, Definition and Contextualization of Black Metal Culture 7 ...........................................................................6 CHAPTER II.
[Show full text]
Enslaved Frost Mp3, Flac, Wma
Enslaved Frost mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Frost Country: Norway Released: 1994 MP3 version RAR size: 1719 mb FLAC version RAR size: 1312 mb WMA version RAR size: 1133 mb Rating: 4.4 Votes: 691 Other Formats: FLAC AHX AUD VQF MP4 AAC ASF Tracklist Hide Credits 1 Frost 2:52 2 Loke 4:21 3 Fenris 7:16 4 Svarte Vidder 8:43 Yggdrasil 5 5:23 Bass [Fretless] – Pytten 6 Jotunblod 4:07 7 Gylfaginning 5:31 8 Wotan 4:12 9 Isöders Dronning 7:45 Companies, etc. Recorded At – Grieghallen Studio Mixed At – Grieghallen Studio Phonographic Copyright (p) – Osmose Productions Copyright (c) – Osmose Productions Pressed By – DADC Austria Distributed By – SPV GmbH – SPV 84-20392 CD Credits Cover [Concept] – Grutle Kjellson, Ivar Bjørnson Drums, Percussion – Trym Torson Engineer – David*, Pytten Executive-Producer – Osmose Productions Guitar, Electronics – Ivar Bjørnson Layout – Robin Malmberg Photography By [Front Cover Photo] – Svein Grønvold Producer, Mixed By – Enslaved, Pytten Vocals, Bass, Jew's Harp – Grutle Kjellson Notes Blue CD in printed jewel case with band logo and title. Recorded between June and July 1994 at Grieghallen Studio, Bergen, Norway. Mixed in July 1994 at Grieghallen Studio. Barcode and Other Identifiers Barcode: 4001617203927 Matrix / Runout (Variant 1, mirrored): [DADC Austria logo] OPCD025 13 A2 Mould SID Code (Variant 1): IFPI 94H9 Matrix / Runout (Variant 2, mirrored): [DADC Austria logo] OPCD025 13 A3 Other (Variant 2, transparent ring): * Matrix / Runout (Variant 3): [DADC Austria logo] OPCD025
[Show full text]
Louder Than Hell:The Definitive Oral History of Heavy Metal
RITCHIE BLACKMORE, OZZY OSBOURNE, KIRK HAMMETT, KERRY KING AND A HOST OF OTHER MUSIC GIANTS TRACE THE HISTORY OF METAL IN THE HEFTY NEW TOME LOUDER THAN HELL: THE DEFINITIVE ORAL HISTORY OF HEAVY METAL. GUITAR WORLD • JUNE EW BOOKS ABOUT hard rock and heavy metal have been as anxiously anticipated as Louder Than Hell: The Defini- tive Oral History of Metal, a colossal new collection of inter- views with hundreds of the genre’s key figures that success- fully traces the entire history of hard music, from its mid- Sixties British infancy through the rise of hair metal, thrash and black metal, all the way to the modern metalcore era. Written over a period of years by rock journalists Jon Wie- derhorn and Katherine Turman, the 700-plus-page Louder Than Hell finally sees the light of day on May 14 via !t/HarperCollins. In this exclusive excerpt, we present a selection of passages from this wildly entertaining, informative and comprehensive tome. KICK OUT THE JAMS: PROTO METAL, 1964–1970 Heavy metal was never officially “born.” It came together in bits and pieces between the mid Sixties and early Seventies, and stemmed from a desire to rebel, shock and create a level of intensity that did not then exist in pop music. WAYNE KRAMER (MC5) Je Beck was one of the pillars of pushing the guitar tone. And then there was Townshend, Hendrix, Jimmy Page and what I was trying to do with the MC5. We were all trying to push the guitar, so we didn’t just play the guitar; we played the ampli er as well.
[Show full text]
Black Metal Excerpt
IF MAYHEM VOCALIST Pelle “Dead” Ohlin had been inﬂuential in life, then so was he in death, and many active participants have commented that his premature death provided a turning point for the Norwegian scene, which from then on moved toward even greater extremity. Black metal was now becoming a matter of life and death—or at least was being portrayed as such by Euronymous. Far from grieving, Euronymous appeared to be actively capitalizing on Dead’s death, something that disgusted Necrobutcher, the only member who traveled to Sweden for the funeral. Infamously, Euronymous considered eating parts of Dead’s brain, but claimed that he changed his mind due to its condition. As he stated in The Sepulchral Voice zine, “I have never tried human ﬂesh. We were going to try it when Dead died but he had been lying a little too long.” Instead he and Hellhammer fashioned fragments ofv Dead’s skull into necklaces, with further pieces sent to other friends and contacts of the band, including Morgan of Marduk and Christophe “Masmiseim” Mermod of Samael. More controversially, the pair developed the images of Dead’s body that had been taken by Euronymous, who openly planned to use these for Mayhem artwork. “I must add that it was interesting to be able to study (half) a human brain and rigor mortis,” he explained in one letter. “The pictures will be used on the Mayhem album.” “I think the way people took it was absolutely wrong,” recalls Metalion. “No one re- ally had an idea what was going on, so it was hard for people to deal with this in a proper way.
[Show full text]
ACTA UNIVERSITATIS UPSALIENSIS Studia Historica Upsaliensia 263
ACTA UNIVERSITATIS UPSALIENSIS Studia Historica Upsaliensia 263 Utgivna av Historiska institutionen vid Uppsala universitet genom Margaret Hunt och Maria Ågren Omslagsbild: Juletreet/The Christmas Tree, Theodor Kittelsen Foto: Used with permission from Grev Wedels Plass Auksjoner AS Omslagslayout: Camilla Eriksson Christopher Thompson Norges Våpen Cultural Memory and Uses of History in Norwegian Black Metal Dissertation presented at Uppsala University to be publicly examined in Humanities Theater, Engelska parken, room 22-0008, Uppsala, Friday, 18 January 2019 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Benjamin Martin (Institutionen för idé- och lärdomshistoria). Abstract Thompson, C. 2018. Norges Våpen. Cultural Memory and Uses of History in Norwegian Black Metal. Studia Historica Upsaliensia 263. 221 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-513-0505-9. This dissertation examines uses of history and expressions of cultural memory in Norwegian black metal. Formed in the late 1980s and early 1990s, Norwegian black metal seemed at odds with many of the stereotypes of Norway. The genre is an extreme style of heavy metal music that has been associated with burning churches, desecrating graves, and committing murders. Yet, Norway is often perceived as wealthy with sublime natural beauty and high levels of equality. Since the late 1990s, Norwegian black metal has increasingly received positive recognition and support from Norwegian government agencies and cultural institutions who have deemed this style of music a cultural product of Norway. In exploring the relationship between Norwegian black metal and Norway, two primary questions are asked: what makes Norwegian black metal ‘Norwegian’ and what are its influences? To answer these questions, a theoretical approach based on Astrid Erll’s cultural memory complex is used.
[Show full text]
Enslaved Mardraum -Beyond the Within- Mp3, Flac, Wma
Enslaved Mardraum -Beyond The Within- mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Mardraum -Beyond The Within- Country: France Released: 2017 Style: Black Metal, Viking Metal MP3 version RAR size: 1503 mb FLAC version RAR size: 1926 mb WMA version RAR size: 1477 mb Rating: 4.4 Votes: 323 Other Formats: WMA DMF WAV AU VOX AC3 MP1 Tracklist Hide Credits Større Enn Tid - Tyngre Enn Natt (Larger Than Time - Heavier Than Night) A1 10:07 Lyrics By [L] – Peersen*Music By [M] – Peersen*, Kronheim* Daudningekvida (Deadhymn) A2 3:31 Lyrics By [L] – Husebø*Music By [M] – Peersen*, Kronheim* Entrance - Escape (Inngang - Flukt) A3 7:42 Lyrics By [L] – Kronheim*Music By [M] – Peersen* Ormgard (The Hive) A4 5:29 Lyrics By [L] – Peersen*Music By [M] – Peersen* Æges Draum (Aege's Dream) A5 4:43 Lyrics By [L] – Peersen*Music By [M] – Kronheim* Mardraum (Nightmare) B1 3:40 Lyrics By [L] – EnslavedMusic By [M] – Peersen* Det Endelege Riket (The Ending Empire) B2 5:19 Lyrics By [L] – Peersen*Music By [M] – Peersen* Ormgard II - Kvalt I Kysk Høgsong (The Hive II - Strangled By Purity) B3 3:44 Lyrics By [L] – Grutle*, Peersen*Music By [M] – Peersen* Krigaren Eg Ikkje Kjende (Warrior Unknown) B4 6:32 Lyrics By [L] – Grutle*Music By [M] – Grutle* Stjerneheimen (StarHome) B5 5:47 Lyrics By [L] – Peersen*Music By [M] – Peersen*, Kronheim* Frøyas Smykke (Freya's Necklace) B6 1:52 Music By [M] – Peersen* Companies, etc. Copyright (c) – Osmose Productions Phonographic Copyright (p) – Osmose Productions Credits Bass Guitar, Lead Vocals, Backing Vocals, Electronics – Grutle Kjellson Drums, Percussion, Effects [Distorsion, Violence] – Dirge Rep Guitar, Synthesizer [Synthetics], Effects [Audio Distortion], Voice [Backing], Percussion [Perc.] – Ivar Bjørnson Lead Guitar, Rhythm Guitar, Instruments [Acoustics], Backing Vocals, Percussion, Noises [Noise] – R.
[Show full text]