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JACKBOOTS on WHITEHALL Team America Meets Inglourious Basterds
PREORDER JUN 28 RELEASE JUL 26 NEW RELEASE: FLATIRON JACKBOOTS ON WHITEHALL Team America meets Inglourious Basterds All-star voice cast includes: – Ewan McGregor ( The Ghost Writer , Star Wars Episodes I-III ) – Dominic West ( The Wire ) – Rosamund Pike ( An Education , Barney’s Version ) – Timothy Spall as Churchill ( The King’s Speech, Harry Potter series) – Alan Cumming as Hitler ( X-Men 2 , Nicholas Nickleby ) – Pam Ferris ( Matilda , Harry Potter and the Prisoner of Azkaban ) Premiered at the famed Edinburgh Film Festival. Will launch with promotion party and potential panel at San Diego Comic-Con, July 2011. Facebook ad and viral online campaign will target fans of other supermarionation titles, such as Team America: World Police and Thunderbirds , as well as classic sci-fi and British comedy. Marketing and PR outreach will leverage access to film’s big-name stars for top tier press, and target the gamer/fanboy audience (G4 TV, io9) with online SYNOPSIS On the English South Coast, Chris, a young farm worker, ad/social media campaign. dreams of the chance to join the army and fight in exciting new lands. His chance comes when the three top Nazis, the enormous Goering, the PRODUCT INFORMATION COMP TITLES malnourished Goebbels and the scarily campy Himmler hatch a plan to DVD FEATURES : Behind-the-scenes footage, interview with the creators, Featurettes: The Swastikas, Bad Day to be a Nazi, Hitler’s Rat Pack, The Nazi Hotties, Explosions, invade England by drilling under the English Channel and into the heart Voiceovers, Theatrical Trailers SRP: $19.95 U.S. $22.95 CAN of London. -
Por Amor a La Pelota: Once Cracks De La Ficción Futbolera
Dickinson College Dickinson Scholar Faculty and Staff Publications By Year Faculty and Staff Publications 2014 Por Amor a la Pelota: Once Cracks de la Ficción Futbolera Shawn Stein Dickinson College Nicolás Campisi Follow this and additional works at: https://scholar.dickinson.edu/faculty_publications Part of the Fiction Commons, Latin American Languages and Societies Commons, and the Sports Studies Commons Recommended Citation Stein, Shawn, and Nicolás Campisi, eds. Por Amor a la Pelota: Once Cracks de la Ficción Futbolera . Santiago: Editorial Cuarto Propio, 2014. This article is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. ÚLTIMOS TÍTULOS POR AMOR A LA PELOTA: SHAWN STEIN es del estado de Colorado en los Estados Unidos. Es doctor en litera- ONCE CRACKS DE LA FICCIÓN tura latinoamericana de la Universidad de • La fábula de la evolución (novela 2013) FUTBOLERA California, Riverside. Fue docente e inves- EUGENIO NORAMBUENA PINTO tigador en Massey University en Nueva Zelanda y actualmente es profesor asocia- • Confidencias de un locutor (crónicas, 2013) do en Washington College en Maryland, PATRICIO BAÑADOS Selva Almada Estados Unidos, donde enseña letras lati- • La porcelana de Sofía (novela, 2013) noamericanas, con enfoque en los estudios VERÓNICA KÖHLER-VARGAS Edmundo Paz Soldán culturales y literarios. Ha presentado sus proyectos de investigación sobre la sátira • Fuera del Colegio! Una señal de narrativa, el cine y la ficción de fútbol en traetormentas (novela, 2013) Sérgio Sant’Anna congresos internacionales en varios países FABIO SALAS ZÚÑIGA de Europa, Oceanía y las Américas. -
Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
HJR 23.1 Sadoff
38 The Henry James Review Appeals to Incalculability: Sex, Costume Drama, and The Golden Bowl By Dianne F. Sadoff, Miami University Sex is the last taboo in film. —Catherine Breillat Today’s “meat movie” is tomorrow’s blockbuster. —Carol J. Clover When it was released in May 2001, James Ivory’s film of Henry James’s final masterpiece, The Golden Bowl, received decidedly mixed reviews. Kevin Thomas calls it a “triumph”; Stephen Holden, “handsome, faithful, and intelligent” yet “emotionally distanced.” Given the successful—if not blockbuster—run of 1990s James movies—Jane Campion’s The Portrait of a Lady (1996), Agniezka Holland’s Washington Square (1997), and Iain Softley’s The Wings of the Dove (1997)—the reviewers, as well as the fans, must have anticipated praising The Golden Bowl. Yet the film opened in “selected cities,” as the New York Times movie ads noted; after New York and Los Angeles, it showed in university towns and large urban areas but not “at a theater near you” or at “theaters everywhere.” Never mind, however, for the Merchant Ivory film never intended to be popular with the masses. Seeking a middlebrow audience of upper-middle-class spectators and generally intelligent filmgoers, The Golden Bowl aimed to portray an English cultural heritage attractive to Anglo-bibliophiles. James’s faux British novel, however, is paradoxically peopled with foreigners: American upwardly mobile usurpers, an impoverished Italian prince, and a social-climbing but shabby ex- New York yentl. Yet James’s ironic portrait of this expatriate culture, whose characters seek only to imitate their Brit betters—if not in terms of wealth and luxury, at least in social charm and importance—failed to seem relevant to viewers The Henry James Review 23 (2002): 38–52. -
Zálohadiplomka Konečná Verze
Masarykova univerzita Filozofická fakulta Ústav filmu a audiovizuální kultury Kristýna Chmelíková (FAV, magisterské navazující prezen ční studium) Narativn ě komplexní seriál a jeho transmediální extenze Případová studie amerického seriálu Battlestar Galactica Magisterská diplomová práce Vedoucí práce : Mgr. Pavel Skopal, Ph.D. Brno 2011 Prohlášení o samostatnosti Prohlašuji, že jsem pracovala samostatn ě a použila jen uvedených zdroj ů. Datum Podpis 31. dubna 2011 ............................................................................. 1 Poděkování Za vedení diplomové práce a cenné p řipomínky d ěkuji Mgr. Pavlu Skopalovi, Ph.D. Za podn ětné konzultace tématu pat ří m ůj dík Mgr. Jaroslavu Švelchovi a Mgr. Radomíru D. Kokešovi. Děkuji též Martinu Chmelíkovi za pomoc p ři zpracování graf ů a Vendule Pavlí čkové za jazykové korektury. Pod ěkovat za srde čnou podporu, a to nejen v dob ě vzniku této práce, pak chci svým rodi čů m a Michalu Kašpárkovi. 2 Klíčová slova Narativn ě komplexní seriál, transmediální vypráv ění, transmediální extenze, konvergence médií, narativní analýza, produser, hyperdiegeze, Battlestar Galactica Keywords Narrative complexity of a TV series, transmedia storytelling, transmedia extension, media convergence, narrative analysis, produser, hyperdiegesis, Battlestar Galactica 3 Obsah 1. Úvod ................................................................................................................................................ 6 1.1 Ne p říb ěh, ale sv ět nebo ansámbl............................................................................................. -
Outstanding Casting for a Drama Series
Outstanding Casting for a Drama Series Episode 511, “Confessions”: Walt, Skylar, Hank & Marie meet to discuss what's next. Trent, just doing his job, interrupts this very tense situation...more than once. Walter White … Bryan Cranston Skyler White … Anna Gunn Hank Schrader … Dean Norris Marie Schrader … Betsey Brandt Trent* … Guy Wilson Episode 515, “Granite State”: The Disappearer returns to Walt at his hideout in New Hampshire to bring him supplies. Walter White … Bryan Cranston The Disappearer* … Robert Forrester Episode 516, “Felina”: Walt returns to Elliott & Gretchen's. Our fan favorites Badger & Skinny Pete are not far behind. Walter White … Bryan Cranston Elliott … Adam Godley Gretchen … Jessica Hecht Badger … Matt Jones Skinny Pete … Charles Baker Lydia & Todd have an unexpected visit from Walt at the weekly coffee shop meeting Walter White … Bryan Cranston Lydia* … Laura Fraser Todd* … Jesse Plemons The shootout between Jack’s gang and Walter’s machine. The final good-bye. Walter White … Bryan Cranston Jesse Pinkman … Aaron Paul Todd* … Jesse Plemons Uncle Jack* … Michael Bowen Kenny* … Kevin Rankin Lester* … Tait Fletcher Jack’s Man* … Matthew T. Metzler Frankie* … Patrick Shane *Cast this season Casting Summary for Production 12-20-2012 BREAKING BAD Artist Episode # Episode Title Role Name Series Stars: BRANDT, BETSY MARIE CRANSTON, BRYAN WALTER WHITE GUNN, ANNA SKYLER WHITE MITTE, RJ WALTER, JR. NORRIS, DEAN HANK ODENKIRK, BOB SAUL GOODMAN PAUL, AARON JESSE Guest Cast: BAKER, CHARLES 509 BLOOD MONEY SKINNY PETE BRUMMETT, -
ESCRITO SIN PERMISO Reportaje Desde El Calabozo Celda Será Publicado Próximamente En Italia
or el solo hecho de ejercer su derecho a expresarse AL libremente, Vázquez Portal recibió un castigo RT severísimo. El 7 de abril del 2003, el Tribunal Provincial de Ciudad de La Habana anunció que lo había “Pcondenado a 18 años de cárcel. El 16 de marzo del 2004, en el primer aniversario de la ofensiva contra la prensa independiente, el CPJ envió una carta al Presidente cubano Fidel Castro Ruz reclamando la liberación de Vázquez Portal y los demás presos. Fue sorprendente la solidaridad de la comunidad de Manuel Vázquez Portal (Morón, Cuba prensa internacional. Más de 600 periodistas de todo el continente 1951). Poeta y Periodista. Licenciado en Lengua y Literatura Hispanoamericana y firmaron peticiones solicitando la liberación de los periodistas cubanos, MANUEL VÁZQUEZ PO Cubana por la Universidad de Santa que fueron enviadas por correo a la Sección de Intereses de Cuba en Clara. Fue profesor de enseñanza media, Washington, D.C. Asimismo, el CPJ lanzó una sección especial en su asesor literario del ministerio de cultura y página de Internet con el título “Libertad para Vázquez Portal”. Entre periodista en diferentes medios estatales los periodistas estadounidenses que se adhirieron a la campaña se cubanos. Obtuvo varios premios destacaron Carl Bernstein, Clarence Page, David Remnick, Ed nacionales de literatura y periodismo en Bradley, Anthony Lewis, Gwen Ifill y Michael Massing. Prominentes su país, entre los que se destacan los de periodistas y escritores latinoamericanos también se sumaron a la la Unión Nacional de Artistas y Escritores campaña: Tomás Eloy Martínez, Sergio Ramírez, Elena Poniatowska, (UNEAC), La Edad de Oro del Ministerio Javier Darío Restrepo, Michèle Montas y Teodoro Petkoff firmaron de Cultura y el Abril de la Editora del mismo nombre. -
Alvin Theater
Landmarks Preservation Commission August 6 , 1985; Designaticn List 182 LP-1306 ALVIN THEATER (na.v Neil Simon Theater), first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the ba.lcony, the upper part of the auditorium and ceiling; and the fixtures and interior crnponents of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52nd Street, Manhattan. Built 1927; architect, Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1023, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing en the proposed designation as an Interior Landmark of the Alvin Theater, first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52rrl Street, Manhattan, and the proposed designation of the related Landmark Site (Item No.2). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. -
The Score Press Kit FINAL Apr27
presents Running Time: 83:22 minutes Genre: Dramatic Musical Format: High Definition PRESS KIT For Sales Information Contact: World Sales IndieCan Entertainment Avi Federgreen 194 Glenholme Avenue Toronto, ON M6E 3C4 T: 416.898.3456 E: info@indiecanent/com SHORT SYNOPSIS A groundbreaking musical drama about a scientist whose own genetic history threatens her career, her lab and her life. “Are you ready to kick the ass genomic?” Dr. Lynn Magnusson is a brilliant geneticist racing to isolate a cancer-causing gene. All that’s standing in her way is competition from a well funded French lab, a ticking biological clock that leads to a risky office romance, and her own fears that she might carry the same Huntington’s gene that killed her mother. Based on the award-winning play by Electric Company Theatre, The Score explores the human elements and revolutionary implications of the rapidly advancing world of genetics and uses humour, music and dance to transform scientific ideas into universal themes of identity, freedom and creation. SYNOPSIS The Score tells the story of Dr. Lynn Magnusson, a woman at the helm of a cutting-edge but under-funded lab that is racing towards a significant discovery of genetics-based cancer research. In order to beat the odds at being the first to discover an elusive cancer trigger and maintain her funding, she contemplates sharing research and resources with a lab in Paris, headed by JP Martineau. Meanwhile she is being courted by Ameritech Pharmaceuticals, a multinational company that may be the answer to her lab’s financial woes. -
Course Icons Provide Information At-A-Glance
98 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 ENTERTAINMENT Entertainment Studies Certificates STUDIES Gain the Skills to Take Your Career to the Next Level 98 Acting 99 Cinematography 100 Development 100 Directing 101 Post-Production 101 Producing 102 The Business & Management of Entertainment 103 The Music Business 104 Music Production 105 Film Scoring Inside Stanislavski: Art & Craft of Applications for the Screen Actor X 407.42 Theater 4 units Entertainment The great Russian actor, director and teacher Konstan- For more information call (310) 825-9064, email tin Stanislavski had a method that combined physicality [email protected], or visit and spirituality when building a character as the shorter entertainment.uclaextension.edu. route to finding its inner life. Learn these practical techniques of Stanislavski to perform with confidence Space is limited; early enrollment is highly and depth. Exercises are supplemented with discussion recommended. Visitors are not permitted at of Stanislavski’s concepts, philosophy, and ethics. Most some courses. For online course technical modern acting methods are grounded in the Stanislav- requirements, see page 4. ski system and understanding the basics of this system helps the actor understand and study other acting Interested in becoming a director? Want a career as a movie techniques. Topics include action vs. emotion; using producer or executive? Are you interested in behind-the-scenes Acting imagination to create real emotions; relaxation and concentration; emotional memory; and building a positions such as director of photography? Acting Techniques: The Fundamentals character through physicality and voice. At the end of Enroll in one of our 11 Entertainment Studies Certificates. -
Largometrajes 2010 Feature Films
FAMILYSTRIP Dirigido por/Directed by LLUÍS MIÑARRO Productora/Production Company: EDDIE SAETA, S.A. Pasaje Permanyer, 14. 08009 Barcelona. Tel.: 93 467 70 40. Fax: 93 467 74 89. www.eddiesaeta.com ; [email protected] Con la participación de/With the participation of: TVE, S.A. Director: LLUÍS MIÑARRO. Dirección de producción/Line Producer: MONTSE PEDRÓS. Guión/Screenplay: LLUÍS MIÑARRO. Fotografía/Photography: PABLO GARCÍA PÉREZ DE LARA, CHRISTOPHE FARNARIER. Música/Score: GEORGES MOUSTAKI, JIMMY FONTANA, HENRY PURCELL. Montaje/Editing: SERGI DIES, VALENTINA MOTTURA. Sonido/Sound: VERONICA FONT. Mezclas/Re-recording Mixer: RICARD CASALS. Postproducción / Post Production: ÓSCAR PELÁEZ. Financial Manager: ROCÍO MARTAGÓN. DOCUMENTAL/DOCUMENTARY Con/With:MARIA LUZ ALBERO CALVO (Madre), FRANCESC MIÑARRO BERMEJO (Padre), LLUÍS MIÑARRO (Hijo), FRANCESC HERRERO (Pintor). Largometraje/Feature Film. Género/Genre: Documental. Duración/Running time: 70 minutos. Fechas de rodaje/Shooting dates: 07/01/2007 - 28/02/2008. Premios/Awards: l 23 Edición Cineuropa. Santiago de Compostela Premio del Público, Mejor Película XV Festival de Cine Español de Toulouse (Cinespaña) 2010 l Web: www.eddiesaeta.com/familystrip ; www.baditri.cat Mención especial. Festivales/Festivals: l Karlovy Vary Internacional Film Festival 2009 l 23 Edición Cineuropa 2009. Santiago de Compostela l Festival de San Sebastián 2009 l Montpellier Cinemed 2009 Competición Oficial l Festival de Montenegro 2009 l Festival de Cali 2009 (Colombia) Retrospectiva a Luís Miñarro l Filmoteca Valenciana Retrospectiva Eddie Saeta l 14° Bienal de Cine Español de Annecy 2010 (Francia) l Festival Internacional du Cinema Méditerrananéen / Tetuan 2010 l Festival Punta del Este 2010 (Uruguay) l Festival Las Palmas de Gran Canaria 2010 l Festival de Málaga.