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Boston Symphony Orchestra Concert Programs, Season 87

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Boston Symphony Orchestra Concert Programs, Season 87 r BOSTON SYMPHONY ORCHESTRA „. ,SVf/..^ •• , w .v/-^''''"' ^ '^<b£-;:.^''"'' EIGHTY-SEVENTH SEASON 1967-1968 Exquisite B Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description 3IGHTY-SEVENTH SEASON 1967-1968 30STON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. HENRY B. CABOT President TALCOTT M. BANKS Vice-President JOHN L. THORNDIKE Treasurer PHILIP K. ALLEN E. MORTON JENNINGS JR ABRAM BERKOWITZ EDWARD M. KENNEDY THEODORE P. FERRIS HENRY A. LAUGHLIN ROBERT H. GARDINER EDWARD G. MURRAY FRANCIS W. HATCH JOHN T. NOONAN ANDREW HEISKELL MRS JAMES H. PERKINS HAROLD D. HODGKINSON SIDNEY R. RABB RAYMOND S. WILKINS TRUSTEES EMERITUS PALFREY PERKINS LEWIS PERRY EDWARD A. TAFT THOMAS D. PERRY JR Manager S. NORMAN SHIRK JAMES J. BROSNAHAN Assistant Manager Business Administrator R. SANFORD SISTARE HARRY J. KRAUT Press and Publicity Assistant to the Manager ANDREW RAEBURN MARY H. SMITH Program Editor Executive Assistant Copyright 1968 by Boston Symphony Orchestra Inc. 1YMPHONY HALL BOSTON MASSACHUSETTS 1091 . Beethoven, Rubinstein, Boston iymphony under Leiiisilorf What more could you ask for! Piano Concerto No.3 Beethoven I Beethoven Piano Concerto No. 4 in G, Op. 58 Artur Rubinstein BEETHOVEN Artur Rubinstein * Boston Symphony Orchestra Boston Symphony Orchestra "EMPEROR" CONCERTO Erich Leinsdorf Erich Leinsdorf ,^ ARTUR RUBINSTEIN <Me 'Mritfoovloj&rdia BOSTON SYMPHONY ORCH./LEINSI jrcaYictoka* trusted in sound @The most name \J * Available on Stereo 8 Cartridge BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor FIRST VIOLINS CELLOS BASSOONS Joseph Silverstein Jules Eskin Sherman Walt Concertmaster Martin Hoherman Ernst Panenka Alfred Krips Mischa Nieland Matthew Ruggiero George Zazofsky Karl Zeise Rolland Tapley Robert Ripley CONTRA BASSOON John Sant Ambrogio Roger Shermont Richard Plaster Max Winder Luis Leguia Harry Dickson Stephen Geber HORNS Gottfried Wilfinger Carol Procter James Stagliano Fredy Ostrovsky Jerome Patterson Charles Yancich Leo Panasevich Ronald Feldman Noah Bielski Harry Shapiro Thomas Herman Silberman BASSES Newell Stanley Benson Paul Keaney Henry Portnoi Sheldon Rotenberg Ralph Pottle William Rhein Alfred Schneider Hearne Schulman Joseph TRUMPETS Julius Bela Wurtzler Gerald Gelbloom Armando Ghitalla Leslie Martin Raymond Sird Roger Voisin John Salkowski John Barwicki Andre Come SECOND VIOLINS Buell Neidlinger Gerard Goguen Clarence Knudson Robert Olson William Marshall TROMBONES Michel Sasson FLUTES William Gibson Samuel Diamond Josef Orosz Doriot Anthony Leonard Moss Dwyer Kauko Kahila William Waterhouse James Pappoutsakis Ayrton Pinto Phillip Kaplan TUBA Amnon Levy Chester Schmitz Laszlo Nagy PICCOLO Michael Vitale TIMPANI Victor Manusevitch Lois Schaefer Toshiyuki Kikkawa* Everett Firth Max Hobart OBOES John Korman PERCUSSION Ralph Christopher Kimber Gomberg Charles Smith Spencer Larrison John Holmes Arthur Press Hugh Matheny Assistant Timpanist Thomas Gauger VIOLAS ENGLISH HORN Burton Fine Reuben Green Laurence Thorstenberg HARPS Eugen Lehner Bernard Zighera Jerome Lipson CLARINETS Olivia Luetcke Robert Karol Gino Cioffi Akio Akaboshi* Pasquale Cardillo LIBRARIANS Bernard Kadinoff Peter Hadcock Vincent Mauricci Victor Alpert E\) Clarinet Earl Hedberg William Shisler Joseph Pietropaolo Robert Barnes BASS CLARINET STAGE MANAGER Yizhak Schotten Felix Viscuglia Alfred Robison WILLIAM MOYER Personnel Manager *members of the Japan Philharmonic Symphony Orchestra participating in a one season exchange with Messrs George Humphrey and Ronald Knudsen 1093 At the / Boston Symphony Concerts / this year, these Pianists . JOHN BROWNING RITA B0UB0ULIDI MALCOLM FRAGER GARY GRAFFMAN GRANT JOHANNESEN LILIAN KALLIR play only At Home or Away . *. STEINWAY Swirls of pastels on a carefree IN MASSACHUSETTS AND NEW HAMPSHIRE polyester robe! Backzippered. NEW STEINWAYS AVAILABLE ONLY FROM Petite, Small, Medium. $55.00 416 BOYLSTON STREET 54 CENTRAL STREET JUL STEINERT & SONS BOSTON 02116 WELLESLEY 162 BOYLSTON STREET • BOSTON KEnmore 6-6238 CEdar 5-3430 ALSO WORCESTER one SPRINGFIELD THE FUND FOR THE BOSTON SYMPHONY Why do corporations, like individuals, support the Symphony? 1. Because many employers and employees enjoy the concerts and are members of the Symphony family. 2. Because it is good business to do so. 3. Because corporations look upon themselves as citizens, too. Richard P. Chapman, chairman of New England Mer- chants National Bank, has said that an investment in culture is a direct investment in the kind of people we must have if Boston is to thrive. Charles Francis Adams, chairman of Raytheon Cor- poration, has said that the people Raytheon wants to attract are educated people with an interest in the arts. Many individuals and corporations have already made outstanding pledges to the Fund. Have you joined them in making your pledge? 1095 ^MM When it's Springtime . it just comes naturally { for a woman of distinction I to choose her new coat $ j from R. H. Stearns exciting collections. For example: | $ this coffee wool with | pearly buttons by Originala. BOSTON: At the start of The Freedom Trail, 140 Tremont Street, 482-0260. CHESTNUT HILL: 232-8100. SOUTH SHORE: 848-0300. Contents Program for February 23 and 24 1968 1099, Future programs 1149 Program notes Beethoven - Symphony no. 8 1100 by John N. Burk Ginastera - Piano concerto 1112 by Andrew Raeburn Strauss - Also sprach Zarathustra 1122 by John N. Burk The soloist 1136 The members of the Orchestra 1138 1097 This man is a dreadful lawyer In fact, he's no lawyer at all. But that didn't stop him from writing his own Will. (Why not save the legal fees? thought he.) The cost will be enormous. For example, when he dies, his estate will dwindle under taxes that a well-drawn Will can avoid. Worse — a good part of what's left after taxes, claims and settle- ment costs may well end up in the wrong hands. It's so easy to have your Will drawn by a lawyer . and so ex- pensive, so wasteful, so downright unfair to your heirs not to! See your lawyer about your Will. Keep it up to date. Maybe there will be a place for us in the picture, as executor or trustee. THE FIRST & OLD COLONY The First National Bank of Boston and Old Colony Trust Company 1098 EIGHTY-SEVENTH SEASON 1967-1968 Eighteenth Program Friday afternoon February 23 at 2 o'clock Saturday evening February 24 at 8.30 ERICH LEINSDORF conductor BEETHOVEN Symphony no. 8 in F major op. 93 Allegro vivace e con brio Allegretto scherzando Tempo di menuetto Allegro vivace GINASTERA Concerto for piano and orchestra (1961) Cadenza e varianti Scherzo allucinante Adagissimo Toccata concertata JOAO CARLOS MARTINS First performance in Boston INTERMISSION STRAUSS Also sprach Zarathustra, symphonic poem, op. 30 Joao Carlos Martins plays the Baldwin piano The concert will end at about 3.55 on Friday and at about 10.25 on Saturday BALDWIN PIANO RCA VICTOR RECORDS 1099 Program Notes LUDWIG VAN BEETHOVEN Symphony no. 8 in F major op. 93 Program note by John N. Burk Beethoven was born in Bonn in December 1770 (probably the 16th) and died in Vienna on March 26 1827. He completed the Eighth Symphony in 1812; the first performance took place at the Redoutensaal, Vienna, on February 27 1814. The Boston Symphony Orchestra first played the Symphony on February 17 and 18 1882 under George Henschel. Erich Leinsdorf conducted the most recent performances in this series on February 5 and 6 1965. The instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. Beethoven completed his Eighth Symphony, according to the inscripr tion on the autograph score, at Linz, October 1812. It followed upon the Seventh by about four months — a remarkably short time for Beethoven. Four years had intervened between the Sixth Symphony and the Seventh, and a still greater period, a full decade, was to elapse before the composer of the Eighth Symphony would turn definitely to his Ninth. The Seventh and Eighth, then, were a sort of pair, com- plementing each other: the mating of exuberant, inordinate energy with a refined, an unassuming distillation of that same exuberance. Professor Tovey divines in the Beethoven of the Eighth 'the unique sense of power which fires a man when he finds himself fit for a delicate 31 uou re aoina placed You'll travel with a special elan knowing
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