Phoenix Quadcopter Drone with Wi-Fi Camera
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2021 Catalog
2021 NEW PRODUCTS G-Power Flip and Punch Spin Bait Designed by Aaron Martens, Walleye anglers across the Midwest have become Gamakatsu has developed the dependent upon the spin style hooks for walleye rigs. new G-Power Heavy Cover Flip The Spin Bait hook can be rigged behind spinner & Punch Hook. A step up from blades, prop blades or used the G-Finesse Heavy Cover alone with just a simple Hook, for serious flipping and bead in front of them. It’s punching with heavy fluorocarbon and braid. The TGW (Tournament unique design incorporates Grade Wire) hook, paired with its welded eye, make this the strongest Gamakatsu swivels that is Heavy Cover hook in Gamakatsu’s G-Series lineup. Ideal for larger baits independent of the hook, giving the hook more freedom to spin while and weights, punching through grass mats and flipping into heavy reducing line twist. The Spin Bait hook features Nano Smooth Coat for timber. G-Power Flip and Punch ideally matches to all types of cover stealth presentations and unsurpassed hook penetration and the bait and able to withstand extreme conditions. Page 26 keeper barbs on the shank hold live and plastic baits on more securely. Page 48 G-Power Stinger Trailer Hook The new G-Power Stinger Trailer Hook Superline Offset Round Bend brilliance comes from Gamakatsu’s famous Gamakatsu’s Superline Offset Round B10S series of fly hooks and the expertise Bend is designed with a heavier of Professional Bass angler Aaron Martens. Superline wire best suited for heavy The Stinger Trailer has a strategically braided and fluorocarbon lines. -
Buffalo Police All Season Jacket
Uniforms, Transit Operators CP82007 Page 1 of 48 Specifications Appendix B ----------------------------------------------------------------------------------------------------------------------------- -------------------- 100. SF MUNI GORE-TEX JACKET & LINER – UNISEX STYLE NUMBER: Flying Cross by Fechheimer Item: 79900GTXA 10 STYLE: Waist length style with 6 snap storm flap overlapping a 2 way zipper. Side vents for access to equipment. Front and back flapped yokes to accommodate drop down panels. Utility shoulder straps. Hide-away hood. OUTER SHELL: 100% Nylon, 3 ply Supplex, 3.7 oz per sq. yd., with water and stain repellency, uncoated. COLOR: Black DROP LINING: Made from waterproof, breathable, windproof 2 layer Gore-Tex. Face fabric: 100% Black Polyester. Membrane layer: bi-component PTFE membrane. ====================================================================================== 101. REMOVABLE INSULATED LINER ENDURANCE INSULATED BASE LAYER JACKET SPECIFICATIONS STYLE NUMBER: Flying Cross by Fechheimer 55100A 10 (Black) The shell fabric shall be 100% Nylon with 37.5 padding insulation, 2.9 oz. per sq. yd. STYLE: The jacket shall be manufactured from new up-to-date pattern with an articulated sleeve, gusseted underarms and mandarin style collar. The jacket shall have two (2) upper napoleon pockets and two (2) lower vertical pockets with hidden zippers. There shall be (2) side zippers with adjustable snap closure. Sleeve cuff has partial Nylon Spandex for a comfort fit. Loops at back sleeve cuff seam and outside neck seam shall coordinate with snap tabs on related outerwear styles (). POCKET LINING SLEEVE LINING: The upper napoleon pocket lining shall extend from the hem to the chest and from the side seam to the front zipper edge. Pocket lining shall consist of a Taffeta material. The lining shall extend across the back yoke and down the top sleeve. -
Please Note: Vendor Must Provide One Sample of a Gold Badge for Sheriff and One Sample of a Silver Badge for Deputy
EL PASO COUNTY SHERIFF'S OFFICE DEPUTY BADGES C.W. Nielsen - Model #S-300 FINISH - Alloy either Alloy S or Alloy G depending on rank. BADGE is 3 inches point to point with floral design in each tip. Badge has a 1/4" dap and is struck from .064 material. LETTERING around badge circle is blue block: Deputy Sheriff (seal) El Paso County Lettering is separated by dot break points. The seal is a full color State of Texas seal 7/8" diameter with red rim blue center area and white star. A top the bade and straddling the top two tips is the title banner. It is affixed 1/8" above the top circle of the badge. The title banner is 5/6" wide. The titles are standing Roman letters in a field of blue enamel. All blue enamel colors are #643 blue. Attachments are B.A. Ballou #105 joint #68 catch with 2" foot pin. Gold Badges for the following officers: Sheriff Chief Deputy Commander Detective Lieutenant Sergeant Silver Badge for Deputy Please Note: Vendor must provide one sample of a Gold badge for Sheriff and one sample of a silver badge for Deputy. 5 EL PASO COUNTY SHERIFF’S OFFICE DETENTION OFFICER BADGE Badge Body Specifications: Diameter 72.4 mm or 2.82 inches Thickness 3.5 mm or .13 inches Material Brass Metal Plating TBD Silver for Detention Officer and Gold for Corporal and above Curvature 10 mm convex Fixture Vertical Safety Pin 2” Style Clasp (Welded) Enamel Genuine Cloisonne hard enamel lettering and state seal State Seal 3 D Rank Ribbon Specifications: Dimensions Approximately 50.46 X 18.46 mm “TBD upon final artwork Thickness 2mm Materials Brass Plating To match badge body determined by rank Lettering Genuine Cloisonne hard enamel lettering Bureau Ribbon Specifications: Dimensions Approximately 50.46 X 18.46 mm TBD upon final artwork approval Thickness 2 mm Material Brass Plating To match badge body DETENTION BUREAU Lettering Genuine Cloisonne hard enamel lettering All die charges one time only fee as long as there are no changes to the physical design. -
SPIN Sewing Curriculum.Pdf
Debra Proctor, USU Extension Associate Professor, FCS/4-H, Wasatch County Susan Haws, USU Extension Assistant Professor, FCS/4-H, Summit County Stacey Mac Arthur, USU Extension Assistant Professor, 4-H, State Office Description The Discover 4-H Clubs series guides new 4-H volunteer leaders through the process of starting a 4-H club or provides a guideline for seasoned volunteer leaders to try a new project area. Each guide outlines everything needed to organize a club and hold the first six club meetings related to a specific project area. Purpose The purpose is to create an environment for families to come together and participate in learning activities that can engage the whole family, while spending time together as a multi-family club. Members will experiment with new 4-H project areas. What is 4-H? 4-H is one of the largest youth development organizations in the United States. 4-H is found in almost every county across the nation and enjoys a partnership between the U. S. Department of Agriculture (USDA), the state land-grant universities (e.g., Utah State University), and local county governments. 4-H is about youth and adults working together as partners in designing and implementing club and individual plans for activities and events. Positive youth development is the primary goal of 4-H. The project area serves as the vehicle for members to learn and master project-specific skills while developing basic life skills. All projects support the ultimate goal for the 4-H member to develop positive personal assets needed to live successfully in a diverse and changing world. -
Fiber-Level On-The-Fly Procedural Textiles
Eurographics Symposium on Rendering 2017 Volume 36 (2017), Number 4 P. Sander and M. Zwicker (Guest Editors) Fiber-Level On-the-Fly Procedural Textiles Fujun Luan1 Shuang Zhao2 Kavita Bala1 1Cornell University 2University of California, Irvine 10× 100× 400× 10× 100× 200× Figure 1: The new Sponza scene by Crytek with 12 procedural textile models substituted for the fabrics. These models together represent 33 thousand yarns, composed of 8 million procedurally described fibers. Insets on the right show zoomed versions of two subregions (indicated with white rectangles), demonstrating the level of fidelity and detail offered by these models. When fully realized, all the cloth models would take 867 GB of storage, and are practically unrenderable. We introduce a realization-minimizing technique to render such large-scale procedural textiles on a single computer. Abstract Procedural textile models are compact, easy to edit, and can achieve state-of-the-art realism with fiber-level details. However, these complex models generally need to be fully instantiated (aka. realized) into 3D volumes or fiber meshes and stored in memory, We introduce a novel realization-minimizing technique that enables physically based rendering of procedural textiles, without the need of full model realizations. The key ingredients of our technique are new data structures and search algorithms that look up regular and flyaway fibers on the fly, efficiently and consistently. Our technique works with compact fiber-level procedural yarn models in their exact form with no approximation imposed. In practice, our method can render very large models that are practically unrenderable using existing methods, while using considerably less memory (60–200× less) and achieving good performance. -
To Complete the Pattern Join Bodice #1 to #2 at Circle Front Bodice #1
To complete the pattern join bodice #1 to #2 at circle Chapter 2 Chapter 4 Chapter 6 Chapter 19 Front Bodice #1 1/2” FACING N CUT 1 FABRIC ON FOLD CUT 2 WITH FACING CUT 2 EXTENSIO INTERFACING USE FOR: GRAINLINE LAYOUT CUTTING FABRIC PATTERN MARKINGS DARTS SEAMS COLLARS CLOSURES CENTER FRONT FOLD To completeTo the pattern join bodice #1 to #2 at circle TO COMPLETE THE PATTERN JOIN BODICE #1 TO #2 AT CIRCLE STITCH TO MATCHPOINTS FOR DART TUCK FRONT BODICE #2 Front Bodice #2 Chapter 2 Chapter 4 Chapter 6 Chapter 19 STITCH TO MATCHPOINTS FOR DART TUCKS To complete the pattern join bodice #3 to #4 at circle Chapter 2 Chapter 4 Chapter 6 Back Bodice #3 CUT 2 FABRIC USE FOR: CK SEAM GRAINLINE LAYOUT CUTTING FABRIC CK FOLD PATTERN MARKINGS DARTS SEAMS COLLARS CENTER BA CUT HERE FOR CENTER BA To completeTo the pattern join bodice #3 to #4 at circle STITCH TO MATCHPOINTS FOR DART TUCKS Back Bodice #4 Chapter 2 Chapter 4 Chapter 6 Chapter 4 Chapter 11 Chapter 14 Chapter 17 MATCHPOINT Front Skirt #5 CUT 1 FABRIC USE FOR: V SHAPED SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED/ALINE HEM BIAS FALSE HEM CENTER FRONT FOLD Chapter 4 Chapter 11 Chapter 14 Front Yoke #6 CUT 1 FABRIC CUT 1 INTERFACING USE FOR: V SHAPE SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH C. F. FOLD C. F. MATCHPOINT Chapter 4 Chapter 6 Chapter 10 Chapter 11 Chapter 14 Chapter 17 MARK DART POINT HERE Back Skirt #7 CUT 2 FABRIC USE FOR: SEAMS ZIPPERS WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED ALINE HEM BIAS FALSE HEM Chapter 4 CUT ON FOLD Chapter 12 Chapter 17 H TC NO WHEN -
Trims, Labels, Treads, Elastics, Underlying Fabrics, Zippers, Butto
10/12/2009 1 TRIMS AND FINDINGS Chapter 8 2 Findings and Trims Findings: trims, labels, treads, elastics, underlying fabrics, zippers, buttons, other closures, other miscellaneous items Trims: subdivision of findings – decorative materials – ribbons, braids, laces, other narrow fabric trims, appliqués, flowers, beads, sequins, other decorative items Findings/trims usually aren’t the reason for purchase but they are often the reason for discarding a garment 3 Performance Finding/trim must reflect same quality level as the fabric Performance of finding or trim could negate the performance of the body fabric Ex. If fabric is dry-clean only, the trims must be dry-cleanable 4 Establishing specs Often established by the suppliers themselves or by the manufacturers in partnership w/ the suppliers Too many types of findings and trims to be an expert on all and be able to write accurate specs on all – best to rely on the supplier of the specific type of finding you need 5 Aesthetic performance Must complement the appearance of the garment Must be considered in concert with the design, construction, and finish of the garment Need to be attractive, fashionable, and functional to help sell the garment 6 Functional Performance Includes utility and durability of the finding Utility includes: dimensional stability, appearance retention, comfort, ease of care, and safety Durability includes: strength, abrasion resistance, and degradation by chemical & other elements 7 Performance, Cont. Design, materials, and constructions of a garment interact to determine -
Taking Shape DARTS ADD SHAPE TURNING a FLAT PIECE of FABRIC INTO a THREE-DIMENSIONAL FORM to MATCH the CONTOURS of the BODY LINDA TURNER GRIEPENTROG
Techniques Taking Shape DARTS ADD SHAPE TURNING A FLAT PIECE OF FABRIC INTO A THREE-DIMENSIONAL FORM TO MATCH THE CONTOURS OF THE BODY LINDA TURNER GRIEPENTROG ustline, hip, waistline to tummy, elbow and shoulder. Darts can be horizontal, vertical or anywhere in between, straight or curved, but the stitching principles are the same. BThe goal of quality dart stitching is smooth, pucker-free points that don’t call attention to themselves. SHAPING A single-point dart is shaped like a triangle, and when stitched it takes a wedge of fabric out of the garment allowing for controlled fullness at the point. A single dart may be on the lengthwise fabric grain, angled or slightly curved. (1) A double-point or contour dart is diamond or rugby ball shaped, and is used to shape the waistline, leaving fullness at both ends for the bust and hip. (2) A French dart is a curved shape from the garment side seam to the bustline. This dart has cut edges joined like a seam. (3) V9082 Vintage Vogue, 1960. Misses’ A5(6-8-10-12-14) E5(14-16-18-20-22). Sew Rating: Average. Price code Orange. Illustrations: Theresa O’Connell Theresa Illustrations: 1 2 3 26 SEW TODAY May/June 2019 MARKING to anchor the stitches. Stitch (7) and stitch toward the point, Darts are indicated on the along the line, removing the A third technique for dart then repeat for the other pattern tissue by either solid pins as you get to them. Taper point, slightly overlapping or dashed lines and a dot the stitching to the point the beginning stitching lines at the point. -
Vanguardfurniture.Com Ottomans Make It Yours
ottomans & benches Personalize your ottoman or bench with a variety of options, including hundreds of fabric and finish choices. Making it yours is simple! Choose your size and a fabric or leather. Choose your base and molding. Choose your top style and nail trim. Choose your personalized finish. ® Ottomans ChooseMake a fabric orIt leather Yours and a square, rectangular or round shape in multiple sizes. Then select a base and molding option. Add a top style and optional nail trim. Choose a wood finish and even add an optional custom embellishment. Personalize your ottoman — . make it yours CHOOSE FABRIC OR LEATHER. 1 your 2 CHOOSE OTTOMAN SHAPE AND SIZE. your Square (S) Rectangular (R) Thin Rectangular (T) Round (D) 36S W 36 D 36 H 18.5 52R W 52 D 40 H 18.5 48T W 48 D 36 H 18.5 36D Diameter 36 H 18.5 40S W 40 D 40 H 18.5 56R W 56 D 40 H 18.5 52T W 52 D 36 H 18.5 40D Diameter 40 H 18.5 44S W 44 D 44 H 18.5 60R W 60 D 40 H 18.5 56T W 56 D 36 H 18.5 44D Diameter 44 H 18.5 48S W 48 D 48 H 18.5 60T W 60 D 36 H 18.5 48D Diameter 48 H 18.5 52S W 52 D 52 H 18.5 56S W 56 D 56 H 18.5 60S W 60 D 60 H 18.5 3 CHOOSE BASE: A LEG OR SKIRT. -
An Easy and Wearable Garment Teaches Essential Guipure Sewing Techniques | by Susan Khalje
Couture Lace Skirt An easy and wearable garment teaches essential guipure sewing techniques | BY SUSAN KHALJE eautiful guipure lace is what guipure vary tremendously. Some are and shaped to follow the contours of catches the eye in this trendy small and finely worked, while others the body, echoing the shape created B two-tone skirt, but it’s the layers are heavy and bold with lots of space by the darts and side seams. It is then of cotton and charmeuse beneath between the motifs. finished with a center-back seam, zip- that enable the guipure to take Given the horizontal, structured per, and petersham waistband. center stage. nature of guipure, it makes sense to Here, I’ll show you how to properly Guipure is unique in that it doesn’t use it for a simple garment, such as a orient lace so it lies smoothly and have a net background. Instead, its pencil skirt, and to place the attrac- evenly spaced throughout, shape motifs are held together with small tive selvage along the hem edge. The lace at the darts and side seams, and thread bars. These so-called “brides” featured skirt requires four layers: handle lace along the zipper open- make cutting through guipure pain- The lining is made with silk crepe ing. With these straightforward steps, less, since you can easily isolate a de Chine, the underlining is cot- you’ll see how simple it is to make an motif with a clean cut that leaves the ton batiste, the fashion fabric is silk elegant couture skirt with guipure. -
Solaris Embroidery Instruction and Reference Guide
HOW TO USE THIS MANUAL The Instruction and Reference Guides for this machine consist of the Instruction and Reference Guide (Sewing) and the Instruction and Reference Guide (Embroidery). Refer to the appropriate Instruction and Reference Guide according to your needs. For basic information about, for example, the included accessories or the settings screen, refer to chapter 1 of the Instruction and Reference Guide (Sewing). In the screens appearing in the step-by-step instructions, the parts referred to in the operations are marked with . Compare the screen in the directions with the actual screen, and carry out the operation. If, while using the machine, you experience something you do not understand, or there is a function you would like to know more about, refer to the index at the back of the Instruction and Reference Guide in conjunction with the table of contents to find the section of the manual you should refer to. 1 CONTENTS CONTENTS HOW TO USE THIS MANUAL ............................. 1 Character Alignment............................................................ 76 Changing Font Type............................................................. 76 Chapter 1 Embroidery Step by Step 5 Changing Letter Size ............................................................ 77 Changing the Configuration of Alphabet Character Patterns... 78 BEFORE EMBROIDERING .................................... 6 Changing Alphabet Character Spacing................................. 79 Using the Machine Setting Mode Key................................... -
Lining Techniques... Made Easy
CT-MMB.004 Lining Techniques Jacket and Coat Linings Made Easy A garment lining is generally referred to and treated as a “supportive” fabric. As a rule, a lining eliminates the need for time-consuming seam finishes while lengthening the life and durability of the fashion garment. According to Kathleen Spike, noted clothing writer, “Nothing places a garment in the ‘custom’ or ‘couture’ category as distinctly as a professionally applied lining.” 1 Lining – a separate, but attached inner layer of fabric construction which conceals or covers the inside garment construction. STANDARDS OF A WELL-MADE/APPLIED GARMENT LINING A suitable lining fabric: Is compatible with garment fabric in terms of care and fiber content. It can be cleaned in the same manner as the garment. Can be either woven or knit fabric as long as it is compatible with the garment fashion fabric. Permits and accommodates the necessary “give” and recovery needed for body movement. Is firm, yet not bulky; colorfast to perspiration and body oils; absorbent or “breathable.” Is opaque so as not to see the inside construction of the garment. Matches or coordinates with the garment fashion fabric. Has a smooth surface texture to permit the garment to be taken on and off the body with ease. Weight is the same or somewhat lighter and softer than the fashion fabric so as not to dominate the fashion garment. Is preshrunk (pre-washed or dry-cleaned) prior to cutting. The completed lining: Is cut sufficiently larger than the fashion garment to provide length and width fitting ease (generally at center back, armhole, hem edge, elbow, sleeve hem, shoulder).