Neelsole... La Filmografia Della Luce.. (Arc. Metatron) Un Film Nella Luce, Con La Luce, E Per La Luce …

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NeelSole... La Filmografia della Luce.. (Arc. Metatron) Un film nella Luce, con la Luce, e per la Luce … Jesus Christ Superstar (1973) http://it.wikipedia.org/wiki/Jesus_Christ_Superstar_(film) http://www.youtube.com/watch?v=IvVr2uks0C8 http://www.youtube.com/watch?v=DAY3K85xx3U http://www.youtube.com/watch?v=gE7pgUvirgM http://www.youtube.com/watch?v=5g77AcTbjFo http://www.youtube.com/watch?v=1VGRwsYDAbY http://www.youtube.com/watch?v=JQjMf0KMcEM http://www.youtube.com/watch?v=kK4VImbHxAc Director: Norman Jewison Writers: Melvyn Bragg (screenplay) and Norman Jewison (screenplay) ... See more » Contact: View company contact information for Jesus Christ Superstar on IMDbPro. Release Date: 15 August 1973 (USA) See more » Genre: Drama | History | Musical See more » Tagline: and now the film... See more » Plot: Film version of the musical stage play, presenting the last few weeks of Christ's life, told in an anachronistic manner. Full summary » | Full synopsis » Plot Keywords: Rock Opera | Jesus Christ | Slow Motion | Based On Album | Reference To The Buddha See more » Awards: Nominated for Oscar. Another 3 wins & 9 nominations See more » NewsDesk: (27 articles) Andrew Lloyd Webber, Tim Rice to team up for new Oz musical (From RealBollywood. 28 May 2010, 4:19 AM, PDT) 'American Idol' Poll: Is 'Shania Twain Week' The Weirdest Theme Ever? (From MTV Newsroom. 27 April 2010, 10:06 AM, PDT) How Rock Became Broadway’s Go-To Genre (From Vanity Fair. 15 April 2010, 5:30 AM, PDT) User Reviews: Very good, if not quite a superstar, movie musical See more (181 total) » Cast (Cast overview, first billed only) Ted Neeley ... Jesus Christ Carl Anderson ... Judas Iscariot Yvonne Elliman ... Mary Magdalene Barry Dennen ... Pontius Pilate Bob Bingham ... Caiaphas Larry Marshall ... Simon Zealotes (as Larry T. Marshall) Josh Mostel ... King Herod (as Joshua Mostel) Kurt Yaghjian ... Annas Paul Thomas ... Peter (as Philip Toubus) Pi Douglass ... Apostle .

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Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind.
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Jesus Was a Palestinian Jew by Robert C
Study guide Jesus was a Palestinian Jew By Robert C. Blezard God came and dwelled among us, Emmanuel, incarnated as Jesus for the salvation of all of humanity in all our wonderful diversity. Though all humans may lay claim to Jesus as their “brother” and savior, he came into the world with a specific identity as a Jewish man from Palestine. Depicting Jesus as a Related articles: white European is not merely inaccurate, it may subtly reinforce racism by Perspective: Jesus was implying that white culture is superior to others. a Palestinian Jew—not white (page 14) Exercise 1: Jesus, for all Living Lutheran, Jesus lived as a Palestinian Jew who, scholars believe, undoubtedly had physical and March 2021 facial characteristics similar to Palestinians today—dark skin, dark eyes and hair. That Jesus—God incarnate—was executed by crucifixion but rose again in three days in triumph over death and the grave. Through our faith in Jesus the Christ, we also live in triumph over death. • God came to us in the person of a Palestinian Jew. Does this mean that God identifies with Palestinian Jews more than people of other cultures? Does it mean that Jesus the man and Christ the risen Lord are in solidarity more with Palestinians and Jews than people of other races, nationalities and cultures? Explain. • Does Jesus’ identity indicate that Palestinian Jewish culture is superior to other world cultures? Explain. • As far as our faith is concerned, which is the more important fact: that the fullness of God was incarnated as a human being or that the fullness of God was incarnated as a Palestinian Jew? • How relevant to our salvation is it that God came to us in the person of a Palestinian Jew in the ancient Near East? • Would it have made a difference to our faith and salvation if God had chosen instead to live, die and rise again in Asia, Africa, South America or Europe? Reprints: • Jesus is God-made-flesh.
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Michael Damian Fasano 2013 Resume
917-397-0282 www.michael -damian - fasano.com Height: 5’8 Weight: 160 Eyes: Hazel Hair: Dark Brown Range: Tenor G2-Bb4 Falsetto: B REGIONALREGIONAL FOOTLOOSE Ren McCormack Dir/Choreo: Janine Molinari *CT Critics Circle Nominee Seven Angels Theatre Outstanding Actor in a Musical WEST SIDE STORY *Upcoming* Indio Dir: Melody M. Libonati Summer Theatre of Choreo: Doug Shankman New Canaan NATIONAL/INTERNATIONALNATIONAL / INTERNATIONAL TOURSTOURS JESUS CHRIST SUPERSTAR Apostle Dir: Dallet Norris *Ted Neeley & Corey Glover Tour Troika Entertainment Music Dir: Phil Edwards Choreo: Arlene Phillips GREASE Sonny Dir: Michael McFadden AEA Phoenix Entertainment Music Dir: Charlie Alterman Agent: Todd M. Eskin 917-397- 0282 FISHFACE Richard “Beast” Best Dir: Gregg Gunning Email: Arts Power [email protected] HOLLAND AMERICA LINE: Lead Male Singer/ Dir: John Charron Ms. Noordam, Ms. Oosterdam Dancer/Vocal Capt Choreo: John Charron, Michael Damian Fasano Ms. Statendam Inaugural Stiletto Entertainment Melanie Lewis, Jill Hillier @MichaelDFasano @michaeldfasano NEW YORK CITY OUT OF THIS WORLD Mercury Dir. Norbert Joerder Musicals Tonight! Music Dir: David Bishop IT’S KARATE, KID; THE MUSICAL Freddy Fernandez Dir: Jake Hirzel Zipper Theater TRAIN TRAININGING THE BOSTON CONSERVATORY Masters in Dep. Chair: Neil Donohoe Musical Theater BROADWAY DANCE CENTER Student Showcase Intermediate/Advanced Jazz & Theater VOICE/ACTING Jasper Grant, Katie Agresta Jen Waldman, Eddie Schnecker SPECIAL SKILLS SPECIAL SKILLS Falsetto, Front Handspring, Jazz Splits R&L, Toe Touch, Roller Skating, Moonwalk, Aaron Neville Impression .
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Jesus Christ Superstar Con Ted Neeley, Yvonne Elliman E Barry
MERCOLEDì 17 SETTEMBRE 2014 La stagione del Sistina riparte alla grandissima con lo spettacolo evento "Jesus Christ Superstar". Una rappresentazione unica nel suo genere che vedrà in scena, a 40 anni dallo storico film di Norman Jewison, il cast Jesus Christ Superstar con Ted originale del grande successo cinematografico del 1973. Appuntamento Neeley, Yvonne Elliman e Barry il 19 settembre con la prima mondiale del Musical firmato Massimo Dennen Romeo Piparo che è riuscito a trasformare definitivamente il mito in realtà riportando in scena il cast formato da Ted Neeley, Yvonne Elliman e Barry Dennen. Il 19 settembre la prima mondiale al Teatro Sistina di Roma Un'occasione irripetibile per il pubblico nazionale e internazionale del teatro romano grazie a questo cast d'eccezione che mai prima d'ora si era riunito per riproporre la più grande opera rock di tutti i tempi. Lo LA REDAZIONE spettacolo, rigorosamente in lingua originale, non potrà fare a meno di richiamare tutti gli appassionati di teatro e musical: sulle poltrone rosse del Sistina si potranno rivivere tutte le emozioni della rivoluzionaria pellicola che racconta gli ultimi sette giorni della vita di Gesù. Questa volta esclusivamente dal vivo! [email protected] SPETTACOLINEWS.IT I celeberrimi TED NEELEY (GESU'), YVONNE ELLIMAN (MADDALENA) E BARRY DENNEN (PILATO) festeggeranno così il ventesimo anniversario dell'edizione italiana del musical diretto da Massimo Romeo Piparo. Un successo senza tempo confermato dalla scorsa stagione che ha decretato "Jesus Christ Superstar" evento teatrale dell'anno con 50 mila spettatori in due mesi, interminabili standing ovation e applausi a scena aperta ad ogni replica.
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Billy Elliot - Il Musical
COMUNICATO STAMPA BILLY ELLIOT - IL MUSICAL da mercoledì 25 a domenica 29 aprile 2018 (n. 6 recite in abbonamento) PREVENDITA DEI BIGLIETTI PREZZI Platea € 40 Ridotto “under 14” € 20 Palco centrale € 35 Ridotto “under 14” € 20 Palco laterale € 30/25 Ridotto “under 14” € 20 Galleria € 25 Ridotto “under 14” € 20 PREVENDITA BIGLIETTI (biglietteria Via Verdi, n. 1/3 Imola): Sabato 21/04/2018 Prevendita biglietti Biglietteria ore 16-19 Attenzione! Dalle ore 20 in poi partirà la vendita online www.teatrostignani.it oppure www.vivaticket.it Info: 0542 602600 (Ufficio) – 0542 602610 (Biglietteria) - www.teatrostignani.it Martedì 24/04/2018 Biglietteria ore 10-12 Mercoledì 25/04/2018 I recita ore 21 Biglietteria ore 19-21 Giovedì 26/04/2018 II recita ore 21 Biglietteria ore 19-21 Venerdì 27/04/2018 III recita ore 21 Biglietteria ore 19-21 Sabato 28/04/2018 IV recita ore 15,30 Biglietteria ore 14-15,30 V recita ore 21 Biglietteria ore 19-21 Domenica 29/04/2018 VI recita ore 15,30 Biglietteria ore 14-15,30 Peep Arrow Entertainment e Il Sistina PRESENTANO BILLY ELLIOT - IL MUSICAL musiche di ELTON JOHN testi e libretto di LEE HALL dal film di STEPHEN DALDRY regia e adattamento italiano di MASSIMO ROMEO PIPARO scene Teresa Caruso costumi Cecilia Betona coreografie Roberto Croce impianto luci Umile Vanieri direzione musicale Maestro Emanuele Friello Per concordare interviste al cast o al regista si prega di contattare: Ufficio Stampa e Comunicazione Federica Fresa 335 5481631 [email protected] [email protected] Qui il link per scaricare le FOTO DI SCENA (CREDITI OBBLIGATORI in didascalia): https://drive.google.com/open?id=1MpxVEBx_xBKntdAGtPmNqU88heXK4PJS Qui il link per scaricare le IMMAGINI VIDEO : https://drive.google.com/open?id=1wq6y0pvSWhUtxpYZLoGhtUf7I1UzFtJw Lo spettacolo Durata: 2 ore e 45 minuti con intervallo Incanto e passione, Billy Elliot torna in scena Nuovi giovani talenti nell’amatissimo Musical in scena al Teatro Stignani “Io non ho bisogno della mia adolescenza.
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Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores.
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Department of English and American Studies
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Danuta Hudecová Transformations of Jesus Christ Superstar Master’s Diploma Thesis Supervisor: Mgr. Tomáš Kačer, Ph. D. 2015 1 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature 2 Acknowledgement I would like to thank my supervisor Mgr. Tomáš Kačer Ph.D. for his help, guidance, and advice. I am also indebted to my friend Fjodor Vinokurov for his valuable observations. 3 Table of Contents Introduction ..................................................................................................................... 5 1. Specifics of rock opera………………………………………………………………..8 1.1 What is rock opera?.........................................................................................8 1.2 ‘Rock opera’ or ‘rock musical’?....................................................................12 2. History of the rock opera Jesus Christ Superstar........................................................15 3. Many shapes of Jesus Christ Superstar......................................................................24 3.1 Timeliness of Jesus Christ Superstar..................................................................24 3.2 Three version of the rock opera Jesus Christ Superstar.....................................27 3.2.1 Norman Jewison’s 1973 film adaptation of Jesus Christ Superstar..........27 3.2.2 Jesus Christ Superstar
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1. Andrew Lloyd Webber
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Divadelní fakulta Ateliér muzikálového herectví Mgr. Petra Štěpána Herectví v hudebních filmech podle muzikálů Andrew Lloyda Webbera Diplomová práce Autor práce: Pavlína Palmovská Vedoucí práce: Mgr. Miroslav Ondra Oponent práce: Mgr. Petr Štěpán Brno 2017 Bibliografický záznam PALMOVSKÁ, Pavlína. Herectví v hudebních filmech podle muzikálů Andrew Lloyda Webbera [Acting in musical films based on stage musicals by Andrew Lloyd Webber]. Brno: Janáčkova akademie múzických umění v Brně, Divadelní fakulta, Ateliér muzikálového herectví, 2017. 104 s. Vedoucí diplomové práce Mgr. Miroslav Ondra. Anotace Diplomová práce ,,Herectví v hudebních filmech podle muzikálů Andrew Lloyda Webbera“ zkoumá adaptace muzikálů A. L. Webbera na filmovém plátně. Zaměřuje se na vznik těchto filmů, snaží se popsat spolupráci autora hudby u vzniku snímků, shrnuje kritický ohlas. Speciální pozornost je věnována herectví (analýzy jednotlivých hereckých výkonů, metody herectví, přístupy ke ztvárnění postav). Autorka bude čerpat z vlastní recepce zmíněných filmových děl, z kritik, analýz, teoretické i historiografické literatury. Klíčová slova Andrew Lloyd Webber, Filmový muzikál, Filmové herectví, Jesus Christ Superstar – 1973, Evita – 1996, Josef a jeho úžasný pestrobarevný plášť – 1999, Fantom opery – 2004 Annotation The thesis „Acting in musical films based on stage musicals by Andrew Lloyd Webber“ researches adaptations for screen of musicals by A. L. Webber. It focuses on the origin of these films, tries to describe participation of the musical author in birth of film scenes and sums up critical reaction. Special attention is devoted to acting (to analysis of individual acting, methods of acting and of access to portrayal of characters). The author of the thesis is going to draw inspiration from her own reception of mentioned works of film art, from criticism works, analyzes and from theoretical and historiographic literature.
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THE LYCHGATE March 25, 2018
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Waitress at the Paramount Seattle
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UNLV Jazz Ensemble I Donald Cunningham
Junior Recitals Recitals 2-12-2013 UNLV Jazz Ensemble I Donald Cunningham Ronnie Rose Marlena Shaw Clint Holmes Follow this and additional works at: http://digitalscholarship.unlv.edu/music_junior_recitals Department of MUSIC College of Fine Arts presents UNLVJAZZENSEMBLEI Featuring Donald Cunningham, Ronnie Rose, Marlena Shaw, Clint Holmes PROGRAM An Evening ofJazz: In Celebration ofBlack History Month Vernon Dukes, E.Y. Young April in Paris (1903-1969),(1896-1981) arr. by Ernie Wilkins J.J. Johnson Lament (1924-2001) arr. by Gordon Brisker Bob Florence Tenors, Anyone? ( 1932-2009) Duke Ellington It Don t Mean A Thing (I fit Ain't Got That Swing) (1899-1974) Donald Cunningham Jerry Bock, George Weiss, Lawrence Holofcener Too Close For Comfort (1928-2010), (1921-2010) (b. 1926) Ronnie Rose Ray Charles Mary Ann (1930-2004) Ronnie Rose Ray Henderson, Mort Dixon Bye Bye, Blackbird (1896-1970),(1892-1956) Ronnie Rose Phil Roy Hope in a Hopeless World (b. 1959) arr. by Bill Cunliffe Marlena Shaw Burton Lane, Alan Jay Lemer On A Clear Day (1912-1997) (1918-1986) Marlena Shaw Milton DeLugg, Willie Stein Orange Colored Sky (b. 1918) ( 1917-2009) arr. by Jeffrey Neiman Clint Holmes Leonard Cohen Hallelujah (b. 1934) arr. by Jeffrey Neiman Clint Holmes Tuesday, February 12, 2013 7:30p.m. Black Box Theatre Lee and Thomas Beam Music Center University ofNevada, Las Vegas About the UNLV Jazz Studies Program The UNLV Jazz Studies Program has been active for more than 40 years. The Jazz Studies Program offers degrees in instrumental or vocal jazz performance and composition at both the undergraduate and graduate levels.
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