Addendum to Drewes the Burda of Al-B√ß∆R∆ and the Miracles of Abdulqadir Al-Jaelani in West Java
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Conserving the Past, Mobilizing the Indonesian Future Archaeological Sites, Regime Change and Heritage Politics in Indonesia in the 1950S
Bijdragen tot de Taal-, Land- en Volkenkunde Vol. 167, no. 4 (2011), pp. 405-436 URL: http://www.kitlv-journals.nl/index.php/btlv URN:NBN:NL:UI:10-1-101399 Copyright: content is licensed under a Creative Commons Attribution 3.0 License ISSN: 0006-2294 MARIEKE BLOEMBERGEN AND MARTIJN EICKHOFF Conserving the past, mobilizing the Indonesian future Archaeological sites, regime change and heritage politics in Indonesia in the 1950s Sites were not my problem1 On 20 December 1953, during a festive ceremony with more than a thousand spectators, and with hundreds of children waving their red and white flags, President Soekarno officially inaugurated the temple of Śiwa, the largest tem- ple of the immense Loro Jonggrang complex at Prambanan, near Yogyakarta. This ninth-century Hindu temple complex, which since 1991 has been listed as a world heritage site, was a professional archaeological reconstruction. The method employed for the reconstruction was anastylosis,2 however, when it came to the roof top, a bit of fantasy was also employed. For a long time the site had been not much more than a pile of stones. But now, to a new 1 The historian Sunario, a former Indonesian ambassador to England, in an interview with Jacques Leclerc on 23-10-1974, quoted in Leclerc 2000:43. 2 Anastylosis, first developed in Greece, proceeds on the principle that reconstruction is only possible with the use of original elements, which by three-dimensional deduction on the site have to be replaced in their original position. The Dutch East Indies’ Archaeological Service – which never employed the term – developed this method in an Asian setting by trial and error (for the first time systematically at Candi Panataran in 1917-1918). -
Indonesian Performing Arts in the Netherlands, 1913–1944
CHAPTER TEN INDONESIAN PERFORMING ARTS IN THE NETHERLANDS, 1913–1944 Matthew Isaac Cohen The history of Indonesian music in the Netherlands is sometimes assumed to begin with Babar Lajar (Javanese for ‘Setting Sail’), a youth gamelan founded in Haarlem in 1941 and active through the mid-1950s (Mendonça 2002: 115–150). This so-called ‘white gamelan orchestra’ (blanke gamelan- orkest) was avidly supported by ethnomusicologist Jaap Kunst (1891–1960) and often performed on Dutch media, giving radio concerts, accompa- nying classical Javanese dance in the dance documentary Danskunst in Indonesië (1947) and modern Javanese dance in God Shiva (1955), and providing music for the Philips LP record of Jaap Kunst’s children’s book Begdja the gamelan boy: A story from the isle of Java (1953). Babar Lajar offered an important precedent for other gamelan played by (mostly) non- Indonesians outside of Southeast Asia. The group’s influence was due, in no small part, to the talents of the ensemble’s leader, Bernard IJzerdraat (1926–86), a musician who later took the Javanese name Suryabrata and founded the influential sanggar (arts studio) Bakti Budaya (‘Servant of Culture’) in Jakarta in 1956. IJzerdraat offered practical gamelan instruc- tion to American musicologist Mantle Hood while Hood worked on a PhD on musical modes in Javanese gamelan under Kunst’s supervision in the early 1950s. This experience directly contributed to Hood founding the first American university gamelan programme at UCLA in the 1950s. IJzerdraat later facilitated the research and practical studies of many foreign visitors to Indonesia. However, Babar Lajar’s legitimacy as a rep- resentative of Javanese culture was questioned by Indonesians living in the Netherlands; modern Javanese dancer Raden Mas Jodjana (1893–1972) notably expressed consternation at its monopolization of Dutch media time in the 1940s (Cohen 2010: 137). -
The Legitimacy of Classical Dance Gagrag Ngayogyakarta
The Legitimacy of Classical Dance Gagrag Ngayogyakarta Y. Sumandiyo Hadi Institut Seni Indonesia (ISI) Yogyakarta Jalan Parangtritis Km 6,5, Sewon, Bantul Yogyakarta ABSTRACT The aim of this article is to reveal the existence of classical dance style of Yogyakarta, since the government of Sultan Hamengku Buwono I, which began in 1756 until now in the era the government of Sultan Hamengku Buwono X. The legitimation of classical dance is considered as “Gagrag Ngayogyakarta”. Furthermore, the dance is not only preserved in the palace, but living and growing outside the palace, and possible to be examined by the general public. The dance was fi rst considered as a source of classical dance “Gagrag Ngayogyakarta”, created by Sultan Hamengku Buwono I, i.e. Beksan Lawung Gagah, or Beksan Trunajaya, Wayang Wong or dance drama, and Bedaya dance. The three dances can be categorized as a sacred dance, in which the performances strongly related to traditional ceremonies or rituals. Three types of dance later was developed into other types of classical dance “Gagrag Ngayogyakarta”, which is categorized as a secular dance for entertainment performance. Keywords: Sultan Hamengku Buwono, classical dance, “gagrag”, Yogyakarta style, legitimacy, sacred, ritual dance, secular dance INTRODUCTION value because it is produced by qualifi ed Yogyakarta as one of the regions in the artists from the upper-middle-class society, archipelago, which has various designa- and not from the proletarians or low class. tions, including a student city, a tourism The term of tradition is a genre from the city, and a cultural city. As a cultural city, past, which is hereditary from one gene- there are diff erent types of artwork. -
International Seminar Harbour Cities Along the Silk Roads
INTERNATIONAL SEMINAR HARBOUR CITIES ALONG THE SILK ROADS LITERARY DATA ON THE POSITION OF MALAY IN JAVA Edi Sedyawati Surabaya, Indonesia 9-14 January 1991 1 Literary Data on The Position of Malay in Java Edi Sedyawati University of Indonesia Trade through maritime lines in Indonesia, since the early centuries of the Christian era, was· presumably a very important means for deeper interaction between peoples, and thus may became an impetus for further acculturation processes. The rate of interaction between peoples from different countries during the pre-airline times is plausibly higher in coastal areas, which are more easily accessible to foreigners travelling by sea. In this discussion it is taken for granted that trade relations with foreigners should only happen in well-deve1oped towns, in which there were multiethnic communities. The most crucial problem in interaction with foreigners is language as a means of communication. The Ma1ay language has been supposed to be the lingua franca in Indonesia and some other countries in Southeast Asia. A piece of data from 18th century Java to be presented in this paper is meant to show that Malay as the lingua franca was not only used occasionally, through interpreters, and as a choice conditioned by a specific need, but moreover, it had penetrated into the Javanese literary texts. This latter development could be perceived as a function of the persistence of the use of Malay in Javanese communities through the centuries. The problem to be presented in this short review is the use of certain kinds of speech as an indicator of inter-group relationships with in a society. -
Introduction to Old Javanese Language and Literature: a Kawi Prose Anthology
THE UNIVERSITY OF MICHIGAN CENTER FOR SOUTH AND SOUTHEAST ASIAN STUDIES THE MICHIGAN SERIES IN SOUTH AND SOUTHEAST ASIAN LANGUAGES AND LINGUISTICS Editorial Board Alton L. Becker John K. Musgrave George B. Simmons Thomas R. Trautmann, chm. Ann Arbor, Michigan INTRODUCTION TO OLD JAVANESE LANGUAGE AND LITERATURE: A KAWI PROSE ANTHOLOGY Mary S. Zurbuchen Ann Arbor Center for South and Southeast Asian Studies The University of Michigan 1976 The Michigan Series in South and Southeast Asian Languages and Linguistics, 3 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Library of Congress Catalog Card Number: 76-16235 International Standard Book Number: 0-89148-053-6 Copyright 1976 by Center for South and Southeast Asian Studies The University of Michigan Printed in the United States of America ISBN 978-0-89148-053-2 (paper) ISBN 978-0-472-12818-1 (ebook) ISBN 978-0-472-90218-7 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ I made my song a coat Covered with embroideries Out of old mythologies.... "A Coat" W. B. Yeats Languages are more to us than systems of thought transference. They are invisible garments that drape themselves about our spirit and give a predetermined form to all its symbolic expression. When the expression is of unusual significance, we call it literature. "Language and Literature" Edward Sapir Contents Preface IX Pronounciation Guide X Vowel Sandhi xi Illustration of Scripts xii Kawi--an Introduction Language ancf History 1 Language and Its Forms 3 Language and Systems of Meaning 6 The Texts 10 Short Readings 13 Sentences 14 Paragraphs.. -
ASPECTS of INDONESIAN INTELLECTUAL LIFE in the 1930S
PUDJANGGA BARU: ASPECTS OF INDONESIAN INTELLECTUAL LIFE IN THE 1930s Heather Sutherland Pudjangga Baru, the "New Writer," was a cultural periodical put out in the colonial capital of Batavia by a group of young Indonesian intellectuals from 1933 until the invasion of the Netherlands Indies by Japan in 1942.1 In Bahasa Indonesia, the term pudjangga means "literary man, man of letters; author, poet; linguist, philologist."2 34 The choice of this term for the title of the monthly was no doubt also influenced by an awareness of its historical connotations, for the word can be traced back through such Old Javanese forms as bhujanga to an original Sanskrit root associated with sacred and priestly learning. It implied nobility and integrity as well as literary ability; and it is therefore no accident that the writings appearing in it claimed high idealism and a sense of mission. The purpose proclaimed by Pudjangga Baru became more fervent as the years passed. In the beginning, it described itself simply as a literary, artistic, and cultural monthly. At the start of its third year it declared itself a "bearer of a new spirit in literature, art, culture, and general social affairs."^ At the beginning of its fifth year it claimed to be the "leader of the new dynamic spirit to create a new culture, the culture of Indonesian unity."1* In 1928, when the second All-Indonesia Youth Congress swore the famous oath to work for "one fatherland, one people, and one language" Pudjangga Baru pledged itself to work for the development of the national language and also to strive for a national culture, adding "one culture" to its 1. -
Social Criticism in the Text Scripture of Dharmasonya
Article Komunitas: International Journal of Social Criticism in the Text Indonesian Society and Culture 9(1) (2017): 70-80 DOI:10.15294/komunitas.v9i1.8340 Scripture of Dharmasonya © 2017 Semarang State University, Indonesia p-ISSN 2086 - 5465 | e-ISSN 2460-7320 http://journal.unnes.ac.id/nju/index.php/komunitas UNNES JOURNALS Aris Aryanto1, Bani Sudardi2, Andrik Purwasito2, Abdullah Wakit2 1Universitas Muhammadiyah Purwokerto, Cental Java, Indonesia 1,2Cultural Studies Program, Universitas Sebelas Maret, Surakarta, Cental Java, Indonesia Received: 28 December 2016; Accepted: 27 February 2017; Published: 30 March 2017 Abstract This study took a closer look at the socio-condition of the Javanese people in Surakarta at the time Dhar- masonya (Ds) text was produced through a perspective of critical-sociological studies. The present Ds text was read through seeing the historical life of the Islamic religion. The main objective of this study was to probe socio-cultural life of the society in the age the Ds text was produced. The data source used was the translation of Ds text by Suratmin which was issued by the Ministry of Education and Culture. To obtain the objectives, study on the Ds text was compared with other similar ancient texts of the same themes produced in the same time; these texts were Serat Wedhatama by KGPAA Mangkunegara IV (1853-1881) and Serat Tjemporet by R.Ng. Ranggwarsita. The data was analyzed through perspectives of Hermeneutic and Semiotics methods. The result shows that in Ds text, social criticism was an attempt to resist against the dynamic circumstances faced by the society at the time wherein the social status and nobility became people’s life concern. -
Language Documentation of Colloquial Javanese Varieties *
LANGUAGE DOCUMENTATION OF COLLOQUIAL JAVANESE VARIETIES * Thomas J. Conners and Jozina Vander Klok Center for Advanced Study of Language, University of Maryland and University of British Columbia Javanese (Western Malayo-Polynesian, Austronesian) is the 10th largest language in the world with over 80 million speakers in Indonesia. Despite such a high speaker population, Javanese is both understudied and underdocumented—and even more so in light of its numerous highly diverse dialects. This paper is a call towards more in-depth language documentation of colloquial Javanese varieties, and presents our preliminary work towards a comprehensive reference grammar on two Javanese dialects, as spoken in Semarang, Central Java, and Malang, East Java, Indonesia. We first set the stage for the need and importance of language documentation of colloquial Javanese varieties, and then give details to our ongoing documentation efforts culminating in a reference grammar. 1. A need for language documentation in Javanese We argue that the need for current language documentation in Javanese is crucial for two main reasons. First, Javanese boasts a multitude of dialects that exhibit different properties not only in the lexicon, phonology, and morphology, but also in syntax and semantics. A glimpse of these different dialects is illustrated in the map in Figure 1 below. Despite this linguistic diversity, previous research has concentrated mainly on Standard Javanese, which is spoken in the courtly centers of Yogyakarta and Surakarta. Secondly, Javanese is increasingly vulnerable to language endangerment despite its large speaker numbers. Recent studies report overall differences in language choice, domains of use, and social attitudes towards Javanese as well as that an entire sub-system of the language, Krama ‘High Javanese’, is in fact endangered. -
Nationalism and National Culture in Indonesian Art Music and Performances (1900-2018): Reflections from Postcolonial Perspectives
Nationalism and National Culture in Indonesian Art Music and Performances (1900-2018): Reflections from Postcolonial Perspectives Aniarani Andita 5837456 MA Thesis Musicology Utrecht University First Reader/Supervisor: Dr. Floris Schuiling Second Reader: Dr. Barbara Titus 2018 ABSTRACT Partha Chatterjee (1997) affirms that the attitude to modernity in formerly-colonized societies is always deeply ambiguous, because the modernity that the colonizers used as justification for colonialism also taught the colonized societies of its values. Indonesia is not an exception; having been colonized for centuries by a European nation, Indonesian nationalism arose from the desire for freedom from the colonizer. However, this nationalism, and the subsequent attempts for the creation of national culture has have always been replete with ambivalencies—with negotiations between the need to create a distinct national identity and the values of European cultures as imposed in the colonial time. This thesis looks at the discourses of nationalism, national culture, and national music in Indonesia since the beginning of the twentieth century to the present day, and examine its manifestations in the field of Indonesian art music and its performances by Indonesian symphony orchestras. I argue that these discourses and actions have always been embedded with a legacy of colonialism in the form of xenocentrism in its broad sense: the tendency among Indonesians to continue to concern about the Western others as they try to define their own identity and culture. Moreover, through case studies such as the compositions Varia Ibukota by Mochtar Embut and Suvenir dari Minangkabau by Arya Pugala Kitti, and the practices of contemporary symphony orchestras Gita Bahana Nusantara and Jakarta City Philharmonic, I employ postcolonial theories to view those works as reflections of the entanglement between colonial history and Indonesia-specific visions, as well as as endeavours to decolonize the knowledge of European classical music and performance form. -
RESEARCH NOTES Javanese Names During the Height Of
KEMANUSIAAN Vol. 20, No. 2, (2013), 81–89 RESEARCH NOTES Javanese Names during the Height of the Hindu-Buddhist Kingdoms in Java: An Ethnolinguistic Study SAHID TEGUH WIDODO Universitas Sebelas Maret, Indonesia. [email protected] Abstract. Javanese names have undergone numerous developments throughout the course of human civilisation. The study of names is an important means of discovering the desires, cultural tastes and lifestyles of the Javanese from one period to another. This study used a qualitative descriptive research method. The data for the research were obtained from Indonesian historical sources, the story of Babad Tanah Jawa, epigraphs and selected informants. The techniques used to collect the data were content analysis and interviews with a number of historical and language experts. The analysis resulted in a description of the development of the form and structure of Javanese names. Based on the historical context, these names were strongly influenced by the Sanskrit language of the centuries- old Hindu and Buddhist traditions in India. The influence of the ancient Javanese language on Javanese names began to appear at the beginning of the Javanese Hindu era, along with a decline in the Hindu-Buddhist influence in Java. This influence was marked by the appearance of elements in names that do not exist as syllables in Sanskrit. This phenomenon indicates an acculturation of the Javanese, Hindu and Buddhist cultures. Ancient Javanese influences are still found today in modern Javanese names, such as in the use of the names Dyah, Jaya, Dewi/Devi, Wardhana, Arya and Rangga. Keywords and phrases: name, Javanese, Hindu, Buddhist, Sanskrit Introduction The height of the Hindu and Buddhist era in Java was marked by the establishment of large kingdoms and a high level of civilisation. -
Changing Language Loyalty and Identity: an Ethnographic
Changing Language Loyalty and Identity: An Ethnographic Inquiry of Societal Transformation among the Javanese People in Yogyakarta, Indonesia by Lusia Marliana Nurani A Dissertation Presented in Partial Fulfillment of the Requirements of the Degree Doctor of Philosophy Approved August 2015 by the Graduate Supervisory Committee: Teresa L. McCarty, Co-Chair Mary Eunice Romero-Little, Co-Chair Aya Matsuda ARIZONA STATE UNIVERSITY December 2015 ABSTRACT This study examines changing language loyalties of the sociopolitically most dominant ethnic group in Indonesia, the Javanese. Although Javanese language has the largest number of speakers, within the last five decades the language is gradually losing its speakers who prioritize the national language, Indonesian. This phenomenon led me to inquire into the extent to which their native language matters for their Javanese identity and how the language planning and policy (LPP) mechanism works to foster Javanese language. To collect data, I conducted a six-month ethnographic research project in Yogyakarta, Indonesia. The findings show that Javanese language shift occurs because of strong supports from the government toward Indonesian by emphasizing its role as a symbol to unify all ethnic groups in Indonesia into one nation. Consequently, interference in intergenerational language transmission, a limited scope of Javanese use, decrease language competence, and negative attitude toward Javanese are evident. Although Javanese language is still perceived as the most profound marker of Javanese identity, it is now challenging to maintain it because of its limited role in most domains. The study also indicates that the Javanese people are now strongly inclined to Islam reflected by their piety to Islamic rules such as positive attitude to learn liturgic Arabic, to leave behind Javanese tradition not in line with Islam, and to view religion as a panacea to heal social problems. -
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H. Creese Old Javanese studies; A review of the field In: Bijdragen tot de Taal-, Land- en Volkenkunde, Old Javanese texts and culture 157 (2001), no: 1, Leiden, 3-33 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/27/2021 04:40:52AM via free access HELEN CREESE Old Javanese Studies A Review of the Field For nearly two hundred years the academic study of the languages and liter- atures of ancient Java has attracted the attention of scholars. Interest in Old Javanese had its genesis in the Orientalist traditions of early nineteenth-cen- tury European scholarship. Until the end of the colonial period, the study of Old Javanese was dominated by Dutch scholars whose main interest was philology. Not surprisingly, the number of researchers working in this field has never been large, but as the field has expanded from its original philo- logical focus to encompass research in a variety of disciplines, it has remain1 ed a small but viable research area in the wider field of Indonesian studies. As a number of recent review articles have shown (Andaya and Andaya 1995; Aung-Thwin 1995; McVey 1995; Reynolds 1995), in the field of South- east Asian studies as a whole, issues of modern state formation and devel- opment have dominated the interest of scholars and commentators. Within this academic framework, interest in the Indonesian archipelago in the period since independence has also focused largely on issues relating to the modern Indonesian state; This focus on national concerns has not lent itself well to a .rich ongoing scholarship on regional cultures, whether ancient or modern.