Absolute Underground Vol. 9–3 Issue 51
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Ebook Sulpalco N.32
SUL PALCO QUINDICINALE ONLINE DI ARTE MUSICA SPETTACOLO DI ROMA E NON SOLO … EDIZIONE N. 32 DEL 1 GIUGNO 2012 www.sulpalco.it - [email protected] Edizione N. 32 Del 1 Giugno 2012 ATTACK THE BLOCK – INVASIONE ALIENA ................................................................... 3 I MEN IN BLACK IN BILICO NEL TEMPO ......................................................................... 7 ICE 2020 ...................................................................................................................................... 11 LA FAVOLA DI di W.S. ........................................................................................................... 14 UN APPARTAMENTO IN CITTA’........................................................................................ 21 NEL BEL MEZZO DI UN GELIDO INVERNO .................................................................. 24 MILONGA MERINI ................................................................................................................. 28 CHI ERANO I JOLLY ROCKERS? ........................................................................................ 31 INTERVISTA A FABRIZIO ROMAGNOLI ......................................................................... 34 MARYLIN MANSON TORNA A PICCHIARE ................................................................... 44 FEEZY ......................................................................................................................................... 47 CHEMICAL BROTHERS, MAI SCONTATI ....................................................................... -
Integration Des Chaos : Marilyn Manson, Männlichkeit, Lust Und Scheitern L'amour Lalove, Patsy 2017
Repositorium für die Geschlechterforschung Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern l'Amour laLove, Patsy 2017 https://doi.org/10.25595/398 Eingereichte Version / submitted version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: l'Amour laLove, Patsy: Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern, in: Nagelschmidt, Ilse; Borrego, Britta; Majewski, Daria; König, Lisa (Hrsg.): Geschlechtersemantiken und Passing be- und hinterfragen (Frankfurt am Main: PL Academic Research, 2017), 169-194. DOI: https://doi.org/10.25595/398. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY 4.0 Lizenz (Namensnennung) This document is made available under a CC BY 4.0 License zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz finden (Attribution). For more information see: Sie hier: https://creativecommons.org/licenses/by/4.0/deed.en https://creativecommons.org/licenses/by/4.0/deed.de www.genderopen.de Integration des Chaos – Marilyn Manson, Männlichkeit, Lust und Scheitern Patsy l'Amour laLove Marilyn Manson as a public figure represents exemplarily aspects of goth subculture: Aspects of life that shall be denied as not belonging to a fulfilled and happy life from a normative point of view are being integrated in a way that is marked by pleasure. Patsy l‘Amour laLove uses psychoanalytic approaches to the integration of chaos, of pain and failure in Manson‘s recent works. „This will hurt you worse than me: I'm weak, seven days a week ...“ Marilyn Manson1 FOTO © by Max Kohr: Marilyn Manson & Rammstein bei der Echo-Verleihung 2012 Für Fabienne. Marilyn Manson verwirft in seinem Werk die Normalität, um sich im gleichen Moment schmerzlich danach zu sehnen und schließlich den Wunsch nach Anpassung wieder wütend und lustvoll zu verwerfen. -
Discourse, Gender, and the Orient in Zack Snyder's
“THIS IS SPARTA!” DISCOURSE, GENDER, AND THE ORIENT IN ZACK SNYDER’S 300 Jeroen Lauwers, Marieke Dhont and Xanne Huybrecht Zack Snyder’s 2006 film 300, which is based on Frank Miller’s 1998 graphic novel,1 tells the heroic story of the Spartan king Leonidas and his three hundred men. Because Leonidas is forbidden by the oracle and her priests from leading the Spartan army against the mighty Persian god-king Xerxes, he decides to head north himself with a “personal bodyguard” of three hundred of his finest men. This relatively small number of soldiers, joined by an auxiliary Arcadian force, holds the countless number of Persian soldiers back for no fewer than three days. Meanwhile in Sparta, Queen Gorgo works to have the Spartans send additional men to Thermopylae to rescue her husband and his Three Hundred, but her efforts are thwarted by the treason of the politician Theron.2 Ever since the movie’s release, critical and popular opinions have advanced many different perspectives. A rather large number of people have found diverse reasons for considering 300 offensive. One aspect of this critique revolves around its so-called homophobia,3 for example, in the scene in which Leonidas arrogantly calls the Athenians “those phi- losophers and boy-lovers.” Others vituperate the movie for its supposed fascist ideals, pointing out uncanny parallels between the Spartan society and the “Third Reich”: the extreme nationalism, the mutual equality of the Spartiates and their superiority to the helots, the (primitive) genetic selec- tion, and considering women as breeding machines for an ideal fighting 1 The movie quite strictly follows the design and the perspective of the graphic novel. -
The Meshuggah Quartet
The Meshuggah Quartet Applying Meshuggah's composition techniques to a quartet. Charley Rose jazz saxophone, MA Conservatorium van Amsterdam, 2013 Advisor: Derek Johnson Research coordinator: Walter van de Leur NON-PLAGIARISM STATEMENT I declare 1. that I understand that plagiarism refers to representing somebody else’s words or ideas as one’s own; 2. that apart from properly referenced quotations, the enclosed text and transcriptions are fully my own work and contain no plagiarism; 3. that I have used no other sources or resources than those clearly referenced in my text; 4. that I have not submitted my text previously for any other degree or course. Name: Rose Charley Place: Amsterdam Date: 25/02/2013 Signature: Acknowledgment I would like to thank Derek Johnson for his enriching lessons and all the incredibly precise material he provided to help this project forward. I would like to thank Matis Cudars, Pat Cleaver and Andris Buikis for their talent, their patience and enthusiasm throughout the elaboration of the quartet. Of course I would like to thank the family and particularly my mother and the group of the “Four” for their support. And last but not least, Iwould like to thank Walter van de Leur and the Conservatorium van Amsterdam for accepting this project as a master research and Open Office, open source productivity software suite available on line at http://www.openoffice.org/, with which has been conceived this research. Introduction . 1 1 Objectives and methodology . .2 2 Analysis of the transcriptions . .3 2.1 Complete analysis of Stengah . .3 2.1.1 Riffs . -
Filozofická Fakulta Univerzity Palackého V Olomouci
FILOZOFICKÁ FAKULTA UNIVERZITY PALACKÉHO V OLOMOUCI KATEDRA SLAVISTIKY RUSKÁ KLASICKÁ LITERATURA OČIMA ZAHRANIČNÍCH FILMAŘŮ (NA PŘÍKLADU ROMÁNU A. S. PUŠKINA „EVŽEN ONĚGIN“ A FILMU „ONĚGIN“) CLASSIC RUSSIAN LITERATURE THROUGH THE EYES OF FOREIGN FILM PRODUCERS (FOR EXAMPLE: NOVEL OF A. S. PUSKIN „EUGENE ONEGIN“ AND THE MOVIE „ONEGIN“) Bakalářská práce Vypracovala: Dita Marešová Vedoucí práce: Mgr. Jekatěrina Mikešová, Ph.D. OLOMOUC 2014 Prohlašuji, že jsem práci vypracovala samostatně a uvedla všechny použité prameny. V Olomouci, 10. 4. 2013 Dita Marešová Poděkování Děkuji Mgr. Jekatěrině Mikešové, Ph.D. za konzultace, rady a připomínky, které mi během psaní bakalářské práce poskytla. Obsah ÚVOD ................................................................................................................................. 5 1. FILM A ROMÁN ........................................................................................................ 7 1.1. JAZYK FILMU.................................................................................................... 8 1.1.1. JAZYK FILMU ONĚGIN ................................................................................ 9 1.1.2. VÝZNAM FILMU ONĚGIN ........................................................................... 9 2. O FILMU ONĚGIN (1999) ....................................................................................... 11 2.2. FILMOVÁ LOKACE ........................................................................................ 13 2.2.1. EXTERIÉRY A INTERIÉRY ................................................................... -
Cinema Augusta October 10Th 2019
CINEMA AUGUSTA PROGRAM COMING ATTRACTIONS BELOW or VISIT OUR WEB PAGE PHONE 86422466 TO CHECK SESSION TIMES www.cinemaaugusta.com MOVIE START END UGLY DOLLS (G) Oct 9th Wed ABOMNIABLE (G) 11.10am 12.50pm Kelly Clarkson, Nick Jonas. DORA & LOST CITY of GOLD (PG) 1.00pm 2.50pm Free‐spirited UglyDolls confront what it means to be RIDE LIKE A GIRL (PG) 3.00pm 4.40pm different, but ultimately discover who you truly are is what ANGRY BIRDS 2 (PG) 4.50pm 6.30pm matters most RIDE LIKE A GIRL (PG) 6.40pm 8.20pm AD ASTRA (M) 8.30pm 10.30pm JOKER (MA) Robert De Niro, Joaquin Phoenix. Oct 10th Thu ABOMNIABLE (G) 11.10am 12.50pm A failed stand‐up comedian is driven insane and becomes a ANGRY BIRDS 2 (PG) 1.00pm 2.40pm psychopathic murderer. UGLY DOLLS (G) 2.50pm 4.20pm GEMINI MAN (M) GEMINI MAN (M) 4.30pm 6.30pm Will Smith, Mary Elizabeth Winstead. JOKER (MA) 6.40pm 8.50pm An over‐the‐hill hitman faces off against a younger clone of GEMINI MAN (M) 9.00pm 11.00pm himself. PAW PATROL READY RACE RESCUE (G) Oct 11th Fri DORA & LOST CITY of GOLD (PG) 10.50am 12.30pm MALIFICIENT MISTRESS OF EVIL (CTC) UGLY DOLLS (G) 12.40pm 2.10pm Angelina Jolie, Chiwetel Ejiofor, Elle Fanning. GEMINI MAN (M) 2.20pm 4.20pm The complex relationship of Maleficent and Aurora RIDE LIKE A GIRL (PG) 4.30pm 6.10pm GEMINI MAN (M) 6.20pm 8.20pm continues to be explored as they face new threats to the JOKER (MA) 8.30pm 10.40pm magical land of the Moors. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
DARKWOODS MAILORDER CATALOGUE October 2016
DARKWOODS MAILORDER CATALOGUE October 2016 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Hellfire [CD] 11.95 EUR Brutal third full-length album of the Norwegians, an immense ode to the most furious, powerful and violent black metal that the deepest and flaming hell could vomit... [Released by Candlelight] 1349 - Liberation [CD] 11.95 EUR Fantastic -
Terminator Dark Fate Sequel
Terminator Dark Fate Sequel Telesthetic Walsh withing: he wags his subzones loosely and nope. Moth-eaten Felice snarl choicely while Dell always lapidify his gregariousness magic inertly, he honours so inertly. Sometimes unsentenced Pate valuate her sacristan fussily, but draconian Oral demodulating tunelessly or lay-offs athletically. Want to keep up with breaking news? Schwarzenegger against a female Terminator, lacked the visceral urgency of the first two films. The Very Excellent Mr. TV and web series. Soundtrack Will Have You Floating Ho. Remember how he could run like the wind, and transform his hands into blades? When the characters talk about how the future is what you make, they are speaking against the logic of the plot rather than organically from it. 'Dark Fate' is our best 'Terminator' sequel in over 20 years. Record in GA event if ads are blocked. Interviews, commentary, and recommendations old and new. Make a donation to support our coverage. Schwarzenegger appears as the titular character but does not receive top billing. Gebru has been treated completely inappropriately, with intense disrespect, and she deserves an apology. Or did the discovery of future Skynet technology start a branching timeline where the apocalypse came via Cyberdyne instead of Skynet? Need help contacting your corporate administrator regarding your Rolling Stone Digital access? We know that dark fate sequel. Judgment Day could be a necessary event that is ultimately the only way to ensure the future of the human race. Beloved Brendan Fraser Movie Has Been Blowing Up On Stream. Underscore may be freely distributed under the MIT license. -
The Slants Convention Presskit 2011
In 2007, The Slants kicked off their career in Contact Info: a small dive bar in Portland, OR. Three years later, we could barely believe what we achieved in that short time: ten tours across North America, released three albums, we rejected a million dollar recording contract, and performed more anime conventions than any other band in existence. However, the greatest barometer of success has been the feedback of the fans and the people we’ve worked with. I am contacting you today because we’d love to work with you. Sure, the band has a track record of success. The Slants LLC With over 1,500 TV shows, radio stations, 8026 SE Reedway St magazines, and websites talking about the Portland, OR 97206 group, it should be no surprise how many (226) 24-SLANT results you get when doing an online search of “The Slants.” But the best reason to host Management: The Slants at your event is that we are Last Stop Booking Agency professional and yet, easy to work with. We [email protected] respond quickly to every inquiry, we spend (503) 754-8703 time with your attendees to make sure they have the best experience possible. It’s no Publicity: In Music We Trust PR wonder why we were said to be “pound for [email protected] pound, dollar for dollar, the best value and (503) 557-9661 guests any convention can bring in.” Official Websites: [Letter From the Editor] So take a look and get in touch with us. You’ll theslants.com see why we make a great fit for the anime myspace.com/theslants facebook.com/theslants and comic book convention world. -
Acts Notes Studies Completed with Joe Focht, Chuck Smith, Jon Courson, Warren Wiersbe, Matthew Henry, NIV Study Bible, F.F
Acts Notes Studies completed with Joe Focht, Chuck Smith, Jon Courson, Warren Wiersbe, Matthew Henry, NIV Study Bible, F.F. Bruce, G. Campbell Morgan, Matthew Poole, Damien Kyle, David Guzik, H.A. Ironside, W.H. Griffith Thomas, and Jamieson, Fausset, and Brown. Introduction: Acts covers a span of about 32 years, from Christ’s ascension (about 30 AD) to Paul’s imprisonment (about 62 AD). It mentions 95 different persons from 32 countries, 54 cities, and 9 Mediterranean islands. And a third of it deals with Paul’s imprisonment. But Acts does not account for everything God is doing through His Church at this time in human history. These accounts are selected for a specific purpose. - Written: by Luke to Theophilus. (Acts 1:1; Luke 1:3; see also Col. 4:14; 2 Tim. 4:11; Philemon 24) • Luke is with Paul at the end of the book. (Acts 16:10-17; 20:5-21:25; 27:1-28:16) - Date: written around 63/64 AD during Paul’s imprisonment in Rome - Outline/Key Verse: 1:8 – Jerusalem (ch. 1-7), Judea/Samaria (ch. 8-9), ends (10-28) - Key words: “one accord” – 6x; “witness” – 29x; “word” – 40x+; “Holy Spirit” – 59x “This book [Acts] may be studied to gain understanding of the principles that ought to govern the church of any age.” (NIV Study Bible, p. 1642) It is the Holy Spirit that continues the work of Jesus in the body of Christ; the Church. Vs. 1 – says “Jesus began…” When it comes to the Holy Spirit, we often error in one of two directions.