DOCSLIB.ORG

15 May 2020 Monthly Year 4

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

0520 15 May 2020 Monthly Year 4 The ‘Weakness’ of Christ: An argument for his truth Starting anew after the COVID-19 Emergency The Heart of ‘Querida Amazonia’: ‘Overflowing en route’ .05 O Do Nothing: A precious and arduous activity Africa: A continent on the move The Mediterranean: A frontier of peace OLUME 4, N 4, OLUME V The Donatist Temptation: Controversy in Catholic China 2020 2020 ‘The Life of the World to Come’ Raphael: Lights and shadows in the life of a genius Daniel Pennac and Federico Fellini: Life is dream Europe and the Virus CoronaCheck and Fake News BEATUS POPULUS, CUIUS DOMINUS DEUS EIUS Copyright, 2020, Union of Catholic Asian Editor-in-chief News ANTONIO SPADARO, SJ All rights reserved. Except for any fair Editorial Board dealing permitted under the Hong Kong Antonio Spadaro, SJ – Director Copyright Ordinance, no part of this Giancarlo Pani, SJ – Vice-Director publication may be reproduced by any Domenico Ronchitelli, SJ – Senior Editor means without prior permission. Inquiries Giovanni Cucci, SJ, Diego Fares, SJ should be made to the publisher. Giovanni Sale, SJ, Claudio Zonta, SJ Federico Lombardi, SJ Title: La Civiltà Cattolica, English Edition Emeritus editors ISSN: 2207-2446 Virgilio Fantuzzi, SJ Giandomenico Mucci, SJ ISBN: GianPaolo Salvini, SJ 978-988-79391-7-7 (ebook) 978-988-79391-8-4 (kindle) Contributors Published in Hong Kong by George Ruyssen, SJ (Belgium) UCAN Services Ltd. Fernando de la Iglesia Viguiristi, SJ (Spain) Drew Christiansen, SJ (USA) P.O. Box 69626, Kwun Tong, Andrea Vicini, SJ (USA) Hong Kong David Neuhaus, SJ (Israel) Phone: +852 2727 2018 Camillo Ripamonti, SJ (Italy) Fax: +852 2772 7656 www.ucanews.com Vladimir Pachkow, SJ (Russia) Arturo Peraza, SJ (Venezuela) Publishers: Michael Kelly, SJ and Bert Daelemans, SJ (Belgium) Robert Barber Thomas Reese, SJ (USA) Production Manager: Paul Soukup, SJ (USA) Grithanai Napasrapiwong Friedhelm Mennekes, SJ (Germany) Marcel Uwineza, SJ (Rwanda) Marc Rastoin, SJ (France) Joseph You Guo Jiang, SJ (China) Luke Hansen, SJ (USA) CONTENTS 0520 15 May 2020 Monthly Year 4 1 The ‘Weakness’ of Christ: An argument for his truth José M. Millás, SJ 11 Starting anew after the COVID-19 Emergency Gaël Giraud, SJ 23 The Heart of ‘Querida Amazonia’: ‘Overflowing en route’ Diego Fares, SJ 39 Do Nothing: A precious and arduous activity Giovanni Cucci, SJ 49 Africa: A continent on the move Giovanni Sale, SJ 61 The Mediterranean: A frontier of peace Paolo Bizzeti, SJ 74 The Donatist Temptation: Controversy in Catholic China Benoît Vermander, SJ 85 ‘The Life of the World to Come’ Giandomenico Mucci, SJ 92 Raphael: Lights and shadows in the life of a genius Giancarlo Pani, SJ 107 Daniel Pennac and Federico Fellini: Life is dream Claudio Zonta, SJ 111 Europe and the Virus Card. Jean-Claude Hollerich, SJ 114 CoronaCheck and Fake News Antonio Spadaro, SJ LCC 0620: JUNE JUNE TITLES • Faith in the Time of Covid-19: Ecclesial and pastoral reflections • Erich Przywara: god "getting INDIVIDUAL SUBSCRIPTION bigger and bigger" $49.95 FOR 12 MONTHS • Blues Pandemic ● Ideal for Church leaders, theologians, scholars, seminarians etc • Pop Theology and Communication ● Monthly editions available both in ePub and Mobi • The Virus is a Punion of God? ● Subscriber gets unlimited online access ● • Access to Perspectives Series - Six Thematic The Option for the ‘Logos’ in Issues of the Journal Francis’ Pontificate • Marian Popular Piety GROUP SUBSCRIPTION $250 FOR TWELVE MONTHS • Vittorio Gregotti: An Italian international architect ● Ideal for Catholic universities, libraries, institutes, congregations etc. ● Multi-user, unlimited access for one year. ● Subscribers access unlimited logins in different devices within the same IP address ● Monthly editions available both in ePub and Mobi ● Access to Perspectives Series - Six Thematic Issues of the Journal For educational and bulk rates, please email [email protected] SUBSCRIBE TODAY AT laciviltacattolica.com The ‘Weakness’ of Christ: An argument for his truth José M. Millás, SJ Sometimes we meet people who have had a good Christian formation, but who have become agnostics over time. We might think that these are exceptional cases. However, we are convinced that these cases are a symptom of an obvious 1 fact: in traditionally Christian countries there is a crisis that affects both the faith and the life of the baptized. They stop practicing, become agnostics, and either live as such, or seek alternatives to a Christian religion that has lost its attractiveness and credibility.1 The issue The truth of Christianity is embodied and concentrated in the truth of the figure of Christ. Jesus of Nazareth continues to arouse interest and admiration, but the full truth of his reality has become fragile and evanescent, and for some even contradictory. Traditional Christian apologetics wanted to demonstrate the truth of Christ, proffering as arguments the extraordinary facts narrated in the Gospels: the excellence of his teaching, La Civiltà Cattolica, En. Ed. Vol. 4, no. 05 art. 1, 0520: 10.32009/22072446.0520.1 1.In this article we want to show how Javier Monserrat, Jesuit, philosopher and scientist, disciple of Xavier Zubiri, addressed the issue and sought a satisfactory answer. In fact, he dealt with the current crisis of Christianity, clarified its key points, made a diagnosis and proposed an original and convincing strategy overcome the crisis. See J. Monserrat, Hacia el Nuevo Concilio, Madrid, San Pablo, 2010. To deepen one’s thinking on the subject of this article, cf. J. M. Millás, Cristianesimo e Realtà. La credibilità di Cristo nell’epoca della scienza, Rome, Gregorian & Biblical Press, 2013; Id., La figura di Cristo. Il segno della verità del Cristianesimo, Rome, AdP, 2006. THE ‘WEAKNESS’ OF CHRIST: AN ARGUMENT FOR HIS TRUTH miracles and the resurrection. Today it is recognized that a demonstration of the truth of Christ is impossible, and there are efforts instead to justify his truth on the basis of a “convergence of meaning” of the arguments in its favor.2 But even this solution does not seem convincing. According to Monserrat, the decisive arguments in favor of the truth of Christ are not the extraordinary events that characterize the life of Jesus according to the Gospels, but his “weakness,” that is, the human annihilation that he lived and suffered, and which Saint Paul calls kénosis. In order to reach this conclusion, it is necessary to follow a reasoning that we shall set out below. Let us start from the fact that the common and traditional answer to the enigma of reality is the affirmation of the existence of God, transcendent reality, origin and 2 foundation of the world, who is interested in the salvation of all. This religious response is transmitted above all through family and social tradition. Usually, people absorbed in the concrete problems of daily life accept it peacefully. But, alongside this response, that of a “world without God” is also plausible. Therefore, when dealing with the question of the enigma of reality, two answers are possible, based either on the existence of God or the world without God. A ‘world without God’? Human reason will have to evaluate these two answers, see which of the two is more reasonable and opt for it, knowing, however, that it does not possess absolute certainty, that is, that the other possibility is not eliminated. At this point there arises the problem of believing in God, in the light of the existence of evil, the classic problem of theodicy. Indeed, reason may ask itself: “Where was God when humans were experiencing destitution, suffering unjustly and inevitably dying? Did God have nothing to say? Could God do nothing? Or, worst of all, did God not want to do anything?” In fact, the believer lives immersed in the experience of the silence and the hiddenness of God. 2.Cf. S. Pié-Ninot, La teologia fondamentale, Queriniana, Brescia, 2002, 197 f. JOSÉ M. MILLÁS, SJ The affirmation of God offers a response to humanity’s unknowns, such as its origin and foundation, how the world ends and human salvation; but the experience of God’s silence can make one think that the idea of God appears unconvincing, lacking truth and actual reality. The idea of a “world without God” leaves open very serious questions, which science will have to investigate and to which it will have to try to respond. But it has freed itself from the contradiction of a God who remains silent and does not intervene in the face of human suffering. At this point in the rational process, a “world without God” would seem to be the most reasonable answer to the enigma of reality. 3 Overcoming ‘contradiction’ The answer “world without God” seems more reasonable because of the scandal caused by the experience of God’s silence in the face of human suffering. Now this scandal can be overcome. If one starts with the human situation of poverty, the experience of God’s silence can be admitted when it reveals a meaning for humanity: precisely through his silence and concealment God has created a space in which it is possible for people to realize their freedom. If God were present in creation showing infinite superiority, the freedom of the creature would not be possible. But freedom is the greatest good that God created, and God wants to preserve and respect it unconditionally, even at the cost of the presence of sin and evil.3 The contradiction that manifests itself between God’s silence and human destitution is then overcome. The religious person can rationally maintain the truth of his or her creed only if he or she recognizes – explicitly or implicitly – the profound meaning of God’s silence: to make possible the most precious thing that human beings possess, that is, to realize themselves as freed.
Recommended publications
  • Franz Jalics EJERCICIOS DE CONTEMPLACIÓN

    Franz Jalics EJERCICIOS DE CONTEMPLACIÓN

    Franz Jalics EJERCICIOS DE CONTEMPLACIÓN EDICIONES SIGUEME Franz Jalics Nace en Budapest el año 1927. Tras la Se- gunda Guerra Mundial ingresa en la Compa- ñía de Jesús. A finales de los años cincuenta trabaja como profesor de teología dogmática y teología fundamental en Chile y Argentina. Desde 1963 se dedica a dirigir Ejercicios es- pirituales, primero en Argentina, después en Estados Unidos y Alemania. Jalics se propone enseñar a llevar una vida contemplativa. En particular, considera que la oración de Jesús es el camino accesible para llegar a la contemplación en la vida cotidiana. Entre sus obras podemos citar Aprendiendo a orar, Aprendiendo a compartir la fe, Cambios en la fe y El encuentro con Dios, publicados en 1984, y Der kontemplative Weg, 2006. NIIFVA Al IAN7A 1/.? NUEVA ALIANZA 142 FRANZ JALICS EJERCICIOS DE CONTEMPLACIÓN Introducción a la vida contemplativa y a la invocación de Jesús CUARTA EDICIÓN EDICIONES SÍGUEME SALAMANCA 2017 Imagen de cubierta: Acuarela de José M aría de la Torre, 1971 Tradujeron Beatriz Romero y Helga Heineken sobre el original alemán Konlemplative Exerzitien: Eine Einfuhrung ¡n die konlemplative Lebenshaltung und in das Jesusgebet © Echter Verlag, Würzburg 21994 © Ediciones Sígueme S.A.U, 1998 C/ García Tejado 23-27 - E-37007 Salamanca / España Tel.: (+34) 923 218 203 - Fax: (+34) 923 270 563 [email protected] www.sigueme.es ISBN: 978-84-301-1330-9 Depósito legal: S. 356-2017 Impreso en España / Unión Europea Imprenta Kadmos, Salamanca CONTENIDO Introducción .................................................................................. 9 1. E l primer tiempo: ¿Qué son los ejercicios?....................... 25 2. El segundo tiem po: La relación triple..............................
  • RISURREZIONE Dramma in Four Acts - Libretto by Cesare Hanau from the Novel by Leo Tolstoy Publisher: Casa Ricordi Milano

    RISURREZIONE Dramma in Four Acts - Libretto by Cesare Hanau from the Novel by Leo Tolstoy Publisher: Casa Ricordi Milano

    7866.02 (DDD) Franco Alfano (Naples, 1875 – Sanremo, 1954) RISURREZIONE Dramma in four acts - Libretto by Cesare Hanau from the novel by Leo Tolstoy Publisher: Casa Ricordi Milano Katerina Mihaylovna (Katyusha) Anne Sophie Duprels Prince Dimitri Ivanovich Nehlyudov Matthew Vickers Simonson Leon Kim Sofia Ivanovna Francesca Di Sauro Matryona Pavlovna / Anna Romina Tomasoni An old maidservant Nadia Pirazzini Vera / Korablyova Ana Victoria Pitts Fenyichka Barbara Marcacci The Hunchback Filomena Pericoli The Redhead Nadia Sturlese A woman Silvia Capra Kritzlov / Second peasant Lisandro Guinis Chief Guard Gabriele Spina Guard Giovanni Mazzei Train-station officer Nicolò Ayroldi Officer / First peasant Nicola Lisanti Muzhik Egidio Massimo Naccarato Cossack Antonio Montesi Fedia Giulia Bruni First female prisoner Delia Palmieri Second female prisoner Monica Marzini Third female prisoner Giovanna Costa Chorus Livia Sponton, Sabina Beani, Katja De Sarlo, Nadia Pirazzini Orchestra e Coro del Maggio Musicale Fiorentino Conductor: Francesco Lanzillotta - Chorus Master: Lorenzo Fratini Recording: MASClassica Audio Recording - Claudio Speranzini, Antonio Martino Recorded at: Teatro del Maggio Musicale Fiorentino, 17th and 21st January 2020 Tracklist Cd 1 46:34 Act I 01 Piano, che non si versi (Housekeeper, Maidservant, Katyusha) 02:54 02 Cristo è risuscitato (Housekeeper, Maidservant, Katyusha, Chorus) 04:45 03 Dimitri, figliuol mio (Sofia, Dimitri) 02:10 04 Tu sei cambiato tanto (Sofia, Dimitri, Housekeeper, Katyusha) 02:24 05 Qualcuno là in giardino?
  • A Cta Œ Cumenica

    A Cta ΠCumenica

    2020 N. 2 ACTA 2020 ŒCUMENICA INFORMATION SERVICE OF THE PONTIFICAL COUNCIL FOR PROMOTING CHRISTIAN UNITY e origin of the Pontical Council for Promoting Christian Unity is closely linked with the Second Vatican Council. On 5 June 1960, Saint Pope John XXIII established a ‘Secretariat for Promoting Christian Unity’ as one of the preparatory commissions for the Council. In 1966, Saint Pope Paul VI conrmed the Secretariat as a permanent dicastery CUMENICA of the Holy See. In 1974, a Commission for Religious Relations with the Jews was established within the Secretariat. In 1988, Saint Pope John Paul II changed the Secretariats status to Pontical Council. Œ e Pontical Council is entrusted with promoting an authentic ecumenical spirit in the Catholic Church based on the principles of Unitatis redintegratio and the guidelines of its Ecumenical Directory rst published in 1967, and later reissued in 1993. e Pontical Council also promotes Christian unity by strengthening relationships CTA with other Churches and Ecclesial Communities, particularly through A theological dialogue. e Pontical Council appoints Catholic observers to various ecumenical gatherings and in turn invites observers or ‘fraternal delegates’ of other Churches or Ecclesial Communities to major events of the Catholic Church. Front cover Detail of the icon of the two holy Apostles and brothers Peter and Andrew, symbolizing the Churches of the East and of the West and the “brotherhood rediscovered” (UUS 51) N. 2 among Christians on their way towards unity. (Original at the Pontical
  • The Divine Comedy Inferno • Purgatory • Paradise • a Life of Dante POETRY Read by Heathcote Williams with John Shrapnel Inferno

    The Divine Comedy Inferno • Purgatory • Paradise • a Life of Dante POETRY Read by Heathcote Williams with John Shrapnel Inferno

    Dante The Divine Comedy Inferno • Purgatory • Paradise • A Life of Dante POETRY Read by Heathcote Williams with John Shrapnel Inferno 1 Canto I 7:43 2 Canto II 7:27 3 Canto III 7:45 4 Canto IV 8:02 5 Canto V 8:16 6 Canto VI 6:55 7 Canto VII 7:44 8 Canto VIII 7:28 9 Canto IX 7:34 10 Canto X 7:29 11 Canto XI 5:51 12 Canto XII 7:03 13 Canto XIII 7:21 14 Canto XIV 7:50 15 Canto XV 5:58 16 Canto XVI 7:39 2 17 Canto XVII 6:30 18 Canto XVIII 7:36 19 Canto XIX 6:35 20 Canto XX 6:29 21 Canto XXI 6:18 22 Canto XXII 7:11 23 Canto XXIII 8:00 24 Canto XXIV 7:45 25 Canto XXV 7:17 26 Canto XXVI 7:36 27 Canto XXVII 6:21 28 Canto XXVIII 7:43 29 Canto XXIX 7:10 30 Canto XXX 7:57 31 Canto XXXI 7:55 32 Canto XXXII 6:35 33 Canto XXXIII 8:34 34 Canto XXXIV 8:30 Time: 4:10:30 3 Purgatory 35 Canto I 8:16 36 Canto II 8:01 37 Canto III 8:24 38 Canto IV 8:45 39 Canto V 8:23 40 Canto VI 9:01 41 Canto VII 7:35 42 Canto VIII 8:11 43 Canto IX 9:00 44 Canto X 8:20 45 Canto XI 8:14 46 Canto XII 7:54 47 Canto XIII 9:07 48 Canto XIV 8:05 49 Canto XV 8:31 50 Canto XVI 8:11 4 51 Canto XVII 8:13 52 Canto XVIII 7:53 53 Canto XIX 8:17 54 Canto XX 8:28 55 Canto XXI 8:11 56 Canto XXII 8:12 57 Canto XXIII 7:44 58 Canto XXIV 8:55 59 Canto XXV 8:06 60 Canto XXVI 8:28 61 Canto XXVII 8:09 62 Canto XXVIII 7:47 63 Canto XXIX 7:20 64 Canto XXX 7:55 65 Canto XXXI 7:58 66 Canto XXXII 8:32 67 Canto XXXIII 8:59 Time: 4:33:28 5 Paradise 68 Canto I 8:42 69 Canto II 8:36 70 Canto III 6:38 71 Canto IV 7:48 72 Canto V 7:47 73 Canto VI 7:44 74 Canto VII 8:12 75 Canto VIII 7:41 76 Canto IX 7:48
  • Petrarch and Boccaccio Mimesis

    Petrarch and Boccaccio Mimesis

    Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The
  • Caecilia May 1957

    Caecilia May 1957

    caeci la Pentecost, The Epiphany of Easter •••• Edward Malone, O. S. B. Introduction to the Gregorian Melodies ••••••••Peter Wagner ([) VOLUME 84, NO. 2 MAY, 1957 .. ".'l._ ."'''''''-., '.. .1 Fifth Annual Liturgical Music Workshop "THE CHOIRMASTER'S WORKSHOP" BOYS TOWN, NEBRASKA AUGUST 19th THROUGH THE 30th Chant, Polyph.ony, Contemporary Music, Litturgy, History of Music, Boy Choir, Seminars FEES Workshop Fee _.._._ $40.00 Registration Fee _ _._ __ _ $10.00 _ (For accreditation only) Organ Master Classes 1 fi 2 __ .._._._ __ $15'.00 Organ Master Classes 3 _._ $25.00 Individual Instruction 3 . _ _ $ 6.00 lndividual Instruction 1 & 2 _ $ 4.00 Organ and piano rehearsal rooms .free of charge 3 HOURS CREDIT, CREIGHTON UNIVERSITY Flor Peeters Rev. Francis Bronner Roger Wagner James Welch Dom Ermin Vitry Rev. Richard Schuler Sister M. Theciphane, OS.F. Eugene Selhorst Paul Koch Rev. Elmer Pfeil Rev. Francis Schmitt Apply: MUSIC DEPARTMENT BOYS TOWN, NEBRASKA CAECILIA PubUshed four times a year, February, May, August and November. Application for second-class privileges is pending at Omaha, Nebr. Subscription price----$3.00 per year; ~5.00 for two years. All articles for publication must be in the hands of the editor, P. O. Box 1012, Omaha 1, Nebraska, 30 days before month of publication. Business Manager: Norbert Letter Change of address should be sent to the d.rcu1ation manager: Paul Sing, P. O. Box 1012, Omaha 1, Nebraska Poetmuter: Form 3579 to Caeci1ia, P. O. 80s 1012, Omaha 1, Nebr. caeci la TABLE OF CONTENTS Editorials _ _ 79 Pentecost, the Epiphany of Easter-Edward Malone, OS.B•...................
  • "Duetto a Tre": Franco Alfano's Completion of "Turandot" Author(S): Linda B

    "Duetto a Tre": Franco Alfano's Completion of "Turandot" Author(S): Linda B

    "Duetto a tre": Franco Alfano's Completion of "Turandot" Author(s): Linda B. Fairtile Source: Cambridge Opera Journal, Vol. 16, No. 2 (Jul., 2004), pp. 163-185 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/3878265 Accessed: 23-06-2017 16:44 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/3878265?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Cambridge Opera Journal This content downloaded from 198.199.32.254 on Fri, 23 Jun 2017 16:44:32 UTC All use subject to http://about.jstor.org/terms Cambridge Opera Journal, 16, 2, 163-185 ( 2004 Cambridge University Press DOI- 10.1017/S0954586704001831 Duetto a tre: Franco Alfano's completion of Turandot LINDA B. FAIRTILE Abstract: This study of the ending customarily appended to Giacomo Puccini's unfinished Turandot offers a new perspective on its genesis: that of its principal creator, Franco Alfano. Following Puccini's death in November 1924, the press overstated the amount of music that he had completed for the opera's climactic duet and final scene.
  • The Two Popes

    The Two Popes

    EARS TO HEAR, EYES TO SEE The Odd Catholic Couple: Review of The Two Popes Andrés Sánchez It is no wonder that the lead actors confined to the rooms of his Vatican in The Two Popes, Anthony Hopkins apartment. and Jonathan Pryce, have been nomi- nated for Golden Globes, Oscars, and And who are Francis and Benedict British Academy Film Awards. After XVI but the incarnations of those all, the 2019 film, by director Fernan- two sides? First, the dutiful and do Meirelles, is a character study, the delicate Joseph Ratzinger. Born in very kind of movie that relies on ac- conservative Bavaria, raised with an tors’ skillful portrayal. At the center elder brother who is also a priest, of the film are Popes Benedict XVI and possessed of a lifelong desire and Francis, who represent the two for the priesthood, he allowed him- sides of the coin that was John Paul II. self to be led by a sense of pastoral It is no wonder, either, that the movie and intellectual duty from the Sec- starts with Francis, then the cardinal ond Vatican Council to a professor’s Jorge Mario Bergoglio, Archbishop of chair at the University of Tübingen, Buenos Aires, as he receives the news the same place where Georg Wilhelm of John Paul’s death in the middle of Friedrich Hegel, Friedrich Schelling, an evangelizing mission in a poor vil- and Friedrich Hölderlin co-found- la miseria (slum) of the city. ed the German Idealist philosoph- ical movement. There Professor Facing The Two Popes, just like facing Ratzinger transformed from a young the history of the Catholic Church reform-minded priest into a conser- in the first two decades of the twen- vative guardian of tradition after wit- ty-first century, necessarily means nessing the global youth rebellions of facing John Paul II.
  • Florida State University Libraries

    Florida State University Libraries

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 The Piano Trios of Nino Rota and the Art Songs of Franco Alfano on Poetry of Rabindranath Tagore Francesco Binda Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE PIANO TRIOS OF NINO ROTA AND THE ART SONGS OF FRANCO ALFANO ON POETRY OF RABINDRANATH TAGORE By FRANCESCO BINDA A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2017 Francesco Binda defended this treatise on February 26, 2017. The members of the supervisory committee were: Timothy Hoekman Professor Directing Treatise André Thomas University Representative Iain Quinn Committee Member Valerie Trujillo Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to my father, Germano Binda, whose sacrifices in life gave me the opportunity to undertake the study of piano. The love he gave to his family has been an indelible example for my life. His passion for opera and for the arts was the spark that introduced me to music. I hope and pray that the achievement of this honorable degree may make him proud of my accomplishment. iii ACKNOWLEDGMENTS I would like to express my gratitude to my major professor, Dr. Timothy Hoekman, who guided me throughout this exceptional journey. His patience, understanding, professionalism, and expertise were indispensable elements toward the accomplishment of this degree.
  • Boston Symphony Orchestra Concert Programs, Season 48,1928-1929, Trip

    Boston Symphony Orchestra Concert Programs, Season 48,1928-1929, Trip

    ACADEMY OF MUSIC . BROOKLYN Friday Evening, February 1, at 8.15 Under the auspices of the Brooklyn Institute of Arts and Sciences and the Philharmonic Society of Brooklyn PR5GR7W1E Sf 3 CHOOSE YOUR PIANO AS THE ARTISTS DO PIANO One of the beautiful New Baldwin Models An Announcement of l^[ew Models Distinctive triumphs of piano Baldwin yourself, will you craftsmanship, pianos which fully appreciate what Baldwin attain the perfection sought by craftsmen have accomplished. world famous pianists. C[Spon' ((Come to our store today and sored by the ideals by which make the acquaintance of this these artists have raised them' new achievement in piano selves to the very pinnacle of making. <( Grands at $1450 recognition. (( Only when and up, in mahogany. you hear and play the new palbtom <Ptano Company 20 EAST 54th STREET NEW YORK CITY ACADEMY OF MUSIC BROOKLYN FORTY-EIGHTH SEASON 1928-1929 INC. SERGE KOUSSEVITZKY, Conductor FEE IE? O FRIDAY EVENING, FEBRUARY 1, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1929, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT . • President BENTLEY W. WARREN . Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager <» THE INSTRUMENT OF 'through the looking glass" suite, by deems taylor, painted by frank mcintosh It is almost taken for granted today will last 30, 40, and even 50 years or that a well-appointed home shall more, its real economy becomes ap- contain a fine piano.
  • Easter Sunday of the Resurrection of the Lord

    Easter Sunday of the Resurrection of the Lord

    Our Lady of Mount April 21st, 2019 Easter Sunday of the Carmel Parish-Shrine Resurrection of the Lord The Italian National Parish of the Archdiocese of Chicago Served by The Missionaries of Saint Charles – Scalabrinians Staff Ofice Hours Sunday Mass Schedule Pastor 5:30pm - Sat. Vigil Mass Fr. Giovanni Bizzotto, C.S. Sunday 7:45am - English 8:30am—3:00pm 9:00am - Españ ol Associate Pastors 10:30am - Italiano Fr. Augusto Feccia, C.S. 12:00pm - English Tuesday– Friday 1:30pm - Españ ol Parish Deacons 8:30am—8:30pm 5:00pm - Españ ol John Battisto Giulio Camerini Saturday Weekly Mass Schedule Jose Ramon Arenas 8:30am — 1:00pm English 2:00pm—5:30pm Monday - Saturday at 7:30am Secretaries Españ ol Nancy Diaz Monday Martes y Jueves a las 6:30pm Maria Vigil We’re Closed Italiano Sotto richiesta 1101 N 23rd Ave - Melrose Park - IL– 60160 P (708) 344 4140 — F (708)344 0902 www.olmcparish.org ǀ www.facebook.com/olmcparish ǀ [email protected] APRIL 21, 2019 EASTER SUNDAY OF THE RESURRECTION OF THE LORD Ofice of the Archbishop 835 North Rush Street Chicago, IL 60611-2030 312.534.8230 archchicago.org Easter 2019 Dear Sisters and Brothers in Christ, As we walk on our life journeys in this world, we may often feel overwhelmed. Struggle and suffering can mark our lives because of health issues, job insecurity, family concerns, or the painful loss of a loved one. The world itself, in Saint Paul’s words, “has been groaning” (Roman 8:22), as it struggles with wars, violence, ecological degradation, economic injustice, and natural disasters.
  • Percorsi Interdisciplinari Terze Liceo

    Percorsi Interdisciplinari Terze Liceo

    Percorsi trasversali classi terze liceo 2020-2021 Clelia Giarratana | Roberta Mistero | Davide Monzani | Paola Scollo | Lucia Zanolli Argomento Divina Commedia, summa di saperi Materie Italiano Religione Filosofia Storia dell’arte Fisica Obiettivi di Italiano apprendimento -Attraverso la lettura della prima cantica della Divina Commedia comprendere i riferimenti costanti ai diversi ambiti del sapere secondo una concezione tipicamente medievale. -Per approfondire i legami pluridisciplinari si affronterà la lettura di: G. Gorni, Lettera, nome, numero. L’ordine delle cose in Dante. In particolare il cap. IV (Numeri figurati e trinità) ed il cap. V (Cifre profetiche) Religione -Comprendere il profondo legame fra teologia e filosofia nell’immaginario dantesco attraverso la mediazione di S. Tommaso -Capire come i miti classici e testi sacri si fondono nell’immaginario infernale Filosofia -Comprendere il profondo legame fra teologia e filosofia nell’immaginario dantesco attraverso l’analisi della metafisica aristotelica -Dio primo motore immobile: la dimostrazione dell’esistenza di Dio mediante la teoria del movimento (possibile collegamento con fisica) - L’ordine dell’universo ed il paragone con le teorie cosmogoniche dei filosofi presocratici - la teoria dell’emanazionismo di origine neoplatonica Storia dell’arte -Collegare l’opera d’arte /oggetto artistico, i suoi significati e la componente estetica al contesto storico-culturale di appartenenza -Correlare opere di tipologia diversa, ponendole in relazione con altre opere dello stesso