Philly Experiment IV: (Insert Title Here) Round 14 Packet By: When Animals Attack
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RUSC Old Time Radio
The RUSC Guide to Old Tim e Radio Contents Introduction ........................................................................... 5 Chapter 1 – Old Time Radio................................................. 7 When was the first radio show broadcast? ............................ 8 AT&T lead the way............................................................ 10 NBC – The Granddaddy..................................................... 11 CBS – The New Kid on the Block...................................... 11 MBS – A different way of doing things.............................. 12 The Microsoft Effect.......................................................... 13 Boom & Bust..................................................................... 13 Where did all the shows go?............................................... 14 Are old radio show fans old?.............................................. 16 Chapter 2 - Old radio show genres ..................................... 17 Comedy ............................................................................. 18 Detective............................................................................ 20 Westerns ............................................................................ 21 Drama................................................................................ 22 Juvenile.............................................................................. 24 Quiz Shows........................................................................ 26 Science Fiction.................................................................. -
"Down Where the South Begins": Virginia Radio and the Conversation of Nationhood
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 "Down Where the South Begins": Virginia Radio and the Conversation of Nationhood Caroline Chandler Morris College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, Mass Communication Commons, and the United States History Commons Recommended Citation Morris, Caroline Chandler, ""Down Where the South Begins": Virginia Radio and the Conversation of Nationhood" (2005). Dissertations, Theses, and Masters Projects. Paper 1539626488. https://dx.doi.org/doi:10.21220/s2-xqsn-1426 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “DOWN WHERE THE SOUTH BEGINS” Virginia Radio and the Conversation of Nationhood A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Caroline Chandler Morris 2005 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts C/UfU^Yvt c ____ Caroline C. Morris Approved by the Committee, August 2005 Leisa D. Meyer/Chair Melvin P. Ely Laurie S. Koloski To John, Crickett, John, and -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Indigo Girls the Indigo Girls Amy Ray (Left) and Emily Saliers Performing at by Carla Williams Park West, Chicago, in 2005
Indigo Girls The Indigo Girls Amy Ray (left) and Emily Saliers performing at by Carla Williams Park West, Chicago, in 2005. Encyclopedia Copyright © 2015, glbtq, Inc. Image appears under the Creative Commons Entry Copyright © 2002, glbtq, Inc. Attribution ShareAlike Reprinted from http://www.glbtq.com License. Photograph by Lesbians Amy Ray and Emily Saliers are Indigo Girls, one of the most successful folk/ Wikimedia Commons pop duos in recording history. Ray and Saliers have carved out an enduring career that contributor Andreac. is due largely to the fierce loyalty of their fans, many of them lesbians. Ray, a native Atlantan, and Saliers, a transplant from Connecticut, met in grade school in Atlanta and became friends. They shared a talent for writing and music and began playing together in Ray's parents' basement. During college at Emory University, they played club dates in and around Atlanta as the "B Band" and later "Saliers and Ray," developing their following and reputation as a particularly strong band in live performance. Beginning in 1981 they released several independent records on tape and in 1985 released a vinyl single, "Crazy Game." That same year Ray selected the name Indigo Girls on "sort of a whim," she explained in an interview years later. "I found it in the dictionary . it's a deep blue, a root--real earthy." The duo signed with Epic Records in 1988. Their first record for Epic, the multi-platinum Indigo Girls, included their best-known song, "Closer to Fine." That year they were nominated for two Grammy awards-- Best New Artist (they narrowly lost to Milli Vanilli) and Best Contemporary Folk Album, which they won. -
'C, .. Eer Fairleaves Some Disappointed
I-~ ~ '' iij;) Exhibitionists ~ D~ac$ beat Wolfpack ""'tJ ~~ Index· - §11 -~~ ·~ :>)~ ,'f~ A&E B1-3 Deacon Notes 87 soccer shuts out New show opens in ~-·.J ~ [' Briefly A2 Ed~orials A6-7 u ~ Scales, Benson's ~~ State ".lJ:;! ; ii.'",, Calendar B3 Police Beat A4 >£'! rti collection grows ·~. Classified AS Scoreboard 87 d I t.-'i -~ Comics B3 Sports 86-8 A&E/81 ~J!\l ~~ •' ~r I:;; tl Visit our web site at http://ogb. wfu.edu ···, Byfhere~a-Felder Deta Phi·-- was new, and its goal was to their activities for the remainder ofth!! year. stored, and they will sell their lounge fur rarity through the whole process. "We defi. Assistant News Editor stay small. "We will still have formals, the Brian Pic niture, she said. "The memorabilia will go nitely had Greek support. It made me havf Wood said that instead·of continuing to colo fund raiser, meetings, retreats and elec to the archives because it is always pos Greek pride, not just pride in my sorority,' A sorority without many sisters does not try to find new members, the sisters de tions," Wood said; Formal rush is the only sible that the chapter could be reopened on she said. " do well on this campus. As members of cided this fall to focus on enjoying their sorority activity in which the chapter will campus." The money that the chapter has She said that both the Panhellenic Coun· • DeltaGamma·have learned, few members time together . not participate, she said. will also be put in a secure place so that if cil and the Interfraternity Council workec can translate iiito no members in a remark "We decided (to close the chapter) in All the current members of the sorority another group were to start, it would have with them. -
How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 8-11-2015 How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity Alison Law Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Law, Alison, "How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/english_theses/191 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. HOW THE PERFORMANCES, SONG LYRICS, AND ACTIVISM OF THE INDIGO GIRLS DEMONSTRATE THE MUTABLE COMPOSITION OF SOUTHERN IDENTITY by ALISON LAW Under the Direction of Gina Caison, Ph.D. ABSTRACT A common misconception about the southern region of the United States is that any one part of the region can stand alone as an accurate representation of the territory as a whole. To refute any notion of a homogeneous South and demonstrate the dynamic nature of an individual or community identity, I examine the history, song lyrics, performances, and activism of the folk-rock duo the Indigo Girls and their hometown of Atlanta, Georgia. This project applies the theories of locational feminism found in Susan Stanford Friedman’s Mappings and New Southern Studies in Tara McPherson’s text Reconstructing Dixie . Analyzing the biographies, song lyrics, performances, and activism of the Indigo Girls as an archive of southern literature allows us to understand the fluid, multiplex nature of regional identity and view Atlanta as one “borderland” in a heterogeneous U.S. -
A “Journey” Through Band Agreements
Hastings Communications and Entertainment Law Journal Volume 43 Number 2 Summer 2021 Article 4 Summer 2021 A “Journey” Through Band Agreements Jordan M. Whitford Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jordan M. Whitford, A “Journey” Through Band Agreements, 43 HASTINGS COMM. & ENT. L.J. 189 (2021). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol43/iss2/4 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A “Journey” Through Band Agreements By JORDAN WHITFORD* INTRODUCTION A “Journey” through band agreements reveals that it is not just about creating music. This paper will explain the ins and outs of band agreements, using the most recent lawsuit involving the band members of Journey along with other various disputes to demonstrate what issues can arise throughout a band’s lifespan. HISTORY OF JOURNEY JOURNEY ACCEPTED FAME, FORTUNE, AND BAND MEMBERS WITH “OPEN ARMS” The musical band Journey was formed in San Francisco, California in 1973 under the management of Herbie Herbert.1 Journey made their live debut at the Winterland -
Catalogmusic873 919.Pdf
INDEX 874 INDEX TITLE PAGE NO. TITLE PAGE NO. TITLE PAGE NO. A Acoustic Guitar Solo Fingerstyle Basics ..........707, 761 Afro-Cuban Slap Bass Lines............................693, 812 Acoustic Guitar Tab White Pages ....................394, 792 Aguilera, Christina – Stripped ..................................73 Aaberg, Philip – Piano Solos....................................72 Acoustic Instrumentalists – Guitar One Air Supply – Best of .................................................73 Above All – 15 Classic Praise Songs...............422, 535 Presents.....................................................394, 798 Aladdin – Big-Note Piano.......................................571 Above All – 50 EZ Inspirational Favorites...............422 INDEX Acoustic Piano Ballads...................................395, 545 Aladdin – Music Manuscript Paper ........................854 Above All Else, Your Name Be Praised!...................500 Acoustic Rock – Fingerstyle Guitar.........................395 Aladdin – P/V/G .....................................................271 Abrams, Daniel – Put Your Hands on the Acoustic Rock – Guitar Play-Along Volume 18.......789 Aladdin – Piano Fun! .............................................297 Piano and Play!..................................................848 Acoustic Rock – Guitar Recorded Versions............395 Aladdin – Recorder Fun!........................................294 Accompaniment Basics – Acoustic Guitar ......707, 741 Acoustic Rock – Guitar Technique Series.......733, 742 Aladdin – Xylotone -
Mcleanmclean Sheer
McLeanMcLean Dani Stoller as Elvira and Steven Carpenter as Charles in the 1st Sheer Stage production of Noel Coward’s “Blithe Spirit.” Madness Classifieds, Page 14 ❖ of an Sports, Page 12 ❖ Evening Entertainment, Page 8 Entertainment, Page 8 ❖ SeniorSenior LivingLiving Inside Senior Living JUNE 2013 Opinion, Page 6 McLean www.ConnectionNewspapers.comLocal Media Connection LLC ❖ Local Media Connection LLC onlineSenior at w Livingww.c Juneonn 2013ect io ❖ n MncLeanewsp Connectionapers.com ❖ 1 Two Races, Four Candidates News, Page 3 MCA Hosts Members Update Photo by Teresa Castracane/Courtesy of 1st Stage www.ConnectionNewspapers.comJune 5-11, 2013 News, Page 4 online at www.connectionnewspapers.com McLean Connection ❖ June 5-11, 2013 ❖ 1 2 ❖ McLean Connection ❖ June 5-11, 2013 www.ConnectionNewspapers.com McLean Connection Editor Kemal Kurspahic News 703-778-9414 or [email protected] Two Races, Four Candidates Competition in June 11 Democratic primary for lieutenant governor and attorney general. By Michael Lee Pope can standard bearer has changed the dy- Gazette Packet namics of the race, which has suddenly be- come much higher profile than it would orthern Virginia will dominate otherwise be. Democrats are eager to cam- the choices for statewide of- paign against Jackson, using his past state- Nfice when Democrats head to ments as a template to portray the Republi- the polls on June 11 for a Northam Chopra Herring Fairfax can ticket as a party against choice for statewide primary to select candidates for women and civil rights for gays. That lieutenant governor and attorney general. means the choice facing Democrats is Former Democratic National Committee “Terry McAuliffe is not the most highly regarded which of the two candidates on the Chairman Terry McAuliffe will be unop- Democratic side would be the best per- posed as the party’s choice for governor, Democrat, and a lot of Democrats are frustrated by son to face Jackson. -
Lawsuit to Remedy the Harm Wrought by Valory
1 Plaintiffs Neal 3. Schon (“Schon”) and Jonathan Cain Friga (a/Ic/a Jonathan Cain) (“Cain”) 2 (together, “Plaintiffs”), by and through their undersigned attorneys, allege against Defendants 3 Steven B. Smith (“Smith”) and Ross L. Valory (“Valory”), and DOES 1-20 (together, 4 “Defendants”) as follows: 5 INTRODUCTJON 6 1. Plaintiffs Schon and Cain are the remaining principal members of the iconic 7 American rock band Journey. With former band member Steve Perry (“Perry”), they were 8 responsible for the band’s rise to prominence in the 1980’s. Together, they wrote some of the 9 most well-known rock songs in the world, including “Don’t Stop Believin’,” the best-selling 10 digital track from the 20th century, with over 7 million copies sold in the United States, and the 11 second most downloaded song of all time. 12 2. Perry left the band in 1997, but Cain and Schon vibrantly continue touring and 13 playing together as Journey before arena and stadium crowds. They remain the key members of 14 Journey, the song writers and the vital core of the band. 15 3. Defendants Smith and Valory are former members of Journey. Smith is a 16 drummer, and Valory is a bassist. At various times prior to their final performance with Journey, _J 17 they had not been part of the band and been replaced by substitute musicians. They always had 18 limited involvement in the creative success of Journey and have only a handful of Journey song 19 writing credits between them. 20 21 4. Smith and Valory had previously expressed a desire to retire from the band. -
Vol. 50, No. 5, November 9, 1999 University of Michigan Law School
University of Michigan Law School University of Michigan Law School Scholarship Repository Res Gestae Law School History and Publications 1999 Vol. 50, No. 5, November 9, 1999 University of Michigan Law School Follow this and additional works at: http://repository.law.umich.edu/res_gestae Part of the Legal Education Commons Recommended Citation University of Michigan Law School, "Vol. 50, No. 5, November 9, 1999" (1999). Res Gestae. Paper 170. http://repository.law.umich.edu/res_gestae/170 This Article is brought to you for free and open access by the Law School History and Publications at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Res Gestae by an authorized administrator of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. STUDENT NEWSPAPER OF THE UNIVERSITY OF MICHIGAN LAW SCHOOL ............ estae > November 1999 David Boyle, p~~d above, has rL., sss Recogni·zea.oBtis1L9~ finally. succeeded m his battle to have the vote counts of the Fall Law School ~radley Stud JiMH.tudentSenate(LSSS)elections. His l.J \QW» mtt~ uest began nearly a month ago, when he first filed a formal protest 0 Hannah Mufson was o~, an unoffi~al .basis -word of regar~g the results of the _race for mouth atthebegmnmg,andbecame his section's lL Representative seat, The Law School Student Senate more official when interest grew. in which his campaign was unsuc (LSSS), in a recent move that baffled Walling said he went to a local meet- cessful. and upset many, voted to recognize ing in ~ Arbor, ~d through ~s Boyle appeared before LSSS at a Law Students for the Things Bill Bra first meeting, got tn contact wtth special hearing October 26, where he dley Believes In (LSFTTBBBI) as a stu more people, who also felt that questioned theobjectivityofthevote dent group. -
Formerly the Record Plant
Formerly the Record Plant MISSION Sausalito Tech Partners will restore the historic Record Plant Studios in Sausalito to its former glory, melding new digital innovations and traditional analog tech for recording and live streamed performances. Our Mission - To Create, Share and Celebrate Life-Changing Content A TREASURED ASSET The new Bridgeway Studios – at the former Record Plant studios - will also feature an Experiential Center to preserve and celebrate the building’s historic contributions to popular music as well as several updated spaces for event rentals. The updated venue will become a treasured part of the community through outreach and engagement while music fans from around the world will flock to this refurbished mecca. A CALL FOR INVESTORS AND PARTNERS We are seeking investors and partners to join the team as we preserve, refurbish and resurrect the former Record Plant building. With the underlying tangible asset value, we are seeking investors to share in the in the tremendous upside of the project’s value creation. We also seek corporate, agency and content partners to leverage this one-of-a-kind space. A NEW ERA FOR “THE PLANT” @ BRIDGEWAY STUDIOS Historic Working Studios, both new and historic, will provide a full-service studio experience to artists, producers as well as well-known video streaming platforms. An “Experience Center” will provide a once-in-a-lifetime opportunity for fans to stand within the walls of the historic “Plant” and hear the magic of music recorded in the studios. Social Media and Corporate Partnerships will make the new venue accessible to all, taking the Record Plant history and recorded content to music fans the world over.