Judicial Unification in Post-Colonial Indonesia
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Conserving the Past, Mobilizing the Indonesian Future Archaeological Sites, Regime Change and Heritage Politics in Indonesia in the 1950S
Bijdragen tot de Taal-, Land- en Volkenkunde Vol. 167, no. 4 (2011), pp. 405-436 URL: http://www.kitlv-journals.nl/index.php/btlv URN:NBN:NL:UI:10-1-101399 Copyright: content is licensed under a Creative Commons Attribution 3.0 License ISSN: 0006-2294 MARIEKE BLOEMBERGEN AND MARTIJN EICKHOFF Conserving the past, mobilizing the Indonesian future Archaeological sites, regime change and heritage politics in Indonesia in the 1950s Sites were not my problem1 On 20 December 1953, during a festive ceremony with more than a thousand spectators, and with hundreds of children waving their red and white flags, President Soekarno officially inaugurated the temple of Śiwa, the largest tem- ple of the immense Loro Jonggrang complex at Prambanan, near Yogyakarta. This ninth-century Hindu temple complex, which since 1991 has been listed as a world heritage site, was a professional archaeological reconstruction. The method employed for the reconstruction was anastylosis,2 however, when it came to the roof top, a bit of fantasy was also employed. For a long time the site had been not much more than a pile of stones. But now, to a new 1 The historian Sunario, a former Indonesian ambassador to England, in an interview with Jacques Leclerc on 23-10-1974, quoted in Leclerc 2000:43. 2 Anastylosis, first developed in Greece, proceeds on the principle that reconstruction is only possible with the use of original elements, which by three-dimensional deduction on the site have to be replaced in their original position. The Dutch East Indies’ Archaeological Service – which never employed the term – developed this method in an Asian setting by trial and error (for the first time systematically at Candi Panataran in 1917-1918). -
Integration and Conflict in Indonesia's Spice Islands
Volume 15 | Issue 11 | Number 4 | Article ID 5045 | Jun 01, 2017 The Asia-Pacific Journal | Japan Focus Integration and Conflict in Indonesia’s Spice Islands David Adam Stott Tucked away in a remote corner of eastern violence, in 1999 Maluku was divided into two Indonesia, between the much larger islands of provinces – Maluku and North Maluku - but this New Guinea and Sulawesi, lies Maluku, a small paper refers to both provinces combined as archipelago that over the last millennia has ‘Maluku’ unless stated otherwise. been disproportionately influential in world history. Largely unknown outside of Indonesia Given the scale of violence in Indonesia after today, Maluku is the modern name for the Suharto’s fall in May 1998, the country’s Moluccas, the fabled Spice Islands that were continuing viability as a nation state was the only place where nutmeg and cloves grew questioned. During this period, the spectre of in the fifteenth century. Christopher Columbus Balkanization was raised regularly in both had set out to find the Moluccas but mistakenly academic circles and mainstream media as the happened upon a hitherto unknown continent country struggled to cope with economic between Europe and Asia, and Moluccan spices reverse, terrorism, separatist campaigns and later became the raison d’etre for the European communal conflict in the post-Suharto presence in the Indonesian archipelago. The transition. With Yugoslavia’s violent breakup Dutch East India Company Company (VOC; fresh in memory, and not long after the demise Verenigde Oost-indische Compagnie) was of the Soviet Union, Indonesia was portrayed as established to control the lucrative spice trade, the next patchwork state that would implode. -
Indonesian Performing Arts in the Netherlands, 1913–1944
CHAPTER TEN INDONESIAN PERFORMING ARTS IN THE NETHERLANDS, 1913–1944 Matthew Isaac Cohen The history of Indonesian music in the Netherlands is sometimes assumed to begin with Babar Lajar (Javanese for ‘Setting Sail’), a youth gamelan founded in Haarlem in 1941 and active through the mid-1950s (Mendonça 2002: 115–150). This so-called ‘white gamelan orchestra’ (blanke gamelan- orkest) was avidly supported by ethnomusicologist Jaap Kunst (1891–1960) and often performed on Dutch media, giving radio concerts, accompa- nying classical Javanese dance in the dance documentary Danskunst in Indonesië (1947) and modern Javanese dance in God Shiva (1955), and providing music for the Philips LP record of Jaap Kunst’s children’s book Begdja the gamelan boy: A story from the isle of Java (1953). Babar Lajar offered an important precedent for other gamelan played by (mostly) non- Indonesians outside of Southeast Asia. The group’s influence was due, in no small part, to the talents of the ensemble’s leader, Bernard IJzerdraat (1926–86), a musician who later took the Javanese name Suryabrata and founded the influential sanggar (arts studio) Bakti Budaya (‘Servant of Culture’) in Jakarta in 1956. IJzerdraat offered practical gamelan instruc- tion to American musicologist Mantle Hood while Hood worked on a PhD on musical modes in Javanese gamelan under Kunst’s supervision in the early 1950s. This experience directly contributed to Hood founding the first American university gamelan programme at UCLA in the 1950s. IJzerdraat later facilitated the research and practical studies of many foreign visitors to Indonesia. However, Babar Lajar’s legitimacy as a rep- resentative of Javanese culture was questioned by Indonesians living in the Netherlands; modern Javanese dancer Raden Mas Jodjana (1893–1972) notably expressed consternation at its monopolization of Dutch media time in the 1940s (Cohen 2010: 137). -
Sultan Zainal Abidin Syah: from the Kingdomcontents of Tidore to the Republic of Indonesia Foreword
TAWARIKH:TAWARIKH: Journal Journal of Historicalof Historical Studies Studies,, VolumeVolume 12(1), 11(2), October April 2020 2020 Volume 11(2), April 2020 p-ISSN 2085-0980, e-ISSN 2685-2284 ABDUL HARIS FATGEHIPON & SATRIONO PRIYO UTOMO Sultan Zainal Abidin Syah: From the KingdomContents of Tidore to the Republic of Indonesia Foreword. [ii] JOHANABSTRACT: WAHYUDI This paper& M. DIEN– using MAJID, the qualitative approach, historical method, and literature review The– discussesHajj in Indonesia Zainal Abidin and Brunei Syah as Darussalam the first Governor in XIX of – WestXX AD: Irian and, at the same time, as Sultan of A ComparisonTidore in North Study Maluku,. [91-102] Indonesia. The results of this study indicate that the political process of the West Irian struggle will not have an important influence in the Indonesian revolution without the MOHAMMADfirmness of the IMAM Tidore FARISI Sultanate, & ARY namely PURWANTININGSIH Sultan Zainal Abidin, Syah. The assertion given by Sultan TheZainal September Abidin 30 Syahth Movement in rejecting and the Aftermath results of in the Indonesian KMB (Konferensi Collective Meja Memory Bundar or Round Table andConference) Revolution: in A 1949, Lesson because for the the Nation KMB. [103-128]sought to separate West Irian from Indonesian territory. The appointment of Zainal Abidin Syah as Sultan took place in Denpasar, Bali, in 1946, and his MARYcoronation O. ESERE, was carried out a year later in January 1947 in Soa Sio, Tidore. Zainal Abidin Syah was Historicalas the first Overview Governor of ofGuidance West Irian, and which Counselling was installed Practices on 23 inrd NigeriaSeptember. [129-142] 1956. Ali Sastroamidjojo’s Cabinet formed the Province of West Irian, whose capital was located in Soa Sio. -
The Making of Middle Indonesia Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde
The Making of Middle Indonesia Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde Edited by Rosemarijn Hoefte KITLV, Leiden Henk Schulte Nordholt KITLV, Leiden Editorial Board Michael Laffan Princeton University Adrian Vickers Sydney University Anna Tsing University of California Santa Cruz VOLUME 293 Power and Place in Southeast Asia Edited by Gerry van Klinken (KITLV) Edward Aspinall (Australian National University) VOLUME 5 The titles published in this series are listed at brill.com/vki The Making of Middle Indonesia Middle Classes in Kupang Town, 1930s–1980s By Gerry van Klinken LEIDEN • BOSTON 2014 This is an open access title distributed under the terms of the Creative Commons Attribution‐ Noncommercial 3.0 Unported (CC‐BY‐NC 3.0) License, which permits any non‐commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The realization of this publication was made possible by the support of KITLV (Royal Netherlands Institute of Southeast Asian and Caribbean Studies). Cover illustration: PKI provincial Deputy Secretary Samuel Piry in Waingapu, about 1964 (photo courtesy Mr. Ratu Piry, Waingapu). Library of Congress Cataloging-in-Publication Data Klinken, Geert Arend van. The Making of middle Indonesia : middle classes in Kupang town, 1930s-1980s / by Gerry van Klinken. pages cm. -- (Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, ISSN 1572-1892; volume 293) Includes bibliographical references and index. ISBN 978-90-04-26508-0 (hardback : acid-free paper) -- ISBN 978-90-04-26542-4 (e-book) 1. Middle class--Indonesia--Kupang (Nusa Tenggara Timur) 2. City and town life--Indonesia--Kupang (Nusa Tenggara Timur) 3. -
The Legitimacy of Classical Dance Gagrag Ngayogyakarta
The Legitimacy of Classical Dance Gagrag Ngayogyakarta Y. Sumandiyo Hadi Institut Seni Indonesia (ISI) Yogyakarta Jalan Parangtritis Km 6,5, Sewon, Bantul Yogyakarta ABSTRACT The aim of this article is to reveal the existence of classical dance style of Yogyakarta, since the government of Sultan Hamengku Buwono I, which began in 1756 until now in the era the government of Sultan Hamengku Buwono X. The legitimation of classical dance is considered as “Gagrag Ngayogyakarta”. Furthermore, the dance is not only preserved in the palace, but living and growing outside the palace, and possible to be examined by the general public. The dance was fi rst considered as a source of classical dance “Gagrag Ngayogyakarta”, created by Sultan Hamengku Buwono I, i.e. Beksan Lawung Gagah, or Beksan Trunajaya, Wayang Wong or dance drama, and Bedaya dance. The three dances can be categorized as a sacred dance, in which the performances strongly related to traditional ceremonies or rituals. Three types of dance later was developed into other types of classical dance “Gagrag Ngayogyakarta”, which is categorized as a secular dance for entertainment performance. Keywords: Sultan Hamengku Buwono, classical dance, “gagrag”, Yogyakarta style, legitimacy, sacred, ritual dance, secular dance INTRODUCTION value because it is produced by qualifi ed Yogyakarta as one of the regions in the artists from the upper-middle-class society, archipelago, which has various designa- and not from the proletarians or low class. tions, including a student city, a tourism The term of tradition is a genre from the city, and a cultural city. As a cultural city, past, which is hereditary from one gene- there are diff erent types of artwork. -
Addendum to Drewes the Burda of Al-B√ß∆R∆ and the Miracles of Abdulqadir Al-Jaelani in West Java
JULIAN MILLIE AND SYIHABUDDIN Addendum to Drewes The Burda of Al-B√ß∆r∆ and the Miracles of Abdulqadir al-Jaelani in West Java This article provides information complementary to that found in two publi- cations of the Dutch scholar G.W.J. Drewes.1 Considering the breadth of this writer’s contributions to Indonesian studies, we also take the opportunity to comment on his approach to the subject materials against the background of both his own oeuvre and the academic tradition in which he is situated, using these two publications as source materials. Gerardus Willebrordus Joannes Drewes was born in Amsterdam in 1899.2 Aided by a scholarship from the Colonial Office, he enrolled as a student of Indonesian languages and literature at Leiden University, and obtained his PhD in July 1925, for a thesis entitled Drie Javaansche goeroe’s; Hun leven, onder- richt en messiasprediking (Three Javanese gurus; Their lives, teachings and mes- sianic message). The thesis was supervised by C. Snouck Hurgronje. In that same year he left for the Indies, having obtained a position in Batavia at the Kantoor voor de Volkslectuur (Bureau for Popular Literature). An appoint- ment at the Rechtshoogeschool (School of Law) followed in 1935, which he fulfilled alongside a full slate of writing and editing book reviews. After a period of detention in Europe during World War II, he embarked again for Indonesia in 1946, staying for two years. He returned to the Netherlands in 1 De mirakelen van Abdoelkadir Djaelani has two authors, Drewes and R. Ng. Poerbatjaraka. Considering the statements on pages xiii and xiv of its preface, Poerbatjaraka’s role was limited to assisting Drewes with only one portion of the book, namely the lengthy summary of the Javanese Hikayat Abdulqadir al-Jaelani. -
Splitting, Splitting and Splitting Again a Brief History of the Development of Regional Government in Indonesia Since Independence
Bijdragen tot de Taal-, Land- en Volkenkunde Vol. 167, no. 1 (2011), pp. 31-59 URL: http://www.kitlv-journals.nl/index.php/btlv URN:NBN:NL:UI:10-1-100898 Copyright: content is licensed under a Creative Commons Attribution 3. -
International Seminar Harbour Cities Along the Silk Roads
INTERNATIONAL SEMINAR HARBOUR CITIES ALONG THE SILK ROADS LITERARY DATA ON THE POSITION OF MALAY IN JAVA Edi Sedyawati Surabaya, Indonesia 9-14 January 1991 1 Literary Data on The Position of Malay in Java Edi Sedyawati University of Indonesia Trade through maritime lines in Indonesia, since the early centuries of the Christian era, was· presumably a very important means for deeper interaction between peoples, and thus may became an impetus for further acculturation processes. The rate of interaction between peoples from different countries during the pre-airline times is plausibly higher in coastal areas, which are more easily accessible to foreigners travelling by sea. In this discussion it is taken for granted that trade relations with foreigners should only happen in well-deve1oped towns, in which there were multiethnic communities. The most crucial problem in interaction with foreigners is language as a means of communication. The Ma1ay language has been supposed to be the lingua franca in Indonesia and some other countries in Southeast Asia. A piece of data from 18th century Java to be presented in this paper is meant to show that Malay as the lingua franca was not only used occasionally, through interpreters, and as a choice conditioned by a specific need, but moreover, it had penetrated into the Javanese literary texts. This latter development could be perceived as a function of the persistence of the use of Malay in Javanese communities through the centuries. The problem to be presented in this short review is the use of certain kinds of speech as an indicator of inter-group relationships with in a society. -
Rijksuniversiteit Groningen
Decolonization and the Military: the Case of the Netherlands A Study in Political Reaction Rob Kroes, University of Amsterdam I Introduction *) When taken together, title and subtitle of this paper may seem to suggest, but certainly are not meant to implicate, that only m ilitary circles are apt to engage in right-wing political activism. On the contrary, this paper tries to indicate what specific groups within the armed forces of the Netherlands had an interest in opposing Indonesian independence, and what strategic alliances they engaged in with right- w in g c ivilian circles. In that sense, the subject of the paper is rather “underground” civil-military relations, as they exist alongside the level of institutionalized civil- m ilitary relations. Our analysis starts from a systematic theoretical perspective which, on the one hand, is intended to specify our expectations as to what interest groups within and without the m ilitary tended to align in opposing Indonesian independence and, on the other hand, to broadly characterize the options open to such coalitions for influencing the course of events either in the Netherlands or in the Dutch East Indies. II The theoretical perspective In two separate papers2) a process model of conflict and radicalism has been developed and further specified to serve as a basis for the study of m ilitary intervention in domestic politics. The model, although social-psychological in its emphasis on the *) I want to express my gratitude to the following persons who have been willing to respond to my request to discuss the role of the military during the Indonesian crisis: Messrs. -
Introduction to Old Javanese Language and Literature: a Kawi Prose Anthology
THE UNIVERSITY OF MICHIGAN CENTER FOR SOUTH AND SOUTHEAST ASIAN STUDIES THE MICHIGAN SERIES IN SOUTH AND SOUTHEAST ASIAN LANGUAGES AND LINGUISTICS Editorial Board Alton L. Becker John K. Musgrave George B. Simmons Thomas R. Trautmann, chm. Ann Arbor, Michigan INTRODUCTION TO OLD JAVANESE LANGUAGE AND LITERATURE: A KAWI PROSE ANTHOLOGY Mary S. Zurbuchen Ann Arbor Center for South and Southeast Asian Studies The University of Michigan 1976 The Michigan Series in South and Southeast Asian Languages and Linguistics, 3 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Library of Congress Catalog Card Number: 76-16235 International Standard Book Number: 0-89148-053-6 Copyright 1976 by Center for South and Southeast Asian Studies The University of Michigan Printed in the United States of America ISBN 978-0-89148-053-2 (paper) ISBN 978-0-472-12818-1 (ebook) ISBN 978-0-472-90218-7 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ I made my song a coat Covered with embroideries Out of old mythologies.... "A Coat" W. B. Yeats Languages are more to us than systems of thought transference. They are invisible garments that drape themselves about our spirit and give a predetermined form to all its symbolic expression. When the expression is of unusual significance, we call it literature. "Language and Literature" Edward Sapir Contents Preface IX Pronounciation Guide X Vowel Sandhi xi Illustration of Scripts xii Kawi--an Introduction Language ancf History 1 Language and Its Forms 3 Language and Systems of Meaning 6 The Texts 10 Short Readings 13 Sentences 14 Paragraphs.. -
ASPECTS of INDONESIAN INTELLECTUAL LIFE in the 1930S
PUDJANGGA BARU: ASPECTS OF INDONESIAN INTELLECTUAL LIFE IN THE 1930s Heather Sutherland Pudjangga Baru, the "New Writer," was a cultural periodical put out in the colonial capital of Batavia by a group of young Indonesian intellectuals from 1933 until the invasion of the Netherlands Indies by Japan in 1942.1 In Bahasa Indonesia, the term pudjangga means "literary man, man of letters; author, poet; linguist, philologist."2 34 The choice of this term for the title of the monthly was no doubt also influenced by an awareness of its historical connotations, for the word can be traced back through such Old Javanese forms as bhujanga to an original Sanskrit root associated with sacred and priestly learning. It implied nobility and integrity as well as literary ability; and it is therefore no accident that the writings appearing in it claimed high idealism and a sense of mission. The purpose proclaimed by Pudjangga Baru became more fervent as the years passed. In the beginning, it described itself simply as a literary, artistic, and cultural monthly. At the start of its third year it declared itself a "bearer of a new spirit in literature, art, culture, and general social affairs."^ At the beginning of its fifth year it claimed to be the "leader of the new dynamic spirit to create a new culture, the culture of Indonesian unity."1* In 1928, when the second All-Indonesia Youth Congress swore the famous oath to work for "one fatherland, one people, and one language" Pudjangga Baru pledged itself to work for the development of the national language and also to strive for a national culture, adding "one culture" to its 1.