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This Document Is the Interim Report for IDB Contract No
Development of the Industrial Park Model to Improve Trade Opportunities for Haiti – HA-T1074-SN2 FINAL REPORT submitted to September 20, 2010 99 Nagog Hill Road, Acton, Massachusetts 01720 USA Tel: +1-978-263-7738 e-mail: [email protected] Web site: www.koiosllc.com Table of Contents Executive Summary i I. Introduction 1 A. Background and History 1 B. Haiti’s Current Economic Situation 2 C. Purpose and Objectives of this Study 3 II. Overview of Garment Industry Trends 5 A. The Levelling Playing Field 5 B. Competitive Advantages in the Post-MFA World 7 III. Haiti’s Place in the Post-MFA World 11 A. The Structure of Haiti’s Garment Production 11 B. The Way Forward for Hait’s Garment Industry 14 1. Trade Preference Levels 14 2. How Will Haiti Fit Into Global Supply Chains? 22 3. Beyond HELP 24 C. The Competitive Case for Haiti and the North 27 1. A New Vision for Haiti – Moving on from CMT 27 2. Why the North? 30 D. Garment Manufacturers’ Requirements in North Haiti 32 1. Land 32 2. Pre-built Factory Sheds 33 3. Water and Water Treatment 34 4. Electricity 36 5. Road Transport 37 6. Business Facilitation and Services 37 E. Park Development Guidelines 37 IV. Site Identification, Evaluation, and Selection 43 A. Site Selection Factors and Methodology 43 B. Site Selection 47 1. Regional Context Summary 47 2. Infrastructure Constraints 48 3. Evaluation and Selection Process 50 4. Site Selection Methodology 52 5. Site Ranking and Descriptions 54 C. Development Costs 59 1. -
Special Operations Executive - Wikipedia
12/23/2018 Special Operations Executive - Wikipedia Special Operations Executive The Special Operations Executive (SOE) was a British World War II Special Operations Executive organisation. It was officially formed on 22 July 1940 under Minister of Economic Warfare Hugh Dalton, from the amalgamation of three existing Active 22 July 1940 – 15 secret organisations. Its purpose was to conduct espionage, sabotage and January 1946 reconnaissance in occupied Europe (and later, also in occupied Southeast Asia) Country United against the Axis powers, and to aid local resistance movements. Kingdom Allegiance Allies One of the organisations from which SOE was created was also involved in the formation of the Auxiliary Units, a top secret "stay-behind" resistance Role Espionage; organisation, which would have been activated in the event of a German irregular warfare invasion of Britain. (especially sabotage and Few people were aware of SOE's existence. Those who were part of it or liaised raiding operations); with it are sometimes referred to as the "Baker Street Irregulars", after the special location of its London headquarters. It was also known as "Churchill's Secret reconnaissance. Army" or the "Ministry of Ungentlemanly Warfare". Its various branches, and Size Approximately sometimes the organisation as a whole, were concealed for security purposes 13,000 behind names such as the "Joint Technical Board" or the "Inter-Service Nickname(s) The Baker Street Research Bureau", or fictitious branches of the Air Ministry, Admiralty or War Irregulars Office. Churchill's Secret SOE operated in all territories occupied or attacked by the Axis forces, except Army where demarcation lines were agreed with Britain's principal Allies (the United Ministry of States and the Soviet Union). -
St James Conservation Area Audit
ST JAMES’S 17 CONSERVATION AREA AUDIT AREA CONSERVATION Document Title: St James Conservation Area Audit Status: Adopted Supplementary Planning Guidance Document ID No.: 2471 This report is based on a draft prepared by B D P. Following a consultation programme undertaken by the council it was adopted as Supplementary Planning Guidance by the Cabinet Member for City Development on 27 November 2002. Published December 2002 © Westminster City Council Department of Planning & Transportation, Development Planning Services, City Hall, 64 Victoria Street, London SW1E 6QP www.westminster.gov.uk PREFACE Since the designation of the first conservation areas in 1967 the City Council has undertaken a comprehensive programme of conservation area designation, extensions and policy development. There are now 53 conservation areas in Westminster, covering 76% of the City. These conservation areas are the subject of detailed policies in the Unitary Development Plan and in Supplementary Planning Guidance. In addition to the basic activity of designation and the formulation of general policy, the City Council is required to undertake conservation area appraisals and to devise local policies in order to protect the unique character of each area. Although this process was first undertaken with the various designation reports, more recent national guidance (as found in Planning Policy Guidance Note 15 and the English Heritage Conservation Area Practice and Conservation Area Appraisal documents) requires detailed appraisals of each conservation area in the form of formally approved and published documents. This enhanced process involves the review of original designation procedures and boundaries; analysis of historical development; identification of all listed buildings and those unlisted buildings making a positive contribution to an area; and the identification and description of key townscape features, including street patterns, trees, open spaces and building types. -
70 Jermyn Street
70 Jermyn Street London SW1 3rd Floor Bury Street Suite Partially fitted 1,709 sq ft 70 Jermyn Street The Crown Estate has refurbished Jermyn Street is within local proximity the 3rd floor suite within this to the West End with its world class hotels, restaurants, bars and theatres grade A office building. The suite for entertaining clients. overlooks the corner of Bury Street and Jermyn Street. Third floor Jermyn Street 1,709 sq ft / 159 sq m Outgoings Quoting rent £72.50 psf for lease to expire January 2022 Service charge £11.60 psf Rates £29.20 psf Specifications Bury Street Manned reception Passenger lift New LED lighting Air conditioning New perimeter trunking N Kitchenette Comms cabinet Cabling in situ At the forefront of office accommodation. Since 1661. St James’s St James’s is a true original more than The restaurants here are the best, Located in the core West End, Green Park, 300 years in the making, a one of a kind whether you are looking to pick up a Piccadilly Circus, Charing Cross and Victoria place to work and enjoy. morning coffee at Ole & Steen or entertain are all within easy reach. Alternatively clients at Michelin-starred Aquavit. If you take a walk to work through the beautifully We know that your exceptional business have a taste for the refined, the unusual landscaped parks and squares. needs an iconic home that provides and the bespoke, you can find it in the inspiring places to dine, to shop, and to You’ll soon discover there is simply nowhere shops of St James’s – from rare wines create, and that is what every location else like St James’s. -
A London Legend Reborn a London Legend Reborn
A London Legend Reborn A London Legend Reborn True to its original glamorous spirit, Café Royal is reopening as a luxury hotel in 2012 in the heart of London, with elegant Mayfair to the west and creative Soho to the east. Paying homage to the history of the building, grand historic areas are being sensitively restored, while serene new rooms and suites are being created in a refined style. Café Royal, which has been a national treasure for almost two centuries, is continuing its celebrated legacy and features a diversity of places to enjoy food and drink, from the casual elegance of The Brasserie to the sophistication of the exquisitely restored Domino and Grill Rooms. To complete the full experience, other new facilities include the Akasha Holistic Wellbeing Centre, the Café Royal Club and the Café 1865. Location The serene new rooms and suites have The Café Royal is ideally located on been created in a contemporary style Regent Street, in the beating heart of the characterised by a refined simplicity with West End. To the west are the glamorous grand classical features in noble materials. residences and elegant boutiques of Mayfair. To the east are Soho’s lattice The overall effect of the hotel’s 159 guest of alleys and streets, which define the rooms and suites, including six ‘historic’ nightlife and encompass the cosmopolitan suites reminiscent of Café Royal’s glorious restaurants. Also right on its doorstep is past, is calm, assured and distinctive. the famous shopping of Bond Street, Mount Street and Jermyn Street. Below Piccadilly Accommodation are the exclusive clubs and art galleries The suites and rooms have an original and of historic St James’ with Westminster graceful air, carefully designed for guests’ and Buckingham Palace just beyond. -
He Belonged to That Class of Men—Vaguely Unprepossessing, Often Bald, Short, Fat, Clever—Who Were Unaccountably Attractive to Certain Beautiful Women
McEw_9780385533416_2p_all_r1.qxp:Layout 1 1/20/10 11:06 AM Page 3 He belonged to that class of men—vaguely unprepossessing, often bald, short, fat, clever—who were unaccountably attractive to certain beautiful women. Or he believed he was, and thinking seemed to make it so. And it helped that some women believed he was a genius in need of rescue. But the Michael Beard of this time was a man of narrowed mental condition, anhedonic, monothematic, stricken. His fifth marriage was disintegrating, and he should have known how to behave, how to take the long view, how to take the blame. Weren’t marriages, his marriages, tidal, with one rolling out just before another rolled in? But this one was different. He did not know how to behave, long views pained him, and for once there was no blame for him to assume, as he saw it. It was his wife who was hav- ing the affair, and having it flagrantly, punitively, certainly without remorse. He was discovering in himself, among an array of emo- tions, intense moments of shame and longing. Patrice was seeing a builder, their builder, the one who had repointed their house, fitted 3 McEw_9780385533416_2p_all_r1.qxp:Layout 1 1/20/10 11:06 AM Page 4 IAN McEWAN their kitchen, retiled their bathroom, the very same heavyset fellow who in a tea break had once shown Michael a photo of his mock- Tudor house, renovated and tudorized by his own hand, with a boat on a trailer under a Victorian- style lamppost on the concreted front driveway, and space on which to erect a decommissioned red phone box. -
Chapter One Alexander Fleuret Woke up About Six O' Clock in the Morning and Found Himself Lying on the Bed Wearing Only Socks, M
Chapter One Alexander Fleuret woke up about six o' clock in the morning and found himself lying on the bed wearing only socks, Marks & Spencer navy underpants and brown PVC gloves. His head throbbed and his mouth felt oppressively dry. Sprawled over his bed, he stared at the ceiling. His frizzy black hair spilled across the white, overstuffed pillows. He opened his mouth, displaying only rotten stumps for teeth, put one hand to his fragile head while the other found the solid reassurance of the side of the bed. He craned forward groaning. He stumbled to the bathroom. Hearing to his dismay the cushioned but resolute footsteps of Carl on the stairs below, he made a dash for it. He mumbled a few words before scampering in and bolting the door, his hands clasped over his groin. Sober for over a year--and now this! Several embarrassing incidents had made him want to stop. He would drink between half and a full bottle of Bell's whisky a day on top of tranquillizers. One night he woke up in his best navy blue pin-striped suit, lying on his back halfway in the greenhouse doorway. The profound contemplation of the stars was the last thing he remembered. Halfway up the path there was a whisky bottle. Lately, morphine had been his main sedative, but he was still taking the odd Diazepam just out of habit. Regardless of whose company he was in, he would sit swigging from a bottle of Kaolin and Morphine mixture, up to three a day. When the kids were playing in the street outside, during the school holidays, they were a regular source of annoyance to him. -
The Flower of Gala Water V Ery Much
THE FLO WER O F GALA WATER . N ovel fl . M S AME L V R . I A E BAR R , ’ “ ” “ A u th o r o Girls o a Feath er T/ze Beads o f f , f ” “ ” Tasmer Frien d O livia etc , , . B WI TH I L L U S T A T I ON S B Y o . K EN DR I CK . Q/ N EW YO R K BE B E ’ S S O N S R O R T O N N R , P U BL I SHERS . m N N O . 1 10 “8 0 5 0 MO NTHLY. S U MORI PTIO N P R I CZ S I ! DO LL RS P K G N U AL OHO IO! OK R I I O , A A ‘ ’ N "l. “A7YI R . ( 74 75 0 5 0 AT I Hl N EW YO RK N . Y . FOOT O 'P IC! AO S ECO D O L O. Al J A NUA RY 1 , , , A The Flower of ala Water G . T CHAP ER I . FL W O F G L W THE O ER A A ATER. W an water fro m th e B o rder h ills ear v o ce fro th e o ld ears D i m y , Th d stant m usic lu lls and st lls y i i , And o ves t o u et tears m q i . A mist o f m em o ry bro o ds and flo ats Th e B o rder W ate rs flo w ; air i ullo f ballad n o t Th e s f es, ” o f lo n a B o rn o ut g go . -
Old Jack's Boat
OLD JACK’S BOAT / TX01: THE PEARL EARRING / POST PRODUCTION SCRIPT Post Production Script Old Jack’s Boat – TX01: The Pearl Earring By Tracey Hammett Characters appearing in this script: Jack Miss Bowline-Hitch Emily Scuttlebutt Ernie Starboard Pearl (Shelly Perriwinkle) MUSIC 1 10:00:00-0138 SCENE 1: TITLES/JACK’S INTRO/SONG IN THE TITLES OLD JACK’S BOAT TAKES A COURSE ALONG AN ANIMATED MAP. WEAVING IN AND OUT OF THE VARIOUS SITUATIONS AND CHARACTERS FROM THE STORIES. AT THE END OF THE ANIMATED JOURNEY, OLD JACK’S BOAT AT 20” RISES UP TO FORM THE ‘OLD JACKS’ BOAT LOGO. A FAST ZOOM IN TO THE BOAT’S PORTHOLE FINDS JACK EXITING HIS HOUSE ALONG WITH SALTY. 10:00:21 SCENE 2: OLD JACK’S COTTAGE JACK PULLS THE DOOR BEHIND HIM AND POINTS TO CAMERA JACK: Good day to you! JACK WINKS AND THEN STRIDES OFF DOWN THE ROAD WITH SALTY. THE MUSIC SEQUES INTO “JACK’S SONG” 10:00:28 SCENE 3: EXT VILLAGE SEES JACK WALKING THROUGH THE VILLAGE MEETING HIS VARIOUS FRIENDS. HIS FRIENDS ARE EACH ON THE WAY TO WORK. THERE IS A GENERAL AIR OF BUSY ACTIVITY AS EACH OF THE CHARACTERS GETS READY FOR 1 OLD JACK’S BOAT / TX01: THE PEARL EARRING / SHOOTING SCRIPT THEIR DAY. OLD JACK WAVES TO THEM AND THEY WAVE BACK. THE LYRICS OF THE SONG THAT JACK IS SINGING GIVE A BRIEF, FOND DESCRIPTION OF EACH OF THE CHARACTERS. AT THE END OF THIS INTRODUCTION SEQ THERE IS AN ANIMATED GRAPHIC OF A FISH THAT WIPES THROUGH FRAME. -
Aware: Royal Academy of the Arts Art Fashion Identity
London College of Fashion Aware: Royal Academy of the Arts Art Fashion Identity International Symposium London College of Fashion is delighted London College of Fashion is committed This two-day symposium is exemplary to be a partner in this exciting and to extending the influence of fashion, of the relationship that the college challenging exhibition, and to be able be it economically, socially or politically, continuously strives to develop between to provide contributions from some of and we explore fashion in many its own internally mandated activities the college’s leading researchers, artists contexts. This exhibition encapsulates and programs with broader discourses and designers. vital characteristics of today’s fashion and practices within the fields of art and education, and it supports my belief that design. With the recent appointment The relationship between art and fashion has the potential to bring about of London College of Fashion Curator, fashion, through conceptual and practical social change when considered in contexts Magdalene Keaney, and significant expression, is at the London College of of identity, individuality, technology and developments to the Fashion Space Fashion’s core. We were immensely proud the environment. Gallery at London College of Fashion to endorse the development of ‘Aware’ we now intend to increase public from its original concept by Lucy Orta, We see this in the work of Professor awareness of how fashion has, is, and London College of Fashion Professor of Helen Storey, whose ‘Wonderland’ project will continue to permeate new territories. Art, Fashion and Environment, together brings together art and science to find real The opportunity to work with the Royal with curator Gabi Scardi. -
SPIN Sewing Curriculum.Pdf
Debra Proctor, USU Extension Associate Professor, FCS/4-H, Wasatch County Susan Haws, USU Extension Assistant Professor, FCS/4-H, Summit County Stacey Mac Arthur, USU Extension Assistant Professor, 4-H, State Office Description The Discover 4-H Clubs series guides new 4-H volunteer leaders through the process of starting a 4-H club or provides a guideline for seasoned volunteer leaders to try a new project area. Each guide outlines everything needed to organize a club and hold the first six club meetings related to a specific project area. Purpose The purpose is to create an environment for families to come together and participate in learning activities that can engage the whole family, while spending time together as a multi-family club. Members will experiment with new 4-H project areas. What is 4-H? 4-H is one of the largest youth development organizations in the United States. 4-H is found in almost every county across the nation and enjoys a partnership between the U. S. Department of Agriculture (USDA), the state land-grant universities (e.g., Utah State University), and local county governments. 4-H is about youth and adults working together as partners in designing and implementing club and individual plans for activities and events. Positive youth development is the primary goal of 4-H. The project area serves as the vehicle for members to learn and master project-specific skills while developing basic life skills. All projects support the ultimate goal for the 4-H member to develop positive personal assets needed to live successfully in a diverse and changing world. -
Susie Hamilton
SUSIE HAMILTON EDUCATION 1989-92 Byam Shaw School of Art. Graham Hamilton Drawing Prize. 1981-87 London University. BA Hons./Ph.D (English Literature) 1968-72 St Martins School of Art. SELECTED SOLO EXHIBITIONS 2018 On Margate Sands, Book Launch and Exhibition, Paul Stolper Gallery 2016 in atoms, Paul Stolper, London 2015 Here Comes Everybody, St. Paul’s Cathedral, London Hen Nights, The Dickens Room, House of St. Barnabas, London 2011 A New Heaven and a New Earth, St Giles Cripplegate, London 2009 Madly Singing in the Mountains, Paul Stolper, London Black Sun, Galleri Hugo Opdal, Flo, Norway 2008 World of Light, Triumph Gallery, Moscow 2007 Paintings and Monoprints, Galleri Trafo, Oslo, Norway 2006 Leisure Paintings, Paul Stolper, London 2005 Paintings 2003-2005, The Hallion, Edinburgh 2003 Immense Dawn, Paul Stolper, London Paintings 2000-2003, The Church of Our Most Holy Redeemer, London Paradise Alone, St Edmund Hall, Oxford 2002 Paradise Alone, Ferens Art Gallery, Hull Postmodernism and Spirituality, University of Central Lancashire, 31 MUSEUM STREET LONDON WC1A 1LH +44(0)20 7580 7001 PAULSTOLPER.COM [email protected] Preston 2001 Mutilates, St Giles Cripplegate, London Paintings 1997-2001, Babington House, Somerset 2000 Works on Paper, Timothy Everest, London New Work, A22 Projects, London 1999 White Light, A22 Projects, London 1998 Paintings and Works on Paper, A22 Projects, London 1997 Stop Motion, Cassian de Vere Cole, London Paintings and Works on Paper, The Coram Gallery, London SELECTED GROUP EXHIBITIONS 2016 Europa, Transition