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Geography and Archaeology of the Palm Islands and Adjacent Continental Shelf of North Queensland
ResearchOnline@JCU This file is part of the following work: O’Keeffe, Mornee Jasmin (1991) Over and under: geography and archaeology of the Palm Islands and adjacent continental shelf of North Queensland. Masters Research thesis, James Cook University of North Queensland. Access to this file is available from: https://doi.org/10.25903/5bd64ed3b88c4 Copyright © 1991 Mornee Jasmin O’Keeffe. If you believe that this work constitutes a copyright infringement, please email [email protected] OVER AND UNDER: Geography and Archaeology of the Palm Islands and Adjacent Continental Shelf of North Queensland Thesis submitted by Mornee Jasmin O'KEEFFE BA (QId) in July 1991 for the Research Degree of Master of Arts in the Faculty of Arts of the James Cook University of North Queensland RECORD OF USE OF THESIS Author of thesis: Title of thesis: Degree awarded: Date: Persons consulting this thesis must sign the following statement: "I have consulted this thesis and I agree not to copy or closely paraphrase it in whole or in part without the written consent of the author,. and to make proper written acknowledgement for any assistance which ',have obtained from it." NAME ADDRESS SIGNATURE DATE THIS THESIS MUST NOT BE REMOVED FROM THE LIBRARY BUILDING ASD0024 STATEMENT ON ACCESS I, the undersigned, the author of this thesis, understand that James Cook University of North Queensland will make it available for use within the University Library and, by microfilm or other photographic means, allow access to users in other approved libraries. All users consulting this thesis will have to sign the following statement: "In consulting this thesis I agree not to copy or closely paraphrase it in whole or in part without the written consent of the author; and to make proper written acknowledgement for any assistance which I have obtained from it." Beyond this, I do not wish to place any restriction on access to this thesis. -
Traditional Owners and Sea Country in the Southern Great Barrier Reef – Which Way Forward?
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ResearchOnline at James Cook University Final Report Traditional Owners and Sea Country in the Southern Great Barrier Reef – Which Way Forward? Allan Dale, Melissa George, Rosemary Hill and Duane Fraser Traditional Owners and Sea Country in the Southern Great Barrier Reef – Which Way Forward? Allan Dale1, Melissa George2, Rosemary Hill3 and Duane Fraser 1The Cairns Institute, James Cook University, Cairns 2NAILSMA, Darwin 3CSIRO, Cairns Supported by the Australian Government’s National Environmental Science Programme Project 3.9: Indigenous capacity building and increased participation in management of Queensland sea country © CSIRO, 2016 Creative Commons Attribution Traditional Owners and Sea Country in the Southern Great Barrier Reef – Which Way Forward? is licensed by CSIRO for use under a Creative Commons Attribution 4.0 Australia licence. For licence conditions see: https://creativecommons.org/licenses/by/4.0/ National Library of Australia Cataloguing-in-Publication entry: 978-1-925088-91-5 This report should be cited as: Dale, A., George, M., Hill, R. and Fraser, D. (2016) Traditional Owners and Sea Country in the Southern Great Barrier Reef – Which Way Forward?. Report to the National Environmental Science Programme. Reef and Rainforest Research Centre Limited, Cairns (50pp.). Published by the Reef and Rainforest Research Centre on behalf of the Australian Government’s National Environmental Science Programme (NESP) Tropical Water Quality (TWQ) Hub. The Tropical Water Quality Hub is part of the Australian Government’s National Environmental Science Programme and is administered by the Reef and Rainforest Research Centre Limited (RRRC). -
Many Voices Queensland Aboriginal and Torres Strait Islander Languages Action Plan
Yetimarala Yidinji Yi rawarka lba Yima Yawa n Yir bina ach Wik-Keyangan Wik- Yiron Yam Wik Pa Me'nh W t ga pom inda rnn k Om rungu Wik Adinda Wik Elk Win ala r Wi ay Wa en Wik da ji Y har rrgam Epa Wir an at Wa angkumara Wapabura Wik i W al Ng arra W Iya ulg Y ik nam nh ar nu W a Wa haayorre Thaynakwit Wi uk ke arr thiggi T h Tjung k M ab ay luw eppa und un a h Wa g T N ji To g W ak a lan tta dornd rre ka ul Y kk ibe ta Pi orin s S n i W u a Tar Pit anh Mu Nga tra W u g W riya n Mpalitj lgu Moon dja it ik li in ka Pir ondja djan n N Cre N W al ak nd Mo Mpa un ol ga u g W ga iyan andandanji Margany M litja uk e T th th Ya u an M lgu M ayi-K nh ul ur a a ig yk ka nda ulan M N ru n th dj O ha Ma Kunjen Kutha M ul ya b i a gi it rra haypan nt Kuu ayi gu w u W y i M ba ku-T k Tha -Ku M ay l U a wa d an Ku ayo tu ul g m j a oo M angan rre na ur i O p ad y k u a-Dy K M id y i l N ita m Kuk uu a ji k la W u M a nh Kaantju K ku yi M an U yi k i M i a abi K Y -Th u g r n u in al Y abi a u a n a a a n g w gu Kal K k g n d a u in a Ku owair Jirandali aw u u ka d h N M ai a a Jar K u rt n P i W n r r ngg aw n i M i a i M ca i Ja aw gk M rr j M g h da a a u iy d ia n n Ya r yi n a a m u ga Ja K i L -Y u g a b N ra l Girramay G al a a n P N ri a u ga iaba ithab a m l j it e g Ja iri G al w i a t in M i ay Giy L a M li a r M u j G a a la a P o K d ar Go g m M h n ng e a y it d m n ka m np w a i- u t n u i u u u Y ra a r r r l Y L a o iw m I a a G a a p l u i G ull u r a d e a a tch b K d i g b M g w u b a M N n rr y B thim Ayabadhu i l il M M u i a a -
Visitor Responses to Palm Island in the 1920S and 1930S1
‘Socialist paradise’ or ‘inhospitable island’? Visitor responses to Palm Island in the 1920s and 1930s1 Toby Martin Tourists visiting Queensland’s Palm Island in the 1920s and 1930s followed a well-beaten path. They were ferried there in a launch, either from a larger passenger ship moored in deeper water, or from Townsville on the mainland. Having made it to the shallows, tourists would be carried ‘pick a back’ by a ‘native’ onto a ‘palm-shaded’ beach. Once on the grassy plains that stood back from the beach, they would be treated to performances such as corroborees, war dances and spear-throwing. They were also shown the efforts of the island’s administration: schools full of happy children, hospitals brimming with bonny babies, brass band performances and neat, tree-fringed streets with European- style gardens. Before being piggy-backed to their launches, the tourist could purchase authentic souvenirs, such as boomerangs and shields. As the ship pulled away from paradise, tourists could gaze back and reflect on this model Aboriginal settlement, its impressive ‘native displays’, its ‘efficient management’ and the ‘noble work’ of its staff and missionaries.2 By the early 1920s, the Palm Island Aboriginal reserve had become a major Queensland tourist destination. It offered tourists – particularly those from the southern states or from overseas – a chance to see Aboriginal people and culture as part of a comfortable day trip. Travellers to and around Australia had taken a keen interest in Aboriginal culture and its artefacts since Captain Cook commented on the ‘rage for curiosities amongst his crew’.3 From the 1880s, missions such as Lake Tyers in Victoria’s Gippsland region had attracted 1 This research was undertaken with the generous support of the State Library of NSW David Scott Mitchell Fellowship, and the ‘Touring the Past: History and Tourism in Australia 1850-2010’ ARC grant, with Richard White. -
Highways Byways
Highways AND Byways THE ORIGIN OF TOWNSVILLE STREET NAMES Compiled by John Mathew Townsville Library Service 1995 Revised edition 2008 Acknowledgements Australian War Memorial John Oxley Library Queensland Archives Lands Department James Cook University Library Family History Library Townsville City Council, Planning and Development Services Front Cover Photograph Queensland 1897. Flinders Street Townsville Local History Collection, Citilibraries Townsville Copyright Townsville Library Service 2008 ISBN 0 9578987 54 Page 2 Introduction How many visitors to our City have seen a street sign bearing their family name and wondered who the street was named after? How many students have come to the Library seeking the origin of their street or suburb name? We at the Townsville Library Service were not always able to find the answers and so the idea for Highways and Byways was born. Mr. John Mathew, local historian, retired Town Planner and long time Library supporter, was pressed into service to carry out the research. Since 1988 he has been steadily following leads, discarding red herrings and confirming how our streets got their names. Some remain a mystery and we would love to hear from anyone who has information to share. Where did your street get its name? Originally streets were named by the Council to honour a public figure. As the City grew, street names were and are proposed by developers, checked for duplication and approved by Department of Planning and Development Services. Many suburbs have a theme. For example the City and North Ward areas celebrate famous explorers. The streets of Hyde Park and part of Gulliver are named after London streets and English cities and counties. -
The Genesis of Thea Astley's the Multiple Effects of Rainshadow
The Genesis of Thea Astley’s The Multiple Effects of Rainshadow CHERYL TAYLOR JAMES COOK UNIVERSITY My purpose in this essay, which extends a project commenced a decade ago (Taylor 2009), is to analyse the sources of Thea Astley’s The Multiple Effects of Rainshadow, including but going beyond the list provided in the author’s ‘Acknowledgments.’ In truth, Astley’s achievement in Multiple Effects as in her other fiction far surpasses the sum of contributions that she derived from earlier writings. The mostly forgotten books that she lists as ‘[i]mpulses’ and her bequest to the Fryer Library of her newspaper sources and hand-written notes suggest that she may have welcomed a study of this novel’s genesis. The essay begins with an overview of the place of Multiple Effects in Astley’s oeuvre and the literary and political contexts for Astley’s increasing engagement with the history of Aboriginal dispossession. It then turns in detail to the novel itself and offers an excavation of the sources that inform its historical narrative. In doing this I hope to demonstrate something about Astley’s creative process: the extent and detail of her research, the ways in which her novel creatively reworks this archive, and some of the effects of that on the kind of history that Astley tells. Following the publication in 1994 of Coda, intended as the title indicates to be Astley’s last novel, the Keating Labor government awarded her a five-year Creative Fellowship of $325,000. Thus encouraged, after ‘one year of musing and two years of writing’ (Sayer 18) at Cambewarra on the NSW south coast, Astley published Multiple Effects in August 1996. -
T1 Stakeholder, Traditional Owner & Community Engagement Assessment
T1: STAKEHOLDER, TRADITIONAL OWNER AND COMMUNITY ENGAGEMENT ASSESSMENT A report provided to the Australian Government by the Reef Restoration and Adaptation Program Taylor B1, Vella K2, Maclean K1, Newlands M3, Ritchie B4, Lockie S3, Lacey J1, Baresi U2, Barber M1, Siehoyono Sie L4, Martin M3, Marshall N1, Koopman D5 1Commonwealth Scientific and Industrial Research Organisation 2Queensland University of Technology 3James Cook University 4University of Queensland 5Australian Institute of Marine Science September 2019 Inquiries should be addressed to: Dr Bruce Taylor [email protected] This report should be cited as Taylor B, Vella K, Maclean K, Newlands M, Ritchie B, Lockie S, Lacey J, Baresi U, Barber M, Siehoyono Sie L, Martin M, Marshall N, Koopman D (2019) Reef Restoration and Adaptation Program: Stakeholder, Traditional Owner and Community Engagement Assessment. A report provided to the Australian Government by the Reef Restoration and Adaptation Program (95 pp). Copyright Except insofar as copyright in this document's material vests in third parties the material contained in this document constitutes copyright owned and/or administered by the Australian Institute of Marine Science (AIMS). AIMS reserves the right to set out the terms and conditions for the use of such material. Wherever a third party holds copyright in material presented in this document, the copyright remains with that party. Their permission may be required to use the material. AIMS has made all reasonable efforts to clearly label material where the copyright is owned by a third party and ensure that the copyright owner has consented to this material being presented in this document. Acknowledgement This work was undertaken for the Reef Restoration and Adaptation Program, a collaboration of leading experts, to create a suite of innovative measures to help preserve and restore the Great Barrier Reef. -
Message Stickyour Way Forward
Message StickYour way forward September 2019 A proposal for furthering the Uluru Statement from the Heart Ewamian Tatampi Puranga Aboriginal Corporation RNTBC Ewamian Aboriginal Corporation Doing Deadly Things& In Eco-Tourism NAIDOC NAIDOC WEEK: POSTERS OF THE PAST 2019 1972 TO PRESENT VOICE. TREATY. TRUTH. NATIVE TITLE Djabugay culture lights up Redlynch Ngarraboolgan gets Djungan Cultural Sign Update from the Chief Executive Officer Engagement & Development Support Unit Update Message from Madam Chair Pictured: Dennis Hunter, Djabugay Traditional Owner Traditional Djabugay Dennis Hunter, Pictured: Your way forward Message Update Native Title Update: From From The Compensation Engagement & Madam CEO Development Chair Support Team A Proposal Ewamian Djabugay NAIDOC for Furthering Doing Deadly Culture 2019: the Uluru Things In Lights up VOICE. Statement Eco-Tourism Redlynch TREATY. from the TRUTH. Heart NAIDOC Week Ngarraboolgan Posters Of gets Djungan The Past: Cultural Sign 1972-NOW Message Stick is published by the North Queensland Land Council Native Title Representative Body Aboriginal Corporation Body Aboriginal Corporation Representative Title by the North Queensland Land Council Native Stick is published Message is information Any resale. for Stick is not Message CEO. of the NQLC consent in whole, or part, without the written reproduced and should not be to NQLC copyright Stick are of Message (ICN 1996). The contents of by the Department provided from funding Stick is made possible Message of significance. sites deceased individuals or cultural contain used that any images for time of writing. The publisher apologises at correct Michelle Liddy on 1800 814 779 or [email protected]. the editor contact Stick, please Message queries regarding Any and Cabinet. -
Issue #3, June 2017
Issue #3, June 2017 Introducing Palm Island “We want to build a closer relationship between Queensland’s Indigenous Campbell Page have been assisting in the Communities and the Ambulance Service development of the community on Palm Island for 3 that can help us to get a better years. In that time we have seen some fantastic understanding of the health needs of stories come from the programs that we run, and Aboriginal and Torres Strait Islander now we want to share our success stories with you. people.” – Selina As of June, we currently have 41 staff members running 10 programs for job seekers and 286 out of Both ladies believe that they can help the a possible 328 participants are attending our programs. health care system better understand the needs of Aboriginal and Torres Strait Islander In Issue #3 of our newsletter read about: people by incorporating local and cultural How two Palm Island women follow their knowledge to enhance the level of service dreams and achieve their goals they provide. Ian Palmers journey The whole Palm Island community is How we acknowledged our roots and our extremely proud and cannot wait to see them tribe during Bwgcolman celebrations around the Island again in their new uniforms. The International Women’s Day lunch held on Congratulations Selina and Keita! the Island Our two new staff members, Katreena and Lucy Palm Island CDP produces new Paramedics Selina Hughes and Keita Obah-Lenoy were participants of Campbell Page’s Community Development Program activities on Palm Island – now they are both excelling in their field as Advanced Care Paramedics (ACPs). -
Indigenous Resources 2012 Contents
INDIGENOUS RESOURCES 2012 CONTENTS Arts 2-4 Language 15-17 Audio-Visual 5-6 Myths & Legends 18-21 Biographies 7-9 Non-fiction 22-26 Fiction 10-13 Picture Books 27-32 Indij Readers 14 Order form 33 Dear colleague, We can invoice your account with no fuss and no hassle! Online ordering is growing continually Welcome to the eighth edition of our very pop- due to ease of use and ability to know where ular Indigenous Resources Buying Guide. Here your order and parcel is no matter what the we offer a range of resources relevant to the stage. You can track your order from the teaching and understanding of Indigenous moment it is ordered to shipment and delivery! studies, with a great number of new and excit- ing titles for use in your classrooms. We look forward to hearing from you, In this latest edition you will find that we have retained popular titles from 2011 and added new material. Our new and bestselling items are clearly marked with the symbols listed in the Rob Watts key below. We have reviewed and checked all Managing Director published titles in your area of teaching for suit- Network Educational Australia ability, availability and price to make sure the range being offered is applicable to classrooms Quality Statement and study throughout Australia. Network Educational Australia is com- mitted to providing quality products and services to meet our customers’ www.network-ed.com.au exacting teaching requirements. We Our new secure website has all the titles in are continuously improving to enhance this Buying Guide and much more! If you want our services and product range. -
Mapping the Cultural Atlas of North Queensland
Mapping the Cultural Atlas of North Queensland: Ronald “Tonky” Logan a Case Study Abstract The ‘Cultural Atlas’ proposed by the PIP (People, Identity, Place) research cluster at James Cook University aims to contextualize cultural communities and artists in North Queensland into a comprehensive profile. Case study Ronald “Tonky” Logan is a North Queensland Aboriginal Country Western musician. The secondary theme of this article is the appropriation of Country Western music by Australian Aboriginal groups as traditional music. This article draws on research by Dunbar-Hall & Gibson (2004), who demonstrate the relevance of contemporary music within Australian Aboriginal contexts, based on location and geography, as a means of establishing people, identity and place. Dr. David Salisbury James Cook University School of Creative Arts Digital Sound Introduction In 2005 the PIP (People, Identity, and Place) research cluster of James Cook University held an annual seminar during which the concept of initiating a Cultural Atlas was proposed. In March 2006 a PIP Cultural Atlas meeting was held and basic concepts were proposed including some preliminary boundaries of latitude 18, south to Bowen and Hayman Island, west to Mt. Isa and north covering the Gulf region (the Torres Strait Islands are not included). Possible outputs could be a Website as a primary means to maintain a collection of data and resources for tourism, focusing on eco and cultural-tourism CD’s and DVD’s. Initially this article aims to establish the context in which the subject of this case study, Ronald ‘Tonky’ Logan, performs and lives by outlining a brief history of Aboriginality in North Queensland along with a brief history of Aboriginal music in the region. -
Stages 2 and 3 Public Information Package Public Comment
Stages 2 and 3 Public Information Package Cover image: Concept design for a sculpture of a scientist and a clam by Jason deCaires Taylor Public Comment The Museum of Underwater Art seeks public comment on proposed Stages 2 Palm Island and 3 Magnetic Island (Yunbenun). 10 May 2021 1 All comments and submissions to: Great Barrier Reef Marine Park Authority Environmental Assessment and Protection Unit PO Box 1379 Townsville QLD 4810 Email: [email protected] Website: www.gbrmpa.gov.au/about-us/consultation All comments must be provided to the address above to be considered in the assessment. The applicant is not obliged to forward any comments to the Managing Agency that have been made directly to the applicant. We now seek any public comment under Section 93 of the Great Barrier Reef Marine Park Regulations 2019 (Cth) and section 15 of the Marine Parks Regulation 2017 (Qld). Public submissions will be considered by the Great Barrier Reef Marine Park Authority and Department of Environment and Science (the Managing Agencies) in making a decision on this permit application. Comments will not be regarded as confidential unless confidentiality is specifically requested. Due consideration will be given to public comments before the Managing Agencies make any decisions in relation to the proposed use. The applicant may be provided with a copy of, or summary of, the comments received. All questions and further information to: Museum of Underwater Art Ltd c/- PvW Partners, 52 Walker St, Townsville QLD 4810 Email: [email protected]