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Boston Symphony Orchestra Concert Programs, Season 58,1938-1939

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Boston Symphony Orchestra Concert Programs, Season 58,1938-1939 J H BOSTON SYMPHONY ORCHESTRA rOUNDED IN 1381 BY HENRY L. H1CCINSON FIFTY-EIGHTH fe SEASON $J| 1938-1939 [24] m JfHasan $c%mlin TO hear a Mason & Hamlin is a delight to the musically appreciative and sensitive ear. Its ex- clusive and transcendent tonal beauty is the result of an ideal that finds but few parallels in modern industry. It is a rewarding labor, bringing to the artisan a glorious sense of the supreme quality of his creation, and to the owner of a Mason & Hamlin a pride and satisfaction in possession that no other piano can give. AMPICO HALL HOME OF MASON & HAMLIN • CHICKERING 146 BOYLSTON STREET • TEL. LIBERTY 8100 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 FIFTY-EIGHTH SEASON, 1938-1939 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Assistant Conductor with historical and descriptive notes by John N. Burr COPYRIGHT, 1939, BY BOSTON SYMPHONY ORCHESTRA, lt\C. The OFFICERS and TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Ernest B. Dane President Henry B. Sawyer Vice-President Ernest B. Dane Treasurer Henry B. Cabot M. A. De Wolfe Howe Ernest B. Dane Roger I. Lee Alvan T. Fuller Richard C. Paine Jerome D. Greene Henry B. Sawyer N. Penrose Hallowell Edward A. Taft Bentley W. Warren G. E. Judd, Manager C. W. Spalding, Assistant Manager [1121] Complete FIDUCIARY SERVICE for INDIVIDUALS The fiduciary services of Old Colony Trust Company available to individuals are many and varied. We cite some of the fiduciary capacities in which we act. Executor and Administrator We settle estates as Executor and Administrator. Trustee We act as Trustee under wills and under voluntary or living trusts. Agent We act as Agent for those who wish to be relieved of the care of their investments. A The officers of Old Colony Trust Company are always glad to discuss estate and property matters with you and point out if and where our services are applicable. Old Colony Trust Company 17 COURT STREET, BOSTON Member ofthe Federal Deposit Insurance Corporation ^Allied witkTuE First National Bank g/'Boston [ 1122 ] SYMPHONIANA A Graceful Prelude to the Evening Hours is Cocktail Time at The Copley-Plaza A few steps from the /—* is Copley-Plaza's beautiful, spacious Restaurant — the focal center of social Boston Sketch of Koussevitzky from the Donald Greason Exhibition HONOR ROLL To climax a perfect day Further names are here added to the Supper Dancing in list of those who have heard the Boston Symphony Orchestra under each of its the gorgeous regular conductors. Those who began attending the concerts in the first term of Wilhelm Gericke and who heard one SUesiaio+i (loom of the anniversary concerts under Sir George Henschel in be in- 1930, may from 9 until 1 a. m. cluded. Names should be sent to Ed- ward A. Taft, Chairman of the Friends of the Orchestra, 1 Federal Street, You will thoroughly enjoy Boston. Mr. and Mrs. George W. Barber the entrancing music of Nye Mr. S. W. Dean Mayhew and His Orchestra Miss Louisa H. Fries Mrs. H. S. Hall of Sophisticated Melodies Mrs. Joseph M. Herman Miss Ida Hunneman Miss Emily J. Hurd Miss Lucy Lowell THE THE STATUES IN SYMPHONY HALL QofLledf-PlGya The Apollo of the Belvedere had BOSTON presided over symphonic music in Bos- ton for a long time before Symphony Arthur L. Race, Managing Director Hall was built. From a niche in the back wall of the old Music Hall, the famous statue looked down on the Bos- f 1123 ] ton Symphony Orchestra's first concert, in 1881, and on its last concert in the old hall, in 1899. When Symphony Hall was built, it was natural that the first statue to be chosen and placed should be The Apollo of the Belvedere. The original of the Apollo is in the Belvedere at the Vatican. It is a Roman replica of a Greek statue made by Leochares some time after the death of Alexander the Great. It was rediscov- ered near the end of the fifteenth cen- tury, on the property of Cardinal Julien de la Rovere, probably near Grotta Ferrata. When the Cardinal was elected Pope Julius II, he brought the Apollo with him to the Vatican, where it was established in the Belvedere, and where it has remained ever since. The companion to The Apollo of the Belvedere is The Diana of Versailles, probably also made by Leochares. The Diana has led far from a sedentary existence. It was brought from Italy into France during the reign of Francis the First, and placed in the Chateau of Meudon. As the royal favor shifted to other residences, The Diana was shifted about with the favorite royal effects, first going to Fontainebleau, then to the Louvre, where it remained until Louis XIV moved it to Versailles. There it stayed until "le 18 pluviose an VI" when it was returned to the Louvre, where it has remained ever since. The second statue of Apollo in Sym- phony Hall is the Apollo Citharoedus, which portrays a far more musically minded god than the Apollo Belvedere. This work is very likely that of Scopias, You can have all the loveliness of Fourth Century B.C. the new spring colors — Teal Blue, The statue is now in the Vatican, in Fuchsia, Plum or Violet. Lewandos which it was deposited upon its return careful dyeing gives you these from Paris, where it had been taken by colors for your Dresses, Suits or Napoleon, under the terms of the Treaty Topcoats from $3.50. of Tolentino. It had been found in Or choose from these six stylish 1774, near Tivoli. shades — Black, Navy, Ritz Blue, The long robe worn by Apollo is a Poppy Red, Dark Brown, Dark chorister's costume, and the instrument Green, from $2.75. he holds, a cithera, is a variety of lyre. It was not unusual to represent Apollo with a cithera; he appears with the same instrument on Roman coins of Nero's time. Lewandos The Dancing Faun, and The Faun Cleansers -:- Launderers with the Infant Bacchus, both are statues of dancing fauns, evidently keep- Dyers -:- Fur Storage ing time for themselves with the aid of the small cymbals they hold in their For Service-At-Your-Door, Telephone hands. The Faun with the Infant Bac- MIDdlesex 8500 chus is balancing on his shoulders the child, who holds on with one hand and with the other dangles a bunch of [ 1124] . grapes temptingly over his head. There are several known statues called Danc- ing Faun, but the one shown is among the most delightful of them all. The Hermes Logios does not repre- sent Mercury in at all the traditional manner. There is no winged hat or caduceus ; rather, the figure suggests a resting athlete. Although scholars have suggested other titles for this statue, the name of Hermes Logios has stayed with it. Anacreon was the chief Greek poet of love and wine. Two statues of him are in the Hall, of which The Standing Anacreon is the better known. Pausanias The Adam called this statue "suggestive of a man singing in his cups." The second statue With CAPEHART . of the poet, a more conservative ren- dering, is called The Sitting Anacreon. Conduct your own orchestra The Girl of Herculaneum was re- covered, along with many other fine Capehart Maestro Tone Con- statues, from the ruins of Herculaneum, trol enables the listener to adapt the city buried along with Pompeii. the tone of the Capehart to his in- Unlike most of the statues recovered dividual hearing. From fortissimo Herculaneum, which are in from Naples, to pianissimo, from bass to middle this statue is in Dresden. register and treble, you can com- The remaining statues are of the mand the tone of instruments orators Demosthenes and Aeschines, and and voices surely and effectively. the dramatists Sophocles and Euripedes. You can offer your guests a whole evening of music without LIST OF CASTS IN SYMPHONY HALL interruption, for Capehart is the As you face the stage, the casts on only Phonograph-radio combina- the right, beginning with the one near- tion with the exclusive Capehart est the stage, are as follows: record changer, handling from Faun with Infant Bacchus (Naples). three to twenty records, both 10- Apollo Citharoedus (Rome). inch and 12-inch, intermixed, and Girl of Herculaneum (Dresden). playing each record on both sides Dancing Faun (Rome). successively. No re-stacking or re- loading of the records . plus Demosthenes (Rome). radio whose many exclusive fea- Sitting Anacreon (Copenhagen). tures account for its reputation as Euripedes (Rome). the finest radio obtainable. Diana of Versailles (Paris). The casts on the left are: Resting Satyr of Praxiteles (Rome). Amazon (Berlin). Jl/0" Hermes Logios (Paris). Lemnian Athena (Dresden, head in Bologna). Sophocles (Rome). Standing Anacreon (Copenhagen). /Eschines (Naples). J. McKENNA Apollo Belvedere (Rome). 19 BRATTLE STREET The reliefs in the passage are: HARVARD SQ., CAMBRIDGE Bacchic Procession (Naples). Telephone, KIR. 0809 Orpheus, Eurydice, and Hermes (Naples). [1125] — Xhis Lovely Lady can be you . A perfect hat! Flattering lines. A brim that turns up in back, Just enough height to the crown — just enough depth to fit comfortably! Ribbon flowers and tissue sheer veiling give the soft, feminine look. Fine baku in fuchsia, bisque, purple, brown, navy, and black with white, 10.75. —Cfjanbler & Co. Tremont and West Streets [1126] FIFTY-EIGHTH SEASON, NINETEEN HUNDRED THIRTY-EIGHT AND THIRTY-NINE Twenty-fourth Programme FRIDAY AFTERNOON, April 28, at 2:30 o'clock SATURDAY EVENING, April 29, at 8:15 o'clock Rabaud "La Procession Nocturne," Symphonic Poem (after Lenau) Debussy "Gigues," "Images" for Orchestra, No.
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