Routledge Worlds : Sumerian World
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Art 258: Ancient and Medieval Art Spring 2016 Sched#20203
Art 258: Ancient and Medieval Art Spring 2016 Sched#20203 Dr. Woods: Office: Art 559; e-mail: [email protected] Office Hours: Monday and Friday 8:00-8:50 am Course Time and Location: MWF 10:00 – 10:50 HH221 Course Overview Art 258 is an introduction to western art from the earliest cave paintings through the age of Gothic Cathedrals. Sculpture, painting, architecture and crafts will be analyzed from an interdisciplinary perspective, for what they reveal about the religion, mythology, history, politics and social context of the periods in which they were created. Student Learning Outcomes Students will learn to recognize and identify all monuments on the syllabus, and to contextualize and interpret art as the product of specific historical, political, social and economic circumstances. Students will understand the general characteristics of each historical or stylistic period, and the differences and similarities between cultures and periods. The paper assignment will develop students’ skills in visual analysis, critical thinking and written communication. This is an Explorations course in the Humanities and Fine Arts. Completing this course will help you to do the following in greater depth: 1) analyze written, visual, or performed texts in the humanities and fine arts with sensitivity to their diverse cultural contexts and historical moments; 2) describe various aesthetic and other value systems and the ways they are communicated across time and cultures; 3) identify issues in the humanities that have personal and global relevance; 4) demonstrate the ability to approach complex problems and ask complex questions drawing upon knowledge of the humanities. Course Materials Text: F. -
Money, History and Energy Accounting Essay Author: Skip Sievert June 2008 Open Source Information
Some Historic aspects of money... Money, History and Energy accounting Essay author: Skip Sievert June 2008 open source information. The Technocracy Technate design uses Energy accounting as the viable alternative to the current Price System. Energy Accounting- Fezer. The Emergence of money The use of barter like methods may date back to at least 100,000 years ago. To organize production and to distribute goods and services among their populations, pre- market economies relied on tradition, top-down command, or community cooperation. Relations of reciprocity and/or redistribution substituted for market exchange. Trading in red ochre is attested in Swaziland. Shell jewellery in the form of strung beads also dates back to this period and had the basic attributes needed of commodity money. In cultures where metal working was unknown... shell or ivory jewellery was the most divisible, easily stored and transportable, relatively scarce, and impossible to counterfeit type of object that could be made into a coveted stylized ornament or trading object. It is highly unlikely that there were formal markets in 100,000 B.P. Nevertheless... something akin to our currently used concept of money was useful in frequent transactions of hunter-gatherer cultures, possibly for such things as bride purchase, prostitution, splitting possessions upon death, tribute, obtaining otherwise scarce objects or material, inter-tribal trade in hunting ground rights.. and acquiring handcrafted implements. All of these transactions suffer from some basic problems of barter — they require an improbable coincidence of wants or events. History of the beginnings of our current system Sumerian shell money below. Sumer was a collection of city states around the Lower Tigris and Euphrates rivers in what is now southern Iraq. -
The Sumerian King List the Sumerian King List (SKL) Dates from Around 2100 BCE—Near the Time When Abram Was in Ur
BcResources Genesis The Sumerian King List The Sumerian King List (SKL) dates from around 2100 BCE—near the time when Abram was in Ur. Most ANE scholars (following Jacobsen) attribute the original form of the SKL to Utu-hejel, king of Uruk, and his desire to legiti- mize his reign after his defeat of the Gutians. Later versions included a reference or Long Chronology), 1646 (Middle to the Great Flood and prefaced the Chronology), or 1582 (Low or Short list of postdiluvian kings with a rela- Chronology). The following chart uses tively short list of what appear to be the Middle Chronology. extremely long-reigning antediluvian Text. The SKL text for the following kings. One explanation: transcription chart was originally in a narrative form or translation errors resulting from and consisted of a composite of several confusion of the Sumerian base-60 versions (see Black, J.A., Cunningham, and the Akkadian base-10 systems G., Fluckiger-Hawker, E, Robson, E., of numbering. Dividing each ante- and Zólyomi, G., The Electronic Text diluvian figure by 60 returns reigns Corpus of Sumerian Literature (http:// in harmony with Biblical norms (the www-etcsl.orient.ox.ac.uk/), Oxford bracketed figures in the antediluvian 1998-). The text was modified by the portion of the chart). elimination of manuscript references Final versions of the SKL extended and by the addition of alternative the list to include kings up to the reign name spellings, clarifying notes, and of Damiq-ilicu, king of Isin (c. 1816- historical dates (typically in paren- 1794 BCE). thesis or brackets). The narrative was Dates. -
Table of Contents
TABLE OF CONTENTS Language Cited: Hamito-Semitic xv Language Cited: Indo-European xv Abbreviations for some Dictionaries and References xvi Grammatical Terminology and Other Abbreviations and Symbols xvii PREFACE 1 CHAPTER ONE HAMITO-SEMITIC LANGUAGE FAMILY 5 1.1 Hamito-Semitic languages 5 1.1.1 Semitic languages 6 1.1.1.1 Acadian 6 1.1.1.2 Canaanite 6 1.1.1.3 Aramaic 7 1.1.1.4 Classical Arabic 7 1.1.1.5 South Arabic 8 1.1.1.6 Ethiopie or Gefez 8 1.1.2 Hamitic languages 8 1.1.2.1 Egyptian 8 1.1.2.2 Berber 8 1.1.2.3 Cushitic 9 1.1.2.4 Chadic 9 1.2 Late PHS sound system 10 1.2.1 Sound correspondences between Semitic and Egyptian 11 1.2.1.1 Stops 18 1.2.1.2 Fricatives 20 1.2.1.3 Nasals 24 1.2.1.4 Laterals 24 1.2.1.5 R-sound 24 1.2.1.6 Glides 25 1.2.1.7 Consonants /s/, /h/ and ImJ 26 1.2.2 Vowels 29 1.2.3 Diphthongs 33 1.3 Hamito-Semitic grammatical system 34 1.3.1 stem I 35 1.3.2 stem II 35 1.3.3 stem III 35 1.3.4 stem IV 36 1.3.4.1 Other HS causative prefixes 36 1.3.4.2 Hamito-Semitic causative affixes and world’s languages 38 1.3.5 stem V 38 1.3.6 stem VI 39 1.3.7 stem VII 39 1.3.8 stem VIII 40 1.3.9 stem IX 40 1.3.10 stemX 41 1.3.11 stem XI 41 1.3.12 stem XII 41 1.3.13 Some other stems 41 CHAPTER TWO SUMERIAN 43 2.1 Introduction 43 2.1.1 Sumerian dialects: Emegir and Emesal 44 2.1.2 Sumerian and other languages 48 2.1.3 Typological classification of Sumerian 51 2.1.3.1 Typology and stages of language development 52 2.1.4 Sumerian writing system 54 CHAPTER THREE SUMERIAN AND HAMITO-SEMITIC: SOUNDS AND LEXICONS 57 3.1 Introduction 57 3.1.1 -
{PDF} Ancient Civilizations the Near East and Mesoamerica 2Nd Edition
ANCIENT CIVILIZATIONS THE NEAR EAST AND MESOAMERICA 2ND EDITION PDF, EPUB, EBOOK C C Lamberg-Karlovsky | 9780881338348 | | | | | Ancient Civilizations The near East and Mesoamerica 2nd edition PDF Book Thanks to their artwork, we have a very good idea of how they looked: men of short stature, but with muscular bodies, that shaved their faces and heads. Their known homeland was centred on Subartu , the Khabur River valley, and later they established themselves as rulers of small kingdoms throughout northern Mesopotamia and Syria. Add to Wishlist. They are the most striking constructions in their monumental funerary complex, the position of which symbolized the journey of the deceased ruler to the western realm of the dead. The River Nile was the center of Egyptian life. Rating details. Later dynasties promoted the worship of Ra, the solar god who ruled the world. Deanne rated it really liked it Feb 15, Scholars even have used the term 'Aramaization' for the Assyro-Babylonian peoples' languages and cultures, that have become Aramaic-speaking. Laurelyn Anne added it Oct 23, It has Nefertiti on the front, need I say more? Luwian was also the language spoken in the Neo-Hittite states of Syria , such as Melid and Carchemish , as well as in the central Anatolian kingdom of Tabal that flourished around BC. Priests were seers who predicted the future, acted as oracles, explained dreams, and offered sacrifices. The great Sumerian invention was cuneiform writing, which made it possible to share their thoughts and the events that affected them with future generations. A'annepada Meskiagnun Elulu Balulu. Rick rated it it was amazing Oct 19, Twenty-seventh Dynasty of Egypt Achaemenid conquest of Egypt. -
NINAZU, the PERSONAL DEITY of GUDEA Toshiko KOBAYASHI*
NINAZU, THE PERSONAL DEITY OF GUDEA -The Continuity of Personal Deity of Rulers on the Royal Inscriptions of Lagash- Toshiko KOBAYASHI* I. Introduction 1. Historical materials from later periods For many years, I have examined the personal deities of rulers in Pre- Sargonic Lagash.(1) There are not many historical materials about the personal deities from Pre-Sargonic times. In as much as the materials are limited chiefly to the personal deities recorded in the royal inscriptions, not all aspects of personal deities are clear. In my paper "On Ninazu, as Seen in the Economic Texts of the Early Dynastic Lagas (1)" in Orient XXVIII, I discussed Ninazu, who appears in the administrative-economic texts of Pre-Sargonic Lagash. Ninazu appears only in the offering-lists in the reign of Uruinimgina, the last ruler of Pre-Sargonic Lagash. Based only on an analysis of the offering-lists, I argued that Ninazu was the personal deity of a close relative of Uruinimgina. In my investigation thus far of the extant historical materials from Pre-Sargonic Lagash, I have not found any royal inscriptions and administrative-economic texts that refer to Ninazu as dingir-ra-ni ("his deity"), that is, as his personal deity. However, in later historical materials two texts refer to Ninazu as "his deity."(2) One of the texts is FLP 2641,(3) a royal inscription by Gudea, engraved on a clay cone. The text states, "For his deity Ninazu, Gudea, ensi of Lagash, built his temple in Girsu." Gudea is one of the rulers belonging to prosperous Lagash in the Pre-Ur III period; that is, when the Akkad dynasty was in decline, after having been raided by Gutium. -
Art List by Year
ART LIST BY YEAR Page Period Year Title Medium Artist Location 36 Mesopotamia Sumerian 2600 Standard of Ur Inlaid Box British Museum 36 Mesopotamia Sumerian 2600 Stele of the Vultures (Victory Stele of Eannatum) Limestone Louvre 38 Mesopotamia Sumerian 2600 Bull Headed Harp Harp British Museum 39 Mesopotamia Sumerian 2600 Banquet Scene cylinder seal Lapis Lazoli British Museum 40 Mesopotamia Akkadian 2254 Victory Stele of Narum-Sin Sandstone Louvre 42 Mesopotamia Akkadian 2100 Gudea Seated Diorite Louvre 43 Mesopotamia Akkadian 2100 Gudea Standing Calcite Louvre 44 Mesopotamia Babylonian 1780 Stele of Hammurabi Basalt Louvre 45 Mesopotamia Assyrian 1350 Statue of Queen Napir-Asu Bronze Louvre 46 Mesopotamia Assyrian 750 Lamassu (man headed winged bull 13') Limestone Louvre 48 Mesopotamia Assyrian 640 Ashurbanipal hunting lions Relief Gypsum British Museum 65 Egypt Old Kingdom 2500 Seated Scribe Limestone Louvre 75 Egypt New Kingdom 1400 Nebamun hunting fowl Fresco British Museum 75 Egypt New Kingdom 1400 Nebamun funery banquet Fresco British Museum 80 Egypt New Kingdom 1300 Last Judgement of Hunefer Papyrus Scroll British Museum 81 Egypt First Millenium 680 Taharqo as a sphinx (2') Granite British Museum 110 Ancient Greece Orientalizing 625 Corinthian Black Figure Amphora Vase British Museum 111 Ancient Greece Orientalizing 625 Lady of Auxerre (Kore from Crete) Limestone Louvre 121 Ancient Greece Archaic 540 Achilles & Ajax Vase Execias Vatican 122 Ancient Greece Archaic 510 Herakles wrestling Antaios Vase Louvre 133 Ancient Greece High -
Illustrated and Descriptive Catalogue and Price List of Stereopticons
—. ; I, £3,v; and Descriptive , Illustrated ;w j CATALOGUE AND PRICE LIST- t&fs — r~* yv4 • .'../-.it *.•:.< : .. 4^. ; • ’• • • wjv* r,.^ N •’«* - . of . - VJ r .. « 7 **: „ S ; \ 1 ’ ; «•»'•: V. .c; ^ . \sK? *• .* Stereopticons . * ' «». .. • ” J- r . .. itzsg' Lantern Slides 1 -f ~ Accessories for Projection Stereopticon and Film Exchange W. B. MOORE, Manager. j. :rnu J ; 104 to no Franlclin Street ‘ Washington . (Cor. CHICAGO INDEX TO LANTERNS, ETC. FOR INDEX TO SLIDES SEE INDEX AT CLOSE OF CATALOGUE. Page Acetylene Dissolver 28 Champion Lantern 3g to 42 “ Gas 60 Check Valve S3 •* 1 • .• Gas Burner.... ; 19 Chemicals, Oxygen 74, 81 ** < .' I j Gas Generator.. ; 61 to 66 Chirograph 136 “ Gas Generator, Perfection to 66 64 Chlorate of Potash, tee Oxygen Chemicals 74 Adapter from to sire lenses, see Chromatrope.... 164 Miscellaneous....... 174 Cloak, How Made 151 Advertising Slides, Blank, see Miscellaneous.. 174 ** Slides 38010,387 " Slides 144 Color Slides or Tinters .^140 “ Slides, Ink for Writing, see Colored Films 297 Miscellaneous, 174 Coloring Films 134 “ Posters * *...153 " Slides Alcohol Vapor Mantle Light 20A v 147 Combined Check or Safety Valve 83 Alternating.Carbons, Special... 139 Comic and Mysterious Films 155 Allen Universal Focusing Lens 124, 125 Comparison of Portable Gas Outfits 93, 94 America, Wonders cf Description, 148 “Condensing Lens 128 Amet's Oro-Carbi Light 86 to 92, 94 " Lens Mounting 128 •Ancient Costumes ....! 131 Connections, Electric Lamp and Rheostat... 96, 97 Approximate Length of Focus 123 " Electric Stage 139 Arc Lamp 13 to 16 Costumes 130 to 152, 380 to 3S7 ** Lamp and Rheostat, How to Connect 96 Cover Glasses, see Miscellaneous ,....174 Arnold's Improved Calcium Light Outfit. -
After the Battle Is Over: the Stele of the Vultures and the Beginning Of
To raise the ofthe natureof narrative is to invite After the Battle Is Over: The Stele question reflectionon the verynature of culture. Hayden White, "The Value of Narrativity . ," 1981 of the Vultures and the Beginning of Historical Narrative in the Art Definitions of narrative, generallyfalling within the purviewof literarycriticism, are nonethelessimportant to of the Ancient Near East arthistorians. From the simpleststarting point, "for writing to be narrative,no moreand no less thana tellerand a tale are required.'1 Narrativeis, in otherwords, a solutionto " 2 the problemof "how to translateknowing into telling. In general,narrative may be said to make use ofthird-person cases and of past tenses, such that the teller of the story standssomehow outside and separatefrom the action.3But IRENE J. WINTER what is importantis thatnarrative cannot be equated with thestory alone; it is content(story) structured by the telling, University of Pennsylvania forthe organization of the story is whatturns it into narrative.4 Such a definitionwould seem to providefertile ground forart-historical inquiry; for what, after all, is a paintingor relief,if not contentordered by the telling(composition)? Yet, not all figuraiworks "tell" a story.Sometimes they "refer"to a story;and sometimesthey embody an abstract concept withoutthe necessaryaction and settingof a tale at all. For an investigationof visual representation, it seems importantto distinguishbetween instancesin which the narrativeis vested in a verbal text- the images servingas but illustrationsof the text,not necessarily"narrative" in themselves,but ratherreferences to the narrative- and instancesin whichthe narrativeis located in the represen- tations,the storyreadable throughthe images. In the specificcase of the ancientNear East, instances in whichnarrative is carriedthrough the imageryitself are rare,reflecting a situationfundamentally different from that foundsubsequently in the West, and oftenfrom that found in the furtherEast as well. -
Downloadable (Ur 2014A)
oi.uchicago.edu i FROM SHERDS TO LANDSCAPES oi.uchicago.edu ii oi.uchicago.edu iii FROM SHERDS TO LANDSCAPES: STUDIES ON THE ANCIENT NEAR EAST IN HONOR OF McGUIRE GIBSON edited by MARK ALTAWEEL and CARRIE HRITZ with contributions by ABBAS ALIZADEH, BURHAN ABD ALRATHA ALRATHI, MARK ALTAWEEL, JAMES A. ARMSTRONG, ROBERT D. BIGGS, MIGUEL CIVIL†, JEAN M. EVANS, HUSSEIN ALI HAMZA, CARRIE HRITZ, ERICA C. D. HUNTER, MURTHADI HASHIM JAFAR, JAAFAR JOTHERI, SUHAM JUWAD KATHEM, LAMYA KHALIDI, KRISTA LEWIS, CARLOTTA MAHER†, AUGUSTA MCMAHON, JOHN C. SANDERS, JASON UR, T. J. WILKINSON†, KAREN L. WILSON, RICHARD L. ZETTLER, and PAUL C. ZIMMERMAN STUDIES IN ANCIENT ORIENTAL CIVILIZATION • VOLUME 71 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO CHICAGO • ILLINOIS oi.uchicago.edu iv ISBN (paperback): 978-1-61491-063-3 ISBN (eBook): 978-1-61491-064-0 Library of Congress Control Number: 2021936579 ISSN: 0081-7554 The Oriental Institute, Chicago © 2021 by the University of Chicago. All rights reserved. Published 2021. Printed in the United States of America Series Editors Charissa Johnson, Steven Townshend, Leslie Schramer, and Thomas G. Urban with the assistance of Rebecca Cain and Emily Smith and the production assistance of Jalissa A. Barnslater-Hauck and Le’Priya White Cover Illustration Drawing: McGuire Gibson, Üçtepe, 1978, by Peggy Sanders Design by Steven Townshend Leaflet Drawings by Peggy Sanders Printed by ENPOINTE, Brooklyn Park, Minnesota, USA This paper meets the requirements of ANSI Z39.48-1984 (Permanence of Paper) ∞ oi.uchicago.edu v TABLE OF CONTENTS List of Abbreviations ................................................................................. vii Editor’s Note ........................................................................................ ix Introduction. Richard L. -
Terms and Facts- Hierarchical Scale
Terms and facts- Hierarchical scale From the Prehistoric and Neolithic- Post and Lintel, Megalith, tumulus, henge From Mesopotamia- The Code of Hammurabi, Shamash, Lamassu, Ziggurat, load bearing architecture, The Sumerians, the Akkadians, the Assyrians, the Babylonians, Stele or Stela From Minoa- Labrys, The myth of King Minos and the Minotaur From Mycenae- Corbelled vaults and domes, repousse, Tholos, Megaron, krater From Ancient Egypt- Ben-ben, mastaba, Imhotep, Ma’at, Canon (of artistic laws), cartouche, Canopic jars, Shabti or ushabti, the imagery of nine in connection to the pharaoh, the Amarna Period From Ancient Greece- Polykleitos, Humanism, contrapposto, Exekias, kouros and Kore, archaic smile, Praxiteles, some Greek mythology-especially the main gods and goddesses, meander (key design) Know the seven steps to lost wax casting Know the basic architecture of a Greek Temple-peristyle, the three column orders, (Doric, Ionic, Corinthian), stylobate, cella, shaft, caryatids, pediment, capital The two styles of Greek vase painting-black figure and red figure-the basic differences in look You should look up exam one of these myths and know the basic story or the main story about the character listed: Prometheus and Fire Apollo and Daphne Pygmalion and Galatea Niobe Persephone and Hades Pandora Tantalus-Son of Zeus The Danaides Alcyone and Ceyx Idas and Marpessa The Fall of Icarus Theseus and the Minotaur Perseus and the Medusa Jason and Medea Hercules and the Stymphalian Birds Chapter 2.9 Sculpture PART 2 MEDIA AND PROCESSES Seven steps in the lost-wax casting process Build and armature, sculpt the piece (clay), cover with ½ “ layer of wax, cover the entire piece with debris mixture, heat the entire work to melt out the wax through pre-drilled hole, pour the molten metal into the work through pre-drilled holes, break away the debris layer, clean and polishGateways to Art: Understanding the Visual Arts, Debra J. -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6